Nowadays I use the "CZcams" preset in Resolve and export in 4K. It seems a good compromise of file size and quality, but it doesn't give many manual options. No idea how that would translate to Premiere Pro unfortunately.
When you had the ISO cranked to 8k, how much noise reduction did you perform in post? I'm not sure if I can tell due to CZcams compression on mobile phone. *edit, nice video as usual
@@RogerinFinland ha no problem man. You and I are in a similar boat, both use a S6 and E2C. Use your content to learn, coming primarily from a Sony environment.
Hey Roger, I wonder if you could help me? I'm having problems with figuring out when filming whether to use waveform on Native zlog2 image to determine exposure or do I put the rec709 monitor LUT on and then determine my exposure (false colour/waveform) based on that? rec709 LUT much darker than zlog2 so which one do I trust to get best exposure?
I'm by no means an expert, but this is what I've read often as recommendation: Use the LUT to have a sense of "how it will look", it's easier to light, frame and just more pleasant. BUT, check the waveform pre-LUT because it has more dynamic range and you want to make sure that the log footage is properly exposed (no clipping highlights, middle gray where it's supposed to be).
Excellent!
👍🏻🔝👌🏻👏🏻👏🏻👏🏻👏🏻👏🏻
Gràcies 😊
Nice video. I really like your T-shirt.
Thanks! 👍🏻😊
Great point.
Thanks! 👍🏻
Could you do a video showing your export settings? I use PP and everything looks good, but I feel like it could look better.
Nowadays I use the "CZcams" preset in Resolve and export in 4K. It seems a good compromise of file size and quality, but it doesn't give many manual options.
No idea how that would translate to Premiere Pro unfortunately.
👏👏👏👏👏
Thanks!
When you had the ISO cranked to 8k, how much noise reduction did you perform in post?
I'm not sure if I can tell due to CZcams compression on mobile phone.
*edit, nice video as usual
The "edit" comment made my day!! 😊👍🏻
And there was no noise reduction at all.
@@RogerinFinland ha no problem man.
You and I are in a similar boat, both use a S6 and E2C.
Use your content to learn, coming primarily from a Sony environment.
Todavia tán guapo ;-)
Ermmm... Gracias (?)
Hey Roger, I wonder if you could help me?
I'm having problems with figuring out when filming whether to use waveform on Native zlog2 image to determine exposure or do I put the rec709 monitor LUT on and then determine my exposure (false colour/waveform) based on that?
rec709 LUT much darker than zlog2 so which one do I trust to get best exposure?
I'm by no means an expert, but this is what I've read often as recommendation:
Use the LUT to have a sense of "how it will look", it's easier to light, frame and just more pleasant. BUT, check the waveform pre-LUT because it has more dynamic range and you want to make sure that the log footage is properly exposed (no clipping highlights, middle gray where it's supposed to be).
@@RogerinFinland I very much appreciate your reply - about to go and film and was sort of panicing LOL thankyou mate