Sonata in F minor for Bassoon (G. P. Telemann) Score Animation
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- čas přidán 27. 03. 2017
- Matthew Wilkie, bassonist
Neal Peres Da Costa, hapsichord
Kees Boersma, double bass
*Remember: Some early music (medieval, renaissance and baroque) can vary on pitch. - Hudba
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Where are my fellow bassoonist trying out for all state bassoon and this is the excerpt
This was such a pleasure to hear. I think modern music misses out on so much by neglecting the bassoon in compositions. It has a warmer sound than a tuba.
ALL MOVEMENTS:
First Movement | Triste - 0:00
Second Movement | Allegro - 2:20
Third Movement | Andante - 6:20
Fourth Movement | Vivace - 8:15
Real q me ha servido xD gracias!
Wow....this is easily the best embellishing on this piece I've heard.
Literally same
heyyou im vegan too xd
@@lifewithdezii5250 9
Matthew Wilkie is a legend.
Yeah. He is also playing it very fast
Very nice to hear the proper embellishments in both the keyboard and soloist.
this was not written with embellishments, so do you mean what would have been standard embellishments during the baroque period?
Im still learning how to play this piece! It sounds so good no matter how many times I listen to it
This was one ofnmy fav pieces to play when o was learning bassoon, so catchy
Played this on euphonium back in high school, it was a really fun piece!
Yo lo haré
A favorite piece to steal for euphonium! This brings back all the memories.
the embellishments in this recording are straight up sexy
I am very grateful for you having put this up as the sheet music for this hasn't come in yet and I'm using this video to learn it while I wait. I just wish that there was a way I could find it written with all the extra little phrases that were added in so I could use it.
I can do this for you! www.transposemysong.com (note - website is wonky - you'll have to scroll down a bit) and my email is jeffrags at gmail dottt com
Wilke puts in a lot of ornamentation, and I just finished 'singing along with it'. If you're game, I'd love to put this together for you with Wilke's ornaments, though it is always best to use one's own.
hi. I also need to learn the sheet music. Could you also provide this sheet music to me.Thanks!
No need to worry about baroque/renaissance pitch here, he's playing the modern bassoon.
Love this piece. Every time I listen to it, the thought pops into my mind, that this is what jazz would have sounded like, if it were invented in the baroque era.
Is it just me, or did the accompaniment really just laid it down💀 the dude went hard on the harpsichord.
Oooh, high A flat in the ornamentation? Adventurous! :p
Truly a great version, by the way!
Hey do you know the mood of this music
3:20 practiced that and then finally listened to and now I'm crying
Ma sha Allah , it is beautiful 😍
1.Mordent 1:13
2.Acciaccatura 3:34
3.Glissando 3:55
4.Tenuto 0:53
0:00 - Triste
2:21 - Allegro
6:23 - Andante
8:15 - Vivace
2:21 Allegro
2:53
3:40
Do y'all know what is the key and time signature of the song?
im very late to this comment aha, its in the key E-flat and is in 3/4 , the second movement starts in 4/4 and the tempo is around 120-156 BPM
The mood in the first movement is lyrical, its slow and is like someone is singing it. The 2nd movement is technical meaning fast and is basically the opposite of the first movement. The mood is sort of like energetic, fun
4:04
7:04
Sehrschòn
3:55
4:48
7:45
in F-minor you need to write 4 flats....... why are there only 3 flats in the key?
It s in harmonic
Bassoons only sing in harmonic
1:05
6:28
8:14
0:00 6:23 8:14
6:24
As a fellow bassoonist I didn’t like the interpretation. Too romanticized.
Someone was a little emblishment heavy...
Almost like this music was composed in an era in which embellishments were well liked and put into music often.
3:40
Caleb Eiben i know that feel 😂
Andoni Rete played this on trombone for UIL solo this year that part and the other one a little later on destroyed me lol
Caleb Eiben Im playing it with bassoon and this part is where I always miss...
@@andonirete7543 pay careful attention to sticcato and slurs...whats written origonally was nothing, youre supposed to do what would be 'appropriate'....i did my jury on this last semester and on the first set of 16th notes i did, 1 staccato 16th note, 3 slur, and then on the second set that comes right after, i slurred all the notes except for when you go to the high C&B, and no slur on beat 4 of course...then during the second half of the second movement, when you have the 16th notes again, i did the same 1 staccato, 3 slurred......that fast part isnt actually the most difficult part of the piece, believe it or not....at least for me...the hardest part is probably the second half of the 4th movement....mostly from measure 23-31
@@calebeiben8536 good god XD...why would anybody try to do that!!......did you do a straight slur down in the first movement at measures 15 and 31? hahahahaha
3:57
6:20
4:38
4:30
3:28