What's the Perfect Picture Profile for Sports?
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- čas přidán 21. 08. 2024
- When it comes to capturing the heart-pounding action of sports, finding the perfect picture profile is essential. Here's my top 5 of the best Sony picture profiles for sports enthusiasts!
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Good to have you back in North America! Excited for what's in front of you!
Thank you i
So happy that you’re back and doing well!
Welcome back E! We missed you here at the studio! (big fans of your work as well as Peter Sarellas!
Thanks, I’m glad to be back!
Recently found your content and started following, glad you’re back even though I recently found you 😅. Just want to say thanks for all your content/advice. I recently bought my first camera for sports videography (a6400) based on some of your videos to film my son’s soccer games. I definitely have a lot to learn so I really appreciate all this info.
Thank you for the awesome feedback, it's greatly appreciated.
Good to see you back E!!! Hope the move went well.
What about S-log2?
S-Log2 is the #5 on the list.
Great to see you back at it!
🙏🏽
congrats on the gig man! happy for you!
Thank you 😊
I watch your videos to help with my cycling videography, appreciate you a ton! Would love to see any forest-specific stuff lol!
I'd like to try! I would be a newbie at it though so you wouldn't learn much from me!
Would just be curious to hear about how you go about shooting in an environment with lots of bright and dark spots due to trees. And maybe how you'd color grade that type of footage. Canada is big on mountain biking, could be one of the next sports you shoot! 😜😂@@BeyondTheGame_E
@@Smooth-Cruzin-Media The best way to deal with dark and bright spots simultaneously is to maximize your dynamic range by shooting in LOG mode.
Yes. Do a tour for us.
Bienvenue à Montréal! What picture profile do you recommend for us mortals that only have 8bit? Specifically shooting soccer outdoors in the daylight?
Merci! If you like to color grade your footage yourself and maximize the dynamic range, go with S-LOG2. Otherwise, Cine2 or HLG2.
@@BeyondTheGame_E thank you! All the best to you back in MTL!
what profile do i use for the zve10?
I would use Cine2 personally but you can also use S-LOG2 if you know what you are doing.
Hey E, I have a Sony A7IV & shoot basketball in decently lit indoor gyms, but I don’t want to grade much in post. What profile would you recommend?
S-Cinetone
Do you have a video on how to approach schools and teams to film and photograph for them ?
Not really. It's a hard video to do because every level, every country, every business is different. But I'll try to come up with something.
What PP do you recommend for a SonyA6400??
!
Cine2 or HLG2
@@BeyondTheGame_Ewhat about the a6300
@@lukazivkovic4044 same
😮
Can you do another video for beginners ( updated) I have Sony A6400. Preferred setting for best video quality recording option etc. thanks for any consideration
Here’s a video about my favorite camera settings for basketball czcams.com/video/TOuOslm5jeY/video.htmlsi=uXaiMHZvxhtw8ynU
I love our videos, I highly recommend . I have a question, my son plays baseball (outdoors), I looking to capture some amazing video shots of him hitting and pitching . I have a Sony RX 10iv camera that I use. What settings do you recommend for video and what settings for pics where you can see the ball clearing and not bury when its in motion?
To reduce the motion blur in the photos, you need to turn up the shutter speed real high. At least 1/1000 but maybe even more for a baseball at full speed. For video, use the same settings as this basketball video but use a variable ND filter to control the brightness if you're filming in broad daylight czcams.com/video/TOuOslm5jeY/video.htmlsi=Iz2p44hXLQ4GulVT
This is great, excited to learn how to shoot the camera better.
So sorry, what is an "ND Filter" and where do I get one?@@BeyondTheGame_E
@@JustinGarciaLefty ND filters are basically sunglasses for your lens. There are multiple levels of quality and price, and you can find them anywhere you find cameras. Including places like Amazon. Here's a video I made about a particular variable ND kit that will explain exactly what it does and how it works czcams.com/video/wAaOtYV7T1U/video.htmlsi=FACNxW0irdL9bljh
So, owning a A7 IV, our 120fps footage can only be 1080p 8 bit. I understand you would recommend cine-2 over s-log?
Not necessarily one over the other systematically. If the conditions allow you to expose properly, S-LOG2 would be my go to because it has more dynamic range and you can grade it exactly how you want it. But if lighting is not great and it's affecting your ability to always be properly exposed, I would probably go with Cine2.
S&q 120p has 10bit 4:2:2 available for A7iv
as i see you used or maybe still use the zve-10, what would be the best profile to match it with the fx3 or maybe an a7iv? thanks in advance
The best way to do that is to shoot in S-LOG2 and then grade your footage in post to match your other camera as best as possible.
Do you load LUTs and use them on your monitor while shooting in SLOG3? Just got my first monitor with the ability to load LUTs and wanted to know if that is something people do.
Yes I do. I monitor my S-LOG3 footage in camera with the same conversion LUT that I'll apply on it in the edit. That way I know exactly what my footage will look like.
Hey :) this may be a silly question, I can see all the ones you've listed here on my Sony A7iii, But there are also 10 pp options to choose from before I select things like S-Log2 etc. ?
So what is the question exactly?
@@BeyondTheGame_E hahaha sorry, in the PP settings it gives 10 options PP1, PP2 PP3 etc. and then you can select S-Log2 or others. I was wondering what the difference was/ which PP# to use for sport video specifically basketball? thanks !
I appreciate your help, was so much simpler than I thought, they're just the presets you can customise. #learningeveryday haha
@@benbarker9577 yes that's exactly it. My favorites are the ones in this video, so you can just select the PP # accordingly.
How do you expose for slog3 for basketball? A7iv
You should keep the exposure metering around 1.3-1.7.
Do you know how to get the Sony zve10 video to stop going in and out of focus? I am shooting basketball trainings
Autofocus is also heavily depending on the lens. If it’s going in and out, it’s either because there’s too many people in your shot and the camera doesn’t know who to focus on, or your lens is just not that good. Either way, try pushing up the F-stop number to make your depth of field wider, or use manual focus instead.
Do you know if the sony A6300 shoots 8 bit or 10bit? ive been looking it up and cant find it
8-bit
What lens did you use in this video?
You’ll have to tell me which part specifically because each sport in this video is filmed differently.
@@BeyondTheGame_E I am looking for a lens for basketball up close because I film hand held.
@@laproductions7836 Most, if not all, of the basketball content in this video was shot with a Tamron 28-75mm F2.8 lens
Stupid Question, but Can your Luts package be loaded into the Sony Fx30 settings ?
Technically yes you can but that's not what they are for though. The LUTs you use in camera are conversion LUTs. The type of LUT that takes S-LOG2 or S-LOG3 footage and brings it back to a REC709 look full of contrast and saturation. Importing those in camera allows you to see, as you're filming, what your LOG footage will look like with the conversion LUT added. My LUTs are creative LUTs. You add them at the end of your editing process to give you video a style or look that you like. And more importantly, in camera they would appear at 100% intensity but I wouldn't recommend using any of them at more than 50% intensity. I usually stay around the 20-40% mark personally.
@@BeyondTheGame_E Thank You! Very informative, and I will be purchasing your LUT package in the near future. Can you please advise which program software would you recommend for post editing ?
@@user-ot9go3ud6p thanks! I use Premiere Pro but there are plenty of other good options like Final Cut, resolve, Capcut, Filmora, etc.