Renaissance Watercolours: materials and techniques | V&A

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  • čas přidán 1. 12. 2020
  • Focussing on the three types of object featured in the V&A display Renaissance Watercolours: illuminated manuscripts, portrait miniatures and coloured drawings, this film showcases the qualities that made watercolour the medium of choice for many artists during the Renaissance.
    A modern-day painting of a pomegranate, using traditional watercolour techniques, by artist Lucy Smith, also demonstrates how watercolour painting remains a versatile medium, ideal for capturing life-like details that help us to record our diverse world.
    Take a look at our Watercolour Collection: www.vam.ac.uk/collections/wat...
    * Correction:
    Caption at 0:43 should read:
    Portrait miniature of Alice Brandon, Mrs. Hilliard, by Nicholas Hilliard, 1578
    End credit for this image at 4:58 should read:
    Portrait miniature of Alice Brandon, Mrs. Hilliard, by Nicholas Hilliard, 1578, France. Museum no. P.2-1942. © Victoria and Albert Museum, London

Komentáře • 61

  • @vamuseum
    @vamuseum  Před 2 lety +4

    *Correction*:
    Caption at 0:43 should read:
    Portrait miniature of Alice Brandon, Mrs. Hilliard, by Nicholas Hilliard, 1578
    End credit for this image at 4:58 should read:
    Portrait miniature of Alice Brandon, Mrs. Hilliard, by Nicholas Hilliard, 1578, France. Museum no. P.2-1942. © Victoria and Albert Museum, London

  • @uyenst
    @uyenst Před 3 lety +12

    Omg, the artworks are so vibrant I thought they were contemporary recreation. Those were some top notch quality paints to stay beautiful for half a millennia!

  • @barbaramccoy3592
    @barbaramccoy3592 Před 3 lety +35

    What beautiful example of Nicholas Hilliard’s breathtaking work, even to the cipher of his and his wife’s initials on both sides of her image.

    • @bluewren65
      @bluewren65 Před 3 lety +2

      You know a guy loves you when he does a portrait like that!

  • @londonhodnet4079
    @londonhodnet4079 Před 3 lety +28

    Thank you for all you have done over COVID, hopefully we will be seeing you soon, love watercolour medium

  • @tea98988
    @tea98988 Před 3 lety +131

    Watercolor is the most difficult to master and most under-appreciated medium in the art industry. Galleries still price watercolor much lower than the oil paintings.

    • @rickh3714
      @rickh3714 Před 3 lety +14

      Oil/egg tempera, frescoes and multi-plate intaglio and stone lithography say "hold my beer🍺" regarding difficulty. But yes, water colour is underappreciated.

    • @opheliadarkthorn
      @opheliadarkthorn Před 3 lety +14

      I agree. One drop of water and your painting is ruined. But I wouldn't exchange watercolour for anything in the world..

    • @CeridwenHafMorys
      @CeridwenHafMorys Před 3 lety +1

      @@rickh3714 I've never used tempera because of this reason!

    • @rickh3714
      @rickh3714 Před 3 lety +1

      @@CeridwenHafMorys
      I've done quite a bit of m/p intaglio and even some stone lithography but never actually tempera. I once did a semi successful egg/oil emulsion painting. I think Xavier Langlais ? proprietary mix from Le Franc and Bourgeois. There is a difference between egg oil emulsions and oil egg emulsions . I think the former uses water and the latter oil but it is complicated unless you do them frequently. There are pre mixed egg temperas in tubes which I forget the make of ( Sennelier?)

  • @sarroumarbeu6810
    @sarroumarbeu6810 Před 3 lety +15

    2:09 Literally painting lace??? In watercolor?? During the Renaissance?? Wow

    • @furuki60
      @furuki60 Před 3 lety +8

      And in white watercolor😭

    • @uyenst
      @uyenst Před 3 lety +3

      And miniature lace!!!!

  • @Red_Rebel
    @Red_Rebel Před 3 lety +2

    I love medieval art! Especially Illuminated Manuscripts and Codex

  • @obcl8569
    @obcl8569 Před 2 lety +1

    EDIT: My bad! I hadn't seen the pinned comment!
    Quick correction & with due respect, the miniature in the opening of the clip is indeed Mrs. Hilliard, Alice Branson as referenced a few moments later, but is mis-identified as Catherine De Medici, a miniature (by François Clouet) of whom also resides at the V&A.
    Thank you for these incredible videos :)

  • @jconnet
    @jconnet Před 3 lety +3

    Thank you for this interesting video! Great that you are posting on watercolor. It gives us so much inspiration for the we use the technique. Please keep it coming!

  • @kanderson140
    @kanderson140 Před 3 lety +1

    Beautiful objects, all of them!

  • @annettefournier9655
    @annettefournier9655 Před 3 lety +7

    Those are amazing !

  • @arquemuse
    @arquemuse Před 3 lety +2

    Vraiment passionnant! Merci!

  • @marnidamoulakis3827
    @marnidamoulakis3827 Před 2 lety +2

    I’d love to see a detailed video of the manuscripts you have at the museum, I love seeing them so much

    • @vamuseum
      @vamuseum  Před 2 lety +1

      Keep an eye on the channel - next week's video might do just that!

    • @marnidamoulakis3827
      @marnidamoulakis3827 Před 2 lety

      That would make me soooo happy!!!!

  • @xtsdagger6956
    @xtsdagger6956 Před 3 lety +16

    The text attribution at 0:45 contradicts the body of the work that comes later. Accuracy and consistency are important, especially if you are trying to impart knowledge.

    • @peckinpahlady
      @peckinpahlady Před 3 lety +3

      I was just about to comment on the same thing, Yes, they do not match. Other than that a very interesting video.

    • @snowpony001
      @snowpony001 Před 3 lety +3

      I was going to comment on this also. Going to check out their site to see if I can find the actual identification.

  • @esotericexplorersmartinez493

    Stunning! Wonderful video

  • @SirenUniverse381
    @SirenUniverse381 Před 3 lety +8

    Quite informative. Wow.😮

  • @nshwhdushdb397
    @nshwhdushdb397 Před 3 lety +8

    The Victoria and Albert museum also has some of the most exquisite Mughal miniatures, painted by exceptionally skillful artists. Please make videos on your collections of Indian Miniatures as well.
    They are of equal , if not greater excellence..

    • @jazmeen04
      @jazmeen04 Před 3 lety +1

      Probably better and even older than their collection as Europe inherited these techniques from the islamic world, though they don't like to say it. These watercolors and the techniques were already in use before the renaissance. This is what I have been noticing lately, whenever you see a documentary about the west, they try and remove anyone's influence but theirs. But when they make documentaries about other cultures, they make sure they insert themselves even when it's not true.

    • @nshwhdushdb397
      @nshwhdushdb397 Před 3 lety

      @@jazmeen04 so true

  • @isabelladestegonzaga5529
    @isabelladestegonzaga5529 Před 8 měsíci

    Für winzige Flächen und Akzente benutze ich Zucker oder Honig als Bindemittel.
    Der Pinsel bleibt relativ lange streichfähig, bevor er abtrocknet.

  • @furuki60
    @furuki60 Před 3 lety +1

    I love watercolor❤️

  • @kathryncarter6143
    @kathryncarter6143 Před 3 lety +1

    Excelente!

  • @mellow5123
    @mellow5123 Před 3 lety +5

    Hmm. Contradicting information. The lower third first shown of the woman's portrait says Catharine de Medici by Francois Clouet. in 1555 (00:45), and then at 2:23 the narrations says it's by Hillyard of his wife in 1578. Then in the credits it again says Medici by Clouet. Which is it, my dears?

  • @veronicagubert2518
    @veronicagubert2518 Před 3 lety +1

    Lovely

  • @ChrisPollitt
    @ChrisPollitt Před 2 lety

    Nice!

  • @xjAlbert
    @xjAlbert Před 3 lety +13

    "Contemporary watercolour painting of a pomegranate by Lucy Smith" seen in credits at 4:58 ʕ•́؈•̀ʔ

  • @carinwiseman4309
    @carinwiseman4309 Před 3 lety +10

    You forgot to mention that watercolor was used early on because oils were not available!

  • @beautifulu6171
    @beautifulu6171 Před 3 lety +1

    The artists were so talented in old days

  • @jooanhoos5435
    @jooanhoos5435 Před 2 lety

    😯wow.

  • @isabelladestegonzaga5529
    @isabelladestegonzaga5529 Před 8 měsíci

    Dieses hellgrün-blaue Pigment am Anfang des Videos,
    ist das Kupfercarbonat oder echter Malachit ?

  • @CeridwenHafMorys
    @CeridwenHafMorys Před 3 lety +12

    Is this really watercolour as we understand it today, or is some of it egg tempera? They're both water based mediums but it would be helpful to the audience to know the difference. I think a lot of early paintings were done in egg tempera.

    • @paigiboo4969
      @paigiboo4969 Před 3 lety +7

      They are highly different techniques actually! Like he said here in the video, grinding the pigment and then settling it with gum arabic is what they used to make watercolour. Egg tempera has a technique that uses pigment, but you use the egg yolk to bind the pigment to the paper ! With this technique, its very hard to keep the colours you mixed for a long period of time compared to the watercolours. Hope this helps ☺️

    • @CeridwenHafMorys
      @CeridwenHafMorys Před 3 lety +2

      @@paigiboo4969 I'm an artist so I know what the difference is between egg tempera and watercolour. My post was pointing out the fact that the video doesn't make the differences between those two mediums clear enough, in usage, technique nor materials and that some people watching this video might enjoy knowing more about this. An idea for a future video maybe?

    • @paigiboo4969
      @paigiboo4969 Před 3 lety +3

      @@CeridwenHafMorysYes it would be super interesting! Sorry for misunderstanding your comment!

  • @ryushogun9890
    @ryushogun9890 Před 3 lety +1

    Where can I learn to do art like that? I mean the ancient ones, not modern watercolor.

  • @marvona3531
    @marvona3531 Před 2 lety

    🌸🌺🌸🌺🌸🌺

  • @sumyungai1
    @sumyungai1 Před 3 lety +8

    Whatever happened to using gloves to handle historical artifacts? I always thought gloves were needed to keep oils off the artifacts?

    • @Chelsea-oe7gm
      @Chelsea-oe7gm Před 3 lety +25

      Museums are moving away from using gloves now in certain situations as it can actually damage the work more than help it. In some situations it's much better to handle historical items with very clean and dry hands.

    • @Shiranova
      @Shiranova Před 2 lety +3

      @@Chelsea-oe7gm It's also easier to feel what you do without gloves so you can handle the piece more carefully.

  • @isabelladestegonzaga5529
    @isabelladestegonzaga5529 Před 8 měsíci

    Auf keinen Fall für die ersten Farbschichten Gummi arabicum benutzen!
    Besser ein nicht so leicht wasserlösliches Dextrin, ein Kohlehydrat auf Maisbasis verwenden.
    Erst beim späteren Bildaufbau Gummi arabicum einsetzen.
    Zum Beispiel bei den Lichtern.
    Also ganz zuletzt.

  • @siir5727
    @siir5727 Před 3 lety +1

    keşke Türkçe alt yazı seçeneği koysanız.

  • @theelilac113
    @theelilac113 Před 3 lety

    Using watercolor to paint is hard!

  • @sugarrrfree
    @sugarrrfree Před 3 lety

    A year to dry????

    • @opheliadarkthorn
      @opheliadarkthorn Před 3 lety +1

      Yes!!!!

    • @CeridwenHafMorys
      @CeridwenHafMorys Před 3 lety +4

      Oils paints are highly variable in drying rate. Some can dry within a day (such as some earth pigments) and some can take days or even weeks to become dry to the touch. Some artists used driers to hurry things along a bit, but some driers are risky to use. Some very thickly painted artworks can take 6 months - 1 year to dry all the way through the layers, but they might be dry to the touch much sooner than that.

  • @ApocalypticDreams666
    @ApocalypticDreams666 Před 3 lety

    Where was the explanation of materials of renaissance watercolors. Thought it was gonna explain what pigments were used. So disappointed.

  • @user-uv9zr8qs2c
    @user-uv9zr8qs2c Před 3 lety

    They cant even pronounce the name correctly lol