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Santosificationable
Registrace 27. 03. 2011
I created this channel mainly for the purpose of archiving interesting, rare (or not so well-known) footage primarily based on Art Tatum.
A great enthusiast of art music, I enjoy Classical and Jazz the most. I perform piano and am currently learning the violin and guitar.
Rate and comment on my videos as you will. If you like subscribe to my channel.
Hope you enjoy the videos!
Best regards.
A great enthusiast of art music, I enjoy Classical and Jazz the most. I perform piano and am currently learning the violin and guitar.
Rate and comment on my videos as you will. If you like subscribe to my channel.
Hope you enjoy the videos!
Best regards.
Beethoven vs. Hummel - Showdown at Vienna
The two foremost pianists of the late 18th century were none other than Beethoven and Hummel, both of whom made their names in Vienna, then the capital of the classical music scene. Beethoven, who had famously demolished other well-known virtuosi (such as Gelinek and Steibelt), was equaled only by Hummel, who approached the keys with a more old-school temperament harkening back to Mozart, his teacher.
This is a compilation of keyboard solos each of them wrote which they may have used in an imagined contest taking place in a Viennese gathering.
Timestamps:
Round 1: Intro Piece
B: Bagatelle no. 7 in Ab, Op. 33 (1782) - Schnabel
H: Rondo favori in Eb, Op. 11 (1804) - Cziffra 1:45
Round 2: Main work
B: Sonata No. 21 in C "Waldstein" Op. 53 (1804), Mov't. 1 - Allegro con brio - Schnabel 6:15
H: Fantasie in Eb (1805), Mov't. 2 - Allegro con fuoco - Brownel 16:12
Round 3: Slow work
B: Andante favori WoO 57 (1805) - Schnabel 21:34
H: Fantasie in Eb (1805), Mov't. 3 - Larghetto e cantabile - Brownel 30:18
Round 4: Virtuoso work
B: Rondo in G "Rage Over a Lost Penny", Op. 129 (1795) - Schnabel 38:57
H: Piano Sonata No. 3, Op. 20 (1807) - Mov't. 3 - Presto - Pompa-Baldi 43:48
This is a compilation of keyboard solos each of them wrote which they may have used in an imagined contest taking place in a Viennese gathering.
Timestamps:
Round 1: Intro Piece
B: Bagatelle no. 7 in Ab, Op. 33 (1782) - Schnabel
H: Rondo favori in Eb, Op. 11 (1804) - Cziffra 1:45
Round 2: Main work
B: Sonata No. 21 in C "Waldstein" Op. 53 (1804), Mov't. 1 - Allegro con brio - Schnabel 6:15
H: Fantasie in Eb (1805), Mov't. 2 - Allegro con fuoco - Brownel 16:12
Round 3: Slow work
B: Andante favori WoO 57 (1805) - Schnabel 21:34
H: Fantasie in Eb (1805), Mov't. 3 - Larghetto e cantabile - Brownel 30:18
Round 4: Virtuoso work
B: Rondo in G "Rage Over a Lost Penny", Op. 129 (1795) - Schnabel 38:57
H: Piano Sonata No. 3, Op. 20 (1807) - Mov't. 3 - Presto - Pompa-Baldi 43:48
zhlédnutí: 98
Video
Les lions de Paris - Virtuoso Masters of the Early Romantic
zhlédnutí 92Před 7 hodinami
The 1830's-40's marked the prime of the piano as a concert instrument in Europe. Although only Chopin and Liszt truly endured in their legacy out of the premier virtuosi that dominated this era, several other names generally forgotten by the public today drew crowd frenzies with their piano acrobatics, stage presence, and public image. Often, variations and paraphrases on popular operas made a ...
The true meaning of virtuosity
zhlédnutí 1,2KPřed rokem
alexei grynyuk plays Liszt hungarian rhapsody no. 6
The best of Adolf von Henselt - Reclusive Romantic
zhlédnutí 877Před rokem
Yet another forgotten legend of the romantic era was German composer Adolph von Henselt (1814-1889). His music is especially dark in tone and thick in texture, somewhat like an early Brahms. It is said he had a large influence on the later Russian composers. Rachmaninoff held him in high regard. "Find out the secret of Henselt's hands," Franz Liszt said, describing his mastery of legato as the ...
The best of Sigismund Thalberg - Prince of the Piano
zhlédnutí 1,8KPřed rokem
Those who know about the composer Sigismond Thalberg often encounter him only as a rival of Liszt in a music history textbook. However, this only begins to scratch the surface of this neglected master. It is true that, in his day, he was one of the very few to rival the reputation of Liszt - yet there is much more to be found in this man's work than that fact. Like with Alkan, interest in his w...
Yundi Li vs. Lang Lang - Dragons of Piano
zhlédnutí 5KPřed 2 lety
Piano battle: Yundi Li vs. Lang Lang The two giants vie for domination as China's #1 pianist. Who do you root for? Round 1 - Intro 0:07 Chopin: 24 Preludes Op. 28 no. 19 in Eb, Vivace (Yundi) 1:29 Debussy: Les Collins d'Anacapri (Lang) Round 2 - Musicianship 4:50 Chopin: Nocturne Op. 27 No. 2 in Db (Yundi) 9:50 Debussy: Rêverie (Lang) Round 3 - Virtuosity 15:00 Verdi-Liszt: Paraphrase de concer...
Chopin vs. Liszt - Duel of the Century (Imagined Contest)
zhlédnutí 1,7KPřed 3 lety
Chopin and Liszt are undoubtedly the icons of piano history, and their relationship with each other was a complex mixture of friendship, rivalry, and mutual admiration. This is my attempt to simulate an imagined "piano duel" between the two had they decided to undertake this common 19th-century musical endeavour. Liszt had many rivals - Thalberg, Alkan, Dreyshock, being some of his toughest - b...
The Best of Hummel - King of Piano
zhlédnutí 3,6KPřed 3 lety
THE BEST OF HUMMEL - KING OF PIANO A compilation of some of Johann Nepomuk Hummel's (1778-1837) greatest compositions. I've put the timestamps in my comment below. / ABOUT THE COMPOSER / Rarely has a composer seemed so assured of immortality as Johann Nepomuk Hummel (1778-1837), so overrated in his own time, so underrated in ours. Born in Pressburg (Bratislava) just inside the Czech border on 1...
The Crave - Audio w/Score (played by Jelly Roll Morton, 1939)
zhlédnutí 15KPřed 4 lety
Library of Congress recording, 1939 Jelly Roll Morton plays his own composition entitled "The Crave". This piece was popularised in the movie "The Legend of 1900". An example of early jazz and the "Spanish Tinge" influence. IMSLP: imslp.org/wiki/The_Crave_(Morton,_Jelly_Roll) FAIR USE Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes...
Carl Czerny - Piano Concerto in a minor, Op. 214 (1829) - Audio + Sheet Music
zhlédnutí 34KPřed 4 lety
Dedicated to Méreaux, Czerny's Piano Concerto in a minor is perhaps one of the most virtuosic piano concerti composed in the classical style, Czerny's piano concerto in a minor features a compendium of pianistic techniques developed during the early Romantic era. David Boldrini - piano Rami Musicali Orchestra, conducted by Maestro Massimo Belli (from the album "Czerny & Viotti: Piano Concertos"...
2 Hours of Liszt's Most Difficult Piano Music
zhlédnutí 2,4KPřed 4 lety
2 Hours of Liszt's Most Difficult Piano Music
The Best of Czerny - Father of Piano Music
zhlédnutí 38KPřed 4 lety
The Best of Czerny - Father of Piano Music
Art Tatum - After You've Gone (Layton/Creamer) Audio + Sheet Music
zhlédnutí 15KPřed 4 lety
Art Tatum - After You've Gone (Layton/Creamer) Audio Sheet Music
Fats Waller - Tea for Two (V. Youmans) Audio + Sheet music
zhlédnutí 11KPřed 4 lety
Fats Waller - Tea for Two (V. Youmans) Audio Sheet music
F. Liszt - Grande fantaisie de bravoure sur La clochette, S.420 (Audio + Sheet Music)
zhlédnutí 49KPřed 4 lety
F. Liszt - Grande fantaisie de bravoure sur La clochette, S.420 (Audio Sheet Music)
How Fast Is Scott Joplin? - True ragtime speed unveiled!
zhlédnutí 10KPřed 5 lety
How Fast Is Scott Joplin? - True ragtime speed unveiled!
Piano Duel - Alicia de Larrocha vs. Martha Argerich
zhlédnutí 11KPřed 5 lety
Piano Duel - Alicia de Larrocha vs. Martha Argerich
Piano Duel - Georges Cziffra vs. Claudio Arrau
zhlédnutí 3KPřed 5 lety
Piano Duel - Georges Cziffra vs. Claudio Arrau
Liszt Paganini Etude No. 4b (1838) at 60 BPM (recommended tempo)
zhlédnutí 101KPřed 5 lety
Liszt Paganini Etude No. 4b (1838) at 60 BPM (recommended tempo)
Pianist Comparisons - New vs. Old School
zhlédnutí 2,6KPřed 5 lety
Pianist Comparisons - New vs. Old School
I vote for...both...incredible.
"One day, after cutting the throats of all the nuns of a certain abbey, he remembers his mother and goes in search of her." Oh. Well, I had never heard of "Robert the Devil". Thank you. (!)
Fede: Cziffra and Arrau are completely different pianists. Arrau had not the iper-virtuosistic thecnique of Cziffra and Cziffra had not the iper singing sound of Arrau... this is ovbious..... so is unpossible a comparison. You can compare e.g. Cziffra and Clidat or Arrau and Bolet ......
Rachmaninoff considered Tatum a piano god.
Liszt y Chopin..los más grandes compositores de piezas para piano.. geniales e Inmortales!!
💗
Ik ga zo snel niet meer.!!!
Somewhere on CZcams is a video of Khatia Buniatishvili playing Beethoven's Concerto No.1 - I have never heard the rondo taken so fast - absolutely brilliant!
We can love❤ both without expressing a preference😊
Ei näitä naisia voi laittaa rinnakkain, oikein hyviä ovat molemmat. Mutta ehkä mieltyisin enemmän Buniatishvilin soittoon
Kat got me on the way back.Though Miss Yuja yr tremendously an exquisite player bea.Dont leave the table of juxtaposition and counterpoint.You both are bringing wonderful music to the newest of ears getting hip to the music.Yhank You,gerald.☮️
Thank you! And thank You master Carl Czerny! For all your legacy created for us to practise and learn piano… King❤
I swear i tought it would be a live recorded tiktok battle (jokes)
Виртуоз (Yuja) и виртуозная самовлюблённая балаболка (Katia)
nah bro khatia wins fr
xatiaaa miyvarxarr
"Beyound" Perfection ... there are probably only 20 to 50 humans on the world capable at a time to play like this
Yuja Wang by far
How nice to see so many well educated comments where people are not taking sides.
acho as duas muito boas, a khatia nem parece que está tocando e fica perfeito o som dela, e a yuja tem muita emoção e harmonia
Khatia Buniatishvili is better.
Yuja is in a league of her own there is no competition here
Rachmaninoff ❤❤❤
Just when I thought it couldn't get any more emotional than Vocalise along comes Ständchen
Iam here only to listen to good music I didn't know even who won
Two amazing maestro pianists ! Love them both.
I can’d decide which one to lust more after!
Потрясающий и блестящий Владимир Горовиц(кроме него никто не умеет играть 4 ый этюд Шопена🫢).Но только Микеланджели так проникает в сердце. Это Марианская впадина,которая затянет вас на свою глубину.Конечно,лучший он-АРТУРО БЕНЕДЕТТИ МИКЕЛАНДЖЕЛИ.
ABM played the second-rated piano concertos like Mozart 13 Haydn G Major Liszt no 1! ABM never played the Best piano concertos like Mozart 24 Brahms 1-2 Chopin 1-2 Prokofiev 1-3 Rachmaninov 1-3 Saint-Saens no 2 Tchaikovsky no 1 JS Bach 1052 and so on! This duel ABM vs Horowitz is wrong because they are not the greatest! More colorful beautiful piano sound than Horowitz=Wilhelm Kempff Emil Gilels Radu Lupu Artur Rubinstein Vladimir Ashkenazy Grigory Sokolov! More genius than Horowitz and ABM=Sviatoslav Richter Solomon Cutner Grigory Sokolov Maurizio Pollini Stanislav Bunin! More powerful louder than Horowitz and ABM=Mikhail Pletnev(Prokofiev piano concerto no 1 by Pletnev!) The Second Loudest was Lazar Berman! The 3rd Loudest was Erwin Nyiregyhazi!
@@RaineriHakkarainen ñooo 😁😂😃 no te callas. Llevas años en lo mismo 😂😄😃
@@RaineriHakkarainen ich lese soeben diese Kommentare und stelle fest,daß sie seit etwa 4 Jahren den gleichen Quatsch schreiben...hören sie sich Beethoven 5. Klavierkonzert mit Michelangeli und dem Orchestre National de France unter Celibidache an - es ist eine Aufnahme von etwa Mitte der 70er Jahre... Sie mein Herr scheinen ein persönliches Problem mit Michelangeli zu haben...vielleicht gefällt ihnen seine Frisur nicht,oder sie mögen keine Italiener,oder was weiss ich...eines nur weiss ich mittlerweile : Sie mein Herr verstehen nicht viel von Musik...ist aber auch nicht wirklich schlimm,denn damit leben auch Millionen von anderen...
I think she’s more gifted in the sense of interpretation; I bet no two performances are the same
The winner is allways the listeners, cheers
Yuja's 'machine gun' like application to the keys seems beyond human capabilities but whenever she applies the technique it surely separates her from all others who have played the instrument. There have been many 'greats' but there will always be only one Yuja, for she does what no one else can do with the same speed and intensity.
You’re right about justam
Yuja ❤❤❤
Grazie, grazie di cuore! 👏👏👏👏👏
Ya, certainly a lot to learn here. How many pianists can play this with any reasonable facility, I wonder?
Wspaniały pojedynek a zwycięzcami jesteśmy my - słuchacze.
Bravisimo xatia❤❤❤❤
Khatia Buniatishvili
A story the great Horowitz called Tatum up as he loved him and said I’ve just written out some variations on Tea for Two as a showpiece do you want to hear them and Tatum said yeah. Horowitz played these apparently impossibly difficult variations and Tatum said great, amazing would you like me to play Tea for Two now. He then sat and played until Horowitz stopped him and said oh my god when did you do this and Tatum said ‘just now’.
they both are great. one is the master of melodic lines, the other is the master of sound.
There's no competition here. Its beautiful no matter what angle you see it from.
There is more than one goddess on Olympus.
BOTH OF THEM ARE AUTHENTIC CRACKS...!!! GREATS...!!! 👏🎶📽️🖋️📖🖌️🎹🎹
Oscar petterson should be in this discussion as well
Slightly different style, touch, style & interpretation. Both great in different way.
Father of piano teaching.
Aujourd’hui, nous avons des prodiges de la technique et de l’interprétation mais nous n’avons plus de créateurs de grands talents🇨🇭
I’m convinced the people who said Yuja are adolescents who don’t have fully matured emotions yet. They want a water cannon on their face. No thanks.
I cant stand Yuja. I really hate her playing. There’s nothing remotely artistic or beautiful going on. It’s noise to my ears.
I cant stand Yuja. I really hate her playing. There’s nothing remotely artistic or beautiful going on. It’s noise to my ears.
YUJA IS BORING. Like a robot machine. Khatia is actually something special. I think the people voting for Yuja here aren’t able to grasp what Khatia is. They want to hear the music as if it is played by a machine. I can’t stand it.