Séamus and Caoimhe Uí Fhlatharta feat. Malinda: “Eileanóir na Rún” (2021)
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- čas přidán 18. 10. 2023
- An Irish song performed in the sean-nós style, originally composed by Cearbhall Óg Ó Dálaigh in the 17th century.
Video source:
“Learning a 16th Century Irish Love Song (in IRELAND ft. Séamus and Caoimhe Uí Fhlatharta)”:
• Learning a 16th Centur...
16 November 2021 - Hudba
You know, a mhuintir,, I really don't know how often I have listened to this, here at home (of sorts) in Germany or walking in solitude along the homme of my heart by the West Coast, and it never fails so send shivers down my spine or tears to eyes. I have seen and heard so many Irish musicians and singers, many, many of them very good indeed. The scene has changed many times. And I dare say, it wil continue to change, since change is life... But I do want to say thank you at least once, albeit in this virtual world of the worldwide woven web, LOL, thankk you from the bottom of my heart. Not only because you are keeping the old ways alive, but much more than that, you are bringing them into a living future. You ARE the future. May your paths be a safe ones and always lead you to doors opened in welcome with a warm fire by the hearth.
Urgh. Harmonics are to die for! First saw the one on the left just now in Ireland in music and now am obsessed
I’ve been rewatching the full version of this that Malinda made 2 years ago. It’s tedious to scroll halfway through the talking to get straight to the singing. So you’ve made me a shortcut of which I’m appreciative.
Just give credit to the lady on the right.
There is already a source link to the original video in the description. :)
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So i cant find a meter for this song, Im trying to transcribe but it's hard without one... does anyone know?
You could try messaging the singers on their Facebook page, “Séamus and Caoimhe.”
thanks! ill try@@JHJHJH
@@nils8584 It's really not an easy thing what with the syncopation and the melismatic treatment, but underneath all that cold be a very slow undulating slightly uneven 3/4 measure. You'll find that there are a number of related tunes being played in sets here and there like the Eileen Aroon waltz. Of course the renaissance and baroque didn't have a "waltz" as such, but a "3" measure would have been very much accepted for a "sensual" song such as this.
It isn't ideal, but you can use a 3/4 to notate the song, only you'll surely be rending your hair in no time, figuring out the way the phrases come in on the upbeat or offbeat just after the "3s or before the "2"s.
I would just try to notate it without a fixed measure. Each phrase "as it flows". If you like maybe look at a manuscript like the the "Rossi Codex" oder the "Codex Faenza". Just a google image searches and look around on CZcams. Something like czcams.com/video/5HeY4HvEYz4/video.html You'll know what I mean.