NACHLEBEN EPISODE 1 "Shit Stuck to the Floor" Nicholas of Cusa and Polyphony (GDLV live in Deventer)

transcript:
www.graindelav...
Bibliography:
- English Cusanus translations by Jasper Hopkins (slightly modified) :
jasper-hopkins...
- Inigo Bocken:
De kunst van het verzamelen. Historisch-ethische inleiding in de conjecturele hermeneutiek van Nicolaus Cusanus, Damon, Eindhoven, 2004
De leek over de geest, Damon, Eindhoven, 2001
Het zien van God, Kapellen, 1993
Doxological (Im)Purity? Nicholas of Cusa’s ‘Art of Praising’ and Liturgical Thinking in 21st Century. Religions; 2022; Vol. 13; iss. 8
- Michel de Certeau:
The Mystic Fable, volume 2, University of Chicago press, 2015.
Mysticism, in, Diacritics, Vol. 22, No. 2 (Summer, 1992), pp. 11-25
- Rob Wegman:
The Crisis of Music in Early Modern Europe, 1470-1530, Routledge, 2005
“Musical understanding” in the 15th century, in, Early music vol. 30 (2002) pp. 46-66
Cusanus and music:
- Kathi Meyer-Baer, Nicholas of Cusa on the Meaning of Music, in The Journal of Aesthetics and Art Criticism, Vol. 5, No. 4, June, 1947, pp. 301-308
Heinrich Hüschen , Nikolaus von Kues und sein Musikdenken (1971), in Symbolae Historiae Musicae, Hellmut Federhofer zum 60. Geburtstag, Mainz, 1971, pp. 47-67
- Franz-Bernhard Stammkötter, Nikolaus von Kues über Musik, in Intellectus und Imaginatio. Aspekte geistiger und sinnlicher Erkenntnis bei Nicolaus Cusanus, ed. by João Maria André, Gerhard Krieger and Harald Schwaetzer, Amsterdam 2006, pp. 143-149
- Werner Schulze Werner, Zahl, Proportion, Analogie: eine Untersuchung zur Metaphysik und Wissenschaftshaltung des Nikolaus von Kues, Münster 1978
- Werner Schulze, Harmonik und Theologie bei Nikolaus Cusanus, Wien 1983
- Werner Schulze, Musik und Harmonik bei Nikolaus von Kues. Zur Theorie der Musik zwischen Mittelalter und Neuzeit, in Harmonik & Glasperlenspiel. Beiträge `93. München 1994
- Predrag Bukovec, Musik bei Nicolaus Cusanus. In Cusanus. Ästhetik und Theologie, ed. by Michael Eckert and Harald Schwaetzer, Münster 2013, pp. 83-101 (Texte und Studien zur europäischen Geistesgeschichte; B,5)
- Johannes Leopold Mayer, Die Musik als „ancilla philosophiae“ - Überlegungen zu Ludwig Wittgenstein und Nikolaus Cusanus, 2008
- Peter Pesic, Hearing the Irrational: Music and the Development of the Modern Concept of Number
In, Isis, Vol. 101, No. 3 (September 2010), pp. 501-530
- Oscar João Abdounur, Ratios and music in the late Middle Ages: a preliminary survey, 2001
- Oscar João Abdounur, The Emergence of the Idea of Irrationality In Renaissance Theoretical Music Contexts, in Mathematical Journal of Interdisciplinary Sciences Vol. 3, No. 2, March 2015 pp. 155-17
- David P. Goldman, The Divine Music of Mathematics, in www.firstthing...
- Manfred Bukofzer, Caput: A Liturgico-Musical Study, in Studies in Medieval and Renaissance Music, New York, 1950.
- Jason Stoessel, Redemption and the Missa L’ardant desir, in: jjstoessel.blo...
- Therese Bruggisser-Lanker, Dulcis harmonica concordantia - Nicolaus Cusanus’ Konkordanzbegriff und die Emanzipation der europäischen Kunstmusik. In Music and Culture in the Age oft he Council of Basel ed. by Matteo Nanni, Turnhout 2014, pp. 31-49.
- Peter Gülke, Guillaume Du Fay. Die Musik des 15. Jahrhunderts, Stuttgart 2003
- Adam Knight Gilbert, Concealment Revealed Sound and Symbol in Ockeghem’s Missi Quinti toni and Missa Prolationum, in Explorations in Music and Esotericism, ed. by Marjorie Roth and Leonard George, 2023, pp 101-124
- Lawrence F. Bernstein, Ockeghem the mystic: a German interpretation of the 1920s, in Johannes Ockeghem: actes du XLe colloque international d’études humanistes, Tours, 3-8 février 1997 ed. By Philippe Vendrix, Paris, 1998
- Lawrence F. Bernstein, Jean d’Ockeghem, in The Cambridge History of Fifteenth Century Music, ed. by Anna Maria Busse Berger and Jesse Rodin, Cambridge (2015) , pp. 105-118
- Lawrence F. Bernstein The modern reception of the music of Jean d’Ockeghem in The Cambridge History of Fifteenth Century Music, ed. by Anna Maria Busse Berger and Jesse Rodin, Cambridge (2015) ,pp. 811-822
- Adam Knight Gilbert, Concealment Revealed Sound and Symbol in Ockeghem’s Missi Quinti toni and Missa Prolationum, in Explorations in Music and Esotericism, ed. by Marjorie Roth and Leonard George, 2023, pp 101-124
- Gayle Kirkwood, Kings, confessors, cantors and archipellano, Ockeghem and the Gerson circle at St-Martin of Tours, in Johannes Ockeghem: actes du XLe colloque international d’études humanistes, Tours, 3-8 février 1997 ed. By Philippe Vendrix, Paris, 1998
Vincenzo Borghetti, Johannes Ockeghem, figure mystique?, in Musique, théologie et sacré, d’Oresme à Érasme, ed. by Annie Cœrdevey and Philippe Vendrix, Ambronay, Center Culturel de Rencontres 2008, pp. 149-184
- Wojciech Odoj, Johannes Ockeghem - a Mystic?, in Studia z Dziejów Średniowiecza, t. 24, 2020

[@perrudja_]

Dear Bjorn,
You and Graindelavoix are gods of early music performing right now. Thank you for your work and the ABSOLUTE BEAUTY of your music.
Also, thank you very much for this video!

[@sravanaastrid3749]

Merci de nous délivrer ce merveilleux travail... merci pour ces voix sublimes

[@nyckolaus]

Magnificent! Well done!

[@thatguyfromthatthing8573]

Re: 1:30:00. The conductor is a burglar, caught in the act - one leg inside, one outside the window, holding onto objects and ephemera snatched from their venture inside the building and bringing them to the attention of those watching the escape in action. Any later - once taken away or left to escape - is too late to judge what was taken.

[@TheUbiloo]

Fantastic, thank you so much !

[@ArturJD96]

GOLD!

[@ethanmiller5223]

This is so good

[@toi_techno]

Interesting video
Singing is very cool

[@tortillawrap6955]

i know some of these words