Liszt Sonata in B minor, last concert at my conservatory

Pretty sloppy but after 2 months of learning (+1.5 years of thinking about it in my head)
Also sometimes I bang too much. Not at my best but I hope you'll enjoy it :)
Translation of the beginning (when I talk) :
"Hello ladies and gentlemen,
Tonight I’ll play Liszt’s B minor sonata, theonly one he ever composed. So, normally the sonata form contains 3 or 4 different movements depending on the works, but the special thing about this Liszt sonata is that all the movements are merged to form one big piece.
Why did I choose to play this piece? First, because Liszt is my favorite composer, second because I haven’t played his works in a while and I missed him very much, but especially because of that one diabolically effective part that prevented me from enjoying the rest of this work, because of how bewitching it was. So to prevent this exact feeling from happening to you, I’ll give you some listening guides.
So you must first know that this work was written using thematic transformation, so you’ll be able to have fun recognizing the different themes Liszt prensents here and how they are modified, and lastly, as in many of his other works, Liszt here opposes the demonic and the divine. So don’t get bewitched too much by the diabolical passages, at the risk of missing certain transcendental experiences this piece offers you.
Good listening. :)"
And then I panicked

[@gabriele5358]

Great performance

[@e-au7415]

Thanks. Any additional commentary ? I want more feedback so I can improve
Also do you like my hand span of an 11th at the end ;)