Darkening Major Keys - Shapes & Scales
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- čas přidán 14. 05. 2019
- Patreon: / fretjam
Lesson Page: www.fretjam.com/major-key-dar...
Although major keys are associated with happiness, brightness and warmth, we can use certain movements of harmony and melody to give them more darkness and give them a more changeable emotional response.
In this lesson I take you through some common ways of darkening major keys, including colour shapes and scales to complement the mood. - Hudba
Daddy came back from buying cigarettes! 😭😍❤
When I found out I was gonna become a dad, I started thinking about all the changes I'd have to make in my life...my name, my address....
Daddy's gonna treat me his pee pee nowwww 🍆🍆🍆🍆🍆🍆🍆🍆
fretjam time me that d minor inversion pee pee daddy all the way up my ass
@Friend of the Devil : Unless one thinks that *fear* is a masculine trait to be admired, it's racists that need to _man up._
Or buying milk
Fretjam ... the one and only music theory channel on CZcams for guitar. Not one word too much ... not one missing ... right to the point. And another thing ... real quality goes 100% way before quantity! ... what clearly shows that you don't need to post every few days to make sure that your "followers" won't forget you. Thank you for sharing your top knowledge ... cheers Res
It has been at least 10 years since I've commented on a youtube video, and I just needed to tell you how amazing of a human being you are for making these videos and how phenomenally well you put them together.
Thank you so much Bill, that really means a lot.
My brain just exploded ~ just getting to grips with the modes then you slap me on the side of the head with this... But oh so cool. This how I aspire to play, it's absolutely brilliant. Saved for multiple reviewing.
People who recognize a good teacher will watch the videos multiple times. Good for getting views for sure. I know because I am binge watching your channel.
The best guitar tutorial in youtube. Thank you very much!
I learn so much from your videos and they inspire me to make music and be creative. Thank you
Always good to see you've uploaded a new video!
I don't comment a lot on youtube, but this video is badass and give me some new perspective on playing the fourth minor chord. Thank you very much!
Pleaseeeee post not often. I have been binge watching your older videos.
I absolutely love this channel. I get so excited every time a new video is posted. Your videos are so well orchestrated and easy to follow along with. Phenomenal quality. Thanks for another great vid :)
This was an excellent lesson and as always, I am very grateful for it. They are always put together very well and every second is filled with theory rather than a minute of theory and 30 minutes of CZcams rhetoric etc. Your lessons are invaluable here where those other types of videos sadly run rampant.
Holy s***! You cover a lot of territory here. And so well. Gracias.
I'd hit a wall in my development until I discovered Fretjam. Thank you.
4:06 FF7 Theme Tune! Nice lesson. Periphery do this a lot.
Masterful as always! Absolute favorite guitar / theoretical material.
Thanks, this was very educational, elaborate and interesting.
Such a cool concept that nobody touches, and you provided it in such a clear way. Well done.
Best guitar lesson channel by far.
This is one of the best lessons I've ever watched so far... Thank you.
Even when I’m not in the right headspace to learn or absorb new information, these sounds are so beautiful I watch your videos just to listen sometimes.
Man i love you, i learned so much things in almost 15 min. Thank you
Third time watching in one morning. This is gold. Gotta memorize all those inversions.
Never subbed this quick, best educational video ever. On point example and explanation!
Man, can thank you enough for these videos! Thank you so much
Thank you for all the great content and inspiration.
Your videos are amazing thank you for everything
Your lessons are by far the best on youtube, its a major event when the notification pops up with some of your lessons. Can you do in the future one about spread triads?
Great video! I've been playing a lot of time and your teaching is superb! Thanks for sharing!
soooooo much good stuff here !!
thanks, Mike :)
Mr FretJam you are insanely good at what you do.
thanks, I have been searching for a long time, this lesson I was looking for
Brilliant stuff, thanks @fretjam 😁
So much great information on this video and this channel!
This is You Tubes Best kept Secret.....You always have room to expand your Horizons... Thanx
Duuuude so much great info in this vid. Thank you. 🙏
Deepweb of music I can't follow hahahah but I salute you man It's hard to put up this kind of videos and explain it so well keep up the good work thanks for sharing
Very good lesson. Well explained. Thank you.
Bravo pour cette qualité de travail !!! Vive la musique !!!
Excellent work!
This is what I am looking for!
Really captivating!
Gonna spend some time in it!
How did I miss this gem? Great video!
Thank you so much. Your videos are great.
I love you. You are a hero.
Great video. Thanks so much. Must have taken a bit of time to put it all together. Very helpful
got a great idea from this.......about changing the mood of songs.......thanks
You guys awesome as always 😍😍😍😍
Fretjam..... This is awesome
Great selection of chords.and variants.
Very good content my man!
When I heard No Surprises and I Felt My Size for the first time I instantly fell in love with this music theory trick
Keep up the great content
So good!
Ain't it the life here. Wow. A relatively obscure song that I love mentioned here. Nice.
mate this video is primo quality! i imagine it would be quite intense for a beginner! a cheat sheet would be really helpful. Thanks master Fretjam
Hi. There are charts and tabs on the related lesson page to accompany the video.
You did open my eyes, thank you. But even though I understand every concept, I would wish for more precise visualization paired with animation.
What I need is to see the changing and moving fretboard positions are and from what interval thy change into the new one. Especially when it comes to inversions I want to see what that moving sound means in terms of intervals sliding up or down, or exchange top and bottom positions in the frequency spectrum
In other words:
On that inversion, I have the 5 as my lowest note, 9 on top
This flat 3 becomes the major 6, if you raise it it becomes the 2 of the next chord (Voice leading?)
Am I asking too much?
Damn i really need this lesson !!!!!!!
Verry good 🤘🏼
Just great !
Sounds great! It reminds me of Brian Setzer, which I have always wondered what he was doing. He uses this a lot in Sleepwalk.
Awesome 👍
"Here's an example of darkness in major." *steps out of the major scale*
Lol exactly, buy the key remains major. Its a temporary divergence that quickly resumes the original major tonality
@@MrUrech Yes, and some very good examples too. Very useful tricks.
not exaclty. There are minor chords in major keys. Every key center in this vid was major,.
There’s something so mystical about a iv-I chord change.
it resembles the V-I cadence since b6 is the darkside leading tone.
Bravo!
you can hear these progressions on chronic sunshine by cosmo pyke.. good video brother
Thanks you
Thanks
Mahalo from Hawaii, muito obrigado from a grateful brazilian
Thank u.. man.
That DmM7 is a great chord. Genesis uses it in EmM7 as the hang chord in the middle of Fly on a Windshield.
Love it ! Great work. Rock band from Canada ^^Keep Rocking in Darkness, not of it fretjam!
What ever i learned
Learned here
Dewa / Dewa 19 has been using this chord transition in most of their songs to darkening major keys. I think it is one of the best ingredients to make a song sounds more magical.
Marvelous! There are an infinite number of songs lying in your examples and I might have accidentally learned some theory, thanks
OK..lightbulb moment!!!! WOW.....
this is so hard to grasp but I hope I'll get there some day
Awesome
GOLD
you are so bright
Is it not like injecting the harmonic minor phrasing into the major or ionian, when you go from Major to minor in the Lydian tonic?
Holy crap that was a lot to process!!!
I found this searching for information about characteristic notes
Characteristic notes for modes:
c ionian - 4&7 degree (f,b)
d dorian- 3&6 degree(f,b)
e phrygian - 2&5 (f,b)
f lydian - 4&7 (b,e)
g mixo. - 3&7 (b,f)
a aeolian - 2&6 (b,f)
b locrian - 2&5 (c,f)
Position of the tritone does not work in lydian and locrian
because in root note there is nothing characteristic .
in f lydian ,f is root note
in b locrian,b is root
all scales have root on the first degree
and this is why tonic is not a characteristic note.
lydian - 4&7(b,e)
locrian - 2&5(c,f)
but I still do not know how it looks in the case of
harmonic major (and minor) modes,
melodic major and minor modes
and neapolitan major and minor modes.
Mike, do you do your own work on your Les Paul to get it to sound perfectly in tune, or do you have a technician?
I adjust the basics like intonation and truss rod. I took it to a tech last year to file the nut (didn't trust myself doing that!) which helped with tuning down at those first few frets. The 2nd and 3rd strings tend to be the main culprits for tuning issues. Lowering them at the nut can help with that. But also using heavier gauge strings (e.g. 10s or 11s) can help to stabilise the tuning. And of course, how hard or cleanly you fret the strings has an effect. Some shapes or movements can create slight bends in the string, or pull them in either direction, raising or lowering their natural pitch. So that's something to work on and a lower string height will help with this.
Am I correct to assume the 9 is the 2? If so, do you personally see any advantages in using the terms 9ths 11ths or 13ths instead of 2nds, 4ths and 6ths respectively, for instance?
I tend to use 9, 11, 13 when referencing chords or arpeggios and 2, 4, 6 when referencing scales. The difference is that 9, for example, comes after 7 in the chord tone stack, so it makes sense to use the higher number in most cases. But with scales the ordering is in scale degrees, i.e. 1234567.
Adding 6 works
love this section..it is what i like...and lydian..do you have in lydian..
Lydian covered here - czcams.com/video/mp8s7lW5my4/video.html
Anyone know what the chord at 1:30 is called? I’m assuming it starts with “G#” because that’s what is shown along the top.
It’s like a G#m7 with a minor 6 (E note). I think in order for it to be a 13th, though, it would have to have a major 6th (E#)
I'd name it G#m7(b13)
Damn bro!
I like your accent.
Not sure I understand the "chromatic movements" that show up in the piece at 6:00 as opposed to the ones from the prior pieces (which all seem to use chromatic notes as well). I think the chords in this piece are C -> Cm7 -> FmM7 -> Fm6 -> C/G -> D/F# -> FmM7 (add6) -> C/G. Can someone explain?
Sorry, I meant chromatic movement in the bass. So the bass was C / A / Ab / G / F# / F / C
@@fretjamdotcom Thanks for the response and the terrific lesson! (that I'm still working my way through)
i love you
Here’s what’s confusing though (awesome vid btw) isn’t the 4th degree chord supposed to be major? I was under the impression that only the 3rd is neither major or minor.
In most cases the IV will be major and conform to the harmonised major scale. But that's not a rule as such, rather a choice we make based on the sound we want. Ultimately, any chord can be major or minor. Go with what sounds good first and then you can see what has changed from the "natural" scale of the key, if you're going to accompany it in some way.
When you tell a girl you like her 2:54 but she said she likes you too... As a friend 2:59
The audio examples are great, but you don't mention anywhere that the chords you're playing have 9ths and others added notes... Was it intentional?
Kind of. I like to think of progressions as base triads to which we can add the colours we wish.
What about the iii chord
Dude......how long did this take you to learn??? This is like rocket science to my brain haha.
I don't know how long it took me but when I listen to music and feel something I tend to ask "what's going on there?" and examine it/break it down. Years of doing that basically lol
damn i feel like this guy would write really well w/ btbam hahah
What 4 people put thumbs down?
Those extended chords sounded even better than the leads😅
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