Raga Madhuvanti | Vidushi Dr. Ashwini Bhide Deshpande | Shiv Aad Madha Anant & Tu Hi Rab Garibnavaz

Devine Rendition of Raag Madhuvanti By Dr. Ashwini Bhide Deshpande. The music in this video is the original recording from the album 'Ashwini Bhide-Deshpande - Classical Vocal Vol. 2', released in 2006.
00:00 - Madhyalay Khayal : Shiv Aad Madha Anant
16:27 - Drut Khayal : Tu Hi Rab Garibnavaz
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Raga: Raga Madhuvanti
Taal: Madhyalay Jhaptaal
Drut Aada Chautaal
Composition: Shiv Aad Madha Anant
Tu Hi Rab Garibnavaz
Vocalist: Vidushi Dr. Ashwini Bhide Deshpande
Style: Jaipur-Atrauli Gharana
Tanpura : Saniya Kulkarni
Tabla: Pt. Vishwanath Shirodkar
Harmonium: Seema Shirodkar
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📝Lyrics:
************* Shiv Aad Madh Ant *************
शिव आद मध अंत
बलवंत जोगी
देत आशीष
भव करम योगी |
संग लिए चात्रक
कारन भव तारन
कानो मैं मूद्रा
गले माल सोहे ||
***********Tu Hi Rab Garib Navaz***********
तू ही रब गरीब नवाज
तू ही करीम तू ही रहीम
करम कीजे मोपे आज |
झांझरी नैया मोरी
आन परी मजधार
तोरे बिन कौन सवारे पात ||
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About Artists:
Dr. Ashwini Bhide-Deshpande:
Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai.
Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati and Patiala gharanas, she has created her own musical style. She holds a strong command over the three primary saptaks.
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No Copyrights own.

[@bkpoonamverma9898]

Pranam ma'am , bahut sundar , bahut sureela , Goddess of swara🙏💐

[@sulabhadesai954]

Very nice, sweet rag n melodious performance

[@rupeshshindeofficial7180]

Excellent thumbnails and music toooo

[@ratanprem187]

Waah bahut sunder 🙏🙏

[@rameshchanderrawal8330]

Very nice

[@gajananpatil8584]

Marvelis

[@sanjaytrivedi3949]

Wah

[@dattaavhad6263]

🙏🙏🙏🙏🙏

[@manishaashra707]

Kya boat!

[@glakshmanan7483]

Excellent, but Tabla is very soft to be heard even with external speakers.

[@shoonnya]

The wording of the bandish in the title is wrong. Not Anant. It should be Anta.