Well, the Maestro was a violinist himself, and assuming this is ASMF, he founded the orchestra as well. It's no wonder he did the music for the Amadeus film soundtrack back in the day.
I'm inclined to agree with you. A few notches on the metronome make all the difference. The three chords at the beginning need to be masonic in their solemnity and that gives the tempo for the rest of the piece.
Indeed! Although I militate for popularization of art, sometimes I think that this kind of music (as it known as “music of and from god”) is not for everyone! Sometimes.. .
In the early 1970s and before , all the orchestral musicians were men. Nowadays most orchestras must not discriminate based on whether the musician is male or female . It has become a common practice for musicians to audition from behind an opaque screen. That way, the audition jury is forced to employ musicians based on the merits of the audition, and not based the player being male/female . Of course, there are still glitches in the system. But women (and men) are treated more fairly by twenty-first century professional orchestra managers.
3:25 At first I thought my computer got infected by a malware or a virus, but then I realized that Mozart as lazy and untalented as he was, decided to spawn the same boring chords unnecessarily. Mozart borrowed the main motif of this overture from Clementi's sonata in B-Flat Major and delinquently downgraded it, whereas Beethoven often took ideas from other composers such as Mozart's Misericordias Domini K.222 and Bastien und Bastienne to make better pieces out of it. Different levels.
So, Beethoven improved on a few bars written by a 12 year old kid? I totally agree with Sir Colin Davis that Beethoven didn't have the musical intellect to be able to write the last movement of the Jupiter Symphony. Then who did? Who else of all the composers later than he was able to write a piece which is at the pinnacle of contrapuntal music? Are they boring chords when the first of 5 contrapuntal themes is used to modulate through 5 keys in 20 bars starting at bar 233? Who else has written anything to match the magnificent coda in 5 part invertible counterpoint starting at bar 374? Nobody. They couldn't do it. I wish Bach could have studied that piece. Try searching for "Richard Atkinson Jupiter" on youtube: "Magnificent Counterpoint in the Finale of Mozart's Jupiter Symphony" czcams.com/video/YTxYykhQZbI/video.html From that analysis you might learn something about how a genius composes in less than 16 days one of the greatest pieces of music ever written, you know? The one which the composers of the 19th century thought was a miracle. In the meantime, have a close listen to the quintet for piano and winds in Eb, first by Mozart (K452) and then the pathetic attempt at cloning it by Beethoven in Opus 16. Incidentally Oh Great Uninformed One, those three "boring chords" represent the women knocking on the door of the temple, demanding admitted to the order. That was inspired by the empress Maria Theresa's organising a raid on her husband's free masonry temple to see what was going on. You have much to learn about music. Good luck :-)
@@sharontrompf3249 "Mozart as lazy and untalented as he was" hahahahahah someone is in desperate need of attention... I wonder if Gould ever listened to symphonies 39, 40, and 41 (all 3 composed in a few weeks!), Die Zauberflöte, Requiem, the clarinet concerto in A major K. 622, and the list goes on and on. Just the adagio movement of that clarinet concerto... oh, my.
Omg give me a break. Mozart had more talent in one finger then both those men. Mozart remembered everything he ever heard or studied and strived to make it better. Both of those men will tell you Mozart was a Devine genius. Not sure what rock you climbed out of
I'll never forget the story of the piano content mozart had with clementi. Clementi was known mainly for his piano so when the two had a face off, he was mind blown by mozart. Everyone that was there said they were about equal in playing, but then at the end Mozart came through with so much improvising and development of the themes, Everyone said mozart was the clear winner. I always bring that up to the stupid clamenti fans that the man said he got owned in that contest. Lol. A guy that has a masterpiece in every genre of his time, schooled what many thought was thr best piano player in thr world. So go take your shit somewhere else!!
Actually, the similarity between Beethoven's Eroica Symphony and the overture to Mozart's Bastien und Bastienne is completely coincidental. After the operas first performance, it wasn't performed again until the 1890s (when the manuscript was found) and nobody (apart from the people at the premiere, which was in a garden pavilion) had heard the piece. Beethoven died in 1827 and so he never lived to hear this piece. The same thing goes for the Misericordias Domini, K. 222, which wasn't discovered until the early 20th century and so Beethoven would've never heard it. So next time before you post an arrogant, pompous (and extremely ignorant) comment about the world's greatest genius in the comment section of one of his greatest works, do some proper research. And really, who cares about Clementi's sonatas? You're just a disgusting attention seeker who understands nothing about the music of Mozart. Good day.
Maestro, I adore you ...
Absolutely superb conducting- such clarity he gets from the orchestra- the best recording I have ever heard
Well, the Maestro was a violinist himself, and assuming this is ASMF, he founded the orchestra as well. It's no wonder he did the music for the Amadeus film soundtrack back in the day.
A mon avis, l'un des meilleurs chef d'orchestre pour interpréter Mozart...
Aquesta és sens dubte la millor interpretació que escoltat de L'obertura de la La flauta màgica. És Mozart 100%
Sure would be respectful to those musicians to identify the orchestra by name.
The Academy of St Martins in the Fields, the orchestra he founded and formed a solid partnership with,
Wunderschön! Die Zauberflöte - Ein Meisterwerk
My favorite piece!
Love this recording 👌🏻
Let the opera begin!
Well played. Fantastic.
I love this opera
Maravillosa interpretación de la Obra Maestra del Genial Compositor W.A.Mozart
Maravilhoso, belíssimo tema de abertura
El director espectacular
i love this soing
perfect!!!
BLENDED THE COLATURA! WOW
Rusty and Rosy ABC's and Such and Rusty and Rosy ABC's and Such 2 (Snake and End Credits) 3:46, 4:20 (Repeat 3x), and 4:56
1:34
Allegro 1:30
As far as I know, the fast sections are marked allegro vivace, not prestissimo - just a bit too fast for my liking.
Not so fast. Prestissimo is here: czcams.com/video/WRu4QCE4w-4/video.html
I'm inclined to agree with you. A few notches on the metronome make all the difference. The three chords at the beginning need to be masonic in their solemnity and that gives the tempo for the rest of the piece.
It's perfect.
Rocket's Haunted Adventure.
WHO IS CONDUCTOR
Sir Neville Marriner
Can it be that the Orchestra from the Scala is..
This comment section is very- formal ._
I'm wearing my artistically designed outfit I wore for the Met Gala in New York City three nights ago. It's Neville Marinner FFS!😅
3:35
I played this before
No one cares
To fast
What the? why so many men??
Indeed! Although I militate for popularization of art, sometimes I think that this kind of music (as it known as “music of and from god”) is not for everyone! Sometimes..
.
Looks like the early 80s. Pretty decent amount of women in the ranks for that time.
In the early 1970s and before , all the orchestral musicians were men. Nowadays most orchestras must not discriminate based on whether the musician is male or female . It has become a common practice for musicians to audition from behind an opaque screen. That way, the audition jury is forced to employ musicians based on the merits of the audition, and not based the player being male/female . Of course, there are still glitches in the system. But women (and men) are treated more fairly by twenty-first century professional orchestra managers.
@@daponte18 The Vienna Philharmonic didn't allow female musicians to join until 1995!
3:25 At first I thought my computer got infected by a malware or a virus, but then I realized that Mozart as lazy and untalented as he was, decided to spawn the same boring chords unnecessarily.
Mozart borrowed the main motif of this overture from Clementi's sonata in B-Flat Major and delinquently downgraded it, whereas Beethoven often took ideas from other composers such as Mozart's Misericordias Domini K.222 and Bastien und Bastienne to make better pieces out of it.
Different levels.
So, Beethoven improved on a few bars written by a 12 year old kid? I totally agree with Sir Colin Davis that Beethoven didn't have the musical intellect to be able to write the last movement of the Jupiter Symphony. Then who did? Who else of all the composers later than he was able to write a piece which is at the pinnacle of contrapuntal music?
Are they boring chords when the first of 5 contrapuntal themes is used to modulate through 5 keys in 20 bars starting at bar 233?
Who else has written anything to match the magnificent coda in 5 part invertible counterpoint starting at bar 374?
Nobody. They couldn't do it. I wish Bach could have studied that piece.
Try searching for "Richard Atkinson Jupiter" on youtube: "Magnificent Counterpoint in the Finale of Mozart's Jupiter Symphony" czcams.com/video/YTxYykhQZbI/video.html
From that analysis you might learn something about how a genius composes in less than 16 days one of the greatest pieces of music ever written, you know? The one which the composers of the 19th century thought was a miracle.
In the meantime, have a close listen to the quintet for piano and winds in Eb, first by Mozart (K452) and then the pathetic attempt at cloning it by Beethoven in Opus 16.
Incidentally Oh Great Uninformed One, those three "boring chords" represent the women knocking on the door of the temple, demanding admitted to the order. That was inspired by the empress Maria Theresa's organising a raid on her husband's free masonry temple to see what was going on.
You have much to learn about music. Good luck :-)
@@sharontrompf3249 "Mozart as lazy and untalented as he was" hahahahahah someone is in desperate need of attention...
I wonder if Gould ever listened to symphonies 39, 40, and 41 (all 3 composed in a few weeks!), Die Zauberflöte, Requiem, the clarinet concerto in A major K. 622, and the list goes on and on. Just the adagio movement of that clarinet concerto... oh, my.
Omg give me a break. Mozart had more talent in one finger then both those men. Mozart remembered everything he ever heard or studied and strived to make it better. Both of those men will tell you Mozart was a Devine genius. Not sure what rock you climbed out of
I'll never forget the story of the piano content mozart had with clementi. Clementi was known mainly for his piano so when the two had a face off, he was mind blown by mozart. Everyone that was there said they were about equal in playing, but then at the end Mozart came through with so much improvising and development of the themes, Everyone said mozart was the clear winner. I always bring that up to the stupid clamenti fans that the man said he got owned in that contest. Lol. A guy that has a masterpiece in every genre of his time, schooled what many thought was thr best piano player in thr world. So go take your shit somewhere else!!
Actually, the similarity between Beethoven's Eroica Symphony and the overture to Mozart's Bastien und Bastienne is completely coincidental. After the operas first performance, it wasn't performed again until the 1890s (when the manuscript was found) and nobody (apart from the people at the premiere, which was in a garden pavilion) had heard the piece. Beethoven died in 1827 and so he never lived to hear this piece. The same thing goes for the Misericordias Domini, K. 222, which wasn't discovered until the early 20th century and so Beethoven would've never heard it. So next time before you post an arrogant, pompous (and extremely ignorant) comment about the world's greatest genius in the comment section of one of his greatest works, do some proper research. And really, who cares about Clementi's sonatas? You're just a disgusting attention seeker who understands nothing about the music of Mozart. Good day.
1:28
1:30