Raga Bageshree | Vidushi Dr. Ashwini Bhide Deshpande | Mana Mohan Shyam & Jhagara Karat

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  • čas přidán 10. 02. 2021
  • Beautiful rendition of Raag Bageshree by Vidushi Ashwini Bhide Deshpande Live at Bharat Sangeet Utsav,2006.
    00:00 - Madhyalay Khayal : Mana Mohan Shyam
    15:28 - Drut Khayal : Jhagara Karat Pakar Lini
    ______________________________________________________
    Raga : Raga Bageshree
    Taal : Sunand Taal (9.5 Beats)(Madhyalay)
    Ektaal (Drut)
    Composition : Man Mohan Shyam
    Jhagara Karat Pakar Lini
    Composer :
    Vocalist : Vidushi Dr. Ashwini Bhide Deshpande
    Style : Jaipur-Atrauli Gharana
    Tabla : Pt. Ravidra Yavagal
    Harmonium : Pt. Vyasmurti Katti
    ______________________________________________________
    📝Lyrics:
    *********** Mana Mohan Shyam **********
    स्थाई - मन मोहन श्याम सुंदर रूप,
    मनोहर सोहत अधर मुरलिया ||
    अंतरा - मोर मुकुट माथे तिलक,
    गले बैजंती, कटी पितांबर,
    निरख भयी अब बांवरियां ||
    *********** Jhagara Karat Pakar Lini **********
    स्थाई - झगरा करत पकर लिनी बैंयां मरोरी,
    अपनी गरज पकर लिनी बैंयां मरोरी ||
    अंतरा - जमुना के केवल धाम मांगत है जौबन दान,
    भाग आयी दौड आयी बैंयां मरोरी ||
    ______________________________________________________
    About Artists:
    Dr. Ashwini Bhide-Deshpande:
    Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition.
    Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a
    family of music connoisseurs and musicians. She completed her Sangeet
    Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a
    scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed
    Bhabha Atomic Research Centre, Mumbai.
    Ashwinitai‘s journey into classical music began under the tutelage of
    Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior
    gharana. Later, her disciplined taleem under her mother, Manik Bhide
    (who herself was trained under the legendary Kishori Amonkar) was
    largely made up of learning the traditional aspects of the
    Jaipur-Atrauli style of raga development and also studying the nuances
    of raga-music. She then went on to train under Ratnakar Pai, a renowned
    teacher of the gharana, from whom she received further guidance and a
    great repertoire of the traditional paramparik compositions and ragas.
    Because of her influences from the Jaipur-Atrauli, Mewati and Patiala
    gharanas, she has created her own musical style. She holds a strong
    command over the three primary saptaks.
    ______________________________________________________
    No Copyrights own.
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