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John Gress
United States
Registrace 28. 01. 2010
If you enjoy learning from me in these videos, you will probably love my members only content at
www.johngress.com/academy!
For over 20 years I have created stunning photography & videos for some of America’s largest companies & international media outlets. My work has included national advertising and commercial content for the beauty industry, professional sports leagues, consumer packaged goods, food & beverage and more. Professional Photographer Magazine called me “one of the nation’s foremost experts on lighting.”
As a commercial photographer I have worked with many Fortune 500 companies. My clients have included ESPN, Hyatt Hotels, Lufthansa, Midas, Miller Coors, Nike, S.C. Johnson and Wahl.
My work has been published in Time, The New York Times, In Touch, People, Sports Illustrated to name a few.
For advanced in person portrait lighting workshops please visit johngress.com/workshops/
You can also find me on Instagram johngressmedia
www.johngress.com/academy!
For over 20 years I have created stunning photography & videos for some of America’s largest companies & international media outlets. My work has included national advertising and commercial content for the beauty industry, professional sports leagues, consumer packaged goods, food & beverage and more. Professional Photographer Magazine called me “one of the nation’s foremost experts on lighting.”
As a commercial photographer I have worked with many Fortune 500 companies. My clients have included ESPN, Hyatt Hotels, Lufthansa, Midas, Miller Coors, Nike, S.C. Johnson and Wahl.
My work has been published in Time, The New York Times, In Touch, People, Sports Illustrated to name a few.
For advanced in person portrait lighting workshops please visit johngress.com/workshops/
You can also find me on Instagram johngressmedia
Have You Been Using Depth of Field Wrong? Depth-of-Field Mistakes
In this video, we dive deep into the often overlooked and misunderstood topic of depth-of-field. Whether you're obsessed with bokeh or always set your camera to f5.6 or f8, understanding and using depth-of-field to your advantage is crucial for improving your portrait photography skills. Join us as we explore practical demonstrations, comparisons, and real-world examples to help you make informed decisions and take your portraits to the next level.
Click on this link to get a special offer from Evoto evoto.ai/s/JohnGressMedia
Click here for a full list of all the gear I use in the studio - shop.howl.me/JohnGress
The Academy with John Gress
johngress.com/academy/
Lighting Handbooks
johngress.com/lightinghandbooks/
Workshops
johngress.com/workshops/
Camera
Canon EOS R5
Adorama howl.me/cjCnaWpm8UM
Amazon amzn.to/3vPGmeb
B&H bhpho.to/3VbPdUw
Canon RF 85mm F1.2 L USM
Adorama howl.me/cjCnaWYcCHb
Amazon amzn.to/3tHbPxm
B&H bhpho.to/3L6f1Na
Tiffen 82mm Black Pro Mist 1/4 Special Effects Filter
Adorama howl.me/ck1duEam7cq
Amazon amzn.to/3QLzeuC
B&H bhpho.to/46hjSDV
Studio Titan Camera Stand STA-01-360 MK2
Adorama howl.me/cjGcfVD3aCG
B&H bhpho.to/3cf4RfL
Lighting
Elinchrom FIVE
Adorama howl.me/cjCnmmUpjV1
Amazon amzn.to/3Um6V61
B&H bhpho.to/3LcypYZ
Elinchrom ELC 500 Studio Monolight Adorama howl.me/cjCnmmb4t6R
Amazon amzn.to/2PzMLGP B&H bhpho.to/3oJXVx7
Elinchrom Rotalux Deep Octabox (100cm / 39”)
Adorama howl.me/cjCnv90VNi5Amazon amzn.to/3fRG5AH
B&H bhpho.to/3oSg0cy
Canon RF 28-70mm f/2.0
Adorama howl.me/cjCnaWOwhRU
Amazon amzn.to/3vkEWbE
B&H bhpho.to/426bKEM
Video
Canon Cinema EOS C70
Adorama howl.me/cjCnaWADdkp
Amazon amzn.to/3vkvy7X
B&H bhpho.to/44dCV23
Nanlite FS-150 AC LED Monolight
Adorama howl.me/cjFTK70WWcG
Nanlite nanlite.pxf.io/b3zLLB
B&H bhpho.to/3NFmZQg
Partial Transcript:
Welcome back everyone! In today’s video, we're going to do a deep dive on a topic that is often overlooked and misunderstood: depth-of-field. While many new photographers are obsessed with bokeh and shooting prime lenses wide open, there’s so much more to depth-of-field than just achieving those beautiful blurry backgrounds. On the other hand, some photographers might set their camera at f5.6 or f8 and leave it there all the time, resulting in too much depth-of-field for certain shots. Understanding and using depth-of-field to your advantage is crucial for improving your overall photography skills. By the end of this video, you'll have the skills to make better decisions and take your portraits to the next level. So let's get started!
In this video, We’re going to explore depth-of-field in detail, covering practical demonstrations, comparisons, and real-world examples to help you make informed decisions moving forward.
First, we'll break down what depth-of-field is and why it matters. Then, we’ll examine bokeh. After that, we'll see how changing the f-stop can impact sharpness throughout the image in this comparison with our model Chris. Then we’ll see how shooting wide open or stopped down on set can be used to your artistic advantage. Finally, I'll give you some practical tips for using depth-of-field strategically on your next shoot.
Understanding depth-of-field is essential for taking your photography to the next level. It allows you to control what is in focus and what isn't, helping you to create more compelling and professional-looking images.
If you want to help support me to make more videos like this, please click on the gear links on screen and in the description, even if you’re not interested in that gear in particular. You can also send a super thanks below and please like, subscribe, and sign up for the bell!
Let's start with a quick explanation of what depth-of-field is. Depth-of-field (DOF) is the distance between the nearest and the furthest objects in your shot that are considered to be in focus.
Several factors affect depth-of-field:
The Aperture: A wider aperture (a smaller f-number) results in a shallower depth-of-field, while a larger f-number will give you more depth-of-field.
Focal Length: The longer the focal length, the shallower the depth-of-field.
Focus Distance: The closer the subject to the lens, the shallower the depth-of-field. Increasing the distance between the lens and the subject increases the depth-of-field.
Chapters
00:00 - Introduction
02:28 - Defining Depth of Field
04:53 - Bokeh
06:38 - Depth of Field F-Stop Comparison
07:59 - Choosing the Right Lens
08:42 - Retouching
09:46 - Background Blur with Sophia
12:15 - Real World Example with Kasan
12:48 - Conclusion
Click on this link to get a special offer from Evoto evoto.ai/s/JohnGressMedia
Click here for a full list of all the gear I use in the studio - shop.howl.me/JohnGress
The Academy with John Gress
johngress.com/academy/
Lighting Handbooks
johngress.com/lightinghandbooks/
Workshops
johngress.com/workshops/
Camera
Canon EOS R5
Adorama howl.me/cjCnaWpm8UM
Amazon amzn.to/3vPGmeb
B&H bhpho.to/3VbPdUw
Canon RF 85mm F1.2 L USM
Adorama howl.me/cjCnaWYcCHb
Amazon amzn.to/3tHbPxm
B&H bhpho.to/3L6f1Na
Tiffen 82mm Black Pro Mist 1/4 Special Effects Filter
Adorama howl.me/ck1duEam7cq
Amazon amzn.to/3QLzeuC
B&H bhpho.to/46hjSDV
Studio Titan Camera Stand STA-01-360 MK2
Adorama howl.me/cjGcfVD3aCG
B&H bhpho.to/3cf4RfL
Lighting
Elinchrom FIVE
Adorama howl.me/cjCnmmUpjV1
Amazon amzn.to/3Um6V61
B&H bhpho.to/3LcypYZ
Elinchrom ELC 500 Studio Monolight Adorama howl.me/cjCnmmb4t6R
Amazon amzn.to/2PzMLGP B&H bhpho.to/3oJXVx7
Elinchrom Rotalux Deep Octabox (100cm / 39”)
Adorama howl.me/cjCnv90VNi5Amazon amzn.to/3fRG5AH
B&H bhpho.to/3oSg0cy
Canon RF 28-70mm f/2.0
Adorama howl.me/cjCnaWOwhRU
Amazon amzn.to/3vkEWbE
B&H bhpho.to/426bKEM
Video
Canon Cinema EOS C70
Adorama howl.me/cjCnaWADdkp
Amazon amzn.to/3vkvy7X
B&H bhpho.to/44dCV23
Nanlite FS-150 AC LED Monolight
Adorama howl.me/cjFTK70WWcG
Nanlite nanlite.pxf.io/b3zLLB
B&H bhpho.to/3NFmZQg
Partial Transcript:
Welcome back everyone! In today’s video, we're going to do a deep dive on a topic that is often overlooked and misunderstood: depth-of-field. While many new photographers are obsessed with bokeh and shooting prime lenses wide open, there’s so much more to depth-of-field than just achieving those beautiful blurry backgrounds. On the other hand, some photographers might set their camera at f5.6 or f8 and leave it there all the time, resulting in too much depth-of-field for certain shots. Understanding and using depth-of-field to your advantage is crucial for improving your overall photography skills. By the end of this video, you'll have the skills to make better decisions and take your portraits to the next level. So let's get started!
In this video, We’re going to explore depth-of-field in detail, covering practical demonstrations, comparisons, and real-world examples to help you make informed decisions moving forward.
First, we'll break down what depth-of-field is and why it matters. Then, we’ll examine bokeh. After that, we'll see how changing the f-stop can impact sharpness throughout the image in this comparison with our model Chris. Then we’ll see how shooting wide open or stopped down on set can be used to your artistic advantage. Finally, I'll give you some practical tips for using depth-of-field strategically on your next shoot.
Understanding depth-of-field is essential for taking your photography to the next level. It allows you to control what is in focus and what isn't, helping you to create more compelling and professional-looking images.
If you want to help support me to make more videos like this, please click on the gear links on screen and in the description, even if you’re not interested in that gear in particular. You can also send a super thanks below and please like, subscribe, and sign up for the bell!
Let's start with a quick explanation of what depth-of-field is. Depth-of-field (DOF) is the distance between the nearest and the furthest objects in your shot that are considered to be in focus.
Several factors affect depth-of-field:
The Aperture: A wider aperture (a smaller f-number) results in a shallower depth-of-field, while a larger f-number will give you more depth-of-field.
Focal Length: The longer the focal length, the shallower the depth-of-field.
Focus Distance: The closer the subject to the lens, the shallower the depth-of-field. Increasing the distance between the lens and the subject increases the depth-of-field.
Chapters
00:00 - Introduction
02:28 - Defining Depth of Field
04:53 - Bokeh
06:38 - Depth of Field F-Stop Comparison
07:59 - Choosing the Right Lens
08:42 - Retouching
09:46 - Background Blur with Sophia
12:15 - Real World Example with Kasan
12:48 - Conclusion
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In today's video, we're diving deep into the world of hard light lighting accessories! We'll explore how to use grids, barn doors, and gels to control and shape light, creating stunning effects that will elevate your photography. Click on this link to get a special offer from Evoto evoto.ai/s/JohnGressMedia Click here for a full list of all the gear I use in the studio - shop.howl.me/JohnGress ...
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This is what it have been looking for. As an aspiring mobile photographer who is limited only to the use continuous light. I had been struggling with all the light setup i can get because i really do not want to use one light setup. I cannot thank you enough. Now I know what to buy.
Negative Fill is just another name for localized shading. Creating Dark Zones with the use of Black Vflats, Black Flags and Duvetyn Floppy's around a subject while using powerful speedlights or strobes requires the same level of understanding as lighting and reflective light. Strategically place Dark Zones shading Diffused light around a subject helps to create contrast separation on your subject from high value backgrounds.
Such an awesome setup! Keep up the good work. 📷📷
This is the 101 that I totally needed. As someone who has just started shooting indoors for portfolio purposes, I had never imagine how crazy the whole set can pile up before looking at the set at the end. Your generosity is hugely appreciated.
Thats great to hear! I hope it helps!
Hello, can you please review the Hasselblad X2D. Would love to know your thoughts.
Can this be done with two light ??
I love your work. You are my inspiration. Bug kisses
If your photographs were a person I'd be so hopelessly in love I'd crawl over broken glass to kiss the hand of their hairdresser.
i realy love this style. if can change the background like this 😮💨
Thanks! You might want to watch this video czcams.com/video/IMXBxiohoDU/video.html
Muito boa a Aula Vou fazer o teste do diametro com a metragem para testar o beauty que eu tenho aqui de uma marca Brasileira . So para aprender seguindo estas regras de medida como base a mesma iluminação. Muito obrigado pelo conteúdo e maestria em repassar todo este conhecimento ... Sou grato por tudo
Obrigada e obrigada por assistir! Espero que meu vídeo ajude e tenho certeza de que você encontrará o que funciona para você e fará ótimas fotos com seu beauty dish!
Hey John. A little tip as an instructor that I found works ( especially with newbies). Always use forward slash when typing aperture. I think it reinforces the fact that it’s a fraction. A lot of people have trouble remembering which number has a bigger hole. f/2 rather than F2. Everyone understands they’d rather have 1/2 a pie rather than 1/8 of one. 😊
Thanks. I’d never thought of it that way.
Very precise and knowledgeable.
Thank you!
Such a great video! Thankyou!
Thank you!
Adorama don’t ship items to Ghana?😍
Dicas Valiosas. Muito Obrigado!
Muito Obrigado!
Does the Elinchrom save the last TTL settings when you switch over to manual?
Yes they do!
Lots of great info. Aways said that knowing DOF of apertures of focal lengths you are using is a must.
Thanks!
As always helpful and informative, Thank you so much John! Good luck!
My pleasure!
Excellent explanation, thank you John.
Very welcome!
The violent contrast between blur and sharpness is to photography what Mc Donald's is to gastronomy. It does not isolate the subject (composition does) but destroys the middle ground and depth, as multiple layers create depht and dimension. With only one overblurry layer for background, you get a flat mush of pixels giving the feeling that the subject is standing in front of a wallpaper or a green screen. If the environement is distracting, instead of destroying it, choose a more dynamic angle.
Great video. Thx for breakdown and comparisons
Thanks for watching!
I have Godox lights and not Elinchrom. Anyways I thought the mobile app was neat so I searched for an app to use with my lights and they make one. The ability to save my set ups now is incredible. I need to spend a day saving all my complex light set ups. What a great time saver.
Its great to hear that they make one too and I hope it helps you moving forward!
I find it a bit comical to hear people talking about the "exposure triangle". This guy speaks of his "early photography instruction" in high school, while failing to mention that it was about 15 minutes ago. The reason this is important to mention is that in all traditional photography, the sensitivity of the light-sensitive material (film, plates, sensors) is definitely NOT a variable you have control over, in thye same way you control f-stop and shutter speed. The actual "speed" or sensitivity of the light-sensitive material was either printed on the box (in later years) or determined by the chemical concoction you may have come up with (in earlier years). What I find comical is not so much that the "educator" here has absolutely zero information of the history of his subject, nor the origin of the units used ("ISO") and where they came from, but that armed with the vastness of this ignorance of facts easily researched and elucidated he continues - confident from his pulpit of manure-pit ignorance - to wish to educate us on a subject of which he has not the slightest inkling of its origin - nor of its significance.
Thanks for the huge compliment! I took that high school class I referenced in 1992.
Hi John, I tested several settings which I had done in the past to verify the results with the outcome of the software. I was very surprised how helpful this great tool is. It shows very good the impact of the use of grids and diffusors in the striplights and softboxes and the effect at the model. In the meantime I have saved different settings which I like to use in my shootings. It helps me to check, how to modify the settings slightly to get very different and interesting results. That’s very helpful for preparation if you have less time for the shooting. Of course its just more fun to experiment with a real model in the real world, but nevertheless a really great tool and worth the money it costs! 👍🏻👍🏻👍🏻
Thats great hear! I think I mentioned how it can speed up your time on set in my first Set A Light video. I hope I mentioned it in this video too. Thanks for reaching out!
There is no such thing as using dof incorrectly, if the end result achieves your desired effect, then it is correct for your artistic intention and right for you. The same applies to any other aspect of photography, if not following the "rules" gets you to your intended result, then it is correct, regardless of anyone elses critique of your work.
Great visual samples and video John!!
Thanks James! Someone told me I forgot about APS-C and mini medium format cameras!
Thank you
You're welcome!
John - Thank you. You are a master at balancing the technical aspects with practical application. 1000 x Thank you.
Wow thank you so much!
Evoto of course. No wonder the images looked weird. So much effort into taking good images to make the end product look bad.
And quite important note is, that for portrait crop (head and chest) F2.8 creates the best separation, because body is fully in focus and background is not. For wider openings of aperture usually the body is not fully in focus and it's not very pronounced from the blurry background. For other crops (medium, american or full body) usually the fastest the lens go creates the best separation, but if lens is not sharp wide open, then it's better to stop it down for better separation, because subject will appear crispier, even if bokeh is a bit less blurry separation will be better.
That’s an excellent and very informative episode. Thank you
Thanks! Glad you enjoyed it!
DoF is the same for the same crop regardless the focal length. Of course if you do not move the camera, then yes longer focal length will create shallower DoF, because you subject is bigger in the frame.
Love the place and set up
Thank you so much!
what lights are you using in each of the strip boxes?
LIkely these: Elinchrom ELC 500 Studio Monolight Adorama howl.me/cjCnmmb4t6R Amazon amzn.to/2PzMLGP B&H bhpho.to/3oJXVx7
thanks for another great tutorial john
Thanks! Glad you enjoyed it.
thank you so much
You're welcome!
this lesson/set of tutorials is incredible. so helpful! thanks for making!
You're very welcome!
thank you
You're welcome!
Such gorgeous portraits
Thank you so much!
Deep Octa 39" was used?
Elinchrom Rotalux Deep Octabox (70cm / 27.5”) Adorama howl.me/cjCnv9WSyB2 Amazon amzn.to/3IxitgV B&hbhpho.to/3AIN1uy
Thank you for your well-paced delivery of information. Creators who speak like an auctioneer make it hard to absorb information.
Thanks! Glad it was helpful!
Hey thanks for the explanation. I have a silly question. How much weight do you have to put inside the sandbag so that the flash and modifier dont fall and break? I have a metal thing and is like 13 kg. Regards❤
Thank you! 7-12kg is the standard range for these bags.
It would also be very enlightening to see side by side the fully lit picture with one with just the key, than with key and fill, and with one with key and rim - to not only see what each light is doing, but also what difference it makes.
Thanks I’ll consider that moving forward.
Very helpful thanks
You're welcome!
Awesome ❤❤❤❤❤ your work is magic!
Thank you so much 😀
Hey John! Do you have a video showing the lighting and BTS at the timestamp16:11 ?
These videos will help you recreate window light: czcams.com/video/xqP4KL4QiUE/video.html This one is more advanced: czcams.com/video/Fiu8qy4Wq8A/video.html
@@JohnGress Thank You. I'll check it out. I was most interested in the way you have the back light/hair light positioned. It's unlike anything I've seen you do. I'll be trying it today.
Oh I see yes this is an old video and I don't think I quite knew what I was doing. Large round hair lights like this can end up lighting the nose and forehead and thats why I typically use a strip.
@@JohnGress Gotcha. Either way, I liked the results shown in the video, so I tried it. As long as I kept the softlighter completely behind the subject there was no spill and yielded similar results on canvas.
Thanks a lot for your tutorial and the code which I just used to buy the studio version. I think this software can help me checking light situation much easier before doing shootings. looking forward to working with it and get faster results. Best regards from Germany!
Thank you so much for your kind words and for using the code to get the studio version of set.a.light 3D! It's great to hear that you're finding the software helpful when planning your shoots! If youre feeling like it's taking too long to set up each shot it will become a lot easier with experience. I hope it helps streamline your workflow and brings even more creativity to your next photoshoot!
John this was incredibly helpful, ty! Quick question; in the shot of tyler with the gels; how did you keep his entire body from being coloured whilst only have the colour on the background shadow? Sorry if thats a stupid question! Is it best to use a gray or white background for images like that? Thanks again for the inspo!
That’s great to hear! When red, green, and blue light are combined, they create white light. This occurs due to the additive color model, which is used in devices like computer screens and digital displays. In this model, red, green, and blue are the primary colors of light. When mixed together in equal intensities, they produce white light because the combination stimulates our eyes' cone cells, resulting in the perception of white. This is fundamentally different from mixing colors in paint, where the subtractive color model is used. In the additive model, combining different wavelengths of light adds to the overall intensity and creates new colors
@@JohnGress amazing, thank you for getting back to me, will go give it a whirl!
Can we get a behind the scenes from this as additional content from your next video 🤔
Where did you get these v-flats from ?
The background is made up of these: Nanlite PavoTube II 30C 4′ 55W RGBWW LED Tube 4-Light Kit Adorama howl.me/ckfZUfMSHeW Amazon amzn.to/3rJgmUa Nanlite nanlite.pxf.io/m5GW7y B&H bhpho.to/3rSengz