If i talk to someone about music i always,say "Mitch Easter".If they respond " Omg..YES!!" then i know they KNOW what great music is. Talk about an "innovator"... not to mention one hell of a guitar player!! I treasure this music.
This song came about during my musical awakening in 1984. Back then, I resented that this music was largely ignored by the mainstream music industry. Today, I am glad that this was a private treasure....
@@JohnHolloHbsolutely love these guys…& gal! ✌️😎 Such great songs, and Mitch? What more can you say about a straight up genius! In addition to a great body of work from LA, he also produced R.E.M.’s first two records. A big thank you to the uploader of all their stuff. 👍 And oh yeah…I guess that makes three of us. 😉
Those first two Let’s Active records have been a constant in my musical life since seeing the video for Every Word Means No on The Cutting Edge program in 1984! ❤️🔊🎶🔥😁 RIP Faye and Sara. 😢
I loved these guys. I was interning at I.R.S. in the 80's and between them, R.E.M. Wall of Voodoo and the English Beat, it was a great way to get through school...
IMO, Mitch made REM. I have an early bootleg cassette of REM playing the 40 Watt and they sound quite conventional, nothing like the mood, mystique, and aura of Murmur. Mitch, I believe, helped craft REM’s sound and many other southern-based alternative bands of the 1980’s. Good job, Mitch! In those days, acquiring good music was an endeavor. Sources were limited; fidelity was often low. One of my favorite mixed tapes was a 3rd generation cassette, a dub of another cassette recorded from various LPs. A low-end Maxell, eventually one side bled through, so that REM’s Voice of Harold was intermittently invaded by 10k Maniacs My Mother The War playing backwards. Surprisingly, a cool mix. Ah shucks, those were the days, huh fellas?!?
That's kind of a stretch, I would say. All bands are helped by their producers. That's why they hire them. That said, the boys made a good choice when they tapped Mitch Easter for Chronic Town and the first two LPs.
@@steverok67 Exactly. REM had great instincts and an innate sense of what they wanted to sound like, and what they DIDN'T want to sound like. Those early demos the record company made them record with Stephen Hague sound AWFUL. History would be totally different, had they not stood up for themselves and insisted on Easter and Dixon at the board.
That's an extremely simplistic view, and assumes they'd never have progressed on their own. Listen to Pink Floyd's 1965 stuff, or Bowie's pre-Space Oddity recordings. They're dreadful too.
It's really weird looking back at these videos that have your dad before you were even born, haha. (He was the drummer for Lets Active for a while.) But oh, man he looks so much younger.. I can't get over it.
Wow! That's one cool dad. But I feel you here. I don't know any of these people personally, and it's still bizarre seeing them so young. And with such ... haircuts.
I saw Lets Active on a double bill with The Church. Rivera nightclub on a cold Chicago night. Let’s active was just great ! And signing autographs after their set. Good memories indeed
Totally agree. Mitch's songs, particularly this one, have a slightly dark or mysterious current running just underneath the surface that I really like.
I was living in Atlanta years ago and got to see Lets Active at a small club...Mitch was sooo cool..great performance..I remember when they did 'Waters Part' and I had heard it on my brother's cassette before...I was blown away.
I had the fortune to have close to an hour convo with Mitch in a small bar run by musicians in Greensboro. I knew the band from when I was young in Florida. Didn’t know they were from US, much less NC. Mitch was super nice and was impressed that the first CD I bought was their double CD of this and Afoot. He said they only printed about 500. 😊
bought the vinyl when it was released and along with Murmur, is one of my all-time favorite lps. All of Let's Active catalogue are first-rate but Cypress is something special. It truly creates sounds that you can touch. I always think of it as the 80's answer to how Forever Changes by Love was to the 60's. The chord changes, harmonies and lyrics create colors and visuals like no other lp of its time. Sound sculpture
Bill Keon Love the reference to Forever Changes. Arthur Lee and Love were my favorites! I got to see Arthur and Johnny Echols play with the Baby Lemonade version of Love back in '05. Phenomenal concert!
Loved to see Let's Active locally when I was a kid (with The Graphic, even!). It was a time of $5 tickets to see REM at Reynolds High & the West End in Winston along with Rainbow Cafe, Rezniks, NC School of the Arts, and Winston Square being amazingly cool. People can rip on the South all they want but in the day W-S was the place to be whether you were goth, punk, jock, gay, straight, conservative, liberal, love(d) the original Krispy Kreme, what-have-you. Mitch is a total musical hero.
Winston-Salem has always been a great place. Whether it was just to visit, or, to live. And, the music scene was insane during my college years in the early '80s. We made more than one drive from the coast (Jacksonville) to the Triad just for the music.
I hate when people treat the South like it's all the same. I always heard about great music in W-S and Athens. There is a fabulous tradition of music, art, and writing in the South. I'm from Cleveland, so I know what it's like to be from a place that is underestimated and often misunderstood.
Looking back on it all.... these guys exemplified smart pop music.. I bought all their stuff and it was easy to listen to. It was well constructed.... and carries on even today
I grew up in NC and saw Let’s Active many times. Great music then and still sounds great, just like The Producers, The States, Waxing Poetics and Robbin Thompson.
yea, I was there, at the township, other bands, red hot chilli peppers, 10,000 maniacs, and some, call REM, college radio ruled in the New. such feel from simplicity, slinging in the drop, where we actually started having fun,
Mitch your channel has only 147k views but your music (and that great Maggie cover), and tracks you produced, filled my dance floor from 1982 to 1992. Thanks so much. Hope to meet you one day.
I like how he's wearing 8-bit sunglasses at 1:36. Haven't heard this song in almost 40 years, good lord. This is comparable to someone saying, at the time this song was released, that they hadn't heard Glenn Miller since he'd last been on stage.
I remember driving to class one day listening to ITR (RIT) heard this and oseesed all day to hear it again. Saw them at Scorgies monts later. Great song, wish kids today could hear it and enjoy!
Mark Gerhart I DJ'd at WITR for about 10 years (Tues nit, 6-8) and loved this band. We had THE best music collection to choose from, so many great musical talents that didn't get the AirPlay they deserved on commercial stations. Scorgies was an excellent venue, so glad that they helped bring alternative music to Rochester.
LET*S ACTIVE HAILED FROM WINSTON SALEM,N.C. BEING FROM DURHAM,N.C.OF COURSE I SUPPORTED ARTIST FROM N.C. HAD THIS ALBUM,AFOOT,BIG PLANS FOR EVERYBODY, ALL WHILE BEING STATIONED AT FT.CAMPBELL,K.Y. IN 1984-1987
the band that time forgot... when you looked at early REM records and saw who produced them ...then you found Lets Active.... i have the vinyls and must play them....
My dear friend Charlie McIntyre who recently past away gave me a home made compilation cassette with "Waters Part" back in the 80’s I was very much was hooked on Cypress & Afoot from then on. Sara who’s Dexters sister (Flat Duo Jets) ..another music legend. Being a sound engineer & electronics designer for studio equipment….don’t remember how it happened, I had conversation w/ Mitch Easter about studio gear and his 3M tape machine that got ruined in a flood. And yes Mitch gave R.E.M. there sound, Like George Martin for you know who.
Minneapolis. First Avenue. 1984-5. In store appearance promoting Cypress at Let It Be Records. Do I have that right? Another great song- Every Word Means No.
Never heard of them before,maybe i've listened in the past songs of them,without knowing something more. Very interesting sound! Gets you back in time!
I think it is actually the band that invented jangle-pop as a term ... Unfortunately here in Greece very few like these bands... Try also listening to Game Theory...
I concur with what another person said about Mitch Easter being instrumental in giving R.E.M.’s early recordings an identity. When I listen to Cypress by Let’s Active it’s like listening to say Brian Eno and connecting the dots from his treatments on his own solo work to say U2. It’s not a slight on R.E.M. but without Easter’s production, I don’t think I’d like those recordings as much as I do.
Think of going by me in my social anywhere No use getting unwound, do you know enough to tell? The country's getting wilder, a way the moon and tide comfort us Tie it altogether, it's the work of alchemists And no-one's confused at first _________ it's bad, or worse __________ Was I lost? Within, without, and until, I'm there I learn we're finding out, we're finding out The waters part and our eyes see together It's strange, it's strange how We worry about it together We're removed if we think we are You're the only one who means it Please ____________________________________ But this is South America talking If the seed's good _________ You've heard what we're saying, well I have crushed my nightmare Everybody does his part in the big machine _____________________________________ Was I lost Within, without, and until, I'm there I learn we're finding out, we're finding out The waters part and our eyes see together It's strange, it's strange, well Think of going by me in my social anywhere No use getting unwound, do you know enough to tell? I'm center of the curb {?) ____________ __________ don't tell me What I lost Within, without, and until, I'm there I learn we're finding out, to find it out The waters part and our eyes see together It's strange, it's strange, well ** this is a tuff nut to crack due to the way Easter sings the words on some verses :-) Too bad Romweber had quit before this was filmed - she's on the album, of course.
+7777Scion pretty damn amazing translation. I'm stoked that I now have many missing pieces. Half the songs was like Michael Stipe singing it until I saw your post. Awesome. Here are some of my attempts to fill some of the gaps. At least that's the way I've always sung it to myself. Threw in some words which may make more sense in the context of the sentence as I heard them.To tie it altogether, is the work of alchemists. If your seeds good, you're in demand. If it's there it's been bad or worse. The waters part when our eyes see together. You've heard what we're saying, well that's my nightmare. You're the only one who means it - Please honor feelings. Everybody does his part in the big machine nobody fits, which one now - Was I lost. It's great, it's strange, when. I'm center of the curve, it's magnetic of which pulse learned(?). I'm stumped on this last lyric
G&L L-2000 bass, natural, 1980-1 version (Fender headstock) (USA) Jerry Jones Longhorn Bass, aquaburst, ser. no. 046706 recent (USA) Fender pink paisley Stratocaster, 2004 (Japan) Fender rosewood- body Telecaster, rosewood fretboard, 2003 (Mexico) Fender Electric XII, Olympic White w/tortoise pickguard, 1966 (USA) Kay 6-string acoustic, 1962, rebuilt by Scott Baxendale, red sunburst (USA) Guild S-60, black, 1979 (USA) Be on the lookout for these.
This was the song I always associated with Let's Active which is probably why never looked much further. Too bad, because they put out some great jangle pop I would have dug.
OK, I'll take a stab. I think this song's idea is the expression of being "behind the curve" and trying to catch up. "Big curve going by me", he's trying to catch up to whats going on, "waters part when our eyes see together", he sees the situation clearly for the first time, and in the end he becomes part of the curve itself and rides it on out like a surfer. Just a guess.
If i talk to someone about music i always,say "Mitch Easter".If they respond " Omg..YES!!" then i know they KNOW what great music is. Talk about an "innovator"... not to mention one hell of a guitar player!! I treasure this music.
This song came about during my musical awakening in 1984. Back then, I resented that this music was largely ignored by the mainstream music industry. Today, I am glad that this was a private treasure....
....you too...?
....ok then, that makes two of us...
@@JohnHolloHbsolutely love these guys…& gal! ✌️😎 Such great songs, and Mitch? What more can you say about a straight up genius! In addition to a great body of work from LA, he also produced R.E.M.’s first two records. A big thank you to the uploader of all their stuff. 👍 And oh yeah…I guess that makes three of us. 😉
I have a video on here I made for lowdown by let's active - another song I loved on Cypress
Those first two Let’s Active records have been a constant in my musical life since seeing the video for Every Word Means No on The Cutting Edge program in 1984! ❤️🔊🎶🔥😁
RIP Faye and Sara. 😢
Those private treasures are often the best!
Man what a beautiful song. Just a masterpiece to the ears.
This was a huge hit. - Among everyone I hung out with at the time. I feel sorry for the rest of the world if they missed this song.
Huge - maybe on college Radio not in the mainstream
Oh, us too in Chicago. One of the great tracks of that decade.
I loved these guys. I was interning at I.R.S. in the 80's and between them, R.E.M. Wall of Voodoo and the English Beat, it was a great way to get through school...
that is pretty cool. respect
The lead guitar break @ 3:27 is one(1) of THE coolest three(3)-second passages in the annals of indie rock history.. Mitch Easter IS the man!..
It struck me too, good call.
IMO, Mitch made REM. I have an early bootleg cassette of REM playing the 40 Watt and they sound quite conventional, nothing like the mood, mystique, and aura of Murmur. Mitch, I believe, helped craft REM’s sound and many other southern-based alternative bands of the 1980’s. Good job, Mitch!
In those days, acquiring good music was an endeavor. Sources were limited; fidelity was often low. One of my favorite mixed tapes was a 3rd generation cassette, a dub of another cassette recorded from various LPs. A low-end Maxell, eventually one side bled through, so that REM’s Voice of Harold was intermittently invaded by 10k Maniacs My Mother The War playing backwards. Surprisingly, a cool mix. Ah shucks, those were the days, huh fellas?!?
Great post!!!
You are exactly right. It took me years to realize this. Good call my man.
That's kind of a stretch, I would say. All bands are helped by their producers. That's why they hire them. That said, the boys made a good choice when they tapped Mitch Easter for Chronic Town and the first two LPs.
@@steverok67 Exactly. REM had great instincts and an innate sense of what they wanted to sound like, and what they DIDN'T want to sound like. Those early demos the record company made them record with Stephen Hague sound AWFUL. History would be totally different, had they not stood up for themselves and insisted on Easter and Dixon at the board.
That's an extremely simplistic view, and assumes they'd never have progressed on their own. Listen to Pink Floyd's 1965 stuff, or Bowie's pre-Space Oddity recordings. They're dreadful too.
Mitch Easter is a big genius
Agreed. If only he was more prolific. Dynamico was the last thing I'm aware that he has done.
R.I.P. Faye Hunter
RIP Faye. This song is one of the greatest things ever x
I didn't know Faye well, but did hang out with her a few times. I love smart, funny women.
It's really weird looking back at these videos that have your dad before you were even born, haha. (He was the drummer for Lets Active for a while.) But oh, man he looks so much younger.. I can't get over it.
Wow! That's one cool dad. But I feel you here. I don't know any of these people personally, and it's still bizarre seeing them so young. And with such ... haircuts.
Saw them live many times! As for the hair, you kind of had to be there... :)
Is Jay still playing?
Your dad was in a really cool band.
For sure
I saw Lets Active on a
double bill with The Church. Rivera nightclub on a cold Chicago night. Let’s active was just great ! And signing autographs after their set. Good memories indeed
Envious of seeing that double bill. Love the Church.
I love, love, love this band. RIP FAYE HUNTER
This is a very fine example of what I call perfect pop, doesn't get any better..
Yes!
Totally agree. Mitch's songs, particularly this one, have a slightly dark or mysterious current running just underneath the surface that I really like.
As Nick Lowe said;"Pure Pop for Now People"!
So ahead of their time. Painfully underappreciated. The love is there!!!
"Waters part when our eyes see together... it's great!... it's strange!.."
I was living in Atlanta years ago and got to see Lets Active at a small club...Mitch was sooo cool..great performance..I remember when they did 'Waters Part' and I had heard it on my brother's cassette before...I was blown away.
Heard this band come through the 1mc on board the U.S.S. Shanandoah in Virginia 1983 and fell in love instantly with waters part !
Nice Don Dixon cameo at 1:49. Another great singer/songwriter/producer.
Great song! Love his lyrics to his songs! “But everybody does his part in a big machine that nobody fixes”
love that funky break at 2:40 ish. double Rickenbacker attack....great tune.
Going to college in Greensboro, NC in the late 80's allowed me to see lots of cool bands live including this one. Never left the dance floor.
I had the fortune to have close to an hour convo with Mitch in a small bar run by musicians in Greensboro. I knew the band from when I was young in Florida. Didn’t know they were from US, much less NC. Mitch was super nice and was impressed that the first CD I bought was their double CD of this and Afoot. He said they only printed about 500. 😊
Funny, I have that CD too!
bought the vinyl when it was released and along with Murmur, is one of my all-time favorite lps. All of Let's Active catalogue are first-rate but Cypress is something special. It truly creates sounds that you can touch. I always think of it as the 80's answer to how Forever Changes by Love was to the 60's. The chord changes, harmonies and lyrics create colors and visuals like no other lp of its time. Sound sculpture
Bill Keon Love the reference to Forever Changes. Arthur Lee and Love were my favorites! I got to see Arthur and Johnny Echols play with the Baby Lemonade version of Love back in '05. Phenomenal concert!
Full on amazing, even all these years later! Spectacular Guitar+ Bass tone. We love our Let's Active Vinyl!
Loved to see Let's Active locally when I was a kid (with The Graphic, even!). It was a time of $5 tickets to see REM at Reynolds High & the West End in Winston along with Rainbow Cafe, Rezniks, NC School of the Arts, and Winston Square being amazingly cool. People can rip on the South all they want but in the day W-S was the place to be whether you were goth, punk, jock, gay, straight, conservative, liberal, love(d) the original Krispy Kreme, what-have-you. Mitch is a total musical hero.
Winston-Salem has always been a great place. Whether it was just to visit, or, to live. And, the music scene was insane during my college years in the early '80s. We made more than one drive from the coast (Jacksonville) to the Triad just for the music.
I hate when people treat the South like it's all the same. I always heard about great music in W-S and Athens. There is a fabulous tradition of music, art, and writing in the South. I'm from Cleveland, so I know what it's like to be from a place that is underestimated and often misunderstood.
Looking back on it all.... these guys exemplified smart pop music.. I bought all their stuff and it was easy to listen to. It was well constructed.... and carries on even today
Saw them live in Blacksburg, Va. around early 1985. Opening up were the Long Ryders and the dBs. All for less than five bucks. Great show.
I grew up in NC and saw Let’s Active many times. Great music then and still sounds great, just like The Producers, The States, Waxing Poetics and Robbin Thompson.
One of my favourite songs ever.
The best song from an absolutely tremendous album, love em dearly
Agree.
I absolutely love this song! My dad told me about this band (he listened to it when he was my age) and I love all of their songs
Oh man I love this song. This is music of my youth.
yea, I was there, at the township, other bands, red hot chilli peppers, 10,000 maniacs, and some, call REM, college radio ruled in the New. such feel from simplicity, slinging in the drop, where we actually started having fun,
It truly is some of the best production I've ever heard - and it did wonders when applied to R.E.M. as well!
Jemiah Jefferson Did Don Dixon Co produce this ? He’s in the video
Mitch your channel has only 147k views but your music (and that great Maggie cover), and tracks you produced, filled my dance floor from 1982 to 1992.
Thanks so much.
Hope to meet you one day.
R.I.P. Sara Romweber 2/3 of the original band is now gone
WHAT???
I didn't know that both Sara and Faye were gone. How sad. I really admired them when I was a teen.
💖💖💖
Excellent player...like her brother (Dexter) an accomplished multi-instrumentalist
I like how he's wearing 8-bit sunglasses at 1:36. Haven't heard this song in almost 40 years, good lord. This is comparable to someone saying, at the time this song was released, that they hadn't heard Glenn Miller since he'd last been on stage.
I've heard this song in my head for decades and until this video never knew how cute their videos were. A different time for sure.
This song kicks so much ass.
this song still kicks i smoked lots of joints and cranked this song lots i had this album also placebo pure morning awesome tunes.
the 80s still are with me in spirit... think i seen this on muchmusic in early to mid 80s.
A friend reminded me today just how much I love this song.
First video I saw on Much Music when it was launched, always thought they got the name messed up. Great song from a very little-known band.
Ah yes, a jangle-pop classic!!
They got a good bit of airplay on KJET 1600 in Seattle.
I remember driving to class one day listening to ITR (RIT) heard this and oseesed all day to hear it again. Saw them at Scorgies monts later. Great song, wish kids today could hear it and enjoy!
Mark Gerhart I DJ'd at WITR for about 10 years (Tues nit, 6-8) and loved this band. We had THE best music collection to choose from, so many great musical talents that didn't get the AirPlay they deserved on commercial stations. Scorgies was an excellent venue, so glad that they helped bring alternative music to Rochester.
Don Dixon in a bathrobe??? hahaha! I wore this cassette out 3 times !
LET*S ACTIVE HAILED FROM WINSTON SALEM,N.C. BEING FROM DURHAM,N.C.OF COURSE I SUPPORTED ARTIST FROM N.C. HAD THIS ALBUM,AFOOT,BIG PLANS FOR EVERYBODY, ALL WHILE BEING STATIONED AT FT.CAMPBELL,K.Y. IN 1984-1987
You rule, James.
I ❤ this song
awesome bass line..........so good!
yes
Wish I could hear the bass, all I hear is lotsa guitar, awesome guitar. Crunchy guitar
the band that time forgot... when you looked at early REM records and saw who produced them ...then you found Lets Active.... i have the vinyls and must play them....
PERFECTION
the guitar at 3:27 is a highlight of this great record
Let's Active...........great songs...thanks for uploading this with good audio!
LOVE IT ! ALWAYS WILL until I can't breathe any longer
I was/am a big fan - played their albums a lot. In the era of a very dead 80's rock milieu, Easter & cohorts came up with the goods.
My dear friend Charlie McIntyre who recently past away gave me a home made compilation cassette with "Waters Part" back in the 80’s
I was very much was hooked on Cypress & Afoot from then on. Sara who’s Dexters sister (Flat Duo Jets) ..another music legend.
Being a sound engineer & electronics designer for studio equipment….don’t remember how it happened,
I had conversation w/ Mitch Easter about studio gear and his 3M tape machine that got ruined in a flood.
And yes Mitch gave R.E.M. there sound, Like George Martin for you know who.
Minneapolis. First Avenue. 1984-5. In store appearance promoting Cypress at Let It Be Records. Do I have that right? Another great song- Every Word Means No.
Never heard of them before,maybe i've listened in the past songs of them,without knowing something more. Very interesting sound! Gets you back in time!
+Ρομέο GR - Check your local REM album. ;) Mitch helped produce it in his drive-in studio in Winston-Salem, NC :)
I think it is actually the band that invented jangle-pop as a term ...
Unfortunately here in Greece very few like these bands...
Try also listening to Game Theory...
Love You miss Faye Hunter
fuck i better try and get that album back shit.
Mitch Easter sure loves his electric 12-strings haha. Great tune. Unknown Legend.
I have not heard or seen this since I saw it on Much Music back when the song was new. Thanks.
Thanks for the music Faye. RIP
The perfect band. Why don't they make em' like this anymore?
If you've never seen the Big Star ✨ documentary nothing can hurt me - Mitch Easter is in it
Very Underrated!
The Betty Crocker hairdo and sweater vest was not Mitch’s smartest move. He is a criminally under appreciated songwriter and top notch guitarist.
RIP Faye.
This is great
I concur with what another person said about Mitch Easter being instrumental in giving R.E.M.’s early recordings an identity. When I listen to Cypress by Let’s Active it’s like listening to say Brian Eno and connecting the dots from his treatments on his own solo work to say U2. It’s not a slight on R.E.M. but without Easter’s production, I don’t think I’d like those recordings as much as I do.
Mitch was so damn cute
Rip Faye
Seriously, thank you, thank you, thank you!!!
God I loved this song when I was a kid. And by kid, I mean under 20 y.o.
The American Johnny Marr? Other way round?
Does anyone else hear a lot of Midnight Oil in this song?
Very underrated band!!!!
Think of going by me in my social anywhere
No use getting unwound, do you know enough to tell?
The country's getting wilder, a way the moon and tide comfort us
Tie it altogether, it's the work of alchemists
And no-one's confused at first
_________ it's bad, or worse
__________ Was I lost?
Within, without, and until, I'm there
I learn we're finding out, we're finding out
The waters part and our eyes see together
It's strange, it's strange how
We worry about it together
We're removed if we think we are
You're the only one who means it
Please ____________________________________
But this is South America talking
If the seed's good _________
You've heard what we're saying, well I have crushed my nightmare
Everybody does his part in the big machine
_____________________________________
Was I lost
Within, without, and until, I'm there
I learn we're finding out, we're finding out
The waters part and our eyes see together
It's strange, it's strange, well
Think of going by me in my social anywhere
No use getting unwound, do you know enough to tell?
I'm center of the curb {?) ____________
__________ don't tell me
What I lost
Within, without, and until, I'm there
I learn we're finding out, to find it out
The waters part and our eyes see together
It's strange, it's strange, well
** this is a tuff nut to crack due to the way Easter sings the words on some verses :-)
Too bad Romweber had quit before this was filmed - she's on the album, of course.
+7777Scion pretty damn amazing translation. I'm stoked that I now have many missing pieces. Half the songs was like Michael Stipe singing it until I saw your post. Awesome. Here are some of my attempts to fill some of the gaps. At least that's the way I've always sung it to myself. Threw in some words which may make more sense in the context of the sentence as I heard them.To tie it altogether, is the work of alchemists. If your seeds good, you're in demand. If it's there it's been bad or worse. The waters part when our eyes see together. You've heard what we're saying, well that's my nightmare. You're the only one who means it - Please honor feelings. Everybody does his part in the big machine nobody fits, which one now - Was I lost. It's great, it's strange, when. I'm center of the curve, it's magnetic of which pulse learned(?). I'm stumped on this last lyric
"It's magnetic, but which poles align?"
"The business of America's talking"
"If your speed's good, you're in demand"
"Everybody does his part
In the big machine nobody fixes"
"Big curve going by me"
RIP, Faye. :(
which albums did he produce of REM?
Cool video ever!!
Yes.
So sad to hear of Faye's death. R.I.P.
Power Pop defined!!
Oh yeah and pylon too
I loved this album! How's about some True West?
G&L L-2000 bass, natural, 1980-1 version (Fender headstock) (USA)
Jerry Jones Longhorn Bass, aquaburst, ser. no. 046706 recent (USA)
Fender pink paisley Stratocaster, 2004 (Japan)
Fender rosewood- body Telecaster, rosewood fretboard, 2003 (Mexico)
Fender Electric XII, Olympic White w/tortoise pickguard, 1966 (USA)
Kay 6-string acoustic, 1962, rebuilt by Scott Baxendale, red sunburst (USA)
Guild S-60, black, 1979 (USA)
Be on the lookout for these.
Amazing
Serious flashback
2023 🙂
wow great video
IN THE SONG THEY TOLD YOU ABOUT WALLS AND WIRES AND SPYING. FROM FINDING OUT... TOO FINDING OUT. PAY ATTENTION.
This was the song I always associated with Let's Active which is probably why never looked much further. Too bad, because they put out some great jangle pop I would have dug.
do you agree that he looks like paul mcartney😀
LOVE YOU FAYE! 3
OK, I'll take a stab. I think this song's idea is the expression of being "behind the curve" and trying to catch up. "Big curve going by me", he's trying to catch up to whats going on, "waters part when our eyes see together", he sees the situation clearly for the first time, and in the end he becomes part of the curve itself and rides it on out like a surfer. Just a guess.
What are the lyrics? I love it, but I don't understand the entire song.
Does anybody know the lyrics? I can't seem to find them.
Every Word Means No