Carl Philipp Emanuel Bach Württemberg Sonatas Sonata in B minor (Wq.49/6 - H.36)
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- čas přidán 8. 09. 2024
- The basis of the classical sonata form with its two themes, two parts in the first movement were clearly established by Carl Philipp Emanuel Bach. He composed over a hundred sonatas.
Six Harpsichord Sonatas (The Wurttemberg Sonatas), Wq.49 (Bach, Carl Philipp Emanuel)
Those sonatas, composed in Berlin in 1742 and published there in 1744 under the title "Opera II", are dedicated to the Duc Charles of Wurttemberg. The innovative and creative genius of Carl Philipp Emanuel Bach are expressed in those ravishing pages. The new, innovative dramatic effects are amazing: successive fermatas, unexpected silences, changes of tempos, audacious modulations, a vast keyboard range.
Sonata in B minor Wq 49/6 (H.36)
Moderato-Adagio non molto-Allegro
Starting with an improvisatory Moderato, the sixth sonata (Wq 49/6) presents an array of incredibly innovative effects. According to his commentators, the composer was playing this kind of music with a very large degree of freedom in the rhythms. The Adagio non molto, again proceeds with a singing-like texture and leads to a very brilliant finale.
Mehmet Okonsar, pianist, composer, conductor and musicologist is the First Prize Winner at the International Young Virtuosos Competition, Antwerp, Belgium, 1982 and laureate of other prestigious international piano competitions such as the Gina Bachauer, Sixth Prize, Salt Lake City-UT, 1991 and J. S. Bach, Second Prize, Paris, France 1989.
He is graduated from the Brussels Royal Conservatory of Music on piano, composition and orchestration. He studied with Jean-Claude Vanden Eynden and Madame Jacqueline Fontyn. He has been a pupil of Alexis Weissenberg.
Mehmet Okonsar performed in major concert halls in Europe, North America and Japan both solo and orchestral. He was special guest judge for the National Piano Competition of Japan (1999) P.T.N.A. (To-On). His researches in music related technologies were broadcast in a series of documentaries presented by the artist on the National Broadcast of Turkey (TRT).
Mr. Okonsar is a prolific composer of orchestral, chamber, choral and piano music. His composing line is highly avant-garde and complex. Also a musicologist, writer and lecturer, Mr. Okonsar's writings are published in English and French and he is lecturing on music, composing and related technology.
His recital programs are usually highly eclectic and often thematic mixing works by A. Webern, A. Berg, I. Stravinsky, K. Stockhausen, P. Boulez and L. Berio with the more traditional piano repertoire. ............................................................
Album available at: SPOTIFY - ITUNES / Apple Music - SOUNDCLOUD - AMAZON-MUSIC
Licensing: POND5
He is the father and we are his sons. This is what Mozart said about CPE Bach.His monumental work on keyboard playing is a key reference for ALL keyboard players, professionals or amateur like myself.
2nd movement: 6:20
3rd: 11:13
Extraordinarias interpretación, y un consumado pianista!., felicitaciones.
wow, the sound is better than any recording of CPE bach that I have heard. great interpretation
You understand the empfindsamer Stil very well! Beautiful, expressive
JS: "You kids and your crazy new music."
Bravo💯💯
Unbelievable !!! Great performance ❤
OMG, i love it, im in love with your technique, i feel conected with the music every time i watch you playing, BLESSINGS!
amazing performance!
thank you!
Perfezione.
I once went to a barber who'd spin his scissors like a cowboy spins his gun when cutting hair. My mother (a hairdresser) called him over the top and theatrical. But he honestly gave me the best haircuts I've ever had (double crown). I still to this day think if flare is part of your style then we're all the better off for it.
wonderful
Gerçekten mükemmel ve etkileyici bir performans sizin yorumlarınızı dinlemek inanın çok büyük bir keyif, sağlık ve başarı dileklerimizle..
Ümitciğim insanı dinlendiriyor hayallere götürüuor teşekkürler.
RİCA EDERİM MEHMET OKONŞAR ÇOK İYİ BİR PİYANİST ADINI İNTERNETE YA DA YOU TUBE ' AYAZARAK ÇEŞİTLİ YORUMLARINI HER ZAMAN DİNLEYEBİLİRSİNİZ, SAYGI VE SELAMLAR..
Wonderful perform! The sound of the piano is very good as well. Can I ask what is the brand ?
+Frank C you can see the yamaha label
Красиво играет... я хочу послушать сонату си минор 65/11 и не могу найти в интернете. Может кто даст ссылочку...
When someone talks about Bach, I ask often: which Bach do you mean?
about all those fermatas and silences: is it possible that back then the sonata was to be played while an orator gave an speech? The influence of rhetoric on sonata form is well known, but is it possible that the link between music and speech was a bit more than just influence? Kinda like church services would influence the development and function of organ preludes, banquets to early symphonies and so on. Might sonatas have been born and used to highlight speeches and those fermatas to highlight the most dramatic parts of an actual speech?
interesting idea.. I don't know, may be..
Namekuseijin Br No mystery here; this work is absolutely typical of CPE’s very personal and individual ‘empfindsamer Stil’.
who is the pianist very nice
that's me... thank you
Pretty over the top on the theatrics. Nice playing nonetheless.
4:12 Sounds too jazzy. I do not really think that the dotted semiquavers here should be played like this.
Verry annoying mannerisms
Worst technique ever seen
hahh hah!