Video

Magnifique.

Composed in 1964

NON MI PIACE.

Came here because of Vladimir Cauchemar. I was not disappointed.

I love Frans one of the greatest recorder players that ever lived

Never knew these could sound so good. Talent makes anything possible.

Very well played.

Frans Brüggen y Hans Martin Linde me inspirarón a tomar la flauta dulce muchísimo más en serio. Antes pensaba que hasta parecía un instrumento de juguete, que no estaba a nivel del piano, la guitarra o el violín ¡Pero qué equivocado que estaba! Todos los instrumentos tienen su complejidad, desde el que parece más sencillo hasta el más complejo

Funny doubling effect on the last couple of notes

What amazing.

Que lindo!❤

How beautiful!

any version without the commentator?

Fíjense que toca las notas bajas bien marcadas, cuál si fuera el bajo y parecen 2 flautas. No las toca " piano" como los violoncelistas.

Sublime!

te amo frans

Musicalissimo !! Bravo zeltser

Eccezionale interpretazione di questa sonata di Liszt,zeltser un gigante,le parlai a Torino negli anni 70 dopo una grande sonata di prokofiev( n8)da Lui stupendamente eseguita,e mi parlo' della grandezza della mano di Richter ,una persona disponibile e un grandissimo musicista forse Zeltser incomincio' in quegli anni la collaborazione con Karajan, e di lì a poco anche io come cantante ( basso)..quando si dice il destino!

How much nottles of wodka had he drunk?

Une lumière Un souffle Un frisson

Those were the days when they would play Jacob van Eyk (sic!) on exactly the recorder this music was not written for and that was developed decades later inaugurating perhaps the most drastic paradigm shift in all music history. Constant reeling in the chair does not help to make it any more authentic.

美しい音色ですね、とても癒されます😊

sheeeeeyiattt

Beautiful Telemann!!!!!! Fantastic interpretation!!!!👏👏👏👏👏👏💫💗💗💫🎶🎶💐🌹✨💐✨😇💫😇🌷👏👏💫💫🥰🥰🥰🌷🙏💫💗💐🎶🌟💖💖🙏🙏🙏

Not only masterfully played, but also a very fine concerto.

divine beauty.

grandissimo maestro

Hermoso

❤❤❤

The best Lesginka Ive heard. This guy takes no prisoners. I wish he recorded Islamey

Really well played! Masterpiece , beautiful concert! 🙏

❤️

Sehnsuchtsvoll vibriert meine Seele im unendlichen Äther . Ein absolutes Meisterstück!

Played far too rapidly for my taste. When more slowly the cleverness and appeal of Telemann's variations are clearer.

They did my man dirty with that thumbnail. Gorgeous piece though.

👏♥️🌹

Beautiful and he makes it sound so effortless

Some may call a Recorder a "Toy" instrument but I have learned that there is no easy instrument to learn.

Vladimir cauchemar incoming

" check all the voices inside this shit nigga, this is dope "

This thumbnail :D

Captain Holt brought me here

A wonderful interpretation...

Magnífico desempenho. A melhor técnica, que valoriza a música executada e o instrumento, com tranqüilidade e articulação perfeita. A flauta que ele toca parece muito antiga, talvez seja da época barroca, pois não possui furos duplos para as notas mais graves, o que exige ainda mais do músico, que precisa ter um controle absoluto dos dedos 3 e 4 da mão direita, para executar com precisão o D# e o C#, respectivamente.

I have absolutely no words ... I am processing all this as a listener and the things he does is just spine-tingling--like I can't breathe!!! I think though there is a danger for the focus to stop even at high speeds so it all starts to become vertical with chords becoming clusters (though I do love it from time to time as it's part of the expression), but maybe it was a bit too indulgent like he was playing for himself than with an audience. Having a definite interpretation takes a lot of planning to accomplish it as you want. With a multi-layer piece I find isolating or dividing the accompaniment part into two hands really helpful so you can focus on the sound. I have never heard this pianist before and I agree with so many others he was influenced by Nyiregyázi--all his stylings and characters are there, he's sort of a marmite player though--he's more about self-expression than what the composer wanted with a 19th century approach never minding the slips that we always repeatedly step on and eliminate today because of digital recording. It's so wonderful that this sort of performance fashion is coming back, but sometimes you need to prepare for loads of criticism as well because not everyone is used to hearing a certain approach.

Merci Vladimir Cauchemar pour cette découverte !

Wow, the most interesting interpretation, he makes the piano sound so much like a pipe organ!!!

Im here because of Brooklyn 99 ...and now im in heaven!!

Thank you Vladimir for introducing me to Mr Bruggen <3

2:48 Aulos Reloaded