so you need a dark room??, I did a coarse on this we used a small darkroom box with our hands ONLY inside, we had to feel our way through the film FEED process, the cameraman in charge of the coarse Cringed when the display demo was done, for the class because the film was apparently damage by light while they showed everybody
the efficiency of that design is amazing! Feed side displaces takeup and adjusts for space as it's exposed. smaller mag less weight.
you can use a tent or a bag if on location like harrison film changing tents get your production to get one if there is no darkroom in a camera track
that shit is so tight man, im ready to use F I L M
It seems to be an unwritten rule that any video about professional film camera equipment has to be filmed in the lowest imaginable 144p resolution.
so you need a dark room??, I did a coarse on this we used a small darkroom box with our hands ONLY inside, we had to feel our way through the film FEED process, the cameraman in charge of the coarse Cringed when the display demo was done, for the class because the film was apparently damage by light while they showed everybody
Of course . No light should see the film. So I presume it’s loaded in the dark . But maybe there is another method
It's just so people can see it. If you aren't using a daylight spool you must load in a darkroom.
I know