Wonderful tempos and interpretation to bring out the capricious side of tLiszt's supernatural Faux Follets force, But also-- especially -- your finger dexterity and the piano you're using combine to achieve remarkable, brilliant tone color on this super difficult etude. Nicely done.
Better than Kissin !……… but you need work in your PEDALLING !………… sometimes you lift and bang your foot????………and sometimes your heel even leaves the floor ????…………… I was fortunate to have been a friend of Vladimir Horowitz During My Masters Degree Years In Juilliard back in the 1970s.....I used to take walks with him near his town house on 94th Street in Manhattan Horowitz told me that he can tell a great Pianist in 20 Seconds by looking at his foot ! I never forgot that. He felt that without a perfect Mastery of Pedalling all the hard work in Finger Technique never totally makes up for that. But your Playing is fabulous and you have the delicacy that Liszt really Wrote ( I hope that you use the Budapest Edition ). It has tremendous detail in dynamics .most Pianists play the opening almost forte...which is the exact opposite of Liszt’s original notation of Piano .......and the end should be Pianissimo just as Liszt notated. Keep up the Magnificent work !……… Do you play the Schumann Toccata ?……… I will teach it to you if you don’t !
Excellent! That's a ton of hard work right there. I'm looking forward to hearing your Mazeppa and #10 Appassionata which I know will also be incredible! One thing, maybe don't use the una corda pedal so much. Its overuse subtracts from the full range of colors possible in this piece.
How old are you!!!? You look so young How much do you practice a day generally And how much did you practice this piece particularly Your playing is just perfect This is THE BEST performance I've ever seen "saying this as a pianist myself"
Thank you very much for the compliment!! 😊 I turned 19 this year. I started learning this piece approximately 1,5 years ago (played it on and off). I practice 6-8 hours a day
performance is great... but u are shy be more brave work on ur self technicue is great u need more confidence and u will reach new level that u will clearly see and sense great job keep working... also add pedal xd
Huge potential. Great technique and control
Clear, fast and light. Very impressive!
This is considered as one of the hardest piano piece even for a trained pianist. Bravo!!!
Well for whom else is it supposed to be one of the hardest? 😂
Wow! Amazing performance. The effort put into it is remarkable, congratulations 🎉
Wow, one of the cleanest Feux Follets I've heard. Keep up the great job!
Wonderful tempos and interpretation to bring out the capricious side of tLiszt's supernatural Faux Follets force, But also-- especially -- your finger dexterity and the piano you're using combine to achieve remarkable, brilliant tone color on this super difficult etude. Nicely done.
I Can hear every note!! Amazing
Crystal Clear lightning notes, Absolutely fascinating technique
A VERY FINE PERFORMANCE OF LISZT´S MOST DIFFICULT COMPOSITION.
Bravo ! beyond pure performance, you are a great musician !
Great playing
Wonderful playing! God bless you!
Very clear performance, congratulations🎹
Top level.
Light and clear.👏
I've never heard this tempo and clear. amazing!!
Crystalin clarity !😲
Bravo! Fantastic!
outstanding!
You are an amazing talent. What playing! Thank you!
Wonderful perfornance
fantastic
Congratulations!
You are definitely on your way to becoming a first-class virtuoso.
I think you made it for Aarhus application. Sounds so nice! Wish us good luck)
Thank you very much 😊
Better than Kissin !……… but you need work in your PEDALLING !………… sometimes you lift and bang your foot????………and sometimes your heel even leaves the floor ????…………… I was fortunate to have been a friend of Vladimir Horowitz During My Masters Degree Years In Juilliard back in the 1970s.....I used to take walks with him near his town house on 94th Street in Manhattan
Horowitz told me that he can tell a great Pianist in 20 Seconds by looking at his foot ! I never forgot that. He felt that without a perfect Mastery of Pedalling all the hard work in Finger Technique never totally makes up for that. But your Playing is fabulous and you have the delicacy that Liszt really Wrote ( I hope that you use the Budapest Edition ). It has tremendous detail in dynamics .most Pianists play the opening almost forte...which is the exact opposite of Liszt’s original notation of Piano .......and the end should be Pianissimo just as Liszt notated. Keep up the Magnificent work !……… Do you play the Schumann Toccata ?……… I will teach it to you if you don’t !
The clarity !
Ik a bunch of other ppl said this but still, so clear and controlled. good job
Wow, this performance rivals Kissin’s!! Bravissimo!!
You are a very good pianist.
Holy cow! Great performance!
Incredibly clean
Brilliant!
Daaaamn. Awesome
Excellent! That's a ton of hard work right there. I'm looking forward to hearing your Mazeppa and #10 Appassionata which I know will also be incredible! One thing, maybe don't use the una corda pedal so much. Its overuse subtracts from the full range of colors possible in this piece.
I noticed it too... I think it's way too hard to keep it p or pp in some passages, so it's better with una corda than it being too loud.
wow you make it sound so easy
very good!!
incredible performance :0
Brilliant finger independence in the execution of the double notes employing the 4th
& 5th fingers in the right hand.
OMG!!!
Incredibly clean... nice job
How old are you!!!?
You look so young
How much do you practice a day generally
And how much did you practice this piece particularly
Your playing is just perfect
This is THE BEST performance I've ever seen "saying this as a pianist myself"
Yunchan Lim?
Thank you very much for the compliment!! 😊 I turned 19 this year. I started learning this piece approximately 1,5 years ago (played it on and off). I practice 6-8 hours a day
@@runeleichtlund1438 unbelievable
You're older a year than me
This is amazing 👏
@@runeleichtlund1438 how do you not get pain after 6 hours...wow....
@@bjornviir3333 correct technique avoids injury
Excellent. After the Liszt Etudes what are you working on - and what do really enjoy? That's the test. Well done.
So tasteful use of pedal... remarkable playing
May I ask what right hand fingerings you use for the infamous passage with the doubles?
Kissin, is that you?
Subscribed! Good job!
Kudos ! N'oubliez pas la poésie.
Amazing work! Where do you study?
Someone should give this guy some food.
great right hand. left hand isn't bad either
Impressive clarity. You seem to keep the una corda pedal depressed most of the time. Why is this?
we have a young Kissin on our hands.
This is perfect in technicality, Just needs some musicality now! but Bravo!
performance is great... but u are shy be more brave work on ur self technicue is great u need more confidence and u will reach new level that u will clearly see and sense great job keep working... also add pedal xd
Doesn't need more pedal. Too many pianists ruin this work with too much pedal.
@@louisehollyhead6807 yea but still i think this performance had lack pedal at some passages...
No it doesn't need more pedal, and he plays it with plenty confidence.