Absolutely the dual bore (#3) to my ear as a bass trombonist. You have a terrific sound on it. I probably wouldn’t use it for lighter repertoire, but it’s easily my favorite.
I definitely liked the 2nd slide the best. It seemed to have more resonance in the low register. A slight rumble to the sound. However, if you were to focus on that slide, I feel it would give you the greatest potential.
The single sounds the best superficially, I think, but lacks the color I get out of my dual bore and it sacrifices some playability. I wish I could get some better quality recordings! Maybe that's the next step.
Great video! Sorry for the off topic question but I really need your advice. How did you practice devils waltz together with your friend and have the parts come together? I just wanted to know from your viewpoint bc I knew you rehearsed it with him a few times😂
The first slide (I guess it was the 42) was a bit raspy and harsh sounding, and the articulations sounded harsher. I disagree that it sounds appropriate for bass. I didn't hear much difference between the second two, but they did have more appropriate bass sounds and attacks, etc.
Hello aidan, i have a question, i own a martin committe small bore tenor which is an amazing horn and i will never sell it. I also own an eastman large bore step up horn. However i plan on going to college for bass trombone, i essentially never play the large bore. Do you think it would be a good idea to sell the eastman large bore to help me buy a bass? I play my schools benge 290, but once college rolls around i want to actually own a bass
This was really easy for me to guess but then again I have a trained bass Trombonist ear and I have personally tried all all these slide combinations myself
It definitely does! Right now it's a standard Bach 50 leadpipe with edwards pull ring. It's a little tighter, just slightly, but has a ton more color than the Edwards 2SS. The Eddie pipe in the single bore makes it a little more open and less bright, they kind of balance each other out.
Absolutely the dual bore (#3) to my ear as a bass trombonist. You have a terrific sound on it. I probably wouldn’t use it for lighter repertoire, but it’s easily my favorite.
Guess what, that's what I use! Haha
I thought the 42 sounded the best. You nailed it regarding openness. And as always, you sound truly great all the time!
I really like the tenor slide because it really kicked and the center to the sound. And the dual bore kinda sounded jazz
Whoa! Slide #1 is surprisingly great!
I definitely liked the 2nd slide the best. It seemed to have more resonance in the low register. A slight rumble to the sound. However, if you were to focus on that slide, I feel it would give you the greatest potential.
The single sounds the best superficially, I think, but lacks the color I get out of my dual bore and it sacrifices some playability. I wish I could get some better quality recordings! Maybe that's the next step.
Great video! Sorry for the off topic question but I really need your advice. How did you practice devils waltz together with your friend and have the parts come together? I just wanted to know from your viewpoint bc I knew you rehearsed it with him a few times😂
malachi davis I definitely looked over the parts. I understood how it all fit together, that was actually the easy part.
Aidan Ritchie definitely! I’m really trying to put the two together lmao
Edwards triple bore slide?
The first slide (I guess it was the 42) was a bit raspy and harsh sounding, and the articulations sounded harsher. I disagree that it sounds appropriate for bass. I didn't hear much difference between the second two, but they did have more appropriate bass sounds and attacks, etc.
Yup, it's more that the slide doesn't feel that out of place. It does sound out of place, at least with me behind it!
Hello aidan, i have a question, i own a martin committe small bore tenor which is an amazing horn and i will never sell it. I also own an eastman large bore step up horn. However i plan on going to college for bass trombone, i essentially never play the large bore. Do you think it would be a good idea to sell the eastman large bore to help me buy a bass? I play my schools benge 290, but once college rolls around i want to actually own a bass
Brayden Lovely I would probably sell it. An acceptable .547 will be pretty easy to come by if you need one in the future.
This was really easy for me to guess but then again I have a trained bass Trombonist ear and I have personally tried all all these slide combinations myself
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@@AidanRitchie of the week
very useful
What leadpipe do you have in the dual bore? I’m curious if the lead pipe difference between the two bass slides has anything to do with my opinion
It definitely does! Right now it's a standard Bach 50 leadpipe with edwards pull ring. It's a little tighter, just slightly, but has a ton more color than the Edwards 2SS. The Eddie pipe in the single bore makes it a little more open and less bright, they kind of balance each other out.
Aidan Ritchie I really liked the sound you played with on the single, but like you said operator error haha
Chris Geiger it does feel good. I'm using it tonight with a Laskey 93D for a big band, feels great in this setting
Aidan Ritchie that’s a big ol mouthpiece! How’s it compare to the Greg Black you play on
Chris Geiger same dimensions all around. But totally different!
Stopping it right after slide 3. I prefer slide 1.
Evan Bradley wrong!
K.