This is the same kind of stuff you will learn about if you go to school for audio engineering. This guy is giving out great information for free - this kind of content is vital!
what version fl u running.. u like that grey/orange them.... my theme doesnt look anything like that.. is there skins somewhere for FL? :D is 20.7.2 already super old or smt? ; )
Love you for this. You are amazing at explaining this, makes it seem so simple. Other people would have a 10 part series to explain this and I still wouldn't understand :)
Great video, more people should know about this! Also the linear phase filters don't even add any ringing at all if they are well made! The pre and post ringing of each linear phase filter at the crossover point end up perfectly cancelling each other out! Dan Worral has a great video called "Sympathy for the Devil (Linear Phase for Crossovers and Oversampling)" on the subject
Amazing video. So simplified and the video examples are so easy to get the concept. I have watched a ton of videos on linear phase and oversampling and getting a mix loud but none of them combined come close to this video. Great work
Thank you for this video! It made me realise the importance and the impact of the linear phase on the mix. This just might be what made my mixes not up to the standards. I now need to rethink some stuff after years of losing my shit and not know what to do. I'm grateful for you and the video, thank you.
Literally YEARS of losing my shit😂. I'm copying templates and watching videos for hourssss. Also with multi band make sure your cuts aren't steep slopes. Try 6-12db cuts. Distortion also helps.
Love how simple you make it sound for newbies to Phase Relationships in the mastering chain. I sometimes forget that Maximus even has a LIN phase button, lol. Thanks for the reminder, glad this popped up in my recommended. - An Acoustician
as soon as i saw a dan worrall shoutout less than 2 seconds in i knew this was going to be solid stuff, and i was right! phase rotation stuff is still magic trickery to me, this really helped clear a lot up that other videos i've seen haven't. subbed!
Yeah this is honestly one of the easiest ways for me to wrap my head around sound design stuff. Really wish there was more content to visually illustrate the physical changes various FX and actions induce in the sound waves.
Great points! I have the same oscilloscope and Psyscope has been a life changer when understanding phase relationships in linear and non linear. This concept also helped me understand that I was knocking my 808's out of phase with kicks when eq'ing in non linear phase mode. Thanks for the good video explanation 🔥
yeah, being able to visualize what’s happening with the waveform has helped my mixes in so many ways. but now I often find myself mixing with my eyes, and constantly need to remind myself to actually listen to what I’m making lol. and you’re welcome!!
My goodness! I've been trying to figure out why some of my mixes weren't as loud as others. I had NO idea about linear phasing! I can't wait to get off work to try this on my mixes! And the fact that it's five minutes is so nice
I’m learning music production for a veeery long time and I haven’t seen yet soo good and straight on point tutorial about mixing and mastering! Great job bro🙏
Cannot thank you enough!! This single tip alone took 4dbs of gain reduction off of my final limiting! At the same LUFS! How is this not well known and covered everywhere!! Astounding!!
Well, this is a very good explanation for linear phasing problem and it's relation with the loudness shit and all, the only thing I use to keep a very loud mix and also having a -3db peak, I use the soft clipper and a FabFilter Pro L, I would say that people should focus first on perfectly EQ their sounds in the mix 1 by 1 because this helps a lot while doing the master stuff and use reference tracks.
If you look at the masters of Marauda and Excision tracks, they're clipping nearly 2db above 0, so that's something to consider; just clip the bloody thing!
Soft Clippers are a really good way of getting it that loud without overcompressing the living shit out of your sound, also makes it crunchy. Dope if you're really looking to using that in your own tunes
Often there's intersample peaking which is not accounted for by a standard mastering limiter which is why mastered .WAVs can sometimes be clipping above 0db. However as you say, clipping the audio in a constructive manner is definitely a good option to rule out these issues.
Omg a fucking music producer that knows what they’re talking about and doesn’t take twenty minutes to tell me how you think i should be making my music
Did not realized that eq effected phase like that, probably why all of my basses, and subs sound like a wet noodle. This was quite informative, even if alot of it is still goes over my head.
nigga I just found ur channel and you have the best mixing mastering tips for FL STUDIO & they’re up to date. Don’t stop!! Good vid & perfect explanation skills!
If you have the option of setting the filter crossover to single-pole (6dB/oct), like in Fabfilter Pro-MB, you can use minimum-phase crossovers without getting those phase rotations. The different bands will overlap quite a bit (like A LOT), but if you are only going for two or three bands, it's still perfectly useable. It seems like Maximus only have two-pole (12dB/oct) and three-pole (24dB/oct) crossovers as options though.
thank you for showing this simple and easy lesson! so this what all people was talking about LOL... i never understanded...but you learned me it perfectly! and thank you for that
I don’t think I fully comprehend what I just saw, but comprehended that this is exactly what I need to know. 😂 thanks, I think I will watch this 4-5 times to really soak it it.
Strange that this video got recommended to me as I am currently working on mixing and mastering my first important song...great tip though man, love the vid!
thank you thank you thank you. i kept having weird random distorted parts in the loudest part of my track after limiting peaks in the mix and everything. toggling linear phase on removed 99% of the distortion.
nice video! and yeah well-made linear phase filters don't introduce much preringing. however if you use linear phase for all your eqs and multiband compressors, your project will become more performacne heavy
@akinevz_ :) hmm maybe at some point. in FL I've just been using @DylanTallchief 's midi sidechain technique for the past few years. I don't have a lot to add to his method. video is "How to ACTUALLY sidechain in FL Studio". in the second half of the video he shows how to trigger automation clips using a midi note which automates a fruity balance. that's basically it, I don't do much else for sidechaining kick/sub. there have been a few FL updates in the past 5 years that improve this workflow, like if you double click a midi clip there's a better midi editor now. it's useful for dialing in the sc envelope. the main thing I'd talk about if I made a sidechain vid would be stuff about how to dial in good sidechain settings for your sounds, how to do better kick/sub phase alignment and such. but I think @Baphometrix does a better job explaining that stuff than I do. I recommend their "Considerations for sidechain ducking" and "Deep Dive Into Kick-Sub Phase Alignment & Ducking" videos. I would basically just be repeating what Baphometrix says. I've come up with some similar but slightly better workflows for midi sidechaining in bitwig that make life way easier. maybe I'll make a video on that at some point.
I dont do hardstyle or any genre that is really loud loud (yknow like more than 808 loud) but this was really informative either way about other things that matter quite a lot to me, nice work c:
Thank You for the info looked up linear phase and its told not to use it unless your using a shelf and not bell when EQ'ing but im decisive on that because i know to be careful because you will lose the impact of the sound especially if its purpose is meant to hit hard. This one of those choices of "would you rather shave peaks or preserve peaks" peaks sound & translates to the ear as DETAIL it makes sense to use linear phase on mastering to achieve more loudness.
I think the real key is to avoid using multiband on the master unless it's strictly necessary. because it forces you to pick between the two evils: unwanted peaking or pre/post ringing. neither is good but in the case I demonstrated in this video I'd argue pre-ringing is much less bad.
@@jshstuff I didn't see any preringing in psyscope in this video. It's nowhere near as noticeable as some videos out there make it out to be in practical use. If you want to hear it, use a steep resonant high pass on a synthetic kick and move it up to the frequency of the tail.
yeah I didn’t pick great demo examples to show the pre ringing in this video. I should have picked something more percussive. but you can sort of see it at 4:20. true, linear phase isn’t a big deal in most cases
This, also, kind of goes back to compressors not actually reducing peaks. They change the dynamic range, which you can use to control your peaks. But, a really harsh transient is still going to sneak through even the fastest compressors (unless it has that pre-hear feature which is relatively new).
yeaah absolutely, it also happens with all other vsts, it just distorts the sound and makes it different, i may use like 10 Pro-Qs in the row, and then when i look at the waveform it looks like a 😬, so it's always important to control this thing
Thanks mate, new subscriber here! Really helpful video especially for beginner like me to understand more about correlation between linear phase and loudness. Hope to see more easy to understand videos about mixing and mastering like this in the future. 👍🏻
thanks dude I’m seriously glad it could be helpful!! tried my best to make it useful and as easy as possible to understand. I’ll definitely make more videos whenever I think I have something valuable to share :)
Great vid, coming from someone who works in Ableton and doesn’t have most of these plugins, but have applied some of these concepts and getting good results. Also do you have any recommendations on a good side chain compression plugin? Starting to realize Ableton’s stock compressor isn’t quite as punchy/ducky as I’d like for heavier and louder tracks. Might help to add a midi/ghost side chain channel in the mixdown for tighter control? I’ve been getting more range in my mixes by bouncing everything to audio and redoing the mixdown by taking out and reworking EQ/compression, but still trying to balance the loudness with a little more range. It’s all relative of course as mixing melodic techno is a lot easier for me than dubstep, but I love the challenge of balancing loudness and range. Also reading these comments got me remembering just how controversial mixing loud is lmao; some of us just happen to like making abrasive nasty sounds 🤷♂️
this is awesome!! yeah you can apply all these concepts in any daw - the features are 99% the same. keep up the experimentation. I don’t really have any recommendations for sidechain ducking plugins. I just use volume automation because FL’s automation clips make it a breeze. if you’re looking for duckers via volume envelopes which can be set as LFOs or triggered by midi notes, there’s LFOTool, shaperbox, Kickstart, Duck Buddy, and probably more. if you’re looking for actual sidechain compressors, I don’t have much experience with those. then there are some crazy options that can be cool, like trackspacer (there’s a free clone of this for FL only made by Frank Pole), and I’m pretty sure Soothe 2 can do sidechaining but not sure about that. I definitely don’t know much about mixing for techno. the one thing I would highly recommend is looking at what your sidechain is doing through a good oscilloscope. specifically an oscilloscope that’s tempo synced (invaluable). you can rig up the free version of PSYSCOPE to show you your kick and bass in different colors, which helps a lot for getting things real tight. :)
I usually do things all in one project. mainly because I’m lazy. but also since I’m doing it all myself, unlike the traditional way of sending a single file to a mastering engineer, it’s nice to have the luxury of fixing things on the individual tracks instead of butchering everything together on the master
My mix: ███████████████████████████████████████
This is the same kind of stuff you will learn about if you go to school for audio engineering. This guy is giving out great information for free - this kind of content is vital!
free… until I sell out to unison audio hehe
@@jshstuff then put together a “masterclass” and sell it for 1200 bucks
@@jshstuff I’ll be here when you sell out to make fun of you for selling out
you get it
@@jshstuffAs long as it's available in every DAW 😂
Holy this was some of the best music content I’ve seen in a long time
that's awesome :)
i actually edited it this time. like or else i’m going back to screencaps 😈
Josh computer
your technique is good but I'll go with soundgoodizer
Where have you been all my life😩
@@ashwat3735bruh
what version fl u running.. u like that grey/orange them.... my theme doesnt look anything like that..
is there skins somewhere for FL? :D
is 20.7.2 already super old or smt? ; )
Love you for this. You are amazing at explaining this, makes it seem so simple. Other people would have a 10 part series to explain this and I still wouldn't understand :)
I love u 2, for being u
@@jshstuff Hey man, wondering if I can screen record a part of this video of yours, and use it in my video to explain the linear phase mode?
@@Marigold48 go for it, just link to the original please!! thanks for asking :)
@@jshstuff Awesome, i'm glad your channel is blowing up from this video. Much deserved :)
simple, quick and perfect explanation, nice man
actually insane how easily and quickly you cleared up this topic for me, great visualization
This video is literally the sauce. Clipper before the limiter + good sounds at the beginning are also the essentials to loud mixes.
Great video, more people should know about this! Also the linear phase filters don't even add any ringing at all if they are well made! The pre and post ringing of each linear phase filter at the crossover point end up perfectly cancelling each other out! Dan Worral has a great video called "Sympathy for the Devil (Linear Phase for Crossovers and Oversampling)" on the subject
Amazing video. So simplified and the video examples are so easy to get the concept. I have watched a ton of videos on linear phase and oversampling and getting a mix loud but none of them combined come close to this video. Great work
this makes me happy!! thanks, and I’m glad this helped you understand
this is crazy. never been so informed so quickly. keep going, i can’t even imagine what i can learn from you👏🏾
thanks for the encouragement!!
This is actually a really good tip that so many people will miss.
You explained it in a simple and quick way. Great content!
Thank you for this video! It made me realise the importance and the impact of the linear phase on the mix. This just might be what made my mixes not up to the standards. I now need to rethink some stuff after years of losing my shit and not know what to do. I'm grateful for you and the video, thank you.
you’re welcome!!
Literally YEARS of losing my shit😂. I'm copying templates and watching videos for hourssss. Also with multi band make sure your cuts aren't steep slopes. Try 6-12db cuts. Distortion also helps.
Great content, don't change. Very to the point and concise, whilst giving all of the needed information. Perfect.
Love how simple you make it sound for newbies to Phase Relationships in the mastering chain.
I sometimes forget that Maximus even has a LIN phase button, lol. Thanks for the reminder, glad this popped up in my recommended.
- An Acoustician
as soon as i saw a dan worrall shoutout less than 2 seconds in i knew this was going to be solid stuff, and i was right! phase rotation stuff is still magic trickery to me, this really helped clear a lot up that other videos i've seen haven't. subbed!
I love this. Very detailed. And visually seeing what happens to the wave forms helps a lot. You explained it best. Subbed also
Yeah this is honestly one of the easiest ways for me to wrap my head around sound design stuff. Really wish there was more content to visually illustrate the physical changes various FX and actions induce in the sound waves.
super helpful and informational love how you explain what things do and why to use them instead of just telling what to use, dropped a sub bro🙏
in hindsight this vid is kinda trash and badly explained but I’m glad if any concepts landed!!
this video will not only help me, a dubstep producer, but a friend of mine from Melodic Techno and my two friends from Trap, thank you very much.
This channel is seriously an underrated gem. Thank you.
ur a gem
Thats the best tutorial, actually telling some knowledge, that i have seen i a while wow.
Please keep that work up.
love how you explain things and got straight to the point. good tips!
Best 5 min video I've seen in a while. Nicely done!
Great points! I have the same oscilloscope and Psyscope has been a life changer when understanding phase relationships in linear and non linear. This concept also helped me understand that I was knocking my 808's out of phase with kicks when eq'ing in non linear phase mode.
Thanks for the good video explanation 🔥
yeah, being able to visualize what’s happening with the waveform has helped my mixes in so many ways. but now I often find myself mixing with my eyes, and constantly need to remind myself to actually listen to what I’m making lol.
and you’re welcome!!
@@jshstuff yep 💯 same, definitely try to a bit of both eyes and ears.🤙
this is the video I've been looking for for so long now!
My goodness! I've been trying to figure out why some of my mixes weren't as loud as others. I had NO idea about linear phasing! I can't wait to get off work to try this on my mixes! And the fact that it's five minutes is so nice
take a late lunch break it’ll go faster
your channel is a gem!
Really nice yet so simple explanation - great video. Hope you‘ll do more videos with mixing tips🔥
Your voice is incredibly soothing and easy to follow to!
50k subs and I make an ASMR channel
The mastering had always been my struggle, so this is by far necessary knowledge, thanks!
I’m learning music production for a veeery long time and I haven’t seen yet soo good and straight on point tutorial about mixing and mastering! Great job bro🙏
Fantastic video, explains these concepts incredibly well
This made me want to open my laptop and fix every project i've done so far lol
Cannot thank you enough!! This single tip alone took 4dbs of gain reduction off of my final limiting! At the same LUFS! How is this not well known and covered everywhere!! Astounding!!
W!
Holy cow, this was a dope tip. As someone who uses MB in almost every mastering session, this is gonna help me a lot. Thanks!
Music content that actually helps, great work. Subbed!
Well, this is a very good explanation for linear phasing problem and it's relation with the loudness shit and all, the only thing I use to keep a very loud mix and also having a -3db peak, I use the soft clipper and a FabFilter Pro L, I would say that people should focus first on perfectly EQ their sounds in the mix 1 by 1 because this helps a lot while doing the master stuff and use reference tracks.
Dude you are so underrated ,these are gem.
thanks for sticking around
As someone else said, short and straight to the point. Nice flow of information. TY got yourself a sub
Really great stuff man! Subbed! You get to the point and explain it in such a clear way.
Holy shit this is huge, the demonstration with the square wave really helped it click. I beg for more of these 🙏🙏🙏
that’s good to hear, I nearly decided to cut the video to around 2 mins
Thanks for helping me understand linear phase mode better!
If you look at the masters of Marauda and Excision tracks, they're clipping nearly 2db above 0, so that's something to consider; just clip the bloody thing!
Soft Clippers are a really good way of getting it that loud without overcompressing the living shit out of your sound, also makes it crunchy. Dope if you're really looking to using that in your own tunes
Often there's intersample peaking which is not accounted for by a standard mastering limiter which is why mastered .WAVs can sometimes be clipping above 0db. However as you say, clipping the audio in a constructive manner is definitely a good option to rule out these issues.
you are truly a savior 🙏
Just explained linear phase so well. You're about to create an army of top tier edm producers dude...
Well deserved sub! Can't wait to check out the rest of your content mate
thank you for teaching me this stuff, man I was confused how this Linear Phase works in mastering
Omg a fucking music producer that knows what they’re talking about and doesn’t take twenty minutes to tell me how you think i should be making my music
Did not realized that eq effected phase like that, probably why all of my basses, and subs sound like a wet noodle. This was quite informative, even if alot of it is still goes over my head.
yeah man we’re all learning :) take the bits you do understand and make cool stuff!!
nigga I just found ur channel and you have the best mixing mastering tips for FL STUDIO & they’re up to date. Don’t stop!! Good vid & perfect explanation skills!
If you have the option of setting the filter crossover to single-pole (6dB/oct), like in Fabfilter Pro-MB, you can use minimum-phase crossovers without getting those phase rotations. The different bands will overlap quite a bit (like A LOT), but if you are only going for two or three bands, it's still perfectly useable. It seems like Maximus only have two-pole (12dB/oct) and three-pole (24dB/oct) crossovers as options though.
Thank you for the explanation. All along Ive been effing it up.
thank you for showing this simple and easy lesson! so this what all people was talking about LOL... i never understanded...but you learned me it perfectly! and thank you for that
you’re welcome, thanks for being you
Honestly amazing audio engineering content!!!
It’s very loud, but not music :) It explains not a simple issue, but very clear! Big up!
Your not music
i was discussing this with another artist recently, I'll have to check out more of your videos :)
I don’t think I fully comprehend what I just saw, but comprehended that this is exactly what I need to know. 😂 thanks, I think I will watch this 4-5 times to really soak it it.
you’ll get it!! I believe in u
Strange that this video got recommended to me as I am currently working on mixing and mastering my first important song...great tip though man, love the vid!
thank you thank you thank you. i kept having weird random distorted parts in the loudest part of my track after limiting peaks in the mix and everything. toggling linear phase on removed 99% of the distortion.
this is what I want to hear
You're a gentleman, thank you very much!
ngl I've never knew Maximus could actually do that, you're so underrated man!
thanks!!
nice video! and yeah well-made linear phase filters don't introduce much preringing. however if you use linear phase for all your eqs and multiband compressors, your project will become more performacne heavy
i love your series, best recommendation in a long while. could you do a video on midi sidechaining?
@akinevz_ :)
hmm maybe at some point. in FL I've just been using @DylanTallchief 's midi sidechain technique for the past few years. I don't have a lot to add to his method. video is "How to ACTUALLY sidechain in FL Studio". in the second half of the video he shows how to trigger automation clips using a midi note which automates a fruity balance. that's basically it, I don't do much else for sidechaining kick/sub. there have been a few FL updates in the past 5 years that improve this workflow, like if you double click a midi clip there's a better midi editor now. it's useful for dialing in the sc envelope.
the main thing I'd talk about if I made a sidechain vid would be stuff about how to dial in good sidechain settings for your sounds, how to do better kick/sub phase alignment and such. but I think @Baphometrix does a better job explaining that stuff than I do. I recommend their "Considerations for sidechain ducking" and "Deep Dive Into Kick-Sub Phase Alignment & Ducking" videos. I would basically just be repeating what Baphometrix says.
I've come up with some similar but slightly better workflows for midi sidechaining in bitwig that make life way easier. maybe I'll make a video on that at some point.
This channel will be big if you keep uploading quality videos like this. Subbed with notifications.
🔔🙂
True
I dont do hardstyle or any genre that is really loud loud (yknow like more than 808 loud) but this was really informative either way about other things that matter quite a lot to me, nice work c:
yeah imo it’s good to know these sorts of phenomena/techniques even if you don’t need them every day!
Thank You for the info looked up linear phase and its told not to use it unless your using a shelf and not bell when EQ'ing but im decisive on that because i know to be careful because you will lose the impact of the sound especially if its purpose is meant to hit hard. This one of those choices of "would you rather shave peaks or preserve peaks" peaks sound & translates to the ear as DETAIL it makes sense to use linear phase on mastering to achieve more loudness.
I think the real key is to avoid using multiband on the master unless it's strictly necessary. because it forces you to pick between the two evils: unwanted peaking or pre/post ringing. neither is good but in the case I demonstrated in this video I'd argue pre-ringing is much less bad.
@@jshstuff I didn't see any preringing in psyscope in this video.
It's nowhere near as noticeable as some videos out there make it out to be in practical use.
If you want to hear it, use a steep resonant high pass on a synthetic kick and move it up to the frequency of the tail.
yeah I didn’t pick great demo examples to show the pre ringing in this video. I should have picked something more percussive. but you can sort of see it at 4:20. true, linear phase isn’t a big deal in most cases
This, also, kind of goes back to compressors not actually reducing peaks. They change the dynamic range, which you can use to control your peaks. But, a really harsh transient is still going to sneak through even the fastest compressors (unless it has that pre-hear feature which is relatively new).
yeah clippers and limiters for peaks. Compressors for creating transients ;)
yeaah absolutely, it also happens with all other vsts, it just distorts the sound and makes it different, i may use like 10 Pro-Qs in the row, and then when i look at the waveform it looks like a 😬, so it's always important to control this thing
So knowledgeable! Learned a lot, thanks😊😊
This is GOLD trick thank you!
ayo just checked out ur soundcloud u have some insane stuff keep up the amazing work!
thanks guy I like it when people look at my stupid music !!!!!!!!!
Thanks mate, new subscriber here! Really helpful video especially for beginner like me to understand more about correlation between linear phase and loudness. Hope to see more easy to understand videos about mixing and mastering like this in the future. 👍🏻
thanks dude I’m seriously glad it could be helpful!! tried my best to make it useful and as easy as possible to understand. I’ll definitely make more videos whenever I think I have something valuable to share :)
@@jshstuff keep it up! I'll surely accompany you and your channel to grow even more.
@@muhammadmaftuchbahrunilmi
Professional, straightforward&conscise. FL its not my DAW but you explained it scientifically so i can apply it in my studio. very good video!
this is the goal! I’m glad :)
exactly what i needed!
Great tips :)
glad it was helpful!!
Short n sweet, thank you ❤️
yw ❤️
Very interesting, I certainly need to look more into this topic.
I'm gonna spend my life perfecting this one note
Great vid, coming from someone who works in Ableton and doesn’t have most of these plugins, but have applied some of these concepts and getting good results.
Also do you have any recommendations on a good side chain compression plugin? Starting to realize Ableton’s stock compressor isn’t quite as punchy/ducky as I’d like for heavier and louder tracks. Might help to add a midi/ghost side chain channel in the mixdown for tighter control? I’ve been getting more range in my mixes by bouncing everything to audio and redoing the mixdown by taking out and reworking EQ/compression, but still trying to balance the loudness with a little more range.
It’s all relative of course as mixing melodic techno is a lot easier for me than dubstep, but I love the challenge of balancing loudness and range.
Also reading these comments got me remembering just how controversial mixing loud is lmao; some of us just happen to like making abrasive nasty sounds 🤷♂️
this is awesome!! yeah you can apply all these concepts in any daw - the features are 99% the same. keep up the experimentation.
I don’t really have any recommendations for sidechain ducking plugins. I just use volume automation because FL’s automation clips make it a breeze. if you’re looking for duckers via volume envelopes which can be set as LFOs or triggered by midi notes, there’s LFOTool, shaperbox, Kickstart, Duck Buddy, and probably more.
if you’re looking for actual sidechain compressors, I don’t have much experience with those.
then there are some crazy options that can be cool, like trackspacer (there’s a free clone of this for FL only made by Frank Pole), and I’m pretty sure Soothe 2 can do sidechaining but not sure about that.
I definitely don’t know much about mixing for techno.
the one thing I would highly recommend is looking at what your sidechain is doing through a good oscilloscope. specifically an oscilloscope that’s tempo synced (invaluable). you can rig up the free version of PSYSCOPE to show you your kick and bass in different colors, which helps a lot for getting things real tight.
:)
Amazing straight to the point video
wow this is so informative! please keep it up :D
Thank you so much for this video, I have a question do u master your songs in the mix session mode or do u do it in a new fresh session?
I usually do things all in one project. mainly because I’m lazy. but also since I’m doing it all myself, unlike the traditional way of sending a single file to a mastering engineer, it’s nice to have the luxury of fixing things on the individual tracks instead of butchering everything together on the master
I love when someone can explain stuff in few minutes. ROCK ON
🤘
very concise great work
Nice job explaining this concept.
Yeah I always forget to phase it… made me realize how much louder it makes my mix
wow, thanks for that! great explanation, simple, but with what we need to know
ur welcome!!
This was a damn good video! Got my sub! Keep it up bro! 💯🙏🏽🔥
really good stuff with no time wasted. u got a new sub today
thanks my guy
Damn! Ty for this, man!
yw :)
Great explanation ❣
awesome comprehensive tutorial, and the reason i was fucking up my mixes with just a simple eq was staring right at me all along.
Can We just take a moment to thank Jesse Eisenberg for Narrating this video
Mixing and making good sounding music: no
Doing everything to be loud: yes
we are dooomed
No one talks about these shits with examples.
Great work bro :)
I wasn't aware of this, I will check it out on my masters
I've never used this but I always do the exact same process! Will try on this next one
Dudeeee this really helped. I always wondered why when I put an eq if the sound was -9 it becomes -6. Damn thanks so much man
yeah! it’s super weird before you learn about this, why an eq cut can increase the max peak
@@jshstuff yeah man. Need more of these plzz
Preciate this my boy
I appreciate u
Ohh, this is actually new for me, thanks!
you’re welcome!
Thanks man that was helpful 🔥