John Gress
John Gress
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Have You Been Using Depth of Field Wrong? Depth-of-Field Mistakes
In this video, we dive deep into the often overlooked and misunderstood topic of depth-of-field. Whether you're obsessed with bokeh or always set your camera to f5.6 or f8, understanding and using depth-of-field to your advantage is crucial for improving your portrait photography skills. Join us as we explore practical demonstrations, comparisons, and real-world examples to help you make informed decisions and take your portraits to the next level.
Click on this link to get a special offer from Evoto evoto.ai/s/JohnGressMedia
Click here for a full list of all the gear I use in the studio - shop.howl.me/JohnGress
The Academy with John Gress
johngress.com/academy/
Lighting Handbooks
johngress.com/lightinghandbooks/
Workshops
johngress.com/workshops/
Camera
Canon EOS R5
Adorama howl.me/cjCnaWpm8UM
Amazon amzn.to/3vPGmeb
B&H bhpho.to/3VbPdUw
Canon RF 85mm F1.2 L USM
Adorama howl.me/cjCnaWYcCHb
Amazon amzn.to/3tHbPxm
B&H bhpho.to/3L6f1Na
Tiffen 82mm Black Pro Mist 1/4 Special Effects Filter
Adorama howl.me/ck1duEam7cq
Amazon amzn.to/3QLzeuC
B&H bhpho.to/46hjSDV
Studio Titan Camera Stand STA-01-360 MK2
Adorama howl.me/cjGcfVD3aCG
B&H bhpho.to/3cf4RfL
Lighting
Elinchrom FIVE
Adorama howl.me/cjCnmmUpjV1
Amazon amzn.to/3Um6V61
B&H bhpho.to/3LcypYZ
Elinchrom ELC 500 Studio Monolight Adorama howl.me/cjCnmmb4t6R
Amazon amzn.to/2PzMLGP B&H bhpho.to/3oJXVx7
Elinchrom Rotalux Deep Octabox (100cm / 39”)
Adorama howl.me/cjCnv90VNi5Amazon amzn.to/3fRG5AH
B&H bhpho.to/3oSg0cy
Canon RF 28-70mm f/2.0
Adorama howl.me/cjCnaWOwhRU
Amazon amzn.to/3vkEWbE
B&H bhpho.to/426bKEM
Video
Canon Cinema EOS C70
Adorama howl.me/cjCnaWADdkp
Amazon amzn.to/3vkvy7X
B&H bhpho.to/44dCV23
Nanlite FS-150 AC LED Monolight
Adorama howl.me/cjFTK70WWcG
Nanlite nanlite.pxf.io/b3zLLB
B&H bhpho.to/3NFmZQg
Partial Transcript:
Welcome back everyone! In today’s video, we're going to do a deep dive on a topic that is often overlooked and misunderstood: depth-of-field. While many new photographers are obsessed with bokeh and shooting prime lenses wide open, there’s so much more to depth-of-field than just achieving those beautiful blurry backgrounds. On the other hand, some photographers might set their camera at f5.6 or f8 and leave it there all the time, resulting in too much depth-of-field for certain shots. Understanding and using depth-of-field to your advantage is crucial for improving your overall photography skills. By the end of this video, you'll have the skills to make better decisions and take your portraits to the next level. So let's get started!
In this video, We’re going to explore depth-of-field in detail, covering practical demonstrations, comparisons, and real-world examples to help you make informed decisions moving forward.
First, we'll break down what depth-of-field is and why it matters. Then, we’ll examine bokeh. After that, we'll see how changing the f-stop can impact sharpness throughout the image in this comparison with our model Chris. Then we’ll see how shooting wide open or stopped down on set can be used to your artistic advantage. Finally, I'll give you some practical tips for using depth-of-field strategically on your next shoot.
Understanding depth-of-field is essential for taking your photography to the next level. It allows you to control what is in focus and what isn't, helping you to create more compelling and professional-looking images.
If you want to help support me to make more videos like this, please click on the gear links on screen and in the description, even if you’re not interested in that gear in particular. You can also send a super thanks below and please like, subscribe, and sign up for the bell!
Let's start with a quick explanation of what depth-of-field is. Depth-of-field (DOF) is the distance between the nearest and the furthest objects in your shot that are considered to be in focus.
Several factors affect depth-of-field:
The Aperture: A wider aperture (a smaller f-number) results in a shallower depth-of-field, while a larger f-number will give you more depth-of-field.
Focal Length: The longer the focal length, the shallower the depth-of-field.
Focus Distance: The closer the subject to the lens, the shallower the depth-of-field. Increasing the distance between the lens and the subject increases the depth-of-field.
Chapters
00:00 - Introduction
02:28 - Defining Depth of Field
04:53 - Bokeh
06:38 - Depth of Field F-Stop Comparison
07:59 - Choosing the Right Lens
08:42 - Retouching
09:46 - Background Blur with Sophia
12:15 - Real World Example with Kasan
12:48 - Conclusion
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Komentáře

  • @marufajimati
    @marufajimati Před 12 hodinami

    This is what it have been looking for. As an aspiring mobile photographer who is limited only to the use continuous light. I had been struggling with all the light setup i can get because i really do not want to use one light setup. I cannot thank you enough. Now I know what to buy.

  • @divusiulius7539
    @divusiulius7539 Před 14 hodinami

    Negative Fill is just another name for localized shading. Creating Dark Zones with the use of Black Vflats, Black Flags and Duvetyn Floppy's around a subject while using powerful speedlights or strobes requires the same level of understanding as lighting and reflective light. Strategically place Dark Zones shading Diffused light around a subject helps to create contrast separation on your subject from high value backgrounds.

  • @sanjayt5633
    @sanjayt5633 Před dnem

    Such an awesome setup! Keep up the good work. 📷📷

  • @kenneth6102
    @kenneth6102 Před 2 dny

    This is the 101 that I totally needed. As someone who has just started shooting indoors for portfolio purposes, I had never imagine how crazy the whole set can pile up before looking at the set at the end. Your generosity is hugely appreciated.

    • @JohnGress
      @JohnGress Před 2 dny

      Thats great to hear! I hope it helps!

  • @jeffjean5965
    @jeffjean5965 Před 2 dny

    Hello, can you please review the Hasselblad X2D. Would love to know your thoughts.

  • @jamesjoshua615
    @jamesjoshua615 Před 2 dny

    Can this be done with two light ??

  • @Fernucho2007
    @Fernucho2007 Před 2 dny

    I love your work. You are my inspiration. Bug kisses

  • @artursandwich1974
    @artursandwich1974 Před 3 dny

    If your photographs were a person I'd be so hopelessly in love I'd crawl over broken glass to kiss the hand of their hairdresser.

  • @guy3rd
    @guy3rd Před 3 dny

    i realy love this style. if can change the background like this 😮‍💨

    • @JohnGress
      @JohnGress Před 3 dny

      Thanks! You might want to watch this video czcams.com/video/IMXBxiohoDU/video.html

  • @rodrigoferraoO
    @rodrigoferraoO Před 3 dny

    Muito boa a Aula Vou fazer o teste do diametro com a metragem para testar o beauty que eu tenho aqui de uma marca Brasileira . So para aprender seguindo estas regras de medida como base a mesma iluminação. Muito obrigado pelo conteúdo e maestria em repassar todo este conhecimento ... Sou grato por tudo

    • @JohnGress
      @JohnGress Před 3 dny

      Obrigada e obrigada por assistir! Espero que meu vídeo ajude e tenho certeza de que você encontrará o que funciona para você e fará ótimas fotos com seu beauty dish!

  • @isoawe1888
    @isoawe1888 Před 3 dny

    Hey John. A little tip as an instructor that I found works ( especially with newbies). Always use forward slash when typing aperture. I think it reinforces the fact that it’s a fraction. A lot of people have trouble remembering which number has a bigger hole. f/2 rather than F2. Everyone understands they’d rather have 1/2 a pie rather than 1/8 of one. 😊

    • @JohnGress
      @JohnGress Před 3 dny

      Thanks. I’d never thought of it that way.

  • @bharatadhikari4136
    @bharatadhikari4136 Před 3 dny

    Very precise and knowledgeable.

  • @danielvanhooijdonk545

    Such a great video! Thankyou!

  • @enochtv7190
    @enochtv7190 Před 4 dny

    Adorama don’t ship items to Ghana?😍

  • @fernandoc.santos7851

    Dicas Valiosas. Muito Obrigado!

  • @ruebencruz-tokar3279

    Does the Elinchrom save the last TTL settings when you switch over to manual?

  • @jamesmonahan9408
    @jamesmonahan9408 Před 5 dny

    Lots of great info. Aways said that knowing DOF of apertures of focal lengths you are using is a must.

  • @bala1000mina
    @bala1000mina Před 6 dny

    As always helpful and informative, Thank you so much John! Good luck!

  • @apiluckthammawimutti8770

    Excellent explanation, thank you John.

  • @yanncabello6268
    @yanncabello6268 Před 7 dny

    The violent contrast between blur and sharpness is to photography what Mc Donald's is to gastronomy. It does not isolate the subject (composition does) but destroys the middle ground and depth, as multiple layers create depht and dimension. With only one overblurry layer for background, you get a flat mush of pixels giving the feeling that the subject is standing in front of a wallpaper or a green screen. If the environement is distracting, instead of destroying it, choose a more dynamic angle.

  • @florencioaviles408
    @florencioaviles408 Před 7 dny

    Great video. Thx for breakdown and comparisons

  • @Richard_Bumblebee
    @Richard_Bumblebee Před 7 dny

    I have Godox lights and not Elinchrom. Anyways I thought the mobile app was neat so I searched for an app to use with my lights and they make one. The ability to save my set ups now is incredible. I need to spend a day saving all my complex light set ups. What a great time saver.

    • @JohnGress
      @JohnGress Před 7 dny

      Its great to hear that they make one too and I hope it helps you moving forward!

  • @gregfaris6959
    @gregfaris6959 Před 7 dny

    I find it a bit comical to hear people talking about the "exposure triangle". This guy speaks of his "early photography instruction" in high school, while failing to mention that it was about 15 minutes ago. The reason this is important to mention is that in all traditional photography, the sensitivity of the light-sensitive material (film, plates, sensors) is definitely NOT a variable you have control over, in thye same way you control f-stop and shutter speed. The actual "speed" or sensitivity of the light-sensitive material was either printed on the box (in later years) or determined by the chemical concoction you may have come up with (in earlier years). What I find comical is not so much that the "educator" here has absolutely zero information of the history of his subject, nor the origin of the units used ("ISO") and where they came from, but that armed with the vastness of this ignorance of facts easily researched and elucidated he continues - confident from his pulpit of manure-pit ignorance - to wish to educate us on a subject of which he has not the slightest inkling of its origin - nor of its significance.

    • @JohnGress
      @JohnGress Před 7 dny

      Thanks for the huge compliment! I took that high school class I referenced in 1992.

  • @wolfrehm6314
    @wolfrehm6314 Před 7 dny

    Hi John, I tested several settings which I had done in the past to verify the results with the outcome of the software. I was very surprised how helpful this great tool is. It shows very good the impact of the use of grids and diffusors in the striplights and softboxes and the effect at the model. In the meantime I have saved different settings which I like to use in my shootings. It helps me to check, how to modify the settings slightly to get very different and interesting results. That’s very helpful for preparation if you have less time for the shooting. Of course its just more fun to experiment with a real model in the real world, but nevertheless a really great tool and worth the money it costs! 👍🏻👍🏻👍🏻

    • @JohnGress
      @JohnGress Před 7 dny

      Thats great hear! I think I mentioned how it can speed up your time on set in my first Set A Light video. I hope I mentioned it in this video too. Thanks for reaching out!

  • @user-qj7et4wv3q
    @user-qj7et4wv3q Před 7 dny

    There is no such thing as using dof incorrectly, if the end result achieves your desired effect, then it is correct for your artistic intention and right for you. The same applies to any other aspect of photography, if not following the "rules" gets you to your intended result, then it is correct, regardless of anyone elses critique of your work.

  • @QuantzPhoto
    @QuantzPhoto Před 7 dny

    Great visual samples and video John!!

    • @JohnGress
      @JohnGress Před 7 dny

      Thanks James! Someone told me I forgot about APS-C and mini medium format cameras!

  • @shajimaheswaranPhotography

    Thank you

  • @JesseGDuke
    @JesseGDuke Před 8 dny

    John - Thank you. You are a master at balancing the technical aspects with practical application. 1000 x Thank you.

  • @000CloudStrife
    @000CloudStrife Před 8 dny

    Evoto of course. No wonder the images looked weird. So much effort into taking good images to make the end product look bad.

  • @JoATTech
    @JoATTech Před 8 dny

    And quite important note is, that for portrait crop (head and chest) F2.8 creates the best separation, because body is fully in focus and background is not. For wider openings of aperture usually the body is not fully in focus and it's not very pronounced from the blurry background. For other crops (medium, american or full body) usually the fastest the lens go creates the best separation, but if lens is not sharp wide open, then it's better to stop it down for better separation, because subject will appear crispier, even if bokeh is a bit less blurry separation will be better.

  • @Elassyahmed
    @Elassyahmed Před 8 dny

    That’s an excellent and very informative episode. Thank you

    • @JohnGress
      @JohnGress Před 7 dny

      Thanks! Glad you enjoyed it!

  • @JoATTech
    @JoATTech Před 8 dny

    DoF is the same for the same crop regardless the focal length. Of course if you do not move the camera, then yes longer focal length will create shallower DoF, because you subject is bigger in the frame.

  • @supyos430
    @supyos430 Před 8 dny

    Love the place and set up

  • @OLaniTunes
    @OLaniTunes Před 8 dny

    what lights are you using in each of the strip boxes?

    • @JohnGress
      @JohnGress Před 8 dny

      LIkely these: Elinchrom ELC 500 Studio Monolight 
Adorama howl.me/cjCnmmb4t6R Amazon amzn.to/2PzMLGP 
B&H bhpho.to/3oJXVx7

  • @darcybrown7369
    @darcybrown7369 Před 9 dny

    thanks for another great tutorial john

    • @JohnGress
      @JohnGress Před 8 dny

      Thanks! Glad you enjoyed it.

  • @meronkinfe2576
    @meronkinfe2576 Před 9 dny

    thank you so much

  • @riobe
    @riobe Před 9 dny

    this lesson/set of tutorials is incredible. so helpful! thanks for making!

  • @vardhanmayurkoyyada2736

    thank you

  • @b.peppercorn739
    @b.peppercorn739 Před 10 dny

    Such gorgeous portraits

  • @krystianprochowski1159

    Deep Octa 39" was used?

    • @JohnGress
      @JohnGress Před 10 dny

      Elinchrom Rotalux Deep Octabox (70cm / 27.5”) 
Adorama howl.me/cjCnv9WSyB2 Amazon amzn.to/3IxitgV B&hbhpho.to/3AIN1uy

  • @jameshall2882
    @jameshall2882 Před 11 dny

    Thank you for your well-paced delivery of information. Creators who speak like an auctioneer make it hard to absorb information.

    • @JohnGress
      @JohnGress Před 11 dny

      Thanks! Glad it was helpful!

  • @carolinamaristad9369
    @carolinamaristad9369 Před 12 dny

    Hey thanks for the explanation. I have a silly question. How much weight do you have to put inside the sandbag so that the flash and modifier dont fall and break? I have a metal thing and is like 13 kg. Regards❤

    • @JohnGress
      @JohnGress Před 11 dny

      Thank you! 7-12kg is the standard range for these bags.

  • @artursandwich1974
    @artursandwich1974 Před 12 dny

    It would also be very enlightening to see side by side the fully lit picture with one with just the key, than with key and fill, and with one with key and rim - to not only see what each light is doing, but also what difference it makes.

    • @JohnGress
      @JohnGress Před 11 dny

      Thanks I’ll consider that moving forward.

  • @sinayad2690
    @sinayad2690 Před 13 dny

    Very helpful thanks

  • @carolinamaristad9369
    @carolinamaristad9369 Před 13 dny

    Awesome ❤❤❤❤❤ your work is magic!

  • @adriandavidpayne
    @adriandavidpayne Před 13 dny

    Hey John! Do you have a video showing the lighting and BTS at the timestamp16:11 ?

    • @JohnGress
      @JohnGress Před 13 dny

      These videos will help you recreate window light: czcams.com/video/xqP4KL4QiUE/video.html This one is more advanced: czcams.com/video/Fiu8qy4Wq8A/video.html

    • @adriandavidpayne
      @adriandavidpayne Před 12 dny

      @@JohnGress Thank You. I'll check it out. I was most interested in the way you have the back light/hair light positioned. It's unlike anything I've seen you do. I'll be trying it today.

    • @JohnGress
      @JohnGress Před 7 dny

      Oh I see yes this is an old video and I don't think I quite knew what I was doing. Large round hair lights like this can end up lighting the nose and forehead and thats why I typically use a strip.

    • @adriandavidpayne
      @adriandavidpayne Před 7 dny

      @@JohnGress Gotcha. Either way, I liked the results shown in the video, so I tried it. As long as I kept the softlighter completely behind the subject there was no spill and yielded similar results on canvas.

  • @wolfrehm6314
    @wolfrehm6314 Před 13 dny

    Thanks a lot for your tutorial and the code which I just used to buy the studio version. I think this software can help me checking light situation much easier before doing shootings. looking forward to working with it and get faster results. Best regards from Germany!

    • @JohnGress
      @JohnGress Před 8 dny

      Thank you so much for your kind words and for using the code to get the studio version of set.a.light 3D! It's great to hear that you're finding the software helpful when planning your shoots! If youre feeling like it's taking too long to set up each shot it will become a lot easier with experience. I hope it helps streamline your workflow and brings even more creativity to your next photoshoot!

  • @minimcune
    @minimcune Před 16 dny

    John this was incredibly helpful, ty! Quick question; in the shot of tyler with the gels; how did you keep his entire body from being coloured whilst only have the colour on the background shadow? Sorry if thats a stupid question! Is it best to use a gray or white background for images like that? Thanks again for the inspo!

    • @JohnGress
      @JohnGress Před 11 dny

      That’s great to hear! When red, green, and blue light are combined, they create white light. This occurs due to the additive color model, which is used in devices like computer screens and digital displays. In this model, red, green, and blue are the primary colors of light. When mixed together in equal intensities, they produce white light because the combination stimulates our eyes' cone cells, resulting in the perception of white. This is fundamentally different from mixing colors in paint, where the subtractive color model is used. In the additive model, combining different wavelengths of light adds to the overall intensity and creates new colors

    • @minimcune
      @minimcune Před 11 dny

      @@JohnGress amazing, thank you for getting back to me, will go give it a whirl!

  • @paigeofstylez
    @paigeofstylez Před 17 dny

    Can we get a behind the scenes from this as additional content from your next video 🤔

  • @paigeofstylez
    @paigeofstylez Před 17 dny

    Where did you get these v-flats from ?

    • @JohnGress
      @JohnGress Před 14 dny

      The background is made up of these: Nanlite PavoTube II 30C 4′ 55W RGBWW LED Tube 4-Light Kit
Adorama howl.me/ckfZUfMSHeW
Amazon amzn.to/3rJgmUa
Nanlite nanlite.pxf.io/m5GW7y
B&H bhpho.to/3rSengz