Making Your Embouchure Be Flexible While You're Playing - FluteTips 87
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- čas přidán 28. 08. 2024
- Our embouchure needs to be in a state of flexibility all the time while we're playing. It needs to be able to change and move the whole time that we're playing.
If you're playing high, you need to have a high embouchure. If you're immediately going low, your embouchure needs to be able to move and be a low embouchure.
In pieces where you move from playing a lot of high notes to all of a sudden dropping down to playing low notes, if you keep a high embouchure, you're going to lose the low notes.
You can learn how to make your embouchure be flexible while you’re playing.
Making Your Embouchure Be Flexible While You're Playing - FluteTips 87
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Hello I am from Nepal and learning the Indian classical bamboo flute. I was struggling a lot to learn the blowing and your tips about the flexible embouchure quickly helped me to blow the flute and get the tone i wanted as a beginner. Thank you very much and I will keep following your teaching.
Hi from Nepal! That flute is has such a fascinating sound. I am so glad this has helped you!
Very interesting! Thanks
Thanks Mauro!
Absolutely one of the best if not THE best advice/instruction on Embouchure Flexibility, thank you so very much Angela, I'm Second Flute in the Choir Instrumental Consort of my Church, and for this Sunday Service and the Service on the 25th, there are a couple of Hymns and Pieces that have a few arpeggios and change of registers needing this kind of flexibility you just so excellently explained.
I wish you and your loved ones a very Merry Christmas, may God bless you always
Hi Jorge, thanks so much! That is high praise! Just in time for you concert too. I had issues with flexibility and know first hand how valuable knowing this information really is. I appreciate your support.
Please , can you put the camera so near your embouchure?? Thanks...!!!
Are you wanting to see what I do with the embouchure better?
@@DoctorFlute Yes.
I'll try!
@@DoctorFlute thanks!
You are so right with tongue shape & you're the only one talking about it. Jazz phrasing sounds square until you try to 'scat' like Ella Fitzgerald. Tongue = no1 in our tool kit. It's not just "aah eee", it's everything in between. An instrument is a noise making machine. I played a $12,000 Flt & it was a Rolls Royce compared with mine, but (motoring analogy) I wasn't a better driver, it just felt a little more comfortable. Thank you for your videos.
Thanks so much Deryck! The tongue is so important for all of us. Nice analogy!
@@DoctorFlute in my comment I was way off subject. Thanks for that info on flexibility. I was raving on about people who think an expensive instrument is the answer to everything. There's no getting around the hrs of practice required & the knowledge from teachers like you. If I had $12,000 I'd spend 1/2 on a good instrument & the rest on lessons, books, CDs, & Concert tickets. But we have responsibilities & priorities in life. Maybe I'm just jealous. The lesson = we have to make best of what we've got & we never stop learning. Thanks for the work you put into your videos. You help a lot of people.
Too true. It is all about you and practice not on the instrument. Thanks for your works of support!
Thanks - I've been shying away from Etudes because I'm self-learning and they look overwhelming, but that one doesn't seem so scary so maybe I'll challenge myself to some Kohler. For embouchure flexibility, I've been doing harmonics and interval/octave leaps.
Yes, Yes, yes try the Kohler Etudes op. 66. They are very accessible besides being pretty and fun to play. You will really enjoy these. You can go to my website and download them for free! Doctorflute.com