"Wonderful"? Only 1. Other just doing his freak activity. What a terrible voice! That squeaks are do awful snd straight, can't listen that prick. He is the answer of your question. Mosquito brings commercial, like him there are a lot of freaks today
I was lucky enough to see Pavarotti twice, 1991 and 2001 at Hyde Park, London. First heard him on the Nicky Campbelll radio 1 show at 1.20 A.M , 1989when I was a taxi drive aged 21r. He played Pavarotti singing Nessun Dorma. after finding out about the 1990 three tenors concert, I pulled over and had one of those moments when you fall in love with a voice. Luciano was gifted with a body that was built to sing, and boy did he use it to perfection. Personally, after watching footage of the great tenors of the 20th century, I can hand n heart say He WAS the best, I'm just glad CZcams is here to keep these Alfa performers alive. Pavarotti , we miss you. Thanks for your stupendous career'
Wonderful performance. Tragic, when you think in the same year 1992, the great Piero Cappuccilli had a serious car accident on the autostrada which technically ended his career. RIP Luciano e Piero.
Coppia straordinaria!!!Piero Cappuccilli nonostante una carriera smisurata da l ennesima lezione nel ruolo.Luciano Pavarotti poi é... Luciano Pavarotti!!!Meravigliosi
This is the best duet I heard for months. Piero Cappuccilli is probably the best Verdian baritone. The intensity of the drama, as written by Verdi, is exceptionally rendered by these two giants that are Pavarotti and Cappuccilli.
@@valasina2015 Tucker walked back like a baby, jumping around, he asked Merill to make sure a thrilling night, he thought they got it. Funny, look at the very end.
Un discreto baritono, ce.ne sono stati di migliori tipo Granforte Ruffo Warren Danise MacNeill Bastianini Maffeo Bechi Stracciari Tibbett Merrill Capecchi Bacquier Milnes De Luca Ancona Galeffi e tanti altri.
Io non credo che Don Alvaro sia appannaggio delle sole voci bronzee dei tenori drammatici, come Corelli o del Monaco. Mi pare che anche il lirico puro possa renderlo molto bene, e per certi versi persino meglio. Così, il Pavarotti adulto mi pare che non sia fuori ruolo, e certe frasi sono davvero belle; meglio ancora Carreras, specie nelle recite del 1978. Grande, davvero grande Piero Cappuccilli.
Grande in questo duetto il nostro Cappuccilli che mostra di essere fortemente coivolto quindi fortemente espressivo . Egli mostra rara grinta e voce poderosa dal colore unico e fantastico. Pavarotti per me non è l'esempio di un buon Don Alvaro anche se accetto comunque la sua voce che ha come sempre una buona dizione . Tuttavia ritengo che da importanti artisti non ci si debba assolutamente adattare a sentire errori di parole . Pavarotti ha cantato quest' opera in teatro e poi non so quante volte . nel corso della sua carriera, abbia registrato proprio il duetto di cui si parla ma, purtroppo, ogni volta sbaglia le parole anzi una sola importante parola che cambia il senso a quanto dice - dovrebbe dire infatti -Ah segnasti la TUA sorte- mentre invece lui dice, e lo dice in ogni sua registrazione, - ah segnasti la MIA sorte- . Questa frase dovrebbe farci capire che Don Alvaro cede dopo le ripetute provocazioni di Don Carlo alla tentazione di duellare con lui e che desidera di ucciderlo. ma Pavarotti canta - ah segnasti la mia sorte- come se pensasse che è la sua sorte ad essere segnata e che Don Carlo ucciderà lui. Una volta si può sbagliare certo ma ripetere lo stesso errore per decine di volta mi fa pensare che chi lo aiutava a studiare gli spartiti non fosse molto attento e che sorvolasse su qualcosa che per me stravolge il senso della frase di cui parlo. Aggiungo ancora una nota che mi pare importante ovvero che Carreras ha sempre avuto una voce più drammatica di quella di Pavarotti . ciao. e auguri
Cancellare la frase corretta "ah, segnasti la tua sorte" dal mio commento non serve a nulla. Quella frase dovrebbe cantarla Pavarotti ma lui preferisce dire " ah segnarti la mia sorte".
SHICOFF1 1972 Teatro Colon M. Arroyo, P. Domingo, GP Mastromei, B. Giaiotti, dir. F. Previtali A wonder. The Colón acclaimed to Domingo ;at that time he was almost unknown and at that time the best singers came to the Colon
@@valasina2015 of course, you are a fancy boy from freak opera. pavaroti is a pafetic screamer, too tiny, shitty disaster. No balance, only a straight notes, no any middle, even a low notes, just a pop singing.
At 7:59, Pavarotti sings "Ah segnasti la mia sorte" (which would not make sense) while he had to say "Ah segnasti la tua sorte". It is a forgivable mistake. Really two great artists. To remain in this piece, in my opinion, Del Monaco and Bastianini remain unsurpassed
Only appearing once at the MET he was never as well known in America as the great American baritones Warren, Merrill, MacNeil and Milnes. But he certainly deserves to be mentioned among the greats.
Pavarotti should never have sung this duet. Does not fit his lyric voice in any way. Capuccilli fares much better, as an authentic Verdian baritone. Still he never really thrills me. Listen to Tucker and Merrill in this piece for some real unadulterated testosterone and thrills.
@@sw5114 Yes Tucker did throw himself into performing this duet and Merrill was a great singing partner for him. Another classic performance is the one from Naples with Corelli and Bastianini in prime voice.
@@sw5114 Almost all of Corelli's recordings were made when he was past his prime which ended in 1963. His voice and his singing were at their best 1957-1962. His singing in the Solenne in quest'ora duet is perfection in its pianissimo and legato.
@@bobturnley2787 I’d disagree that Corelli was past his prime after 1963. His work at the Met throughout the 60’s was stunningly virile, and in full control of his tremendous talent. He was still completely capable going into the 70’s but difficulties were more apparent.The Forza with Bastianini still had a bit of that thinner bleat in the upper passages, which he eventually pretty well ironed out in the 60’s. It’s a matter of taste, and I respect yours. I’d still rather listen to Tucker in Forza, even with his signature cries. Perhaps it’s the partnering with Merrill. Appreciate the conversation.
One question to all those who watch and then add other names and write all kind of things about Pavarotti and others. Why do you bother to watch this? This is an anniversary concert. The artists are entitled to add whatever they desire to such events. Why this bothers you so much??
Dai, non esageriamo ! Che dire allora dello "stato dell'arte ?" czcams.com/video/Rf_4Nxd6Nv4/video.html O... dell'eccellenza ? czcams.com/video/MozEFBSXGzA/video.html
no es para la voz lirica de Pavarotti pero la canta muy bien.....pero lo de Cappuccilli es d otro mundo...q voz.....tan poderosa..solo comparable a la de Bastianini, Gobbi, Merrill y actualmente a la de Alvarez( con otro tipo de emisión pero poderosa tmb).
karloz ToRRes , adoro il primo Pavarotti. Per Cappuccilli, amore incomparabile, secondo solo a Ettore Bastianini, anche se sempre difficile comparare. Pavarotti lo conoscono tutti, lo conoscevano e lo conoceranno tutti. La su voce è riconoscibile, non bisogna essere esperti. In più ha portato l'Opera negli stadi,quindi per tutti.poi nella sua carriera cazzate ne ha fatte. Il suo percorso artistico perché è sociologico. Ascoltare la appena passata generazione di cantanti,, direi trascuriamo. Di sri fenomeni, ora ci tirano fuori 3 cantanti
@@jmahlon Pavarotti era lirico ligero, que haya tomado repertorio pesado al final de su carrera no lo hace dramatico, ni spinto (que son las grandes voces liricas que te refieres). Este no es repertorio para Pavarotti. Pero vamos, Pavarotti era tan bueno, pero tan bueno, que todo lo que hace le queda bien, en este caso, ''Aceptable''.
@@Darksaga28 Amo a Pavarotti, pero debo decirte, que su voz fue, era y será la de un TENOR LIRICO PURO. que tuviese facilidad a los agudos y en momentos al sobreagudo como en G.Tell o Stab Matter de Rossini, o IL Puritani. Pero su voz fue el ejemplo perfecto de tenor lírico... Por hacer roles que no eran para su registro, después del año 1995 comenzó un poco su declive vocal, pero no su magia... Recordá el Fallido Don Carlo, Tonio en la Fille, o Aída y otello.... Su magia lo hacía único...y los que lo amamos tratamos de no ver muchas veces esas cosas, por que duelen reconocer, como es mi caso...pero creo que es así...va a ser siempre mi mentor y mi inspiración para que yo hoy sea cantante lirico...abrazo gigante
Did you know the the part of Alvaro and the opera La Forza... is regarded as cursed/bad luck, and Pavarotti generally avoided the piece because of this.
For what it’s worth, he told me in 1978 that he could not sing a complete “Forza” because of the relentless demands of “O tu che in seno,” the “Invano Alvaro ... Le minaccie” and other scenes. Three singers he admired and respected, Ponselle, Tucker, and Di Stefano, advised him to avoid “Forza” altogether.
@@jimdrake-writerHow very fortunate you are to have known him! I have read elsewhere the comment you made here about Ponselle, Tucker, and Di Stefano. Singing one aria with Piero Cappuccilli was wonderful. Both sounded electric, exciting. They sang so well together here, as they had done in the past. Singing one "Forza" aria in the 30th Anniversary Gala is one thing, and a fine thing, indeed. Singing the entire opera? Not wise. Pavarotti was smart. He also had good friends!
@@@valasina2015: Thank you for your generous comment. When I first met him in 1973, he was having an exceptional run in "Rigoletto" but said he wouldn't sing other weightier Verdi operas, and would instead stay with the lyric roles that fit his voice. He did, but he also took on bigger roles, sometimes prematurely. He was a fan of Richard Tucker, and after one of Tucker's many "Forza" performances he asked Tucker for advice about taking on Alvaro. Tucker's succinct reply was a polite way of telling not to try it: "Keep studying. Keep studying, that's all." As for Piero Cappuccilli, he was one of the truly aristocratic artists of his generation. And what a voice!
Jim Drake. Wasn't Pavarotti superstitious about "Forza" for quite some time? This would not be a good way to approach learning this opera. I also imagine it would have been not only frustrating, but also exhausting to try to master arias he, himself, deemed too demanding.
Pavarotti era lirico ligero, que haya tomado repertorio pesado al final de su carrera no lo hace dramatico, ni spinto. Este no es repertorio para Pavarotti. Pero vamos, Pavarotti era tan bueno, pero tan bueno, que todo lo que hace le queda bien, en este caso, ''Aceptable''.
Ok, controversial statement incoming: Piero Capucilli is basically Leo Nucci with a slightly rounder sound. They even kind of look like each other (ducking for cover now).
Tutti questi Grandi mostrano la loro voce ma non spiegano come sono.arrivati a trovarla io lo faccio ma non.sono un Grande e per ciò non vengono qui posti i miei insegnamenti pubblicati su CZcams
"Segnasti la TUA sorte" Ma Pavarotti dice " ah segnasti la MIA sorte" in tutte le sue registrazione di questo importante duetto dove dicendo "mia sorte" al posto di "tua sorte" si stravolge assolutamente il significato della frase.
@@Monnarchmonnarchy Dear Monarch, you seem to be the most hateful fan against Pavarotti. Is there something you are not telling us, or is it just your opinion, which is fine?
@@sugarbist not "hateful", but just trying to remark your naivy mark on that disaster. No middle, no low notes only pafetic squeaks and screams with forcing at the end of note. How can you missed that? Totally out of musicality, non operatic, as always. So bad and awful singer, i can not understand how you guys listening bests and still keep promoting that trash. And yes, your last "argument" or words are not so constructive. As you remember, i tald about many others, loving bests, i am writing not only about that freak of pop modern opera, so you just trying make conversation in silly way, dialogue in other way, like i am just annoying diletante. I just can not understand WHY? Why you still believe what that crap was not even operatic singer, but with bests???
Pavorotti is in great shape vocally. But his dramatic interpretation leaves so very much to be desired. There are so many almost violently abrupt changes in the character's situation and yet his reaction is simply far too generic, His involvement is just too generalized and the scene doesn't come to life.
Bravo Italy! Bravo Verdi! Bravo Luciano, Bravo Cappuccilli
Only Cappuccilli. pavarati e mosquito pop cracked disaster
How poor we are today when we hear those wonderful singers of yesterday......
"Wonderful"? Only 1. Other just doing his freak activity. What a terrible voice! That squeaks are do awful snd straight, can't listen that prick. He is the answer of your question. Mosquito brings commercial, like him there are a lot of freaks today
- They both were wonderful. How deprived we are now with the passing of these powerful and talented singers.
Rest in peace, you beautiful, magnificent singers. Thank you for your glorious voices.
A great bravo for Cappuccelli....., but a little bravo for Pavarotti....
I was lucky enough to see Pavarotti twice, 1991 and 2001 at Hyde Park, London. First heard him on the Nicky Campbelll radio 1 show at 1.20 A.M , 1989when I was a taxi drive aged 21r. He played Pavarotti singing Nessun Dorma. after finding out about the 1990 three tenors concert, I pulled over and had one of those moments when you fall in love with a voice. Luciano was gifted with a body that was built to sing, and boy did he use it to perfection. Personally, after watching footage of the great tenors of the 20th century, I can hand n heart say He WAS the best, I'm just glad CZcams is here to keep these Alfa performers alive. Pavarotti , we miss you. Thanks for your stupendous career'
Cappuccilli is simply incredible!!! Bravo!!!
Who can sing like them these days? Glorious voices and perfect singing in every way. How do I miss you both, maestri.
Only baritono, another just a pathetic screamer and shitter
@@Monnarchmonnarchy Hey! It's you again! Still being a loser of a human i see 🤭
@@ssr6036 "loser", you mean about yourself, hypocrate?
@@Monnarchmonnarchy Sorry for any confusion, but no, I definitely was referring to you. Also, it's spelt "hypocrite".
Kisses 😘
@@ssr6036 poor lonely guy, you are talking with yourself, child.
Amazing, isn't enough to describe this two monster. It's just incredible the belcanto technique of those two incredible singers. R.I.P.
Uno spettacolo surreale. Questo è vero professionismo esaltato dalla natura che è stata ben generosa con i due mitici.
Due fenomeni inarrivabili
Meravigliose voci, da brividi! Ma Cappuccilli unico in questa parte!!!
Wonderful performance. Tragic, when you think in the same year 1992, the great Piero Cappuccilli had a serious car accident on the autostrada which technically ended his career. RIP Luciano e Piero.
Coppia straordinaria!!!Piero Cappuccilli nonostante una carriera smisurata da l ennesima lezione nel ruolo.Luciano Pavarotti poi é... Luciano Pavarotti!!!Meravigliosi
And both of them acted their parts so well even on the concert stage. Bravi.
Yeah, Pavarotti's whole demeanour changes with the shifts of mood in the music! Wow, he's a real actor! And his tonal changes too!!
@@BirdArvid pavariti awful screamer, a disaster, no acting, only squeaks
Due giganti e il duetto più emblematico e meraviglioso eccellenza italiana dell'opera lirica viva verdi
That was AMAZING. Two of the greatest voices ever. Thank you for posting this treasure.
Due voci bellissime che si combaciono a meraviglia .Bravi!
Люблю Верди!
Due mostri sacri!!! MAGNIFICI!!! Ora duettano per gli angeli...
This is the best duet I heard for months. Piero Cappuccilli is probably the best Verdian baritone. The intensity of the drama, as written by Verdi, is exceptionally rendered by these two giants that are Pavarotti and Cappuccilli.
Jean-Paul Moroge try tita ruffo for the best verdian :)
🤣🤣🤣
Richard Tucker and Robert Merrill!!!
Delizioso!!! Il baritono è bellissimo... Con il geniale Pavarotti, è difficile formare un duetto decente...
Se ci fossero al giorno d'oggi delle voci ,degli interpreti così baceremmo la terra che CALPESTANO !!!!!!!!!! Mari
Piero grande!!! Pavarotti totalmente alejado del canto Verdiano que requiere este papel.
due voci divine, due grandi maestri della lirica
Same here - he is magnificent! Who knew?!
GRANDES VOCES GRACIAS A LA TECNOLOGIA DE HOY TODAVIA PODEMOS ESCUCHARLOS Y''''''''''''''''''''''''DISFRUTARLOSSSSSSSSSSSSSSS
Duetto splendido di grande scuola e dizione meravigliosa... Non è il ruolo per eccellenza di Pavarotti ma, avercene oggi di voci così ....
Dueto shitty. mosquito is so stupid with his squeks and screams. Merda
@@Monnarchmonnarchy Merda sei tu, idiota
@@gabrielgabriel8096 idiota sei tu. It is not nationality loving, he is a crook like his band.
Non mi piacciono nessuno dei due.
@@eugeniogentili1048 Piero is in ages, he got accident too like Monaco, if iam not wrong. Pitty too
Caruso - Titta Ruffo
Merli - Apolo Granforte
Corelli - Bastianini
Del Monaco - Bastianini
Del Monaco -Warren nel 53 etc.etc.etc...
E Tibbett, Amato, De Luca, Stracciari, Galeffi, Danise, Tagliabue e tutti quelli che non torneranno mai più....
Also Richard Tucker and Robert Merill...
@@user-py1jg6bb2r Yes. Hard to beat that performance. Bing Gala 1972. This one is great, as well.
@@valasina2015 Tucker walked back like a baby, jumping around, he asked Merill to make sure a thrilling night, he thought they got it. Funny, look at the very end.
@@user-py1jg6bb2r Yes. What joy in his steps! Like skipping!
Bravissimo quel dueto spetacolo!
INCREIBLE, dioses que descansan en lo mas alto.
Cappuccilli e' il re dell'Opera!
E vero!
@@nostromo8997 I gusti variano, ma suona come un bastone e a volte può essere scortese.
Un discreto baritono, ce.ne sono stati di migliori tipo Granforte Ruffo Warren Danise MacNeill Bastianini Maffeo Bechi Stracciari Tibbett Merrill Capecchi Bacquier Milnes De Luca Ancona Galeffi e tanti altri.
Io non credo che Don Alvaro sia appannaggio delle sole voci bronzee dei tenori drammatici, come Corelli o del Monaco. Mi pare che anche il lirico puro possa renderlo molto bene, e per certi versi persino meglio. Così, il Pavarotti adulto mi pare che non sia fuori ruolo, e certe frasi sono davvero belle; meglio ancora Carreras, specie nelle recite del 1978.
Grande, davvero grande Piero Cappuccilli.
Grande in questo duetto il nostro Cappuccilli che mostra di essere fortemente coivolto quindi fortemente espressivo . Egli mostra rara grinta e voce poderosa dal colore unico e fantastico. Pavarotti per me non è l'esempio di un buon Don Alvaro anche se accetto comunque la sua voce che ha come sempre una buona dizione . Tuttavia ritengo che da importanti artisti non ci si debba assolutamente adattare a sentire errori di parole . Pavarotti ha cantato quest' opera in teatro e poi non so quante volte . nel corso della sua carriera, abbia registrato proprio il duetto di cui si parla ma, purtroppo, ogni volta sbaglia le parole anzi una sola importante parola che cambia il senso a quanto dice - dovrebbe dire infatti -Ah segnasti la TUA sorte- mentre invece lui dice, e lo dice in ogni sua registrazione, - ah segnasti la MIA sorte- . Questa frase dovrebbe farci capire che Don Alvaro cede dopo le ripetute provocazioni di Don Carlo alla tentazione di duellare con lui e che desidera di ucciderlo. ma Pavarotti canta - ah segnasti la mia sorte- come se pensasse che è la sua sorte ad essere segnata e che Don Carlo ucciderà lui. Una volta si può sbagliare certo ma ripetere lo stesso errore per decine di volta mi fa pensare che chi lo aiutava a studiare gli spartiti non fosse molto attento e che sorvolasse su qualcosa che per me stravolge il senso della frase di cui parlo. Aggiungo ancora una nota che mi pare importante ovvero che Carreras ha sempre avuto una voce più drammatica di quella di Pavarotti . ciao. e auguri
Cancellare la frase corretta "ah, segnasti la tua sorte" dal mio commento non serve a nulla. Quella frase dovrebbe cantarla Pavarotti ma lui preferisce dire " ah segnarti la mia sorte".
Thanks so much for posting!
Cappuccilli Mitico
EXTRAORDINARIO, ESPETACULAR. Gratissimo Paola.
2:37 audio sounds perfectly balanced all of the sudden
Immensi
Paola Tedeschi, hai coperto l'errore di Cappuccilli nel duetto complimenti!
Grandi personaggi della Lirica!!
exquisito duo
Piero Cappuccilli - I hadn't heard of him before. What an awesome introduction!
Non è un ruolo per Pavarotti
After four years from your post: You must see and listen to Cappuccilli, Domingo and Katia Ricciarelli in UN BALLO IN MASCHERA Covent Garden - 1975.
SHICOFF1 1972 Teatro Colon M. Arroyo, P. Domingo, GP Mastromei, B. Giaiotti, dir. F. Previtali A wonder. The Colón acclaimed to Domingo ;at that time he was almost unknown and at that time the best singers came to the Colon
@@jackrance7997 I completely disagree.
@@valasina2015 of course, you are a fancy boy from freak opera. pavaroti is a pafetic screamer, too tiny, shitty disaster. No balance, only a straight notes, no any middle, even a low notes, just a pop singing.
At 7:59, Pavarotti sings "Ah segnasti la mia sorte" (which would not make sense) while he had to say "Ah segnasti la tua sorte". It is a forgivable mistake. Really two great artists.
To remain in this piece, in my opinion, Del Monaco and Bastianini remain unsurpassed
A.M.A.Z.I.N.G
Only appearing once at the MET he was never as well known in America as the great American baritones Warren, Merrill, MacNeil and Milnes. But he certainly deserves to be mentioned among the greats.
Pavarotti should never have sung this duet. Does not fit his lyric voice in any way. Capuccilli fares much better, as an authentic Verdian baritone. Still he never really thrills me. Listen to Tucker and Merrill in this piece for some real unadulterated testosterone and thrills.
@@sw5114 Yes Tucker did throw himself into performing this duet and Merrill was a great singing partner for him. Another classic performance is the one from Naples with Corelli and Bastianini in prime voice.
@@bobturnley2787 Yes another great pairing. Corelli was not ‘quite’ Corelli yet…:)
@@sw5114 Almost all of Corelli's recordings were made when he was past his prime which ended in 1963. His voice and his singing were at their best 1957-1962. His singing in the Solenne in quest'ora duet is perfection in its pianissimo and legato.
@@bobturnley2787 I’d disagree that Corelli was past his prime after 1963. His work at the Met throughout the 60’s was stunningly virile, and in full control of his tremendous talent. He was still completely capable going into the 70’s but difficulties were more apparent.The Forza with Bastianini still had a bit of that thinner bleat in the upper passages, which he eventually pretty well ironed out in the 60’s. It’s a matter of taste, and I respect yours. I’d still rather listen to Tucker in Forza, even with his signature cries. Perhaps it’s the partnering with Merrill. Appreciate the conversation.
One question to all those who watch and then add other names and write all kind of things about Pavarotti and others. Why do you bother to watch this? This is an anniversary concert. The artists are entitled to add whatever they desire to such events. Why this bothers you so much??
chaiter1 1@“
Pavarotti era già nel calo vocale qui. Fumava tantissimo il sigaro purttoppo
Meraviglioso!
Magnificent!
due giganti della lirica . ma Bastianini e Del Monaco erano insuperabili cordialità Elio Bana
@@eliobana1927 Do you believe sheer power equals "better?" Just asking.
Cappuccilli sembra il tuono Pavarotti la folgore...
Voci che vengono dal cielo!
Bravo!
Dai, non esageriamo !
Che dire allora dello "stato dell'arte ?"
czcams.com/video/Rf_4Nxd6Nv4/video.html
O... dell'eccellenza ?
czcams.com/video/MozEFBSXGzA/video.html
Say what you will. The Martinelli-De Luca recording remains the benchmark of this magnificent duet.
Bravissimi!
A mi La Forza me emociona, así que no me extraña que tengas ganas de llorar
Incomparable Luciano pavarotti.
Leonardo Martinez Estrada 2@
no es para la voz lirica de Pavarotti pero la canta muy bien.....pero lo de Cappuccilli es d otro mundo...q voz.....tan poderosa..solo comparable a la de Bastianini, Gobbi, Merrill y actualmente a la de Alvarez( con otro tipo de emisión pero poderosa tmb).
Escucha con tus oídos no con tus prejuicios de Fach. Verdi escribió para grandes voces líricas, exactamente como Pavarotti.
karloz ToRRes , adoro il primo Pavarotti. Per Cappuccilli, amore incomparabile, secondo solo a Ettore Bastianini, anche se sempre difficile comparare. Pavarotti lo conoscono tutti, lo conoscevano e lo conoceranno tutti. La su voce è riconoscibile, non bisogna essere esperti. In più ha portato l'Opera negli stadi,quindi per tutti.poi nella sua carriera cazzate ne ha fatte. Il suo percorso artistico perché è sociologico. Ascoltare la appena passata generazione di cantanti,, direi trascuriamo. Di sri fenomeni, ora ci tirano fuori 3 cantanti
karloz ToRRes y
@@jmahlon Pavarotti era lirico ligero, que haya tomado repertorio pesado al final de su carrera no lo hace dramatico, ni spinto (que son las grandes voces liricas que te refieres). Este no es repertorio para Pavarotti. Pero vamos, Pavarotti era tan bueno, pero tan bueno, que todo lo que hace le queda bien, en este caso, ''Aceptable''.
@@Darksaga28 Amo a Pavarotti, pero debo decirte, que su voz fue, era y será la de un TENOR LIRICO PURO. que tuviese facilidad a los agudos y en momentos al sobreagudo como en G.Tell o Stab Matter de Rossini, o IL Puritani.
Pero su voz fue el ejemplo perfecto de tenor lírico...
Por hacer roles que no eran para su registro, después del año 1995 comenzó un poco su declive vocal, pero no su magia...
Recordá el Fallido Don Carlo, Tonio en la Fille, o Aída y otello.... Su magia lo hacía único...y los que lo amamos tratamos de no ver muchas veces esas cosas, por que duelen reconocer, como es mi caso...pero creo que es así...va a ser siempre mi mentor y mi inspiración para que yo hoy sea cantante lirico...abrazo gigante
Hai ragione Elio. Auguri!
Bravi
👏👏👏👏👏👏👏👏
Dite quel che volete ma.....CAZZO CHE BRAVI!
Comment OSE t on mettre un pouce👎 devant tant de talent 😡
Wow
Bravi!
Come si fa a non parlare del tenore gigante della lirica di tutti i tempi l'immenso Giuseppe Di Stefano.
pavarati mosquito pop. Stefano is operatic singer
Did you know the the part of Alvaro and the opera La Forza... is regarded as cursed/bad luck, and Pavarotti generally avoided the piece because of this.
For what it’s worth, he told me in 1978 that he could not sing a complete “Forza” because of the relentless demands of “O tu che in seno,” the “Invano Alvaro ... Le minaccie” and other scenes. Three singers he admired and respected, Ponselle, Tucker, and Di Stefano, advised him to avoid “Forza” altogether.
Pav was a great lyric tenor but not suited for Forza.
@@jimdrake-writerHow very fortunate you are to have known him! I have read elsewhere the comment you made here about Ponselle, Tucker, and Di Stefano. Singing one aria with Piero Cappuccilli was wonderful. Both sounded electric, exciting. They sang so well together here, as they had done in the past. Singing one "Forza" aria in the 30th Anniversary Gala is one thing, and a fine thing, indeed. Singing the entire opera? Not wise. Pavarotti was smart. He also had good friends!
@@@valasina2015: Thank you for your generous comment. When I first met him in 1973, he was having an exceptional run in "Rigoletto" but said he wouldn't sing other weightier Verdi operas, and would instead stay with the lyric roles that fit his voice. He did, but he also took on bigger roles, sometimes prematurely. He was a fan of Richard Tucker, and after one of Tucker's many "Forza" performances he asked Tucker for advice about taking on Alvaro. Tucker's succinct reply was a polite way of telling not to try it: "Keep studying. Keep studying, that's all." As for Piero Cappuccilli, he was one of the truly aristocratic artists of his generation. And what a voice!
Jim Drake. Wasn't Pavarotti superstitious about "Forza" for quite some time? This would not be a good way to approach learning this opera. I also imagine it would have been not only frustrating, but also exhausting to try to master arias he, himself, deemed too demanding.
!!!!VERDIANOS !!!!!!!
What is the year ??? Great Performance.
Pavarotti era lirico ligero, que haya tomado repertorio pesado al final de su carrera no lo hace dramatico, ni spinto. Este no es repertorio para Pavarotti. Pero vamos, Pavarotti era tan bueno, pero tan bueno, que todo lo que hace le queda bien, en este caso, ''Aceptable''.
Infatti Pavarotti non registro' mai Forza del destino.
What do you consider "late in life?"
Ok, controversial statement incoming: Piero Capucilli is basically Leo Nucci with a slightly rounder sound. They even kind of look like each other (ducking for cover now).
Both magnificent. Oh Piero was just so handsome..
¿Por que me dan ganas de llorar? :'(
Peccato che si senta in maniera chiariassima la diversa efficacia dei microfoni
Nemorino e Don Carlos de Vargas...
Besser könnten nur Ettore Batisanini und Mario del Monaco sein ;)
+Dilshod Nazarov Nein, Bastianini and Corelli/ Pertille.
Камен Крайчев
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Say what you will. The Martinelli-De Luca remains the benchmark recording of this magnificent duet.ecordingecording
Shlomo Hoffert totally agreed. Pav does not have the technique or the voice for forza
@@operalover3966 What specific technique and voice were you looking for?
Well, listening to Merrill and Tucker will certainly change your opinion- it’s simply the most impressive
@@xavieralberto1176, I am not talking about personal preference; my comment is about artistic interpretation.
7:02 he miscalculated that a bit...
Ambos son buenos pero no se comparan al nivel interpretativo y sonoro de Richard Tucker y Robert Merrill
Not by any stretch. Pav is annoying here. Give us Tucker..
Tutti questi Grandi mostrano la loro voce ma non spiegano come sono.arrivati a trovarla io lo faccio ma non.sono un Grande e per ciò non vengono qui posti i miei insegnamenti pubblicati su CZcams
Toscanini-Lanza najlepši glas 20 stol.
7:59 "segnasti la mia sorte" or "la tua sorte"? Things were a bit out of hand that evening.
"segnasti la tua sorte" è la frase corretta. ma a quanto pare Pavarotti dice immancabilmente " ah, segnasti la mia sorte"
"Segnasti la TUA sorte" Ma Pavarotti dice " ah segnasti la MIA sorte" in tutte le sue registrazione di questo importante duetto dove dicendo "mia sorte" al posto di "tua sorte" si stravolge assolutamente il significato della frase.
I like Pavarotti, but Forza is NOT for him.
why not?
@@arrassip In My Opinion, his voice was not heavy enough for Forza. He never sang the opera. MDM Corelli, and Tucker were more suited for the role.
Fak. Capuccilli mustn't sang with that tiny pop cracked squeaker. So dissapointed to see my favoutite baritone with that paper name!
@@Monnarchmonnarchy Dear Monarch, you seem to be the most hateful fan against Pavarotti. Is there something you are not telling us, or is it just your opinion, which is fine?
@@sugarbist not "hateful", but just trying to remark your naivy mark on that disaster. No middle, no low notes only pafetic squeaks and screams with forcing at the end of note. How can you missed that? Totally out of musicality, non operatic, as always. So bad and awful singer, i can not understand how you guys listening bests and still keep promoting that trash. And yes, your last "argument" or words are not so constructive. As you remember, i tald about many others, loving bests, i am writing not only about that freak of pop modern opera, so you just trying make conversation in silly way, dialogue in other way, like i am just annoying diletante. I just can not understand WHY? Why you still believe what that crap was not even operatic singer, but with bests???
tra i due,quello che possiede più la parola Verdiana è Cappuccilli...
Pavarotti non c'entra niente con Don Alvaro...
a Elio Bana, consiglio ai andare a sentire Gino Bechi e Lauri Volpi. quelli erano i veri giganti !
까푸칠리님이 진정 한국을 싫어하신거 맞는건가요?ㅠㅠㅠㅠ
Капучилли, как говорил Паниковский, из раньшего времени, а Паваротти, конечно, гораздо жиже, увы...
Братан, павароти это крикун, писклявый орун. Даже низов нет и середины, одни писки. Капец!
Capuccilli is very impressive in this pavarotti... meh not so much.
Pavorotti is in great shape vocally. But his dramatic interpretation leaves so very much to be desired. There are so many almost violently abrupt changes in the character's situation and yet his reaction is simply far too generic, His involvement is just too generalized and the scene doesn't come to life.
voci eccelse, artisti irripetibili
Such sloppy musicianship from P., and he makes nonsense of his own language: ‘Ah segnasti la mia (??) sorte.’
CAPPUCCILLI is not in good shape here
Bullshit you are crazy
Yes, you are right, he is not in good shape here, he's in GREAT shape here.
You did a mistake with name. pavaroti here is a squeaker, dcreamer and disaster, totally stupid shitter! But why??? Master sang with that crap???
This is awful... two voices that were never meant for these roles!!!