[Music Theory #22] 11 types of 9th chord and how to use them
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- čas přidán 23. 08. 2019
- Welcome back for another episode of Music Theory in 5 minutes. Today we'll talk about 9th chords, all the different types of 9th chords we can find in a major scale, a natural minor scale and in the harmonic minor scale.
We'll see how all these types of 9th chord are built and how to use them.
VIDEO ABOUT TRIADS: • [Music Theory in 5m #5...
VIDEO ABOUT 7th CHORDS (+all intervals): • [Music Theory in 5m #6...
VIDEO ABOUT THE BLUES SCALE: • [Music Theory in 5m #2...
HOW THE HARMONIC MINOR SCALE IS BUILT: • [Music Theory in 5m #8...
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This is outstanding. You provide an accurate, methodically understandable description with good graphics and audio examples. Good for visual and auditory learners. Great job of putting the chords into context with comments on typical usage. I'm chintzy with compliments for musicians - either players or teachers. You're good. Please keep these coming.
You explain so fluently... It's too clear. Thancks a lot...
We usually call 13 min video a thirteen minute video, but the video is great thanks.
It is a diminished minor 13min video.
Thank you for this lesson. 9th chords having so many different varieties makes them kind of difficult to really understand, but demonstrating them all makes it much simpler.
This is brilliant. Thank you for making this so beautifully represented.
Most helpful 9th chords explanation I have ever seen! Thanks a lot!
Great stuff . Great explanation with resolution chords . This is the video I was looking for.
Tes tutos sur la théorie musicale font partie des meilleurs, a chaque fois, j'apprends quelque chose, bravo mec 🔥💯
You are a great teacher. I learned more with this video about 9th chords and all in one video. Great
cleared up most of the blurs I have for 9th usage. Thank you from PH.
Woah finally an explanation I can follow clearly. Thank you! 🙌
This video was of high quality my friend! Good job and thank you for the useful information :))
This whole series is too good. I've needed it for so long :D Any interesting ways to add this to the cheatsheet without overly-complicating it? I guess the ways the 9ths fit in the degrees like you do in this vid would work pretty well.
PS: Yeah I just added them to the part where you show which chords go in each degrees.
tre bien Woochia!!!! more please!!!!
Perfect video, best explanation and visual aid I’ve seen. Thank you for the effort!
Thanks!
great teaching! Thank you so much!
Brief explanation makes it easy to understand 💯
wonderful. So nicely done and you end on the James Bond Chord too !
Absolutely awesome and understandable
Wow bro. This is the vid that i needed. Thank you for this. Imma sub
Very thorough and organized.. Thanks for posting
Cool beans! Knowing WHAT a ninth chord is is the easy stuff, but this was a big help in knowing HOW to use them!
thanks you so much for this insane information
thank you for your explanations
Thanks man these videos are brilliant well explained.
Amazing Tutorial, thanks
Very well explained. Subbed!
Great video. thanx
I dont belieeeeveee it. So good!!!!
thanks for explaining it so we can understand it easily :)
Great stuff, subbed with notifications on.
7:32
I figured out & wanted to add that the reason a m7m9 a chord works best in the 3rd degree of a scale is that you can imagine the 3 of the m7m9 chord as also being the 1 of the relative major scale, making the 3, 5, 7, and 9 of your m7m9 chord the same as a dominant chord in the relative major scale. Then the 1 of your m7m9 chord would be considered the 6th of the relative major scale, making the imagined dominant chord into a 7add13 chord (would that be a proper notation?) if you transpose the 6 up an octave to avoid too much dissonance, since the 6 of a scale is also the 13.
Not sure how often knowing this is useful for actual playing because I'm not a great player yet, but I'm sure someone else will find this interesting as well.
Brother,Thank you so.....much for explaining the 9th chords and it's uses so beautifully. Even if I have to pay thousands of dollars in India I won't get a teacher like you.❤
Excellent explaining thank you sir 🤝
Ça va vite mais j'essaie de suivre, pas évident quand on débute à 40 balais mais c'est toujours très bien expliqué ! Merci pour tes précieuses leçons !
thank you. quality of this video is worth more views
great video thanks!
Awesome thank you
Very helpful bro...
Well I didn't learn music theory but found out them myself. However in my system the 7b9 chord is standalone. This chord has extreme moods in sorrow and usually come with a progression of Bm7b5 E7b9 Am in a Am key song. You nailed it with theory.
Yuki no Hana. The last bar on the bridge. Classic.
Thanks now I know how the 9ths works thanks
dude thankyou I hope I can find a video just like this but with 11 and 13ths on ur channel
I know, I've been asked that for a long time. It's on my list, and it begins to reach the top of the pile. I should tackle it relatively soon
wow that´s a lot. Thanks a lot
Made a lot of sense
Bro what you just explained is just amazing. Do you take classes
I swear I have nightmares about the harmonic minor scale and its chords. Who would have thought that a raised 7th could fuck me up so bad. Great video. 👍👍👍👍
Best tutorial ever!!!!.Well done without you l would have gone this far on extended chords
Can you do the same with 11th chords as well as 13th chords..No tutorial on CZcams explain chordgroups and their uses like you do!.Keep up the good work sir.🙏🙏
It was not 5 minutes, but it was great. Thanks!
Thanks :)
Love that you go all the way to The James Bond Chord (minor 7 with a major 9) AND
The Ring Motif from Wagner's Der Ring Des Nibelungen, fully diminished 7 flat 9) (leitmotif associated with The Ring of Power from said work.)
You didn't mention a minor/major 7 in third inversion (with 7th in the bass) which happens at Darth Vader's Entrance in both Star Wars ANH 1977 and Star Wars ROTJ 1983 (not a coincidence, I feel. I mean, a minor major 7 chord in THIRD inversion??? in association with the same dramatic symbol, twice? not an accident:)
also, people:
NONE of these chords 'need' to be resolved at all:), remember this.
I know he is talking about typically, for purposes of learning, but in some the above examples, and in others, said chords/sound complexes simply ARE the effect a composer is going for, without resolution.
Brilliant content 👏🏾 thanks for sharing 🙏🏾
… a video to master all 9th chords! 💍
Hi, thanks for this amazing lesson. Can we substitute all these 9th chords by extending further with 11th and 13th chord in same way?
Merci for this. I'm a Nooby on the piano and started with English videos. But when I went into my music store and started talking with them about music, I bought a bilingual book for kids that explains the basics of French music theory. I tend to watch most of my videos in English but think I should also at least have a complement since conversations up until now have been awkward. It's a good thing that my daughter's boyfriend is fluent in English, but we don't see each other often. Do you also do French speaking videos?
Unfortunately no, I focused all my content on English. This would take a lot of time make it also in French. Though, a good part of my music theory videos have french subtitles.
I just remembered I made 2 videos about music theory on the channel "secrets de beatmaker". You can see there, it's a long introduction to music theory
I should now add any 9 for my playing right now 😅
Hi, great videos!!! I have a question . Until now we are looking to chods types; etc. The bass guitar mostly play arpeggios, meaning one note of the chord are the time. In this sense I cannot here how the progressions sound. Can you explain how the bass should be plates to support all the chaired being played by the instruments in the band? Many thanks!!
Can you please also show your fingers on the piano keyboard for the V-I GV9 progressing to the C chord, please?
SO: in root positions for each my left hand pinky and thumb is on the bass G Octave with right hand on notes BDFA? Then playing C ovtave in left hand and notes EG in the right hand? Do I also use all chord inversions?
In the A min progression, are you using the natural A minor scale or Harmonic A minor scale, please? Does it work in the other minor scales as well?
I always wonder why cant we think of minor tonality like 6 2 3, not 1 4 5. To me it works absolutely the same (Im a guitar player and it saves me a ton of space in my head)
Amazing! Can I Request 11's and 13's??
very useful video, but I don't understand one thing...why is G7b9 used in C tonality (3:58) if it has two notes that are not in the scale of C ?
so C+9 does not affect the triad ? i thought it was gonna be aug5th.
Can someone explain why a minor 7th is applied to a C9 chord? If it’s based on a C major scale wouldn’t it be a b natural?
Man this is an amazing video and presentation. Thank you. How come for the minor example of 9th chords, at 3:12, the V chord is E9 and not Em9? It's only major E9 in A harmonic minor, is that correct?
@@Woochia thank you so much man. I think I asked a question on your facebook too, about if you have a big, master document of all the types of chord embellishments that fit over each scale degree, like when you show those slides in your video. Like a pdf of that only, for several chord types?
@@Woochia Thanks man, I was also wondering about the C+9 chord, which I've seen built as an augmented triad, a minor 7th, and sharp 9th. On your video you have a slide that shows it's a major triad, major 7th, and sharp 9th. Then on a different slide, you have it as an augmented triad, major 7th, sharp 9th. That's the only part I'm confused on now. I see in a music book I have, and other places on the internet, that there's like 4 chords people are calling the augmented 9th chord. Even the hendrix chord. Very confusing, maybe there's just no agreement what it should be. I think an augmented 7th chord is 1 3 #5 b7, and that seems to be agreed upon. So an augmented 9th probably doesn't have a major 7th, I wouldn't think? This is starting to hurt my brain now lol.
I think in your video at 10:48 it might actually just be a M7#9 chord, and an augmented 9th chord would be 1, 3, #5, b7, 9...
what about 7b9#5?
is this considered altered scale and not part of 9s?
What if 3rd and 7th are skipped? e.g. C G D (in upper octave) is this Cadd9 ?
3:51 another dumb question, whu isn't this chord labeled as an E diminished seventh chord over route note of C?
E,G,B,D,F keys are Em7m9?
Please please please this video is really good but when its a chord m means minor and nothing means major and if its 7th major then its maj
hey. thank you so much. i want to ask a question. what do we call the name of a scale that starts from a different note(as a root) of certain scale. for example G major is G A B C D E F#. but what happens if we start from E? (E F# G A B C D E)
Hey, I believe you’re referring to modes! Playing from E in the key of G Major would mean you’re in the Aeolian mode, better known as the relative minor. You’d be playing the natural minor scale.
I do recommend doing some research into modes, as they can unlock some very useful, interesting new colours to play with. Good luck!
@@senseiponzor i know 6th degree gives you natural minor. but what do we call the name of the scale if we use for 2nd, 3rd or any other notes as the root? i mean .. B C D E F# G A B or D E F# G A B C D?
"Music Theory in 5 minutes"
Video is 13 minutes
Jk bro thanks for this knowledge
3:50 a dumb question, rather, why is not that chord labeled as Cb7b9 rather? The b flat doesn't belong to c major, unless it is a harmonic major chord, like if it is F major (/or minor) the B flat would of course be in the key, but still
Great video. But i have a small doubt,
Is Dm7 fifth degree or fourth degree of A minor?
@@Woochia Thanks a lot, you are my teacher. Love from India.
Shouldn’t the fifth chord in Aminor be a E minor? So V to I profession would beEminor7b9 to Aminor?
If you follow the chords of the scale, yes. But the degree V is almost always turned into a major chord when it is used in a cadence. It is even most likely turned into a dominant 7 chord (hence the name, because it's the dominant of the scale). This is what created the harmonic minor scale. If you want more explanations on that I have a video on minor scales and the V chord being major.
is it possible to use the mM7M9 chord in a major tonality?
Yes, it should be possible. I would use it on the degree 1 as well. In this case it would be a borrowing (from the parallel minor tonality). To make it work, it all depends on context though. Try and make sure every voice in the harmony have a logical movement that lead to the note you need to make your mM7M9 chord
@@Woochia Okay, so in C major, do the CmM7M9 chord?
What about and augmented chord with a flat 9? E.g. C E Ab Db
@@Woochia So even with C as the root, you'd still call it a C# minor major 7...just inverted? (I think Db minor major 7 is perfectly acceptable too, depends on the context). To me, I think CAugb9 is a fine way to write it if you want to be exact in your voicing.
@@Woochia I guess what I'm asking is if you would even consider an Augment Flat 9 a chord that exists?
Good video, but why using the notation m7m9 and not m7b9? I actually have never seen m7m9 in a lead sheet. As m9 implies a natural 9, and m7m9 implies a flat 9, this can be confusing, as the m in m9 refers to the 3rd, and the m before the 9 in m7m9 refers to the 9th. Why at all use two different notations to denote a flat 9?
0:43 since when does D have an F in it?
@@Woochia Yes thank you
Eschatos Brought me here
Eschatos ? The game ?
@@Woochia Yes
😍😍🥰🥰🥰
Bro is there any chord like major9add11
If you write this, it is understandable: it is major 9th chord, with an 11th added. So it's a maj11 chord and it's probably simpler to note it as such.
@@Woochia what if there is no 7 note.on it. Only Majortraid 9 11 ..... This is where I got confused..
Min7min9 = 😫
How can you augment a 9th on the 9 dominant chord? That would make the last three notes form an inversion of a major chord with its base in the augmented ninth
Like you showed with c major the last there notes would make eb major
This is wrong, we dont call eb major "g augmented fifth minor" we call it what it is
Let's see. I'll break it down to see it clearer.
A chord of G7#9 for example is the notes G, B, D, F, A#.
And you say the last 3 notes make a major chord. And yes, D, F, A# can be seen as Bb, D, F which is a Bb major chord.
But it is played with a G and a B and we have to consider the full chord.
Like if we play a m7th, says a Dm7th chord (D, F, A, C). We don't say it's a F major chord (F, A, C) with a D.
Also it's a matter of context. This G7#9 chord would be used in a tonality of C major for example. Then the Bb major chord would be out of the tonality. And it would be particularly weird to play it with a B at the same time. So it would make more sense to consider it a 7#9 chord.
Now say not all the notes of the 7#9 chord are present. Then you have to lean more on the context to analyse it. And if you have a chord preparing a Bb chord, then it could be a Bb chord indeed. Sometimes one chord in one song can be analysed as several different chords, so you had good eyes seeing this major chord in the 7#9.
very basic knowledge in chords. What chord is this A B C# E G#? And what chord should I play if I want to loop back to this chord and resolve nicely.
This is too much to Handel
Dim7min9 is the type of chord you won’t find anywhere, ever…… because it’s horrid!