Under Armour Series Lighting

Sdílet
Vložit
  • čas přidán 21. 07. 2024
  • Meet The Gaffer #331. A simple walk through of a warehouse set.
    Agency: Code and Theory
    Directors: Jon Sontag and Craig Kind
    DP: Jules Philippi
  • Věda a technologie

Komentáře • 31

  • @willy0297
    @willy0297 Před 7 měsíci +2

    ah I miss classics like this. thanks for sharing

  • @greggant88
    @greggant88 Před 7 měsíci +1

    Love the breakdown! Super helpful. I really enjoy hearing you walk us through your thought process. Hearing what you planned for versus the end result is always so interesting.

  • @jimjimgl3
    @jimjimgl3 Před 7 měsíci +1

    Great you could share this with us. And I love that bungee cord idea. On one job we put the Red on a deflated basketball. Worked out pretty well and gave the client that little bit of movement they wanted.

    • @Ed.Mantle
      @Ed.Mantle Před 6 měsíci

      Yep, borrowing the bungee for a similar set-up we have coming up - thanks Jeff Nealon!

  • @kwa42
    @kwa42 Před 7 měsíci +1

    thank you so much man for sharing such a great setup once again!

  • @ZWAmundson
    @ZWAmundson Před 7 měsíci

    This was amazing! Thanks mate! Love your channel and have for years. Learn something all the time :)

  • @EricHernandez91
    @EricHernandez91 Před 7 měsíci

    I love the bungie idea , genius

  • @morningtidefilms
    @morningtidefilms Před 7 měsíci

    Great video! Thanks for sharing. There is a ton going on here, so a few questions so as to better understand your thinking. The Kino was necessary to add fill, or for some other reason? The duvetyne in front of her, behind camera, is to block another set of windows, or to add contrast? And the duvetyne flagging the windows to camera left is only trying to cut down some of the window light, but not all? With all the windows, why the backlight-does it really need separation? Thanks for any thoughts you’d be willing to share.

    • @meetthegaffer
      @meetthegaffer  Před 7 měsíci

      The solids on the left are to let the Key do its thing unaided and the solids on the right are for neg or contrast as you stated. The front Kino is for some Key wrap/eye light. It was a look we were going for. 🙂

  • @TylerAdamsMedia
    @TylerAdamsMedia Před 7 měsíci +1

    Awesome setup as usual! I've noticed you using those centered jr grip heads for menace arms a lot, who makes those? I have had a ton of issues with offset grip heads and menace arms and I assume this would solve that. thanks!

  • @ultrabounce
    @ultrabounce Před 7 měsíci +1

    that godox 1200 projection is really nice.is that a gobo you just slide in there? you don´t really see lamps used with gobos very often around here.idk why,it´s a really useful tool

    • @meetthegaffer
      @meetthegaffer  Před 7 měsíci +2

      Yes, there is a projection lens made by Godox that works with the 1200Bi. See also episode #299. And you can insert gobos to create patterns. The gobos are not a standard size that I already own, so I am somewhat limited as far as patterns go. Aputure just released their Spotlight Max that works on fixtures with a Bowen’s mount. It is designed to work with the 600 series, 1200D, as well the Prolycht Orion 300 and 600, as well as the soon to come 1500c and 2600X+. 😉

    • @AnotherCameraChannel
      @AnotherCameraChannel Před 7 měsíci

      Spotlight Max is really nice! Definitely on the shopping list!@@meetthegaffer

  • @prottentogo
    @prottentogo Před 7 měsíci

    So nice to see that besides reviewing you also put these lights to use irl. Also: "How many stands do you need?" "Yes." 😄

  • @rodhassler917
    @rodhassler917 Před 7 měsíci +1

    Was that the same key fixture you were going to use to balance a strong daylight ambient level or did you swap units bc it was overcast?

    • @meetthegaffer
      @meetthegaffer  Před 7 měsíci

      Probably would have gone with the Nanlux 1200B and had the 900c standing by to add to it as needed.

  • @raredreamfootage
    @raredreamfootage Před 7 měsíci

    How long are these presentations? Are you not worried about the shifting light levels from the sun?

    • @meetthegaffer
      @meetthegaffer  Před 7 měsíci

      The sun is always a worry! You keep your eye on it. But as I said, the overcast skies helped us out in more ways than one.

  • @thildamoon
    @thildamoon Před 7 měsíci

    Where did you put your Projector in your Setup? Couldn't spot it.

    • @meetthegaffer
      @meetthegaffer  Před 7 měsíci +1

      I have more BTS to make another episode and that should have images that locate the projector, but basically high, near camera, and tilted on a plate we made for it.

  • @666size666
    @666size666 Před 7 měsíci

    That "thin" as an OB light at 4:10 seems overkill.

    • @meetthegaffer
      @meetthegaffer  Před 7 měsíci +2

      Behind the talent are bright windows.

    • @666size666
      @666size666 Před 7 měsíci

      @@meetthegaffer Sekonic never lies. Thanks boss.

  • @revolutionmedia3409
    @revolutionmedia3409 Před 7 měsíci

    Are you still doing Patreon?

    • @meetthegaffer
      @meetthegaffer  Před 7 měsíci

      Not really. Trying to wind that down. Not sure what the alternative is… the CZcams version?

    • @revolutionmedia3409
      @revolutionmedia3409 Před 7 měsíci

      Just noticed a mention of it at the end of this video!

    • @meetthegaffer
      @meetthegaffer  Před 7 měsíci

      @revolutionmedia3409 Ah, I probably copy and pasted it from an older video🫤

  • @christophermorgan2485
    @christophermorgan2485 Před 7 měsíci

    Shane earning his check at 4:10 🦾