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Thomas Van ginneken
Registrace 15. 08. 2006
Telemann sonate F dur TWV 41 F2
Thomas van Ginneken - recorder (Steenbergen alto made by T.van Ginneken)
Maarten van der Bijl - harpsichord
Geertekerk Utrecht july 2016
See info33063.wixsite.com/vanginnekenrecorders for my recorders
Maarten van der Bijl - harpsichord
Geertekerk Utrecht july 2016
See info33063.wixsite.com/vanginnekenrecorders for my recorders
zhlédnutí: 4 057
Video
JS Bach sonate for flute and harpsichord BWV 1020 III
zhlédnutí 444Před 8 lety
Thomas van Ginneken - recorder (Bressan alto made by T.van Ginneken) Maarten van der Bijl - harpsichord Geertekerk Utrecht july 2016 See info33063.wixsite.com/vanginnekenrecorders for my recorders
JS Bach sonate for flute and harpsichord BWV 1020 I
zhlédnutí 841Před 8 lety
Thomas van Ginneken - recorder (Bressan alto made by T.van Ginneken) Maarten van der Bijl - harpsichord Geertekerk Utrecht july 2016 See my recorders on info33063.wixsite.com/vanginnekenrecorders
Bach sonate for flute and harpsichord BWV 1020 II
zhlédnutí 209Před 8 lety
Thomas van Ginneken - recorder (Bressan alto made by T.van Ginneken) Maarten van Der Bijl - harpsicord Geertekerk Utrecht july 2016 See my recorders on info33063.wixsite.com/vanginnekenrecorders
Telemann sonate C dur
zhlédnutí 983Před 8 lety
Telemann sonate C-dur TWV 41 C2 Thomas van Ginneken - recorder (Steenbergen alto made by T.van Ginneken) Maarten van Der Bijl - harpsicord Geertekerk Utrecht july 2016 See my recorders on info33063.wixsite.com/vanginnekenrecorders
Telemann TRio TWV 42 F8
zhlédnutí 1KPřed 10 lety
Trio Leobard Thomas van Ginneken (recorder -van ginneken/stanesby) Arjan de Graaf (violin) Erik van der Heijden (cembalo) Reformed Church Hemmen (Netherlands) june 2014 See my recorders on info33063.wixsite.com/vanginnekenrecorders
Telemann fantasie voor viool
zhlédnutí 424Před 10 lety
Telemann Fantasie in C Arjan de Graaf (violin) Reformed Church Hemmen (Netherlands) june 2014
Telemann trio TWV42 a4
zhlédnutí 362Před 10 lety
Trio Leobard Thomas van Ginneken (recorder - van Ginneken/Stanesby) Arjan de Graaf (violin) Erik van der Heijden (cembalo) Reformed Church Hemmen (Netherlands) june 2014 See my recorders on info33063.wixsite.com/vanginnekenrecorders
Telemann Trio TWV 42 a1
zhlédnutí 515Před 10 lety
Trio Leobard Thomas van Ginneken (recorder - van Ginneken/Stanesby) Arjan de Graaf (violin) Erik van der Heijden (cembalo) Reformed Church Hemmen (Netherlands) june 2014 See my recorders on info33063.wixsite.com/vanginnekenrecorders
Telemann Trio TWV 42 d 10
zhlédnutí 550Před 10 lety
Trio Leobard Thomas van Ginneken (recorder - van Ginneken/Stanesby) Arjan de Graaf (violin) Erik van der Heijden (cembalo) Reformed Church Hemmen (Netherlands) june 2014 See my recorders on info33063.wixsite.com/vanginnekenrecorders
bach sonate BWV 1014 Thomas van Ginneken Erik van der Heijden) 2013
zhlédnutí 1,4KPřed 11 lety
Bach's violin sonate played on the voice flute (made by TvG) See my recorders on info33063.wixsite.com/vanginnekenrecorders
L. Berio Gesti for Recorder (Thomas van Ginneken 2013 played on Bressan Voice Flute (by TvG)
zhlédnutí 1,6KPřed 11 lety
L. Berio Gesti for Recorder (Thomas van Ginneken 2013 played on Bressan Voice Flute (by TvG). I suggest the audience to remember the start of Kubrick's 2000 Space Odyssey. A group of prehistoric apes run around and play with bones. Suddely one ape finds out that you can use a bone as a weapon. This marks a significant step forward in men's evolution. With this weapon, this group of apes wins su...
Rachmaninov - pianoconcerto nr 4 (Nelson Freire live London )
zhlédnutí 3,1KPřed 11 lety
Rachmaninov - pianoconcerto nr 4 (Nelson Freire live London )
Liszt Mephistowalz nr 1 (Nelson Freire live Netherlands 1968?)
zhlédnutí 472Před 11 lety
Liszt Mephistowalz nr 1 (Nelson Freire live Netherlands 1968?)
Prokofiev pianoconcert nr 1 (Berman live Budapest 1956)
zhlédnutí 193Před 11 lety
Prokofiev pianoconcert nr 1 (Berman live Budapest 1956)
Khatchatourian pianosonate 3 Volondat live
zhlédnutí 603Před 11 lety
Khatchatourian pianosonate 3 Volondat live
Khatchatourian pianosonate 2 Volondat live
zhlédnutí 501Před 11 lety
Khatchatourian pianosonate 2 Volondat live
Khatchatourian pianosonate 1 Volondat live
zhlédnutí 962Před 11 lety
Khatchatourian pianosonate 1 Volondat live
Andriessen Sweet (Brüggen live 1970).wmv
zhlédnutí 4,3KPřed 12 lety
Andriessen Sweet (Brüggen live 1970).wmv
Magnifique.
Composed in 1964
NON MI PIACE.
Came here because of Vladimir Cauchemar. I was not disappointed.
I love Frans one of the greatest recorder players that ever lived
Never knew these could sound so good. Talent makes anything possible.
Very well played.
Frans Brüggen y Hans Martin Linde me inspirarón a tomar la flauta dulce muchísimo más en serio. Antes pensaba que hasta parecía un instrumento de juguete, que no estaba a nivel del piano, la guitarra o el violín ¡Pero qué equivocado que estaba! Todos los instrumentos tienen su complejidad, desde el que parece más sencillo hasta el más complejo
Funny doubling effect on the last couple of notes
What amazing.
Que lindo!❤
How beautiful!
any version without the commentator?
Fíjense que toca las notas bajas bien marcadas, cuál si fuera el bajo y parecen 2 flautas. No las toca " piano" como los violoncelistas.
Sublime!
te amo frans
Musicalissimo !! Bravo zeltser
Eccezionale interpretazione di questa sonata di Liszt,zeltser un gigante,le parlai a Torino negli anni 70 dopo una grande sonata di prokofiev( n8)da Lui stupendamente eseguita,e mi parlo' della grandezza della mano di Richter ,una persona disponibile e un grandissimo musicista forse Zeltser incomincio' in quegli anni la collaborazione con Karajan, e di lì a poco anche io come cantante ( basso)..quando si dice il destino!
How much nottles of wodka had he drunk?
Une lumière Un souffle Un frisson
Those were the days when they would play Jacob van Eyk (sic!) on exactly the recorder this music was not written for and that was developed decades later inaugurating perhaps the most drastic paradigm shift in all music history. Constant reeling in the chair does not help to make it any more authentic.
Eh.... Maybe the Terton is build originally about 30 to 50 years after van Eijck died. That's not so far away from his time. You can say maybe a bit more cylindrical flute could be suitable, but it is not a real mistake, because the Terton is one of those beautiful Dutch build flutes. And please... The roaring is part of Brüggen, who reached the most impressive expression on the recorder until now. Time passes, way of playing develops constantly. But you don't know a thing about recorder playing if you comment like this. Shame on you!
@@wouterruifrok7642 i do know that the instrument is anachronistic and the antics explicitly frowned upon by Hotteterre and other respectable authors, quite enough to comment upon this embarrassing performance. The « impressive expression » is one of Brüggen’s whim not the music and I am not interested in this.
@@danyelnicholas Bullshit. Brüggen knows almost everything about authentic ornamentation in van Eijcks variations, he is a master of articulation and phasing. If each musician who plays music on an instrument not exactly matching the period in which music is written is not interesting, there is no ensemble or orchestra in the whole world (authentic, classic, modern) allowed to play. So please tell where this interpretation goes wrong exactly. Or admit you're wrong.
@@wouterruifrok7642 I am not continuing this conversation because I resent your tone.
美しい音色ですね、とても癒されます😊
sheeeeeyiattt
Beautiful Telemann!!!!!! Fantastic interpretation!!!!👏👏👏👏👏👏💫💗💗💫🎶🎶💐🌹✨💐✨😇💫😇🌷👏👏💫💫🥰🥰🥰🌷🙏💫💗💐🎶🌟💖💖🙏🙏🙏
Not only masterfully played, but also a very fine concerto.
divine beauty.
grandissimo maestro
Hermoso
❤❤❤
The best Lesginka Ive heard. This guy takes no prisoners. I wish he recorded Islamey
Really well played! Masterpiece , beautiful concert! 🙏
❤️
Sehnsuchtsvoll vibriert meine Seele im unendlichen Äther . Ein absolutes Meisterstück!
Played far too rapidly for my taste. When more slowly the cleverness and appeal of Telemann's variations are clearer.
They did my man dirty with that thumbnail. Gorgeous piece though.
👏♥️🌹
Beautiful and he makes it sound so effortless
Some may call a Recorder a "Toy" instrument but I have learned that there is no easy instrument to learn.
Vladimir cauchemar incoming
" check all the voices inside this shit nigga, this is dope "
This thumbnail :D
Captain Holt brought me here
A wonderful interpretation...
Magnífico desempenho. A melhor técnica, que valoriza a música executada e o instrumento, com tranqüilidade e articulação perfeita. A flauta que ele toca parece muito antiga, talvez seja da época barroca, pois não possui furos duplos para as notas mais graves, o que exige ainda mais do músico, que precisa ter um controle absoluto dos dedos 3 e 4 da mão direita, para executar com precisão o D# e o C#, respectivamente.
I have absolutely no words ... I am processing all this as a listener and the things he does is just spine-tingling--like I can't breathe!!! I think though there is a danger for the focus to stop even at high speeds so it all starts to become vertical with chords becoming clusters (though I do love it from time to time as it's part of the expression), but maybe it was a bit too indulgent like he was playing for himself than with an audience. Having a definite interpretation takes a lot of planning to accomplish it as you want. With a multi-layer piece I find isolating or dividing the accompaniment part into two hands really helpful so you can focus on the sound. I have never heard this pianist before and I agree with so many others he was influenced by Nyiregyázi--all his stylings and characters are there, he's sort of a marmite player though--he's more about self-expression than what the composer wanted with a 19th century approach never minding the slips that we always repeatedly step on and eliminate today because of digital recording. It's so wonderful that this sort of performance fashion is coming back, but sometimes you need to prepare for loads of criticism as well because not everyone is used to hearing a certain approach.
I think it takes a lot of energy to take interpretive risks, it's about advanced planning and staying in control of the technique to release the music, it's definitely like in a sport where the same type of energy has to be achieved to score or maintain pace for the finish line.
Merci Vladimir Cauchemar pour cette découverte !
Wow, the most interesting interpretation, he makes the piano sound so much like a pipe organ!!!
Im here because of Brooklyn 99 ...and now im in heaven!!
Same
Thank you Vladimir for introducing me to Mr Bruggen <3
2:48 Aulos Reloaded