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It really is, wish the movie was marketed better

"Vertigo", a French word for illness and nausea induced by height, is created from the French word "vert" or "green". A worldwide expression is that someone is "green with illness". I've always felt the green in the film symbolizes Scotty's obsession, yes, but an obsession to the point of illness. The most powerful scene in the film is when Judy, finally completely transformed back into Madeleine, exits the powder room of her apartment and stands before Scotty. She and the room are suffused with a powerful green light from a neon sign outside the window. Bernard Hermann's inimitable score reaches orgasmic crescendo, and Scotty's obsession is complete. His illness has triumphed.

My favorite scene is deff. the scene where Sherlock gets shot, so he is in his mind palace trying to survive.

They ruined Lucy, Mina, killed off Jonathan and even Dracula suddenly decided he wanted to die? Lame

When my friends ask what Dark is about. I tell them that it’s many things, but at its very heart, is a beautiful, tragic love story…..

Did everybody know about Dracula when Nosferatu came out? I think it's after Dracula goes pop culture that we know all, in my opinion we need a more savage depiction... wonder how this Nosferatu remake will be. I did enjoy the first episode but having his victim dream while he feeds didn't work for me, and neither did the idea that blood holds memory, information etc that we have to learn to read..... would he think like a cow after raw steak I wonder

My mom and I heard The Duel from The Adventures Of Tintin on the Symphony Hall station on Sirius XM satellite radio and she actually said, “I’ve never heard of that.” I answered her, “Mom, yes, you have heard of it.” I reminded her, “We went to go see it in the movie theater,” and asked, “Don’t you remember that?” My mom asked, “Really?” I replied, “Yes.” My mom asked me, “When did we go see it?” I answered, “The year it came out, 2011.” My mom replied, “No wonder why I don’t remember.”

It’s definetly the animated version of Indiana jones

* "ITS OWN"

The theme of Dracula is only superficially a horror novel. Bram Stoker wrote a colportage novel. That means the action is presented as newspaper clips, audio files (on wax cylinders), diary entries and so forth. There is also normal recounting from the main protagonists. The count is depicted as a nobleman from ancient times. Bram Stoker got the theme wrong in many instances. He presented Dracula as a "Szekler" whereas he meant him to be a prince of Walachia. This has several problems attached to. The szekler were a caste of people in central romania, Dracula instead was a high nobleman in Walachia, a border province between Romania and Serbia when both countries did in fact not yet exist. Transsilvania sure is a romantic name for the origin of the horror, but the historic Draculea was nowhere near of Transsilvania. Originally Stoker intended for the prince to come from Styria in Austria, another benighted province in central europe. The point is the intrusion of an age old menace into the modern world. Where it actually came from is immaterial to the core of the story, suffice it to say that it was backwards and primitive. Such a menace could only come from there, because modern England has no such excentrities. Superstition gives way to science anyway, and that is why the horror is fought with scientific methods. Like blood transfusions. Modern curative treatments to combat supernatural diseases, and they work for a time for the anemia. Enter A. van Helsing, the alter ego of the author. He says it from the outset, the strength of the vampire is that nobody wants to believe in him! This artifice saved Stokers novel and brought tension into this otherwise boring story where the author has maneuvered himself into a bad spot. The all knowing protagonist directs the cast of the male support to save Mina Harker from the monster. The end of the story is extremely lackluster and it is not helped that the corpse appeared to have facial features of peace in death. This story is not really good but it had so many themes in it that were scandalous to the mindset of the 1890ies. It therefore fascinated the people then. If you read it now it seems overly verbose, fraught with purple prose and presents a view of sexuality that was seen risque and daring in 1890, but to us it is tame and lame.

it's unwatchable, just from that first action sequence you showed. I couldn't watch more than ten minutes when it came out. Manic action, cutting, and unclear dialog, better suited to teenage gamers on energy drinks

I only had two problems with the film. The first is the uncanny valley nature of some of the characters. Tintin himself especially, it can be weird to watch, and I know that it stopped multiple people I know from watching the film at all. The other is the camera movement in some of the more dynamic scenes, it moves too much in unrealistic ways, so much so that it works against the action on the screen a takes me out of the moment. I know it's an animation film, but I think it works better when the camera movements are more closely aligned with how a live action movie might be shot (keeping those awesome scene transitions though). I think if I had to improve the movie, I'd either go live action, or full animation, and bring someone in with a more conventional animation style.

I agree that dub was bad, but I still have watched it in dub. Believe me, once you start getting into the story, dub won't affect your experience. So if you have difficulties reading subtitles, you can go for the dubbed version. Dark is a Masterpiece. Watch it any way!

Hitchcock worked intensely with Edith Head to design the legendary grey suit and such spectacular clothes as the Ernie's green and black dress. Ernie's (My parents took me there when I was kid 60 years ago) was always spectacularly red. It was a favorite restaurant of Hitch's so he would have known it well. Saul Bass's role in all this is not very convincing.

The moment i watched Vertigo, it became my new favorite movie. And Kim Novak my favorite actress. And to think, that the initial choice of Hitchcock for leading actress was Vera Miles, the sister from 1960 Psycho. I don't think it would have worked that well with her. Thankfully, destiny helped both the movie, Kim Novak and Hitchcock.

Objectively speaking, it's a great film. The kind of film that works for all audiences. It works both for those who know or are fans of the character (whether they read the comics or saw the animated series from the 90s), or for those who just want to see a fun adventure film. It makes me sad that this film may never get a sequel.

The problem was that the entire thing was a dumpster fire.

4:05 how is this actually identical with denis villeneuve's dune? didn't frank herbert didn't put any explanation of how they ride the worm?

This and Rango are the best Nickelodeon Movies in my opinion by far

This movie was a piece of art, I just couldn't see it. (mostly because i was 10 at release and didn't care)

If they make a sequel, it should be a mashup of the picaros and the temple of the sun .

This movie honestly was amazingly well done, and it's no surprise after this came out that Herge's estate will now only allow Spielberg to work on future Tintin films (meaning they won't allow anyone EXCEPT for him to do it). The sequel might be in development hell, but hopefully they'll work out a deal with the legalities and create something amazing again.

what was the name of the dracula movie shown at 2.27 mark , I have been looking for this adaptation for so long.

I recently re watched the movie! It’s so great!❤❤❤

Hey folks- I'm a life long Tintin fan. My mum brought me up on them when I was a newborn and I couldn't speak until I was 4 as I was (and still am) a speech dsypraxic. I have always read Tintin and even now as a university fresher I read it. Every time I read those books there's always something new. Back in 2016 as a college student I did an EPQ (an Extended Project Qualification)- it's an extra A-level. I did what I always wanted to do which was the political and social aspects and development in Herge's Tintin. It was 5000 words long a had to skip some books but I mainly did 14-16 out of the 24 comic books/novels and it took hours to find the resources I needed. I read books from tintinologist like Micheal Farr to Harry Thompson and even authors like Benoît Peeters. Even Herge's biographer Pierre Assouline. The dissertation was sent to the Herge Museum and is saved in the private archives till this day - so I know my Tintin. It took me along time and a lot of effort but I did it and it's the First EPQ based on Tintin. I also had to contact Moulinart and the Herge Museum in Belgium which were really kind and offered me access to any material I needed and gave more suggestions on authors too. At the end of my writing, I sent a copy to Belgium and the Herge Museum kept the final edition of my EPQ in their private archives- which is a childhood dream for me! So I would kinda like to think I am a tintinlogist too now. I think this documentary has got it perfectly right unlike other modern documentaries at the moment- you need to know Herge's personal life before you claim that Herge was a fascist, sexist and racist. Overall, Herge did have ups and downs. His career is one that is still unknown by a lot of people and Tintin is seen as a comic that a lot of the 'Modern Generations' regard as a racist and pro-Nazi. In my opinion, I agree with Micheal Farr, despite Herge's controversies Tintin has become a national and cultural icon which is used in multiple West End shows, cartoon references like The Simpsons and Family Guy to being part of the Silver Screen of Hollywood. However, despite all of this Herge was always limited to show off the power of Tintin as a cartoon due to the circumstances he lived in from a post-WW1 Belgium to Nazi occupied Europe. He was always a victim of the power of propaganda and politics and he was never truly able to shape Tintin into what he wanted him to be a narrative construct to comment on current social and political affairs rather than being the cult symbol of a certain politics and someone else's design whether that's Norbert Walletz's fascist catholic boy scout or the other artist's unique twicks on Herge's Ligne Claire style. He wanted Tintin to be his- like it was in his school boy sketches in the back of his math book. We can see that like Herge, Tintin matures and realises what is fake and what is reality. Was Herge a racist? The answer is I think he wasn’t- (well not intentionally) he was a victim of political manipulation like Tintin and he realises the way of the world and we have to keep the past pieces of his early work not for them being 'masterpieces' but as a historical evidence to remind how arts can be exploited by the political world and the influential power that has. Tintin goes from a symbol of fascism and right wing Catholicism to a symbol of post-war hope for a democratic, free and peaceful Europe which you could argue was always part of Tintin's identity as he was a child of the The Great War. Tintin became the son Herge never had, the son no Belgium family could have, a son that was lost on the fields of Flanders during the Great War, a son that fully symbolises the personal history Herge went through- when Herge's artistic talent was exploited so was Tintin, when Herge found life long friends so did Tintin, when Herge died - Tintin became a legacy. Tintin will always be a part of me, he's my childhood hero, and I'll always learn something about him everyday from the biographies to the comics- but one thing I know for sure is that Herge made Tintin as a character, a character that every boy wanted to be. The adventurer. The justice-seeker... the ordinary hero. But at the same time, Herge also enabled that character, a character that comments of the social and political climate that becomes accessible to all audiences (even if they are quite a bit stock characters like Captain Haddock)- yet just like this documentary has said the Tibetans are not racial stereotyped in latter Tintin comics unlike the Congolese and the Japanese in the early 1930 graphic novels. It enables Tintin to be a symbol of a post-war world, a post-war Europe of hope, love, equality and peace- which we can see today by the creation of the UN and the EU (formerly known as the EEC). So folks Herge and Tintin are not some neo-nazi scumbags, he like many artists (never mind young artists), of his time are brainwashed, exploited by superiors, and threatened by higherups; before realising the truth and realities of the world as Tintin becomes a character about good over evil rather than evil over good and what is morally right. So was Herge- he learnt and matured as that WW1 backdrop always became an educational scar on his childhood. I think if Herge was still alive today - he would be reminding a new generation (my generation) about the wrongs and horrors that this current world could become. Obviously his earlier comics are more explicitly clear as nationalist, Rexist and fascist ideological propaganda (especially the pre-edited ones from the 1930s and not the edited ones of the 1960s/70s) and the debate at the moment is whether we should ban those books- I would rather see them as comics/graphic novels that we give to more mature and older children as there is no point hiding his dark past. You have to read both the loving adventures and the racist propaganda to really understand and respect Herge's life from naivety and being a child in a propaganda media global war (the likes we will never see in our lifetime), to a mature and more educated adult that wanted to acknowledge and correct his wrongs of his younger years. Maybe you could argue that he is still waiting for us to 'forgive' him from his younger and exploited past. So yes- Herge deserves the credit of being a great (and in my opinion incredibly underrated) comic/graphic novel as he is an European and Belgian icon but also the fact that he matured with social changes showed that he was no extreme racist but a victim of circumstance. A victim of the post-Great War era where Europe was vulnerable to the communist and fascist nationalism ideology which eventually become the populist authoritarian dictatorships we all historical know today as Nazi Germany, Mussolini's Italy, and the authoritarian regimes in the USSR, Romania, Bulgaria, Yugoslavia, Vichy France, Franco's Spain and German Occupied Belgium- and remember there were fascism in both the UK with Oswald Mosley's British Union of Fascists and in the USA with figures like Father Charles Coughlin, Virgil Effinger's paramilitary Black Legion, and William Dudley Pelley and his German American Bund. So yes- Personally he is up there as one of the best artists to ever exist not only because of how his art connected with me as a kid (like it did with many others)- but how Tintin has become an educational tool to led us all on a moral compass of trying to encourage the good in the world and learn from our past- and just like Tintin became a compass for kids it also became a compass for Herge too as he was truly a man who never had the opportunity to grow up when his childhood was restricted and destroyed by WW1 and the proto-fascist/Rexist world of Norbert Walletz's catholic nationalism. Tintin became a figure that eventually granted Herge to escape from that world rather than conform and become brainwashed too it. Tintin- like Herge, despite their early mistakes and errors, symbolise modern values. Tintin became our imaginary self, my personal gateway away from the daily disablist bullying I faced at school throughout my life. Tintin became the son of a plucky little Belgium, a son of a new Post War (WW1 and WW2) Europe. But most importantly, the child Herge always wanted in his life. Those stories will always be a part of me- my childhood and if I ever have kids I hope they will find solace, joy and love in Tintin like I did. Those captivating stories will always inspire the joys and childhood dreams of my imagination forever. I suggest reading these books for more information: - Tintin: Herge and His Creation (by Harry Thompson) - Tintin And The Secret Of Literature (by Tom McCartney) - Hergé, Son of Tintin (by Benoit Peeters and Tina A. Kover) - Herge: The Man Who Created Tintin (by Pierre Assouline and Charles Ruas) - Tintin: The Complete Companion: The Complete Guide to Tintin's World (The Adventures of Tintin) (by Michael Farr) I also suggest watching Herge's documentry of 'Tintin et moi' by Numa Sadoul. So I want to say thank you for reading this long comment and more detailed historical analysis on Herge's life. I know it was a long one! I’m not normally like this- it’s just something I wanted to correct as I’ve been reading and studying Tintin all my life. I'll leave you with one of Herge's last quotes and was the quote I used to end the EPQ essay and which the director of the Herge museum wrote in his letter saying 'Eh bien, c'est la citation qui résume Herge' (Well that sums up Herge). “Tintin brought me happiness. I did my best at what I was doing and it wasn’t always easy. But I had a lot of fun. Moreover, as Sacha Guitry said, I got paid for doing it. Doesn’t that take the biscuit?” Herge interviewed by ‘La Libre Belgique’ (1975). One of Herge's last interviews before he died less than a decade later. Thanks again folks for reading. Roar

I was 5 back when I saw this in theaters such a unique film with visuals that are TIMELESS

12:40 Thompson & Thompson’s subplot is important because it helps recover some of the parts needed to get the treasure. I wouldn’t exactly say that they are unnecessary.

What Scotty doesn't know 🤭

Belgian, French, Spanish... or English. The UK has a strong love for Tintin. In fact, it seems everyone does EXCEPT for the states.

In regards to how you described this movie as “fun”, most movies are fun. That’s kind of the point as it’s what makes the audience enjoy it.

I think you are giving Bass more credit than he is due as if Hitchcock is some hack.

Alright!! I'll watch the bloody show! Seriously l, thanks for this. This was the motivation I've been looking for. New sub 👍💝

"and I always watch it the whole way through" I can really, really attest to that, I just wanted to see the clip about THE GIANT RAT OF SUMATRA!! and well I couldn't turn it off lol

Although I live in the US I grew up in Europe and Tintin was a huge part of my childhood. I love this movie for all the reasons you pointed out, and I'm still waiting for the sequel.

Great work with this

Milou in English IS Snowy! (I checked)

I really enjoyed this video. I watched the whole thing through. I agree with everything you said here. This 2011 film is a solid animation adventure lightened with a little humor. I have this is my video library myself and I really enjoyed this film. I am hoping that a sequel comes soon, but according to both Spielberg and Jackson, it's still development and may take a while. Heck, even Roger Ebert enjoyed this film as he gave this film three and a half stars out of four. It also ranked in two end of 2011 top ten lists. I became aware of Tintin during the early 1980's when a French speaking Canadian TV station showed 1972's "Tintin and the Lake of Sharks (French title Tintin et le lac aux Requins)" and though it was in French and I couldn't understand due to there being no subtitles in English, I actually enjoyed watching the film as I am an avid admirer of animation of all sorts. Prior to this, there was also a two part feature of "Tintin and the Temple of the Sun (French title: Tintin et le Temple du Soliel)" and "Prisoners of the Sun (French title: Prisonniers du Soliel)", which also I have both on DVD as I did revisit the 1972 film recently, this time watching with English subtitles, and I still enjoyed it revisiting it again. I then added the two parter on DVD, with English subtitles, to my DVD library and I enjoyed that as well. Likwise, IMHO, the 1972 film is a solid animation advanture and the two parter is also pretty good. There were also a couple of live action films, starting with 1961's "Tintin and the Golden Fleece (French title: Tintin et le mystère de la toison d'or)" and ending with 1964's "Tintin and the Blue Oranges (French title: Tintin et les Oranges bleues)", which I have on DVD as a double feature by Kino Lorber. However, the very first Tintin feature was 1947's "The Crab with the Golden Claws (French title: Le crabe aux pinces d'or), which I have been hoping to score with English subtitles, but so far, haven't had any success in scoring a DVD copy with English subtitles. Thanks for uploading. I have subscribed and also, signed up for notifications. Keep them coming.

The problem was Mark Gatiss

Too many stupid choices made by the characters. Mina inviting Johnny in, gay guy closes the curtains and instead of opening the curtains again he grabs a cross to hold it to Dracula.. And than the deaf girl just stands there and instead of opening the curtains she grabs the poison and drinks it🤦‍♂️🤦‍♂️🤦‍♂️.. And episode 3 sucks from start till finish

Tintin is very famous in Brazil. My generation knows this series very well, and loves it too. We can buy the books / comics in good bookstores, in Portuguese or in English (sometimes in French too). For a while, we also could buy a box of DVDs with the entire animated series (unfortunately it was not released in Blu-ray). I grew up watching the animated series in the 90's and I also saw one of the animated movies while I was a child, and many Brazilian people (the ones who are now around their 35, 40, 45 years) did the same. I think the Spielberg movie was not a huge success in Brazil because the major part of the people here really wanted a true live action movie, with real people. We used to watch the animated series in a channel called TV Cultura, where we could also watch many other beautiful European animations and series. It is a marvelous and pleasant memory many of us still have.

This film was very entertaining and it took me back to Indiana Jones good films. Perhaps Peter Jackson could have directed a great Indy film. I just enjoyed this film and seen the hard work that was put into the animation

Think ectoplasm.

Dont bother after ep. 2. It’s as if the director, writers and the whole film production crew quit after the 2nd show & the series was scrapped after a team of pampered 20-year old british university students took over.

I remember watching this film in class a few years ago and just losing myself in the story. I haven't watched the movie since, but my recent fall into a Tintin (or as we say in dutch: Kuifje) rabbit hole and your video make me want to watch it again!

I loved this movie from when I was little

Has its faults, like having 2 stories thrown together, but I like it and own this as a blu-ray steelbook

The 1978 BBC Dracula with Luis Jourdan was the most faithful adaptation ever! I've seen it more than a dozen times and its fangtastic!

I can put words to the polish on the presentation; it's illustrative

I love tintin he s my favorit comic❤❤❤

Your statement that only Belgian, French or Spanish people would know of Tin Tin, is totally incorrect. I am British. Growing up in the 60s and 70s, the highlight of the school summer holidays, was watching the original 1950s Tin Tin series. They would broadcast one episode, every morning, throughout the holiday period. It was a reason to get up early and left you anxious for the next episode, the following day, as each ended on a cliffhanger. I am sure that if you asked most Europeans in their fifties or sixties, you would get a similar answer. Because of the original series, I also had all the comics, which were great for snuggling in bed with.