seriously, this lesson is a missing link. so helpful. and thankyou for playing slow, showing the tab, and repeating the info in the same video, and recognizing the people watching the video need slow and steady first. especially the visual learners!!! cheers!
Hear in New Mexico the guitar players play the 1st and 2nd string for Spanish ranch music Rancitas my grand father had a dance hall next to his bar I loved the telecaters and strats threw fender amp I would sit on the steeps to the stage one band was Called the Vibertones. I can her it with your double stops...RocknRollflat5
Thank you Howard, great lesson and very helpful by combining both videos. Clear explanation and demonstration. Question- what model and color telecaster are you using?. Thx again
Firstly thanks great lesson sounds good, and very useful = makings for having fun while playing the guitar. 2nd- triad positions and inversions, am I right in thinking it's sometimes easier depending on the shape and its relative position like its is a direct link to triads when taking the root 3rd or 5th or 4th idk, then move from there from the more known cowboy chords and bar chords shapes roots often x2 in a bar chord so more options and root note of the chord' shape into a double stop relative to part of a triad postion R/3/5 and would it be easier to use G triad positions further up on the neck on 1st 2nd 3rd 4th strings same but with different shape and voice as G Bm C and D, for smooth movement into the double stops, I can see the connection with using both the chord shapes you were using and the triads positions and inversions? I'm thinking about it, it never ceases to amaze me how well set up the fretboard on a guitar is laid out, simply put a note is a note wherever it is its always relative to its chord making counterparts doesn't matter where you are on the fretboard because the guitar is tuned and fixed in that tuning it comes down to shapes, positions and inversions/combinations, all already figured out and mapped out its a case of commiting to memory and when to apply the knowledge, I love this man ALWAYS! Something to learn especially when I think I've got it all figured out there's always more. Thanks again 👍
This is what im looking at for a years playing. Good stuff. Thanks alot❤❤❤
seriously, this lesson is a missing link. so helpful. and thankyou for playing slow, showing the tab, and repeating the info in the same video, and recognizing the people watching the video need slow and steady first. especially the visual learners!!! cheers!
Excellent video!
Thank you for this easy to understand lessons!!
Never seen such a good explanation
This helped heaps, il be watching over an over til i get.thanks .😊
Fun exercises. Nice job!
Great lesson Howard thanks for your sharing your knowledge
Thanks for listening :-)
Nice stuff. It's expanded my limited double stop repertoire...I didn't even know these licks were called double stops.
thank you very very much. you are no.1 guitar teacher. and i mean it for all!
Thank you so much :-)
Thanks Howard. I really appreciate these lessons. Going to see how many ways I can play Brown Eyed Girl intro.
i have to tell you. thank you sooooo much.
thanks. been looking for this info!
Wonderful!! Thx
I learned something thanks man
YOU ARE AWESOME!
Thanks 🎶
Outstanding 👍
Thanks a lot 😊
Hear in New Mexico the guitar players play the 1st and 2nd string for Spanish ranch music Rancitas my grand father had a dance hall next to his bar I loved the telecaters and strats threw fender amp I would sit on the steeps to the stage one band was Called the Vibertones. I can her it with your double stops...RocknRollflat5
Thank you Howard, great lesson and very helpful by combining both videos. Clear explanation and demonstration. Question- what model and color telecaster are you using?. Thx again
It's an American Standard - Natural finish :-)
Thank you! It looks and sounds beautiful. @@247GuitarwithHowardHart
Firstly thanks great lesson sounds good, and very useful = makings for having fun while playing the guitar.
2nd-
triad positions and inversions, am I right in thinking it's sometimes easier depending on the shape and its relative position like its is a direct link to triads when taking the root 3rd or 5th or 4th idk, then move from there from the more known cowboy chords and bar chords shapes roots often x2 in a bar chord so more options and root note of the chord' shape into a double stop relative to part of a triad postion R/3/5 and would it be easier to use G triad positions further up on the neck on 1st 2nd 3rd 4th strings same but with different shape and voice as G Bm C and D, for smooth movement into the double stops, I can see the connection with using both the chord shapes you were using and the triads positions and inversions? I'm thinking about it, it never ceases to amaze me how well set up the fretboard on a guitar is laid out, simply put a note is a note wherever it is its always relative to its chord making counterparts doesn't matter where you are on the fretboard because the guitar is tuned and fixed in that tuning it comes down to shapes, positions and inversions/combinations, all already figured out and mapped out its a case of commiting to memory and when to apply the knowledge, I love this man ALWAYS! Something to learn especially when I think I've got it all figured out there's always more. Thanks again 👍
It's all about triads, inversions and positions on the fretboard :-)
Do you explain the theory behind these double stop anywhere? I think you said minor and major thirds.
Great lesson