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Check this playlist for the basic workflow, I found a workaround method using the Memory Recall mode. czcams.com/play/PL-gfcmjtW3nup_6nXvu8JTn3obVpU2-o-.html&si=QAtI91rTDWLFkiYJ

Yeah it does. I recommend downloading the updated free recipes from my website, these are 3 years old. www.veresdenialex.com/product-page/free-sony-film-simulation-recipes

Yeah, the website recipes have been constantly updated, and all buyers get free updates. So you don't pay for each new version.

Try the new version, it's even better www.veresdenialex.com/product-page/free-sony-film-simulation-recipes

These are custom picture profiles. You can download and try the free film bundle from my website www.veresdenialex.com/product-page/free-sony-film-simulation-recipes

Decide for yourself. Check my Blog and Instagram to see unedited JPGs using these film simulations: www.veresdenialex.com/sony-film-simulation-blog instagram.com/sony.film.simulations/

this video is 3 years old, while the recipes on my website are updated.

a7III is highly magenta predominant, check this out www.veresdenialex.com/post/color-calibrating-all-your-sony-cameras-with-in-camera-tools-ultimate-guide-sony-a7iii-a7cii

Thanks! I am going through depression and burnout, it's really hard to work on new videos, but I hope it's going to be easier in the future.

@@veresdenialex Damn! Sad to hear that. I am in the same situation too (job + college) but photography keeps me sane for now. Do what's best for you. I hope it will not get worse for myself aswell because I feel I am on that path myself. Keep your head up!

@@tothespace2122 you too!

most welcome!

It's pretty hard to recommend a film recipe, since I don't know what colors you like, or the mood you are going for. Also, it's hard to recommend a temperature for indoor situations since I have no idea what light you have in the house. You can contact me through the chatbox www.veresdenialex.com/ and we can speak there more details. If you have any references of the colors you'd like for your shots, that would be very helpful for me.

only from sony a6300 onwards

@@veresdenialex thank you for responding

samyang 14mm f2.8 and tamron 28-75mm f2.8

Let me see if I understood correctly. You're using S-log3 with Black and White color mode, and when you're transferring images to your phone, they suddenly become colored photos. It's because these settings are baked into the JPG only, and most probably you are transferring the RAW files only, which cannot contain all these settings and will automatically be translated into color images.

I use memory recall mode. Check my workflow czcams.com/play/PL-gfcmjtW3nup_6nXvu8JTn3obVpU2-o-.html&si=H9T2PnlD-L-IwJ3P

Unfortunately, the picture profiles cannot contain temperature settings, but I've came up with a workaround method which allows you load and switch between film simulations faster. You can check it out here czcams.com/users/shortstB7TuIU008o?si=iqkIlv-UV6MW1v_Z Full playlist here czcams.com/play/PL-gfcmjtW3nup_6nXvu8JTn3obVpU2-o-.html&si=VZJHVHTXgv9L0rqb

the video was published 3 years ago, the on website settings will always be updated

@@veresdenialex thanks! Looks great

@@pankajverma272 most welcome! Have fun:D

The Kelvin and Color Filter settings are not saved into the picture profile menu, only the picture profile settings, but there is a workaround. Use the memory recall mode to save and quickly load film simulations. Check the workflow here czcams.com/play/PL-gfcmjtW3nup_6nXvu8JTn3obVpU2-o-.html&si=39vXrlWuN9M6N2cY

Hey veres, are you updating the store? I was about to purchase the forty film simulations PDF and I noticed they were "Out of Stock" Anyways, Thank you so much for the time, effort, and passion you've put into this project. I hope one day soon you get the recognition you deserve for your out of the box thinking and effort! Thank you foreal, I can't wait to bring new life to my camera!

@@Sleepyhippo117 yeah, making some changes and it will be back soon

Here you can check and choose which best fits your need www.veresdenialex.com/post/best-sony-picture-profile-comparing-all-sony-film-simulations

You mean switching the mode from photo to video? You need to set same settings for both photo and video in the deeper menu. Otherwise, each mode will save individual settings. Also, I recommend this playlist for the basic workflow czcams.com/play/PL-gfcmjtW3nup_6nXvu8JTn3obVpU2-o-.html&si=n0vLB9bGHLtcNQ5r

always the website, this is a 2-3 year old video

contact me www.veresdenialex.com/contact-veresdenialex

I don't think it's compatible with these film simulations, you need a slightly newer model

Only from a6300

gimbal+stabilization+optical flow

hehe, most welcome! Just be careful, these are not creative looks, these are picture profiles. Different menu. And they are not baked into the RAW files, only the JPG

When talking straight out of camera, the rx100VI is better than a smartphone in daylight situations. In lowlight you will need to edit your raw files to get better results, as the smartphone does some HDR and in camera noise reduction bs

zve10

@@veresdenialex thank you 🙏🏻🫡❤️

@@paramveersingh9563 most welcome

you substract the difference. For example Daylight is 5500K, Tungsten is 2900-3200 K. there is roughly a 2500K difference which you will substract from the initial recipe in order to calibrate yur daytime recipe t tungsten. Then use the colro filter to adjust tint.

nope, only in the temperature menu

Yes, absolutely. They are baked into the JPGs only tho. For raw presets I have created these www.veresdenialex.com/sony-film-simulation

white noises? you mean peaking?

sony zv-e10

there are also cheaper, like the ZV-1F, but definitely would not recommend

Fwiw I just purchased a used A7S mk1 for $460 on mbp. 12mp is enough but the auto focus isn't nearly as good as newer cameras.

@@thenickbw you can also buy older cameras, but the color science is not as good

4200Kelvin A3-G0.5 check the pinned comment, I included settings for all

@@veresdenialex oooo gotcha, thank you!

exactly!

It also depends on the camera model and color cast predominance. Some cameras are more yellow, others are green or magenta. But it can be pretty much fixed with the kelvin color filter and the color phase inside the picture profile menu.

@@veresdenialex Right, but it costs some time until you know which approach gives you exactly what you want. Some of these cameras have LCDs you cannot really trust in terms of colour and then it is a very time consuming way to work this out 🫨😆

yes! They are baked in the JPEG only tho. The Raw will be affected only by the gamma

@@veresdenialexIs JPEG mode the same as Fine on the camera? Or can should I set the camera to RAW+JPEG when using these PP settings?

@@WoodPecker5454 I always shoot jpeg+raw. If I ever choose to edit the photo, I have the 14bit raw file to push and drag, but if not, I still have the jpeg which is set either to max size and fine quality, or medium size and fine quality.

I have a recipe called Leicachrome, and it's meant to replicate the colors of Leica M8, but I haven't had the opportunity to rent a Leica just yet. So I've used unedited jpeg photos from leica M8 as a reference to create this simulation.

Thanks for the reply. Is it part of the package on your website?

@@riceworshipper yes

First of all this particular recipe is not made after a real film stock. Also if you are comparing film simulations to raw presets, you might have missed the whole idea of SOOC. Have you checked the blog? Whenever recreating film stocks, I am using real film references so I can come as close as possible in terms of color in my film simulations. The sony classic negative is not made after a real film stock. Some film simulations are my original creations and some are made after real film stocks. Initially with this film recipe I tried to recreate the fujifilm classic negative film simulation in camera, so that sony users can have it on their cameras as well, but after many tries, I realised that is not possible just with the in camera settings. So instead, I created a look specific to sony cameras and called it Sony Classic Negative. Obviously, editing software like lightroom will always have more tools to precisely shift colors, so you will always have more control, and it's not fair to compare with in camera film simulations. Different beasts with different purposes. In the same time, not everybody wants to spend hours editing photos, or atleast not all the time. That's why film simulations are so attractive. Because you get closer to the film look without all the knowledge or hours spent in front of the computer color grading. Using film simulations it's easier, more enjoyable and faster. That comes with a price. You could also shoot real film, but that comes with a different price. Creating film simulations in camera is much, much harder than color grading in lightroom. That is because the limitations of the in camera tools. Of course as I keep working on these recipes, I bring updates, perfecting the colors. Newer version come much closer than older ones. RAW prestes are great, but it's important to know that even through raw presets you won't be able to 100% accurately recreate the analog look because analog and digital sensors react quite differently to light. We can only try to emulate the same kind of colors, but digital sensors don't react to light like analog film. Film simulations will never be 100% accurate, no matter if it's from fuji, ricoh, sony or nikon, but they are coming close, while giving nice colors straight out of camera, removing the need to color grade, and people are enjoying this project as they don't feel the need to edit their shots all the time. Actually, one user of the community said my Kodak Gold recipe is very similar to the look he was getting when shooting film, and comes closer than any raw preset he has used to far. So I think these film simulations are not that bad afterall. I highly recommend checking out my blog to see the updated versions.