Quelle voix merveilleuse ! quel sentiment de tristesse, de beauté, quelle simplicité... Et Moore au piano par-dessus le marché... le bonheur et l'émotion sont complets. Merci mille fois !
A GREAT year for him (1951 & ICH HABE GENUG weren't bad either)! Some of his most wonderful (and STEADY!) Lieder singing were recorded this year (1949). What a gem AM BACH IM FRÜHLING is & why its not better known & performed more really escapes me. Since 2004 I have included it on EVERY Lieder recital.
How to make the most of EMOTION in music; first never push it too much, second offer the audience the opportunity of adding their own emotion to the mix. Here the difference between emotion and emotionalism is perfectly displayed. Bless Hotter ... and incontrario motu for this rare joy.
Most wonderful thing in life, to enjoy all of Mr. Hotter's master works.
Quelle voix merveilleuse ! quel sentiment de tristesse, de beauté, quelle simplicité... Et Moore au piano par-dessus le marché... le bonheur et l'émotion sont complets. Merci mille fois !
Memorable song.
J'aime écouter cette belle voix
We, ,,, V
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Quelle belle voix merci mon patou de me l'avoir fait écouter
Thank you for posting these. What a singer...
Maravilloso Hans Otter.
Outstanding!
A GREAT year for him (1951 & ICH HABE GENUG weren't bad either)! Some of
his most wonderful (and STEADY!) Lieder singing were recorded this year (1949).
What a gem AM BACH IM FRÜHLING is & why its not better known & performed
more really escapes me. Since 2004 I have included it on EVERY Lieder recital.
If ever there was a Nobel Sound.....
How to make the most of EMOTION in music; first never push it too much, second offer the audience the opportunity of adding their own emotion to the mix. Here the difference between emotion and emotionalism is perfectly displayed. Bless Hotter ... and incontrario motu for this rare joy.
Reasonable and natural vocalization.
Bravo....
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2:52
12:34
17:43
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!