Interview with GENUNE (in English) Post Black-Metal
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- čas přidán 10. 09. 2024
- #Genune, #PostIndustrialPsychedelicallyMetalizedDarkMetal, #PostBlackMetal, #interview
Genune - a unique band with an exquisite concept.
The interview approaches the following topics:
- EASTERN EUROPEAN IDENTITY AND HERITAGE AS ENVISIONED THROUGH plotless lyrics and expressionism.
- EASTERN EUROPEAN MARGINALITY AND ETHICS
- EASTERN EUROPEAN SOULSCAPES AND SOUNDSCAPES in the context of Post-Industrial Mysticism
- the name of the band (“Genune” in Romanian denotes a very deep and somehow misty or hazy precipice, a very steep rock face or a cliff-face)
- both the musical and the poetical style of the band and the conceptual dynamics behind them ( “Post-Industrial Psychedelically Metalized Dark Metal” or “Post-Black Metal, Blackgaze, Post-Metal and Neofolk with occasional progressive tendencies)
- the major influences and the special ways in which the band has absorbed them? (Burzum, Deafheaven, Madrugada - Industrial Silence)
- the technical construction of the songs and of sound saturation, so as to try to explain how the music eventually grows on the listener or how the listener becomes entranced
- the ways in which production allows for some side-notes to beautifully drift towards undefinable areas and the creation of a pleasantly-addictive musical recipe (spacious and breezy atmosphere inside an apparently unforgiving fog, pleasant symbiosis with each individual sound, eloquence co-existig with fragility;)
- how are the lines of attack and the lines of defense of the psyche reproduced instrumentally
- statements, SUBSTRATA and “subtexts” of Black Metal” and the link between the natural quality of the sound-stream and the evocative(descriptive) power of an album
- personal rituals of darkening, the evil / diabolical / dangerous and hidden face of fragility (or how does Abel turn into Cain)
- self-acceptance, empathy, introspection and self-absorption
- and, of course, poetry, personal style and again POETRY: “The absence of the imagination that has Itself to be imagined.” (Wallace Stevens) in the context of “an afterglow of fleeing particles
where there’s but the tremor of events past / Whose weight still burns immediate / Resplendent in its lonesome present” Eastern European Discontent.”
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