I don't have the formal musical education or technical vocabulary to say anything more about this performance beyond the fact that I enjoyed it immensely and it made me feel good. 😊
I love love love this performance. Unlike so many players who just race through it, she actually plays around with tempo and phrasing. Is there any other player who even acknowledges that the first solo phrases involves an echo'ed part?
Pour moi la meilleure version du rv443 que j'ai pu écouter.. la clarté du détaché, les modifications des tempi, la qualité de l'accompagnement.. tout cela en fait un véritable régal.
Ce largo - c''est le rapt de Dieu par les larmes désabusées de la souffrance!...Quel talent!... Vous y êtes géniale, Anna!...Et vos collègues hors du commun... Indicible!...Et ce tempo - une immersion dans la galaxie de l''Imaginaire!...Je pleure...
Před 3 lety+22
Brava Anna Fusek, he tenido la oportunidad de verla dos veces en Auditorio Manuel de Falla (Granada-España) y es una auténtica virtuosa.
Superb! And the baroque guitar! There is nothing quite as beautiful as period instruments especially when one is in the audience. The sound is so mellow and sweet. Just beautiful.
There’s something very special about her! And wow it opens me up a whole world to this piece with the largo movement - i love how she ornamented in the very first time (not only the repeats)
1245hrs 20.06.24 The BESTEST rendition!!!! I admire how Anna's body/head and facial expressions moves as plays this lively, vivacious piece. She is soooooo ALIVE in her performance Bravo! ENCORE!!!!❤❤❤
Che meraviglioso, questa preziosa protagonista mi fa pensare a quando ero giovane e suonavo il flauto. Meravigliosi tutti. Grazie per questa musica che per me sembra di venire direttamente dal settimo cielo. 🙏🙏🙏
I love the articulation and passion of the soloist! I have this work in Vynil performed by Chamber Orchestra of Tolousse, soloist Michel Sanvoisin, and this is the only other version on youtube that can be compared to it. There are many versions where the musicians alter some phrases or cannot keep up with some sections. This one is perfect! Congratulations, and thanks for this music!
C'è poco da fare, il dionisiaco senso ritmico e l'uso scatenato della dinamica, rendono Vivaldi se non il più grande, certamente il più moderno dei musicisti del suo tempo.
Vivaldi doesn't allow you to ease into a piece. THIS one puts you on alert right off the bat. That is very difficult for the musician, because when you start from ZERO you cannot FEEL the music, you are forced to SET THE TONE.
@@boddhiswaha5446 Yep. Baroque tuning was 415 Hz instead of 440. Same with Händel's Messiah. I wondered why it's in C# everywhere instead of the written D, so i asked my teacher and then i remembered.
Life was much more relaxed those days when this music was composed. The allover rhythm of life was totally different from nowadays. People did speak and sing and make music in a much slower pace. This interpretation and performance are wrong. It is the hectic and the speed of the 21th century i hear. No real attention. No real love for music. A roller coaster of tones. It does not cheer me up. It confuses. It sucks.
Surely you have been living on earth so much time to be sure about this! Always the same in all the comments to classical music everywhere: too fast! Wrong tempo! So slow! Play your own music to be satisfied then!
Maybe life was slower overall back then, this doesn't at all mean the music wasn't played at fast pace. No-one knows the exact tempi of this time. Performers go with what they feel sounding right. If that's not your taste, listen to something else dude.
I don't have the formal musical education or technical vocabulary to say anything more about this performance beyond the fact that I enjoyed it immensely and it made me feel good. 😊
Hey, that's all that's necessary! Enjoy the music. That's all that music asks. "Please hear me and be uplifted."
I love love love this performance. Unlike so many players who just race through it, she actually plays around with tempo and phrasing. Is there any other player who even acknowledges that the first solo phrases involves an echo'ed part?
I know right. so much expression, this is what music should sound like
A lot of tempo modifications, it’s amazing!
Yeah and the notes speak out very clearly, not like from maurice steger. No offense but i just like this interpretation much more than from his.
This is by far my favourite interpretation of this piece, simply beautiful
Pour moi la meilleure version du rv443 que j'ai pu écouter.. la clarté du détaché, les modifications des tempi, la qualité de l'accompagnement.. tout cela en fait un véritable régal.
At 3:36 i cannot restrain from feeling tears coming to my eyes and feeling a chill along my spine. This is ultimate beauty... Thank you.
She is this generation's recorderist. A stance and interpretative quality that easily places her alongside Marion Verbruggen.
Ce largo - c''est le rapt de Dieu par les larmes désabusées de la souffrance!...Quel talent!... Vous y êtes géniale, Anna!...Et vos collègues hors du commun... Indicible!...Et ce tempo - une immersion dans la galaxie de l''Imaginaire!...Je pleure...
Brava Anna Fusek, he tenido la oportunidad de verla dos veces en Auditorio Manuel de Falla (Granada-España) y es una auténtica virtuosa.
Superb! And the baroque guitar! There is nothing quite as beautiful as period instruments especially when one is in the audience. The sound is so mellow and sweet. Just beautiful.
Great to hear/see music performed on authentic instruments in an acoustically authentic venue.
There’s something very special about her! And wow it opens me up a whole world to this piece with the largo movement - i love how she ornamented in the very first time (not only the repeats)
1245hrs 20.06.24 The BESTEST rendition!!!! I admire how Anna's body/head and facial expressions moves as plays this lively, vivacious piece. She is soooooo ALIVE in her performance Bravo! ENCORE!!!!❤❤❤
Well done all, well done indeed. Bravo Anna and bravo Vivaldi.
they form a great duo
Just wonderful! With a sense of humor as well.
Che meraviglioso, questa preziosa protagonista mi fa pensare a quando ero giovane e suonavo il flauto. Meravigliosi tutti. Grazie per questa musica che per me sembra di venire direttamente dal settimo cielo. 🙏🙏🙏
Para mi esta es la mejor interpretación de esta obra de todos los tiempos. Es muy emocionante escuchar tanta belleza.
Verdadero
la he escuchado muchas veces, pero estoy de acuerdo contigo. es de las mejores interpretaciones que he escuchado
Lo hace muy bien, pero lucie horsh me gusta mas
First-class mindblowing out-of-this-world performance! Bravissimo! 🙏🏻
Ce concerto pour flûte, surtout le Largo me rappelle toujours le film l'Enfant sauvage de François Truffaut; deux merveilles.
Wonderful music and pure ART!!! Vivaldi forever!!!!
Brilhante, uma das mais belas apresentações desse Concerto, já tocado.
I love the articulation and passion of the soloist! I have this work in Vynil performed by Chamber Orchestra of Tolousse, soloist Michel Sanvoisin, and this is the only other version on youtube that can be compared to it. There are many versions where the musicians alter some phrases or cannot keep up with some sections. This one is perfect! Congratulations, and thanks for this music!
Lucie Horsch also has a fantastic recording of this piece, just recoreded two days ago!
czcams.com/video/w0Q19IAFAMk/video.html
@@Bensoon09 thank you! I will check it out!
Bellísima interpretación de un concerto adorable!
And what a remarkably beautiful venue!
Awesome rendition,I say it again 🙏.
I am mainly a rock man, though not seldomly I listen to classical music as well. This is beauuuutiful.
03:36 2nd part
07:30 3rd part
masterpiece
C'è poco da fare, il dionisiaco senso ritmico e l'uso scatenato della dinamica, rendono Vivaldi se non il più grande, certamente il più moderno dei musicisti del suo tempo.
Melhor performance de todas
Immortale Vivaldi, splendida Anna Fusek, ottimo complesso!
Beautifully played. Brava.
Wow!! Delightful!
Großartige Ausführung !!
Bravo ......awesome
Vivaldi è un genio 💞
Wow!!! Molto bene, bravissima!!! 👏👏👏
wow never seen anything more delicately performed as this! 👏
Magnificent!
OMFG. Truly sublime.
Waou!! La vache!!... Mais quelle beauté sublime....Merci!
Que linda mujer interpretando la flauta de pico sopranino
Es un placer escuchar y ver la ejecución de una de mis piezas favoritas de la música clásica. ❤
Favolosa Fusek, outstanding
Barok music plus Mozart and Chopin,that is the best in music.
Abi muhteşem ötesi birşey değilmi bizim blok flütün ne marifetleri varmış kullanmak ve kendini geliştirmek önemli işte 👏👏👏👏👏
Magnifique !!
Magnífico!!!!!.... BRAVO!!!!!!!!!
Merveilleux.....
Amaría profundamente a una mujer que toque así la flauta
I can't even put words to it, so beautiful. But I wish I knew which orchestra plays with her, they are magnificent too!
Wonderful rendition 🙏🌎🙏.
Che brava....
Really wonderful!!!
wow that woman .....
wow
I only said tjat woman is so beautiful!!
Formidable 😊
Majestuoso!
3:35 amazing , beautiful.
Lindo de se ouvir!! Magnífica interpretação!! ❤
Nunca he escrito por aquí, pero después del stabat mater de Pergolesi, esta música me transporta a otro sitio. gracias por interpretarla asi.
Brava, superlativa, virtuosa❤❤❤
Played in the true Italian style.
phantastique. :-)
Splendido.
This goes hard
Straordinari !!!
00:05 I. [Allegro]
03:35 II. Largo
07:34 III. Allegro molto
Wunderbar!
Die Thealatrik ist wohl dem Marketing geschuldet....
Musst ja nicht hingucken :) die Musik ist super
beautiful music incredible that is "playable"
Grandioses Flötenspiel ! :-)
3:36
Memorable el recuerdo de le petite sauvage de Truffaut
MÚSICA DE VERDAD. Nada como el barroco
Quero tocar desse jeito.
Beautiful
Amazing
Bellisima!👍👌🎼👏🎶👏🎶🌻🤝🎶📈☘🥀🙏😊❤
7:30
Secondo movimento: musica del paradiso!
👍👏👏
beautiful but i personally prefered Lucie Horsch's rendition of this
Horch's performance is inexpressive, slower and boring in my opinion, compared with this genius, Anne Fuzek.
Espetacular
Vivaldi doesn't allow you to ease into a piece. THIS one puts you on alert right off the bat. That is very difficult for the musician, because when you start from ZERO you cannot FEEL the music, you are forced to SET THE TONE.
3:35 yngwie Malmsteen - Air in A minor???
Genial player!
Ven a Chile!
Siii!
I wonder what kind of flute is it. It doesn't sound like a piccolo but still wonderful
It's a sopranino recorder.
@@banzkuttaja2349 thanks
Je vois qu'on me lit en temps réel. Je suis privilégié : pas besoin d'éditeur
j'entend chanter les petits oiseaux : c'est le printemps !
The score say the first note is G in the 3rd octave, but all versions start with F#... am I missing something?
Period instruments are tuned a half-step lower than instruments today, so everything sounds a half-step lower than it's written.
@@utplagal thank you! That is interesting, how could I research more? Is it because the A standard?
@@boddhiswaha5446 Yep. Baroque tuning was 415 Hz instead of 440.
Same with Händel's Messiah. I wondered why it's in C# everywhere instead of the written D, so i asked my teacher and then i remembered.
Thank you so much! I had lost motivation on learning the score cause i didnt want to get it wrong
is the cameraman the boyfriend of that cellist with the short hair or...?
Who is on cello!?
J’ai bien aimé mais j’aimerais que ça se joue avec un Clavcin.
Il y en a un dans l'orchestre
8:39
Astonishing interpretation, brava!
I wonder who is playing the guitar, at her left
3:35 What is this part of the piece called?
Vielleicht sogar etwas zu schnell!?! Außerdem ist die Dame vielseitig talentiert ...
Liebe Grüße an alle
)
what does RV mean?
en.m.wikipedia.org/wiki/Ryom-Verzeichnis
beside that ofc its amazingly difficult to play - i think she doesnt play it very clean....
monstrum
Life was much more relaxed those days when this music was composed. The allover rhythm of life was totally different from nowadays. People did speak and sing and make music in a much slower pace.
This interpretation and performance are wrong. It is the hectic and the speed of the 21th century i hear. No real attention. No real love for music. A roller coaster of tones. It does not cheer me up. It confuses. It sucks.
Ur mom sucks
Surely you have been living on earth so much time to be sure about this! Always the same in all the comments to classical music everywhere: too fast! Wrong tempo! So slow! Play your own music to be satisfied then!
Maybe life was slower overall back then, this doesn't at all mean the music wasn't played at fast pace. No-one knows the exact tempi of this time. Performers go with what they feel sounding right. If that's not your taste, listen to something else dude.
Wow...I wonder what are your resources on this? 🧐
@@anezkawaclawik My ears ;)