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Voice from the past
India
Registrace 7. 12. 2013
My channel is distinguished from concerns about reused content as:
I've dedicated huge time to restoring public domain videos as (czcams.com/video/OSZc1AmMrC0/video.html)
I do colorization of B&W public domain songs, which takes up to a year, resulting in vibrant renditions of classics, as (czcams.com/video/ZN_XrB_St-8/video.html).
I also edit songs into different videos due to the absence of proper video footage, offering a new experience with creative commons attribution (czcams.com/video/IWxji7I-JP0/video.html)
In (czcams.com/video/XNwurcOqRb4/video.html), I've explained centuries-old poetry. Rather than direct reuse, I've translated and hard-coded these poems into simple English within the video.
Here (czcams.com/video/NaDGktwuqAc/video.html), I've explained elements of classical music with added explanatory text, enhancing accessibility and information.
With similar uploads, I aim for content that adds substantial value rather than reusing material. Your support in allowing my channel to be monetized would be deeply appreciated.
I've dedicated huge time to restoring public domain videos as (czcams.com/video/OSZc1AmMrC0/video.html)
I do colorization of B&W public domain songs, which takes up to a year, resulting in vibrant renditions of classics, as (czcams.com/video/ZN_XrB_St-8/video.html).
I also edit songs into different videos due to the absence of proper video footage, offering a new experience with creative commons attribution (czcams.com/video/IWxji7I-JP0/video.html)
In (czcams.com/video/XNwurcOqRb4/video.html), I've explained centuries-old poetry. Rather than direct reuse, I've translated and hard-coded these poems into simple English within the video.
Here (czcams.com/video/NaDGktwuqAc/video.html), I've explained elements of classical music with added explanatory text, enhancing accessibility and information.
With similar uploads, I aim for content that adds substantial value rather than reusing material. Your support in allowing my channel to be monetized would be deeply appreciated.
Prabhu ji mero avgun chitt na dharo | The life and Message of Swami Vivekanada (1964) | Asha Bhosle
This musical selection is from a documentary feature film produced by Bimal Roy Productions, offering a cinematic portrayal of the life of Swami Vivekananda. Directed by Nirmal Dey, the production draws inspiration from Swamiji's life and teachings. The featured video recounts an anecdote from his life.
The bhajan, a distinguished piece of music, is a composition by the revered Saint Soordas, sourced from his literary work 'Soor Sagar.'
While Salil Chowdhury is credited with the overall musical arrangement, it is noteworthy that this particular composition is deeply rooted in the traditional music of Ghanakshari Chhand of Brajbhasha (Hindi) poetry.
- Lyrics: Saint Soordas
- Music: Traditional
- Music re-creation: Salil Chowdhury
- Vocals: Asha Bhosle
- Performer: Ms. Kavita
- Narration: Surajit Sen
- Courtesy: Films Division
The bhajan, a distinguished piece of music, is a composition by the revered Saint Soordas, sourced from his literary work 'Soor Sagar.'
While Salil Chowdhury is credited with the overall musical arrangement, it is noteworthy that this particular composition is deeply rooted in the traditional music of Ghanakshari Chhand of Brajbhasha (Hindi) poetry.
- Lyrics: Saint Soordas
- Music: Traditional
- Music re-creation: Salil Chowdhury
- Vocals: Asha Bhosle
- Performer: Ms. Kavita
- Narration: Surajit Sen
- Courtesy: Films Division
zhlédnutí: 2 016
Video
Shraddha jaag rahi thi - Excerpts from Kamayani | Superimposed visuals
zhlédnutí 11KPřed 8 měsíci
Today, on Hindi divas, sharing an excerpt from Jaishankar Prasad's Kamayani - an epic poem that delves into the intricacies of human actions and their consequences, offering a timeless reflection on life's moral and ethical dimension. Two verses (93rd and 94th) from the 7th canto 'Karma (Action)' are being presented here. *Context* In the ethereal embrace of twilight's gentle caress, Manu - the...
Jalsaghar/জলসাঘর (1958) | Full movie | English Subtitles | Satyajit Ray
zhlédnutí 92KPřed 8 měsíci
Jalsaghar is another cinematic masterpiece by Satyajit Ray. Released in 1958, this film is a profound exploration of decadence of the feudal era in the mid-20th century Set in rural Bengal, it tells the story of Biswambhar Roy, a wealthy landlord and zamindar who is deeply attached to his ancestral heritage and a passion for performing arts. Despite his declining fortunes, he refuses to let go ...
Nutan singing in her voice | Dil hi to hai (1963)
zhlédnutí 10KPřed 11 měsíci
Nutan was widely recognized as a remarkable actress, with her talent acknowledged by all. However, her singing abilities were a lesser-known aspect, known by only a few. She received musical training at a young age. Sharing is a scene where Nutan showcases her singing skills by reciting some couplets
Teen Kanya - Samapti (1961) | Rabindranath Tagore | Satyajit Ray
zhlédnutí 817KPřed rokem
Rabindranath Tagore's three short stories served as the inspiration for Satyajit Ray's 1961 Bengali anthology film Teen Kanya. Here presenting the third in the anthology 'Samapti'
Piya aiso jiya mein | HD Video song | Geeta Dutt | Meena Kumari | Sahib Bibi aur Ghulam (1962)
zhlédnutí 4,7KPřed rokem
Indulge in the captivating charm of a timeless melody, sung with soulful grace and presented with refined elegance, all brought to life in a stunning visual spectacle. Watch this song in pristine quality. The original source has been taken from Thomas Daniel's (tommydan55) restoration of the movie. Much thanks!
Ab kya misaal doon | Aarti (1962) - B&W and color : A comparison
zhlédnutí 2,9KPřed rokem
Towards the late 1960s, the film circle of Bombay (now Mumbai) started taking advantage of colour technology to a great extent. Time was not far when films were going to be completely shot in colour but, before this, many songs came during the transition phase that spread their colourful hues for a few moments in an entirely B&W film. For instance, the tour de force of Mughal-E-Azam (1960), 'Ja...
Sahib Bibi aur Ghulam/साहिब बीबी और ग़ुलाम (1962) | High Quality
zhlédnutí 7KPřed rokem
Sahib Bibi aur Ghulam/साहिब बीबी और ग़ुलाम (1962) | High Quality
Ab kya misaal doon| Aarti (1962) | Color version | Meena Kumari
zhlédnutí 523KPřed rokem
*IMPORTANT* I've taken up the task of restoring many old Indian films in poor quality, particularly those in the public domain. These videos stand out for their better quality, maintaining the original aspect ratio and avoiding any cropping or stretching of video frames. On Meena Kumari's 89th birth anniversary sharing a beautiful song picturised on her. This rare version of 'Ab kya misal doon'...
Holi aayi re Kanhai | Naushad | Shamshad Begum | Mother India (1957)
zhlédnutí 14KPřed 2 lety
This quintessential classic Holi song finds its roots in the folk culture of Uttar Pradesh. The refrain "Holi aayi re Kanhai" is a traditional composition sung during the Phagun month. Sakeel Badayuni carried forward the lyrics as per the demand of the film's story (another line at the end of the song "Lakdi jal koyla bhayi" has been taken from one of the couplets of Kabir Das). It's interestin...
Natanam Aadinar from Bolo wo hai kiska desh (Pyar ki pyas, 1961)
zhlédnutí 1,8KPřed 2 lety
In rarest of the rarest instance we'll find pristine classical compositions in Hindi films and that too in Carnatic. Here's an excerpt from the film Pyar ki pyas (1961) that features the Pallavi of the Carnatic composition Natanam Aadinar. 𝐀𝐛𝐨𝐮𝐭 𝐭𝐡𝐞 𝐜𝐨𝐦𝐩𝐨𝐬𝐢𝐭𝐢𝐨𝐧 Natanam Aadinar is a poem in Tamil written by Gopalakrishna Bharathi. It celebrates the cosmic dance of the Shiva of Chidambaram also k...
Mughal-E-Azam/मुग़ल-ए-आज़म (1960) | Black & White full movie
zhlédnutí 29KPřed 2 lety
Sharing the black and white version of Hindi Cinema's magnum opus Mughal-E-Azam. Though many people/companies have already uploaded this movie, this version is unique in its own way since it is the original black & white version of the movie meaning that it has those scenes/songs that weren't colorised or not included (if colorised) in the colorised version of the movie. For those who're intere...
Shubh din aayo | Ustad Bade Ghulam Ali Khan | Mughal E Azam | Superimposed visuals
zhlédnutí 23KPřed 2 lety
K. Asif wanted everything splendid for Mughal-e-Azam. For scenes having Tansen in the background, he needed pristine Hindustani classical music. Producers advised him to take any playback singer but Asif had another vision, he wanted the voice of stalwart Ustad Bade Ghulam Ali Khan. For this, he approached Ustadji, but as to his apprehension the offer was declined reason being that Ustads never...
Ajeeb Dastan hai yeh | Dil apna aur preet parai (1960) | Lata Mangeshkar
zhlédnutí 39KPřed 2 lety
Shailendra writes for unexpressed feelings, for an enduring love - for a strange story. In the guise of congratulating someone, it's actually an expression of sorrow, a song for the celebration of gloominess. An unforgettable melody, heart-warming rendition, and heart-wrenching lyrics. Film : Dil apna aur preet parai (1960) Song : Ajeeb dastan hai yeh Singer : Lata Mangeshkar Lyrics : Shailendr...
Love at first sight | Sita saw Rama | Rama saw Sita | Ramavataram & Ramcharitmanas
zhlédnutí 15KPřed 2 lety
Love at first sight | Sita saw Rama | Rama saw Sita | Ramavataram & Ramcharitmanas
Madhuban mein Radhika nache re | मधुबन में राधिका नाचे रे | Kohinoor (1960)
zhlédnutí 90KPřed 3 lety
Madhuban mein Radhika nache re | मधुबन में राधिका नाचे रे | Kohinoor (1960)
Apni to har aah ek toofan hai | Kala Bazar (1960)
zhlédnutí 14KPřed 3 lety
Apni to har aah ek toofan hai | Kala Bazar (1960)
Waqt ne kiya kya haseen sitam | Fullscreen (4:3) version | Kaagaz ke phool (1959) | Geeta Dutt
zhlédnutí 33KPřed 3 lety
Waqt ne kiya kya haseen sitam | Fullscreen (4:3) version | Kaagaz ke phool (1959) | Geeta Dutt
Sujata's rejoice in garden | Scene from Sujata (1959)
zhlédnutí 7KPřed 3 lety
Sujata's rejoice in garden | Scene from Sujata (1959)
Vande Mataram - Anand Math (1952) | Lata Mangeshkar | Hemant Kumar
zhlédnutí 33KPřed 3 lety
Vande Mataram - Anand Math (1952) | Lata Mangeshkar | Hemant Kumar
Achha ji main hari chalo maan jao na [Colorized] | Kala Pani (1958)
zhlédnutí 20MPřed 3 lety
Achha ji main hari chalo maan jao na [Colorized] | Kala Pani (1958)
Elements of Classical music in film music
zhlédnutí 15KPřed 4 lety
Elements of Classical music in film music
Apurva comes with bride - Apur Sansar (1959)
zhlédnutí 11KPřed 4 lety
Apurva comes with bride - Apur Sansar (1959)
Baaje re kahin Bansuriya - Kishore Kumar (Unreleased song)
zhlédnutí 27KPřed 4 lety
Baaje re kahin Bansuriya - Kishore Kumar (Unreleased song)
Pather Panchali (1955) - Nature Visuals - Title Music
zhlédnutí 19KPřed 4 lety
Pather Panchali (1955) - Nature Visuals - Title Music
Aayega aane wala | Lata Mangeshkar | Madhubala | Ashok Kumar | Mahal (1949)
zhlédnutí 553KPřed 5 lety
Aayega aane wala | Lata Mangeshkar | Madhubala | Ashok Kumar | Mahal (1949)
Naahh👻Maannee Akkelaa🙎♂️Padda Rahhee🎳🏒
God gift beauty
Beautiful woman
Hum na rahe to yad karoge samjhe.. This line and her reaction just stole my heart😌😍
১৯১৪
We love our old India
रेखा मला तडप त तडपत मरायचे हेच ठरवलेस का तु ?
मीनाकुमारी जी के चेहरे से नजर हटनेका नामही नहीं लेती.... 🎉🎉🎉🎉🎉❤❤❤❤❤. love her still a lot,lot,lot....
Sele boro hoye gelo ma er ador aktu o momeny.
Hindi version Uphar Jaya Bhaduri
Two most beautiful actors of Bollywood
As a time traveller i assure this song never got forgotten
Dil ko chuma leti he best lineninga
Paglyr hashy kannar mormo bujhina.
दिल को छू लेने वाले गाने हैं।
হারানো সেই সময় গুলো।
Jar noyone jare lagse Valo.
Time is ultimately great
Great director cum actor my favourite
What a song rafi ji and asha ji😍
Anyone in June 2024?
smile at 2:55 🧝♀
Bohot Bindaaasperson Chahiye
Hirdayaki ghraaiee se vndn deteaapko Jaiho Concept Think Process Sht❤shtt❤pranam Loylperson
Paglyr ki shundar hashy.
The beauty of Madhubala....❤
Paglyr hashe!
Madhumoti film me vai jayanti looks so nice.
Jaigurudev🙏
Meyetike Amy jotoi dekhy totoi obak Hoi!
Most of the Indian kings were same aiyash, see the condition of their servants they were the normal people at that time gulami were there life, really great ful to the Britishers and our great freedom fighters due to them these Rajshahi brings to the end....❤❤❤❤
Paglyr kaz.
First jun 2024❤
Mone Hoy jeno shob shotty. Shotty.
Mai dianasuars ke sath mrr gya tha lkn abhi 2025 m aaya hn ye gana sunne k liye😂
1 jun 2024
Top kya gana hai...
is jamane me kisike samne haarne ke baad bhi wo maanta nahi😢
🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏1🇮🇳🛕🌙🌙🌙🌙🌙🌙🌙🌙🌙🌙💕💕💕💕💕💕
How someone can be so pretty Madhubala❤️❤️
बहोत ही सुंदर है ये आवाज गीत भी लतादीदी १९७३ ये बीनाका गीत माला में सर्वप्रथम था ये गीत
रूह रूह को तर कर देने वाला गीत वाह ❤ सुर साम्राज्ञी लता मंगेशकर जी साक्षात मां सरस्वती का स्वरूप, आप अलौकिक , अदम्य है आप अमर है, 🙏🏻
মুক্ত বিহঙ্গ কে কেনো সবাই জোড় করে খাঁচায় পুড়তে চায়?
Kaun kaun 2520 me sun rha 😂😂
Watched this masterpiece after about 50 years. Nobody can recreate anything remotely comparable to this !! Tagore the Master. Roy the Master. Actors are Masters. Hats off!
after listening from ananya 😅😅🥰🥰
Perfect superimposition. Kudos to you ❤
একেবারে ফালতু গল্গ হ্যাঁ তবে অভিনয় ভালো।
🌹 राधे राधे जी 🌹🙏🙏🌹💕 लाज़वाब जी 🌹🙏🙏🌹👌👌👍👍🌹🤎🤎
This beautiful video sequence is from Film Kala Pani (1958).Dev Anand had produced it in b& w medium. This video was in so huge demand by music lovers around the world that Dev Anand produced its digitally colored version. Even this color version has been enjoyed by over 20 million music lovers around the world till 3 years ago. Mohammad Rafi & Asha Bhosle had recorded it under music direction of Maestro S.D.Burman. Legendary poet Majrooh Sultanpuri had compiled its memorable lyric. Please use enlarged screen & headphone to enjoy its best audiovisual impact. Dev Anand & Madhubala's acting is worth notice and it certainly adds to the attraction for this video. Real ages of Dev Anand & Madhubala during shooting of this film were 35 & 25 years. respectively.