Video

Musically excellent. Eurotrash production!

Very good performance,thanks for so beautiful moment.

After experiencing the 16 minutes of music in List and Learn, if the performance of Dialogue No. 1 is not funny, it will be boring until Don Alhambra comes on stage

👏👏👏👏👏👏👏👏👍👍👏👍👏👏👍👍😎🇵🇱🇸🇪

Overture: 0:06 - Allegro vivace 1:56 - Allegretto grazioso 3:51 - Allegretto, tempo di gavotte ACT I. - The Piazzetta, Venice 5:36 - List and Learn 9:03 - Good morrow, pretty maids 10:28 - For the merriest fellows are we 12:12 - See, see, at last they come to make their choice 12:43 - Buon' giorno, singorine! 15:09 - We're called gondolieri, But that's a vagary 17:31 - And now to choose our brides! 18:44 - Are you peeping? 20:34 - Thank you gallant gondolieri 23:10 - From the sunny Spanish shore 31:41 - In enterprise of martial kind 33:29 - O rapture, when alone together 38:09 - There was a time, a time forever gone 43:28 - I stole the prince and I brought him here 47:14 - But, bless my heart, consider my position 48:12 - Try we life-long 50:16 - Bridegroom and bride 51:07 - When a merry maiden marries 59:55 - Kind sir, you cannot have the heart 1:03:08 - Do not give way to this uncalled for grief 1:03:50 - Then one of us will be a queen 1:06:58 - Replying, we sing as one individual 1:07:50 - For everyone who feels inclined 1:09:08 - Come, let's away, our island crown awaits me 1:11:00 - Now Marco dear, my wishes hear 1:13:57 - Then away they go to an island fair ACT II. - Pavilion in the Palace of Barataria 1:16:21 - Of happiness the very pith 1:20:39 - Rising early in the morning 1:24:45 - Take a pair of sparkling eyes 1:28:24 - Here we are at the risk of our lives 1:29:53 - After sailing to this island 1:32:54 - Dance a Cachucha, fandango bolero 1:37:17 - There lived a king, as I've been told 1:45:00 - In a contemplative fashion 1:47:30 - With ducal pomp and ducal pride 1:48:33 - This polite attention 1:51:14 - On the day when I was wedded 1:55:14 - To help unhappy commoners 1:55:40 - Small titles and orders for mayors and recorders 2:02:18 - I am a courtier grave and serious 2:07:04 - Here is a case unprecedented 2:08:34 - Now let the loyal lieges gather round 2:09:25 - Speak woman speak, we're all attention 2:09:46 - The royal prince was by the king entrusted 2:10:56 - Luiz! Casilda! 2:12:50 - Once more gondolieri

God what an incredible talent in Oropesa. And to do that while jumping on chairs and messing with that horrible stage direction.

The lyrics are so fast and so clever that sometimes I cannot keep up even reading the subtitles. Did an English live audience of 1889 understand everything?

Pauvre Bellini, si mal traité...

maravillosa

გენიალური ვერდი❤❤❤❤❤❤

1:22:03 OUCH!

2:07:30 ok 👍

Excellent performance. As lively as it gets. First rate. Thank you.

Un espanto la producción

Never heard this one before. Gilbert did his job, but I can't say I think the music is up to Sullivan's best works.

Harika bir ses 🌷🌷🌷🌷🌷

Bruttissima regia, veramente! Come distruggere completamente un'opera con la scusa di renderla "moderna". Tutti i cantanti sono eccellenti e costretti a tollerare un simile scempio 🤮

Es gibt hier viele negative Kritiken für Lisette Oropesa's Amina. Ich habe viele "Amina's gesehen und gehört, aber lange schon keine so fantastische wie Lisette. Mir kamen die Tränen. Und der hohe Ton von John Osborn im pianissimo einfach grandios. Ist nicht mehr der Jüngste. Die Inszenierung allerdings ein katastrophaler Klamauk. Da möchte ich niemals singen müssen. Eine Gruberova hat sich vor solchen Inszenierungen verweigert. Recht hatte sie. Im Belcanto wird und soll es zuerst immer um die hohe Kunst des Singens gehen, nicht um modernes "pseudopsychologisches" Regietheater.

Stunning! Both of them, Thank you very much.

Gurl, no.

I think the audience needs some Red Bull. Is it oblivious to what it has just seen and heard? 🤷

Glad to see it's not a Eurotrash production! 👏

As an older woman who is passionate about opera, I am glad that you are exploring ways of presenting classic opera like La Sonnambula that will appeal to a new, young audience.

Il giostino was my one of my favourite im so excited

Uma produção impecável !!!!! Interpretação e música fenomenal !!!!!

..., deliciosamente maravilhosa esta peça: intérpretes, figurinos, iluminação, direção, orquestra etc etc!!! ..., valeu OperaVision.

We recently had this production return to Houston earlier this month. The cast was great and it was all beautifully sung, but I have to say I was not a fan of the perhaps overly technological production design, and this very austere take on the finale. Still, I would not have missed it for the world.

By far the best performance of this superb opera breath taking talent , especially E.Jaho who soared into the super natural world bravo to everyone❤❤❤❤

Two great singers. John Osborn and Lisette Oropesa are fantastic.

Yo preferí solo escucharla, después de mirar un rato. A pesar de que soy fan de Lisette. La puesta en escena distrae y nada aporta a la obra. En las arias más importantes hay personas recogiendo y poniendo cosas en el escenario. El vestuario horrible.

Who are they lying to with this video? At the end, when everyone bows, the entire cast is completely booed. From singers, orchestra, regie, maestro, etc. Lisette Oropesa was booed loudest in her solo bow! I saw the live footage, and my friends also told me. I know what happend! I can't believe they actually cut out the audience's disapproval and put in a fake applause. I really can't believe it! Lisette canceled all further performances after 2 nights because she could no longer "sing". The ugliest and most broken voice I have ever heard! No bel canto only can't canto! Who are you lying to???!!! Well, the listeners aren't morons to not know what's going on! Shame on you!

Great casting, a joy to hear! But incomplete, mediocre production, unfortunately.

Ridiculous production to say the least! The worst ever seen. Why Jenny Lind and Maria Callas at the end? To remind us that there were better days for this opera? And that fake Swiss flag?? The worst production ever seen. Oropesa is not at her best, Osborne has a lot of vocal problems by now, Tagliavini is definitely the best. A Count to remember. He even sings “Vi ravviso” with some stylish portamento! Ravishing! Lanzillotta does a very good job with what he has, but he deserves a better production.

10:40

10:07

16:59

1:46:13

Eurovision-24 bis

I will take a punt and watch this.

Thank you for the entertainment.

Can someone tell me about the concept of this production? I'm having a hard time grasping why the tree is there/why there is water/why Salome gets in the water with Jochanaan.

Regia orrida e inguardabile. Operosa voce corretta non oltre.

What a superb production. I have waked out of many productions but this one i wish i was there to cheer and applaud . everything was perfect.. thank you.

Хочу отметить маленьких артистов, справившихся с неоклассикой, и поддержку выполнили хорошо. Только почему безобидный лесной дух Чугайстер превратился в дьявольское создание и слился воедино с Юрием?

Bravo Ms. Oropesa

Thank you for showing this performance. Everyone who participated in it was terrific! Please try to show more of Gilbert & Sullivan. They wrote so many wonderful operettas, all of them with lyrics that for the most part are as pertinent today as when Gilbert wrote them.

Watched this tonight. Great production - magnificent voices, fabulous costumes

Others have commented on the splendid music, singing, theatre and costumes. Therefore I was astonished to see the slovenly dress of the conductor!

Была вчера в Дюссельдорфе и шокирована сценой толпы в начале. Полное непонимание темы: здесь они готовы растерзать мать Татьяны, а по идее они её благодарят и веселятся. Была немного разочарована пением: почти ничего не разобрать, хотя и неудивительно, ведь из русскоговорящих только Татьяна.