Johann Sebastian Bach - Concerto for Oboe and Violin, BWV 1060
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- čas přidán 3. 08. 2024
- - Composer: Johann Sebastian Bach (31 March 1685 -- 28 July 1750)
- Orchestra: Münchener Bach-Orchester
- Conductor: Karl Richter
- Soloists: Otto Büchner (violin), Edgar Shann (oboe)
- Year of recording: 1963
Concerto for Oboe & Violin (or 2 violins), strings & continuo (reconstruction), BWV 1060, written in 1736.
00:00 - 1. Allegro
05:26 - 2. Adagio
10:59 - 3. Allegro
Though the manuscript to this concerto was lost, a reconstruction of it was made possible because, in 1736, Bach had arranged it as the Concerto for two harpsichords and orchestra in C minor (BWV 1060), a work whose score survived and served as a model for the original. The identical relationship exists between the Concerto for three violins, strings & continuo in D major (BWV 1064R), and the Concerto in C major for three harpsichords (BWV 1064). Though the (modern-day) reconstructions are not the work of Bach, they are arguably as authentic a treatment of the music as the harpsichord transcriptions the composer later made.
- The opening Allegro ushers in a sense of joy in its rhythmic vibrancy and thematic catchiness. The striking main theme is introduced by the string orchestra, but the delightful second subject and related material are delivered by the oboe and solo violin. In fact, the oboe rarely takes up the main theme, content to busy itself with essential contrapuntal commentary and other colorful writing.
- The Adagio second movement is lovely in the dreamy serenity of the main theme, which is introduced by the oboe and then taken up by the violin. Again, the plentiful contrapuntal writing is deftly imagined throughout. The strings are subdued in their accompaniment in this gentle movement.
- In the finale they recapture a more integral role. Here the music is busy and bright, a bit less joyous than in the first movement, but with a sense of energetic playfulness, the soloists presented with all sorts of challenging, colorful writing. - Hudba
Heavenly music, I love it, yessss.
ОДНО ИЗ САМЫХ ЛЮБИМЫХ ПРОИЗВЕДЕНИЙ И.С. БАХА.
СПАСИБО✍❣❣❣
I love this concerto. I hope i will play this with my friend violinist :3
Well, have You played it yet?
BEAUTIFUL ! ! ! Thank you for posting !
I love bach soo mucchh
Thanks for uploading!
Fantastic tempo in the first movement!
Big difference for the player, though. The version we played was: d minor, arranged by Max Schneider, in reference to the version for two pianos and Strings (that was set in c minor). Strange. Holliger and the most players after him play the c minor version.
Why this C minor concerto sounds in D minor ?
Jean-Michel René SOUCHE Bach orch suites
Because there are two versions of the same concerto one in C minor and one in D minor and they chose the Dminor recording but are displaying the C minor concerto notes.
you may be sad. D minor is the saddest of all keys. I'm happy as hell and I hear C minor when listening to this
...yeah so that was a reference to the movie Spinal Tap lol
Well it should sound in B minor!
J. S. Bach: orchestral suites
I sound like a beginner asking this, but on the line separating the treble and bass clef sections, what is the clef sign?
alto clef
Do you know why the strings in the score for the 2nd movement aren't marked pizz?
Soy yo o el audio esta en do y el score esta en mi bemol
😑😑😑😑originalmente es en d menor y es lo q se oye no en c menor.....como esta en el vídeo.
Hay dos versiones del concerto, una en D menor y otra en C menor, el audio está en D menor pero el score está en C menor.
Mi bemol es el relativo mayor de C menor, por eso comparten la misma armadura, no es que está en mi bemol.
Gracias, en ese entonces aun no aprendia sobre las relativas menores
sounds a'ight...I mean, who is this Bach guy?
Ciao mi chiamo luis
Cambiate lo spartito questa è la trascrizione in re minore...
No me suena, Creo que esta transportada a otra escala.
It's difficult to look at the c minor music and listen to the piece in d minor. The notes are all wrong.
Big difference for the player, though. The version we played was: d minor, arranged by Max Schneider, in refernece to the version for two pianos and Strings (that was set in c minor). Strange. Holliger plays in c minor.
"Blessed are those without perfect pitch, for the realm of music is theirs" - my harpsichord teacher
why the d minor? its impossible to find it in c minor on youtube...meanwhile the sheets are in c minor..
The piece is derived from a concerto from two harpsichords in c minor, but scholars thought, that because of the compositional techniques used, that is was originally for oboe and violin. Since the harpsichord one is in c minor, and bach usually transcribed pieces a whole-step lower (ex. he transcribed vivaldi’s four violin concerto in b minor for one for four harpsichords in a minor) so that’s why it’s being played in d minor. As for the score being in c minor, it could just be different publishers interpreting the piece different ways. Bach’s discarded pieces such as the harpsichord concerto in d minor bwv 1052 (which was thought to originally be a violin concerto) but if played, the violin version is often in d minor because the techniques used really only fit that key.
Luzzer
Bach orch suites
Mjsbach orchestral suites
parece Do mayor
this is not c minor ? what the fuck i am hearing
esta malo