Authentic Nuance to the Sound of Raga Music: Kala Ramnath Session - Zakir Hussain Workshop

Kala Ramnath guides participants through the Alap, opening section of a Raga performance, while introducing the sliding ornamentations (meend) and its importance in giving authentic nuance to the sound of Raga music. Proper sliding ornamentations give the strongest flavor of Indian Raga music, and is often heard in the Alap which opens the Raga presentation with pure melody, free from any rhythmic cycle (Tala). www.carnegiehal...
The Zakir Hussain Workshop, presented by the Weill Music Institute at Carnegie Hall from April 13-19, 2009, was a chance for experienced musicians of any instrument and style to expand their existing knowledge through the guidance of tabla maestro Ustad Zakir Hussain and his colleagues.
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[@tapanmazumder3903]

Wow! great job. we r proud of our Indian Classical music. we r proud of our culture. Salute to our GOD USTAD ZAKIR Jee.🙏🙏🙏❤️

[@sangeethaviolin]

Kala ji is such a good teacher.
Gentle approach 👌.

[@sureshgupta7685]

Most useful lessons for Violin and for other western instruments.Very thankful to Kalaji for teaching the Western countries Indian classical music.

[@govindarajulu-kasturi9614]

Beautiful hand holding tutorial
Salaams to the Great Artist Kala Ramnath
God Bless her and her students
Thanks
kasturi G

[@ThatPianoGuyHezron]

Is it just me or does she look really passionate about her instrument?

[@Anamamma1]

Zombies have more passion

[@paritoshpotdar3825]

She is teaching. If she was not passionate she herself won't even learn to play it

[@gonzaloabril9737]

Indian musicians worship their instruments... It's not just an object for them.. It's God's vehicle for connecting with the divine. So yes u can feel the connection there.

[@japanesesen]

Like teacher like students! Fantastic job! Bravo!!! I salute you all. xxxxxxxxxx

[@rajanvk7092]

japanesesen ണ

[@marcwa74]

Interesting watching the process.

[@achintyabiswas5388]

She should tell the notes.

[@georgeeakin7690]

The oboe has amazing potential with Indian music.

[@chanchalchakraborty3953]

Thank You. Madam. Very very Nice 🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻🙏🏻

[@debajyotisengupta686]

O great! You make me a spiritual listener.

[@kasaduhallo]

Listen to her music! She is brilliant!

[@derik2nicolai584]

I like this, but there is no place for many instruments here such as the Bassoon because the double reed instruments can't play glissando, it is very OK with the string instruments, here I can see the cello do that easily, even easier than the violin because the position of cello similar to the teacher here. Thanks for this lovely experiment.

[@augustinechinnappanmuthria7042]

Super

[@songsabai3794]

amazing...none of them are using their ears!

[@ksmkeys]

ahahahah!!!

[@markdipaolo71]

Fantastic video ♥️

[@SrikanthIyerTheMariner]

This makes me forget the ground I am standing on...

[@CaptainKarma1972]

Great stuff ! Thanks for this.

[@artrot8412]

Les musiciens indiens font partie des plus sensibles et des plus talentueux.

[@bikashsahasaha7661]

AP k violin bajna ham ko sundor lagta hai.

[@akshaysakat3395]

Very nice

[@achintyabiswas5388]

SHEkaji is a.master violinist.

[@fennelbrisquet7097]

masterclass

[@robertoparra3201]

very nice.

[@jingnaiman6901]

She is CUTE.

[@vinayak556]

Love you madem

[@Muzikman127]

so true. Excusable maybe for the keyed instruments, but for the bowed strings they really should have more faith in their ears! It's not like the raga notes are 12 TET anyway :')

[@thegracefulsunshine2459]

Beautiful :)

[@Manishahd]

1:22 this gentleman is in his own world !! ?

[@aswanisn9323]

Haha good job