For what I’m gathering is that this is a variation per step and also mutates as you play with the Quick Performance knob. I think I’m essence is what the moog DFAM does. In here particularly you are punching steps right after the other 1,2,3, etc. But if you play with steeps as 1,4,8,12,16 for example and shuffle a bit the swing of the triggers and the maint bpm of the project it could give you just that but since you have 8 channels out, you can end up with a DFAM on Steroids specially since you have some FX on the RYTM. I only have 2 weeks with my Rytm but I believe this is a similar concept, I’m just wrapping my head around different uses of the machine. Great sharing
This one plays a different pitch of the sample for each trigger, with a frequency change connected to the pitch. Higher notes are higher filter frequency, lower are lower frequency. The Quick Perf is controlling the filter also, so you can adjust the centre point of the filter for which higher and lower frequency are based. I’ve not used a Dfam, but it seems like a great box. It would be interesting to see how the Rytm compares technically, or if the Rytm can be used to emulate some of the technique’s to push the Rytm into different territories. Incase you haven’t noticed you can download the projects for these uploads and load them into your Rytm. How are you finding your Rytm? Feel free to share what you create.
This one is just one start point, but you can easily set some per step for more detail. The LFO is dealing with the filter frequency based on a Keyboard tracking idea, so low notes have either low or high filtering, and high notes the opposite. You can flip which is high or low by changing the depth from - to +
You can setup more modulation using audio out into cv in, using the expression learn mode. It’s not all the same features as the standard LFO but does get you into some cool areas. A second one would be cool though i agree.
@@maarzt thanks for watching. I will do a video today focusing on this technique as often get asked. Probably later this afternoon. I do mention it in passing in the latest video czcams.com/video/R5y-FPEQpNA/video.html and this one czcams.com/video/-fLjP2zh9Tk/video.html You run an audio cable out of the individual output of a sound you are using, into either Control In 1 or 2, play the audio, hit Expression Learn, and then assign modulation on the Modulation Setup page. Hope that helps.
@@ExpectResistance Sorry to hear that, but you seem to make the best out of it. It did also made me listen longer than I would normally do to a video about synth/drummachines :) Just go and have fun with the machine is what I say, the only best way to find out what it sounds like is to make sounds. And like you said , you don't care how other people's think it sounds like , you care what it sounds like to you. That is a great take and I have a similar feeling about it. Elektron machines have a lot of possibilities in sound and sequencing so you can make it sound way different then let's say mediocre techno producers. I still use a korg electribe EMX 1 which I know by heart and I had multiple occasions with live performances that people came up to me and asked how I got all of those sounds out of that machine.
@@JosephCodette ah no need to apologise, all good. It is what it is. It’s helpful when it’s pointed out for sure. 🖤 It’s been really enjoyable using the Rytm for sure, the more I use it the moe it make’s itself known. You’re totally right, you have to just create, overthinking definitely gets in the way. Sound is so great like that, it just doesn’t care, it just sounds. I’ve heard good things about the Korg Electribe, although never used one. How long have you been using one? It’s super satisfying to know a machine well, beyond just knowing the functionality but truly knowing it. Great sounds happen that way. Do you have your music anywhere with that machine?
@@ExpectResistance Over 14 years , and it still suprises me sometimes. It has is limits but for a long time it was my only machine so it pushed me to being creative and get the most out of it. I also experience overthinking production techniques sometimes leading to writerblocks but then I take a break and come back to it later and it is fun again and I get a step further in production (but still finishing and putting out a track is too hard) . Fun fact , elektron was greatly inspired by the electribes for it intuitive design. I do have something on soundcloud from long time ago and it was still in my janky noob phase , username jotosti. Some newer stuff will be on it later this year.
Niice. Korg do some great stuff. I didn’t know that about Elektron-Electribe, even the name is similar actually. I used to suffer from putting stuff out, but just repeatedly practicing letting go really helped, that and a whole look into what putting out even means. I think more of it as public documentation, a literal record of movement. Cool, i will check out your Soundcloud 👍
Quite liked the drilling tbh
Haha!! Luckily it wasn’t as loud on the recording as it was in my ears 😂
What an unnerving sound. I love it.
Cheers, i always prefer slightly edgy sounds.
For what I’m gathering is that this is a variation per step and also mutates as you play with the Quick Performance knob.
I think I’m essence is what the moog DFAM does. In here particularly you are punching steps right after the other 1,2,3, etc. But if you play with steeps as 1,4,8,12,16 for example and shuffle a bit the swing of the triggers and the maint bpm of the project it could give you just that but since you have 8 channels out, you can end up with a DFAM on Steroids specially since you have some FX on the RYTM.
I only have 2 weeks with my Rytm but I believe this is a similar concept, I’m just wrapping my head around different uses of the machine. Great sharing
This one plays a different pitch of the sample for each trigger, with a frequency change connected to the pitch. Higher notes are higher filter frequency, lower are lower frequency.
The Quick Perf is controlling the filter also, so you can adjust the centre point of the filter for which higher and lower frequency are based.
I’ve not used a Dfam, but it seems like a great box. It would be interesting to see how the Rytm compares technically, or if the Rytm can be used to emulate some of the technique’s to push the Rytm into different territories.
Incase you haven’t noticed you can download the projects for these uploads and load them into your Rytm.
How are you finding your Rytm? Feel free to share what you create.
✊🏴☠🏴🐈⬛🖤
🖤🖤🖤🖤
Mmm love it!
Cheers, nice one
So the trigs have all different pitches and manually set starting points? Or is the LFO on sample start?
This one is just one start point, but you can easily set some per step for more detail. The LFO is dealing with the filter frequency based on a Keyboard tracking idea, so low notes have either low or high filtering, and high notes the opposite. You can flip which is high or low by changing the depth from - to +
Big Porter Ricks vibes.
Love the Porter Ricks stuff 🖤🖤
this device with a 2d lfo would be perfect.
You can setup more modulation using audio out into cv in, using the expression learn mode. It’s not all the same features as the standard LFO but does get you into some cool areas.
A second one would be cool though i agree.
@@ExpectResistancehave you a tutorial on this audio in technique?
@@maarzt thanks for watching.
I will do a video today focusing on this technique as often get asked. Probably later this afternoon.
I do mention it in passing in the latest video czcams.com/video/R5y-FPEQpNA/video.html and this one czcams.com/video/-fLjP2zh9Tk/video.html
You run an audio cable out of the individual output of a sound you are using, into either Control In 1 or 2, play the audio, hit Expression Learn, and then assign modulation on the Modulation Setup page.
Hope that helps.
@@maarzt New video is done as well. Cheers again for the question.
czcams.com/video/mN9GRhtSJDI/video.html
Great talk but you overthink too much
Thanks, appreciate the comment. It’s true, i do, especially in this video, I suffer from hyper vigilance so some days it’s a muddle. 🫠
@@ExpectResistance Sorry to hear that, but you seem to make the best out of it. It did also made me listen longer than I would normally do to a video about synth/drummachines :) Just go and have fun with the machine is what I say, the only best way to find out what it sounds like is to make sounds. And like you said , you don't care how other people's think it sounds like , you care what it sounds like to you. That is a great take and I have a similar feeling about it. Elektron machines have a lot of possibilities in sound and sequencing so you can make it sound way different then let's say mediocre techno producers. I still use a korg electribe EMX 1 which I know by heart and I had multiple occasions with live performances that people came up to me and asked how I got all of those sounds out of that machine.
@@JosephCodette ah no need to apologise, all good. It is what it is. It’s helpful when it’s pointed out for sure. 🖤
It’s been really enjoyable using the Rytm for sure, the more I use it the moe it make’s itself known. You’re totally right, you have to just create, overthinking definitely gets in the way. Sound is so great like that, it just doesn’t care, it just sounds.
I’ve heard good things about the Korg Electribe, although never used one. How long have you been using one?
It’s super satisfying to know a machine well, beyond just knowing the functionality but truly knowing it. Great sounds happen that way.
Do you have your music anywhere with that machine?
@@ExpectResistance Over 14 years , and it still suprises me sometimes. It has is limits but for a long time it was my only machine so it pushed me to being creative and get the most out of it. I also experience overthinking production techniques sometimes leading to writerblocks but then I take a break and come back to it later and it is fun again and I get a step further in production (but still finishing and putting out a track is too hard) . Fun fact , elektron was greatly inspired by the electribes for it intuitive design. I do have something on soundcloud from long time ago and it was still in my janky noob phase , username jotosti. Some newer stuff will be on it later this year.
Niice.
Korg do some great stuff. I didn’t know that about Elektron-Electribe, even the name is similar actually.
I used to suffer from putting stuff out, but just repeatedly practicing letting go really helped, that and a whole look into what putting out even means. I think more of it as public documentation, a literal record of movement.
Cool, i will check out your Soundcloud 👍