Ceramic Review: Masterclass with Ruthanne Tudball
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- čas přidán 27. 02. 2018
- 'I make every element wet on my momentum wheel using very soft clay, then assemble the pot while still on the wheel. I like using soda glazing to achieve an effect that I believe expresses both the creative spirit of clay and my connection to the physical elements.'
In this film, potter Ruthanne Tudball discusses the processes and ideas behind her distinctive soda-glazed teapots.
Discover more inside Ceramic Review issue 290, which features Ruthanne's full step-by-step masterclass. You can order current and back issues of the magazine from ceramicreview.com.
Film by Layton Thompson for Ceramic Review.
Ruthanne have found you as David said lovely to see you and watch youxx
I felt her love for pottery, and the youthful joy for her work! I hope after years in ceramics I will still be as happy as her.
Oooh I love those teapots. How stunning. And how beautiful is it to see someone who loves what they do
that was the most inspiring and exciting interview. Ruthanne, your passion is palpable and expresses perfectly how we feel too. I had to watch this again and oh those forms! Magic is about the right word for sure. Thank you so much. Lu
I am finding the same passion as she has for pottery.
Amazing the diversity in this craft.
So many choices!
What a joy to hear and see this. An echo of my own bliss making pottery. Thank you. Her pots are splendid!
What joy! I understand how you feel Ruthann, you articulate the joy of pottery so well.
I love her energy and how much you can feel her love for the clay pouring (well ;) into her creations! gorgeous!
It's wonderful how you show your love... I immediately started loving pottery too
I totally get her love for pottery. Thanks for these wonderful videos
It's magic to watch you work, thank you
She is so inspirational! Beautiful teapots!
Fantastic work!
What a lovely person she is. 🥰
Loved this
Penjelasan yang sangat bermanfaat👍
Cara pembuatan yang bagus sekali
This is exiting work and technique I'd love to know more about. The idea of working wet only, no bisque, but firing only a week later is really intriguing and has me very curious how it all works, as in my experience there's alot of slow drying and waiting before thrown pottery can be successfully fired.
Does anyone have literary recommendations on this subject?
Fantastic flow of movement in this work!
sorry i didnt understand attaching the spout 'through' the pot , it appeared to be placed onto the side of the pot and then a hole pierced ? did you pierce several holes to allow flow but not leaves ?
She didn't, but the Roman's did. They would often make a spout, then pierce it through the outer wall from the inside, and seal it up, rather than attach on the outside.