- 26
- 1 628 116
Anita Loshmanova
Registrace 24. 08. 2009
Researcher, filmmaker, focus on archives, Ghanaian traditional cultures.
MA Visual Anthropology, Goldsmiths, UoL 2018/20
archivist_unknown
MA Visual Anthropology, Goldsmiths, UoL 2018/20
archivist_unknown
Video
Ravensbury Park
zhlédnutí 523Před 4 lety
A four minute sound immersive self contained story evoking a sense of place. 2019 watch in 720p HD (change in playback settings)
Boneshaker
zhlédnutí 1,9KPřed 4 lety
A Trader and Businesswoman from Begoro, Ghana recollects her experiences of using the Mammy Lorry in the course of her work during the 70s and 80s. I was interested in the way that the Mammy Lorry appears and functions in Ghanaian creative imagination. And also the role of the lived experienced in cultural memory. The visuals are made up of entirely archival and found material. The short film w...
Amoma
zhlédnutí 2KPřed 4 lety
Amoma praise appellation recited for Nana Ofori Atta II at the Odwira festival in Kyebi, Ghana Recorded in 1956 from the Archives of African Music at the Institute of Africa Studies, Legon, Ghana. The audio archive has been edited with found images and footage from different archival sources. 2019 What is interesting is the way language is used to exclude and also conceal information. The Okyea...
Tete Nantye (Historical Movements) - Dade Krama
zhlédnutí 912Před 4 lety
An Asafo war chant Dade Krama were a prominent band in the UK in the 1980s Band members were Nii Noi Nortey, Nana Tsiboe, David Lamptey, Kwebu Gabrah and Afari Aboagye
Akwambo Trailer
zhlédnutí 884Před 4 lety
Akwambo festival is celebrated among the Agona people of the Central Region of Ghana. The festival honours ancestral memory and migratory paths that link the past to the present. This is also a research trailer for a piece of work which is in development. It was filmed in Agona Nyakrom in August 2019
Ahobaa Kese Trailer
zhlédnutí 1,6KPřed 8 lety
The Ahobaa Kese Festival, celebrated by the people of Abeadze Dominase in the Central Region of Ghana honours the man who gave up his life in a sacrificial death for the state and Fante people, to rid the community of a terrible plague.
Global Host Project - Fashion Design Programme
zhlédnutí 1KPřed 9 lety
On July 2, 2014, Twenty women began a fashion design/seamstress training program through a special program at the Cape Coast Polytechnic, supported by a GHP scholarship grant. The women are anticipated to graduate in July 2015. A short promotional video with Paa Kwesi Sampson (Co-founder, Global Host Project) Sophia Pardie Ocran (Head of Department, Fashion, Design & Textile Studies) Cape Coast...
Ife Piankhi - PANAFEST 2005
zhlédnutí 760Před 9 lety
Poet, Singer, Dancer (ifepiankhi.com) Ife performed at PANAFEST in 2005 as part of the Blacks in Europe segment of the festival. Her first trip to Ghana, the material in this piece is also fed with experiences from this first hand contact with Ghanaian history and its legacy of slavery.
Dr. Leonard Jeffries - Emancipation Day 2005
zhlédnutí 697Před 9 lety
Dr. Leonard Jeffries speaks during Emancipation Day 2005 at Assin Manso in Ghana - the location of the Slave River, where enslaved Africans took their last bath before the final journey to the slave dungeons on the Coast on Ghana.
Kofi Akobi - Emancipation Day 2005
zhlédnutí 348Před 9 lety
Kofi Akobi, PANAFEST delegate representative from Barbados, speaking at Emancipation Day in Assin Manso during PANAFEST 2005
Dr Mohammed Ben Abdallah
zhlédnutí 1,5KPřed 9 lety
Playwright Dr. Ben Abdallah discusses his play, The Slaves Revisited, performed by students from the School of Performing Arts, Legon University, during PANAFEST 2005 at the Centre for National Culture in Cape Coast.
Alhaji Aliu Mahama
zhlédnutí 1,6KPřed 9 lety
The Late Alhaji Aliu Mahama, the Vice President of Ghana between 2001-2009, speaking at PANAFEST 2005. He is flanked by Jake Obetsebi Lamptey, then Minister for Information and Isaac Edumadze who was the Central Regional Minister
Manhyia Tete Nwomkoro Kuo- Funeral Dirge
zhlédnutí 515KPřed 10 lety
Manhyia Tete Nwomkoro Kuo- Funeral Dirge
The Gambia Roots Festival 2009 Documentary
zhlédnutí 50KPřed 12 lety
The Gambia Roots Festival 2009 Documentary
Jola Music Performance at The Roots Festival Gambia
zhlédnutí 288KPřed 12 lety
Jola Music Performance at The Roots Festival Gambia
Kum Apem Apem Beba
The reason why l like listening to this music is; it describes who we are, the Ashanti tribe in particular.
Kumerica 🥶🥶🥶🥶🥶
I love my ajamat people and love my culture very much ♥️♥️♥️
Now it'll be for their funeral not ours.
Ntiri boahi, nyomkoro group representing!!! ❤
Im a black American and though I don't understand the language, I am moved to tears just listening to it. Oh what a world we could have had with all the children of Africa thriving and living together as one big loving family.
Unfortunately for me, because of the Trans-Atlantic Slave-Trade I have no idea what is being said. However, I visceraly feel every beat in my Soul ❤❤❤❤
She is singing about Asante Kings, bidding farewell to those who have joined their ancestors. The beginning welcomes the Asante King Otumfuor Osei Tutu II. The rest of the music are war appellations and dirges.
Missing my grandma
Piawww
Unbelievably superb! Way too classic🎉
I'm not an Akan but i really love their culture.😢😢😢😢😢😢
I love this song❤❤❤
I love this piece❤
C'est très triste de voir notre vraie culture DIOLA disparaître. A cause de ses sabars wolof ou djembés je ne sais pas quoi. Pourquoi vous n'utilisez pas le bougarabou le vrai tambour des Diolas créé par nous même. Je vois des gens qui écrivent dans les commentaires je suis fiers d'être DIOLA mais à quel point? j'en suis sûr qu'ils ne connaissent même pas le bougarabou car il est en voi de dispation. Alors que les wolofs eux ils sont toujours avec leur sabar wolofs parce que ils n'ont aucun complexe sûr qui que ce soit mais contrairement à nous nous avons le complexe des wolofs et des mandingues qu'on laisse nous imposer leurs sabar et leur tambour, ensuite c'est venu l'orchestre nous avons jetté le BOUGARABOU pour une culture qui ne nous appartient même pas mais pourquoi pas utiliser le BOUGARABOU dans l'orchestre au lieu de prendre des sabars wolofs et des djémbés. Un jour nous disparaitrons tous avec notre bougarabou notre langue puisqu'on préfère parler wolof que diola se prendre pour des wolofs danser du sabar, nous disparaitrons avec notre langue et notre ethnie. Je préfère une personne raciste q'une personne complexé. BOUGARABOU BÓLOLAL WÓLAL KATA FOGNY WÓLAL OU KILAL OU KATAL KA LIKORAK DI KATA BOULOUF DI ORCHESSEYOU BOUKÓ HANI PANKOU ORCHESTRE BARÉ KOU BÉTÉNÉRIT ÉKOUMPAY . OU KATAL KOU WOLOFAKOU , SABAREY , DJÉMBASOU MANU SANKENAL KOU DIAMATAY NOU BOMAL BOUGARABOU BANOBAN: DI WOUKOUTAW , MARIAGAS , DI KAYÉGAKOU. HANI PANOU BOMAL ORCHESTRA BARÉ OU NGARAL BOUGARABOU. OU BONKÉTAL MANOU BÓMAL BOUGARABOU KOU FÁNOLAL KOU SÉNOLAl TAKOUM BÉTÉNAL BO.
The incoming empire of the great Ashanti kingdom that date back to the Accient origin of the Akans
Mo piaaw fo ✌🏽✌🏽
🎉
🖤💛💚
2024 Santehene Nana Kwesi Boakye i was here some. Otumfour is forever the King of Ghana.
Goosebumps All Over. Deep stuff
Piaaaw, i love this music
Mopiawwwww 💝
Piaaaaw 💛🖤💚
Asanteman Tease 💛🖤💚
Piaaaaw
2023 asanteni ba Yaw opoku was here
Ashantis 👍
As Congolese 🇨🇩 love it Africa culture
Am so proud to be a jola❤❤❤
Pure Akan drums and songs ❤❤❤❤
Piaaaw
Goosebumps 😢😢😢😢beautiful spirit-filled music.
Asante is Asante 💛🖤💚✌️✌️ Piawwwwww
❤
Lovely ❤
I'm loving the fire and groove
Akan culture is so beauiful "Dear Ashanti brothers and sisters, it's your Akan brother. We come from the same kingdom in Côte d'Ivoire. It's time for us to build our confederation as Nana Opoku Ware envisioned. Let's unite from Côte d'Ivoire to Togo to form a strong nation."
Boule👊👊
As a great-great-grandson of Asantehene Mensa-Bonsu, I concur---let's all unite and build a strong confederacy.
Piawwww✌️✌️✌️✌️✌️
omg so full of life!! & this is for a funeral ?!? Wow wow wow
I am so so proud to be an Ashanti from Ashanti Mampong.
Mon âme m'a patrie Je suis aux anges 👼 👼 👼 Une togolaise qui n'a oublier d'où est ces enceintes Il suffit d'un son et je s'en la chaire de 🐔 montrer 👉 👉 👉 de plus sans plus je suis en transse Hors de moi, en danse avec des rythme que je n😢apris Après je s'en bien en Europe précisément en Suisse Je me sens connecter à l'Afrique et j'oublie tout pour qu'elle jours Mes ailleurs sont venus du Ghana Et chaque fois je suis au Ghana je me sens bien Vivement à mon retour en Afrique Tenez bon avec notres traditionnelles Je vous aimes ❤❤❤❤❤❤❤🎉🎉🎉🎉🎉🎉🎉
Hotep
Your spirit and souls recognise this because the creator of mankind is Akan or Ashanti to be precise. When the Akan creator called Odomankoman Onyankopon kwame the mighty one that comes with the cloud stood in a place called asantemanso in Ashanti region and called all the tribes to come out of the soil then the Akans gave birth to the world we have today. All tribes. So the moment they come to Ghana they all feel at home. When they hear our music they feel the love but the souls recognise the beginning. Yes the world worship our creator. We are the centre of the world. We spread to ivory Coast Togo and other places and made all tribes. We are your ancestors Peace
❤❤
Following love culture
For the culture
This adowa song reminds me one Nyonkro group at Esreso, Bosomtwe district. Esreso-Abompe.
Real song paa
So proud of you my AKAN clan ❤😅
Is this in mitcham?