An aria from the 2005 production of Giulio Cesare in Egitto at the Royal Danish Theatre in Copenhagen. Andreas Scholl, Lars Ulrik Mortensen (conductor) & Concerto Copenhagen.
one of the most beautiful arias Handel have written, get goose flesh and little tears in eyes with this aria, always, what can we say... Scholl is simply the greatest voices in centuries :P
I saw this performence on Tv one of my friends went to Copenhagen to write about the this performence for a newspaper as a critical, he return two times to watch the opera. And I understand him after that I saw it on television. It was great. I loved the bas singer and Andreas vocie
Fun staging. Beautifully sung of course by Andreas, but that horn player! WOW! He really played with a nice balance of aggressive yet warm tone with fantastic lip trills! Bravi to all!
Everytime I watch this I love the music - it's a toss-up between the horn and Andreas Scholl but the staging of this scene is so great! Handel was a musical genius.
I listened to him performing this live in San Francisco in November! His singing and expression (both face and bodily) was so engaging; his whole being vibrated with the music. His voice simply filled the church and drowned the audience!
Female soprano is better. Started to listen to Haendel because of countertenours, Jarussky etc. now cannot listen to them. Well, Scholl is an exeption, he looks quite manly, despite his voice so at least it is not digusting to listen to him, but his voice is weak. Good sopranos are more powerful in these roles definetely.
By far one of the most excellent performance of this aria in relation to the singer (Scholl), the costumes and setting - it is a package which all comes together to make something that is without a doubt nothing but superb.
I listen around to other countertenors sing this, and I'm always brought back to Andreas Scholl, the Gold Standard! One may hate the silliness of the choreography in this rendering of the piece, but there is no denying the supremacy of the singer. Bravo, Andreas!
amazing how Andreas Scholl is always better than anybody else. Va Tacito has many fantastic versions of female and male singers, but Andreas Scholl is always an increase in enjoyment.
Diese Produktion am Königlich-Dänischen Staatstheater war ohnehin spektakulär und grossartig. Geistreich, humorvoll und ausnahmslos erstklassige Solisten.
Lo escucho, re-escucho y lo vuelvo a escuchar y me quedo impresionada... Me fascina demasiado esta aria cantada por Andreas...simplemente no hay palabras!!
Las vocalisaciones de Scholl son de una agilidad estupefaciente y de una inteligencia musical increíble. Su técnica es irreprochable y le autoriza todo. Lo demás es cuestión de privilegiar la voz a la puesta en escena y de sensibilidad personal. A mi me fascina!
The trill at 5:45 is phenomenal! Scholl remains one of my favorite countertenors for his ability to have a sincere moment of clear tone,and the at the very next moment have his voice movingly very rapidly. Obviously his musical technique is fantastic, but this is one characteristic that not every countertenor possesses.
Andreas Scholl, para mí, el mejor de todos y ya pueden decir lo que quieran los otros. Voz de miel y bronce, claroscuros a dejarme en éxtasis y un registro casi sin límites. Qué voz! Los artistas nos muestran el mundo como jamás podríamos verlo ni oírlo sin ellos. (Proust tiene razón)Gracias Andreas, eres el más maravilloso de los contratenores. Gracias por el placer de oírte cada vez!
Andreas owns this aria. I love the humour of this production. It is so funny to see two alpha males competing about who is bigger. Handel operas are full of humour, there is no need to present everything old as deadly serious.
Andreas me fascina, no hay nadie mejor y la mise en scène me gusta. Me encanta esta versión y la voz de este artista en estado de gracia me tiene hechizada. Que voz de miel y esos claroscuros a dejarnos en estado de éxtasis. El mejor!
I like this rendition of this aria. You don't have to be an expert as to what is happening. The performance is sound and the staging is good. Very enjoyable. Thanks.
"Va tacito e nascosto quand'avido è di preda l'astuto cacciator. E chi è mal far disposto, non brama che si veda l'inganno del suo cor." --- "The cunning hunter moves silently and stealthily when he is eager for prey. And he who is disposed to evil Does not wish the deceitfulness Of his heart to be seen."
Phenomenal horn solo, Andreas voice is full body here, and horn never been so beautiful!!!!! (and of course his Excellency Lars Ulrik Mortensen- I saw him last year here in San Diego playing Biber- Buxtehude) ...this made me give my own try on you tube, but it's not ready yet...
Handel and Andreas at their most brilliant - love the hunting metaphor in this famous aria with the music beat imitating the canter of the horses to the accompaniment of the hunting horns. I love the modern setting -it works so well.Those people who think that only traditional treatment works are deluded. Get with it!
FWIW, that exact balance that you describe leapt out at me when I listened to this for the first time. My first and most powerful impression was the horns, and how his voice and they kept trading off. So the effect definitely came through, especially to someone who hadn't heard the aria before.
@aritau simply do not understand. He is not a good actor? He has no good clothes? He does not have the body of Cesar? His face? ... I do not think very often go to the opera ... Andreas Scholl is one of the best countertenor, not to say, "the best." And His face? He is beautiful, a truly beautiful German ... I have not met another German more handsome than him ... Forgive me, but I think your comment is out of everything!
It's good to know that someone else feels the same way about this rendition. It seems that ANY criticism of Scholl is like raising a 'red flag' in front of some listeners.
Agreed -- they didn't want Tolomeo to really come across as someone to be taken seriously just yet. That was rather nice; he's revealed as increasingly slimy and much more dangerous as time goes on, which gives him (Tolomeo) a perceived character evolution that he lacks otherwise.
Va tacito e nascosto, (It should be silent, sly and hidden.) quand'avido è di preda, (For our quandary are mere prey) l'astuto cacciator. (To a crafty and calculating hunter.) E chi è mal far disposto, (And never forget, dear friends, he who is ill-prepared,) non brama che si veda (Will not successfully spot) l'inganno del suo cor. (The deception of a treacherous heart.)
I sang for him today, Im a countertenor.
What emotion, just seeing him there listening to me!
I can't explain how much I love this. Handel is a genius and Scholl is perfection...
a tip: you can watch movies on Flixzone. Me and my gf have been using them for watching loads of movies during the lockdown.
@Roman Callum Yup, I have been using flixzone for since december myself :)
How did I get to be this old without appreciating Andreas Scholl. Love that voice.
one of the most beautiful arias Handel have written, get goose flesh and little tears in eyes with this aria, always, what can we say... Scholl is simply the greatest voices in centuries :P
I laugh every time I listen to this--and that is many times. The campy humor is timeless.
No one handles Baroque affectations the way Handel does! Especially with a singer such as Andreas Scholl. He is one of the wonders of the world.
I saw this performence on Tv one of my friends went to Copenhagen to write about the this performence for a newspaper as a critical, he return two times to watch the opera. And I understand him after that I saw it on television. It was great. I loved the bas singer and Andreas vocie
Fun staging. Beautifully sung of course by Andreas, but that horn player! WOW! He really played with a nice balance of aggressive yet warm tone with fantastic lip trills! Bravi to all!
I agree! Gorgeous playing.
beautiful rendition, especially love the beautiful sound of the horns here
Everytime I watch this I love the music - it's a toss-up between the horn and Andreas Scholl but the staging of this scene is so great! Handel was a musical genius.
I listened to him performing this live in San Francisco in November! His singing and expression (both face and bodily) was so engaging; his whole being vibrated with the music. His voice simply filled the church and drowned the audience!
The hornplayer in this rendtion is definitely on another level.
I just want to say what a delight it is to listen to Andreas Scholl. What a voice, what an art. I am a big fan.
I saw this production. Scholl was absolutely amazing in this role!
My favorite vocalist of all time
Not a fan of the staging but Andreas Scholl never fails to delight. What a voice!
Female soprano is better. Started to listen to Haendel because of countertenours, Jarussky etc. now cannot listen to them. Well, Scholl is an exeption, he looks quite manly, despite his voice so at least it is not digusting to listen to him, but his voice is weak. Good sopranos are more powerful in these roles definetely.
Yeah that military clothing seems to be tasteless, but if you know how rare humor is for most germans you would cherish it more 😁
By far one of the most excellent performance of this aria in relation to the singer (Scholl), the costumes and setting - it is a package which all comes together to make something that is without a doubt nothing but superb.
Maravillosa versión, me encanta. Solemnidad, perfección
y humor ... Andreas Scholl genial como siempre
STUNNING ANDREAS!!!!
I listen around to other countertenors sing this, and I'm always brought back to Andreas Scholl, the Gold Standard! One may hate the silliness of the choreography in this rendering of the piece, but there is no denying the supremacy of the singer. Bravo, Andreas!
I totally agree. Every time I try to find other performances but I always return here. Absolutely superb
I don' t agree, each one has something that the others have not.
amazing how Andreas Scholl is always better than anybody else. Va Tacito has many fantastic versions of female and male singers, but Andreas Scholl is always an increase in enjoyment.
Try Sarah Connelly in the Glyndebourne production, Absolutely captivating.
fluffyfour I know Sarah Connolly is great, thanks 👍
@@fluffyfourTotally agree.. and the dancing! Wonderful production altogether. ❤
Scholl is magnifique as always
Bravo Andreas, Bravi Corni, Brava Orquesta !!!
Diese Produktion am Königlich-Dänischen Staatstheater war ohnehin spektakulär und grossartig. Geistreich, humorvoll und ausnahmslos erstklassige Solisten.
one of the most beautiful arias Handel have written goose flesh ...
Have to keep coming back to this video. Andreas at his best love it
love the chairs going up an down, great idea!
Es de mis contratenores favoritos. Canta hermoso. Soy contratenor y quiero cantar así de hermoso. :3
I've loved this piece since I first heard it on a scratchy record in the early 1980s. This is absolutely fantastic!
BRAVO, Andreas!
Lo escucho, re-escucho y lo vuelvo a escuchar y me quedo impresionada... Me fascina demasiado esta aria cantada por Andreas...simplemente no hay palabras!!
Andreas Scholl's looks/reactions are priceless!
a true virtuosso, bravissimo, an angelic voice!!!!
sublime voice and talent !!!
Las vocalisaciones de Scholl son de una agilidad estupefaciente y de una inteligencia musical increíble. Su técnica es irreprochable y le autoriza todo. Lo demás es cuestión de privilegiar la voz a la puesta en escena y de sensibilidad personal. A mi me fascina!
The trill at 5:45 is phenomenal! Scholl remains one of my favorite countertenors for his ability to have a sincere moment of clear tone,and the at the very next moment have his voice movingly very rapidly. Obviously his musical technique is fantastic, but this is one characteristic that not every countertenor possesses.
ESPECTACULAR!!!!! IMPRESIONANTE, BRAVO A SCHOLL
Andreas Scholl, para mí, el mejor de todos y ya pueden decir lo que quieran los otros. Voz de miel y bronce, claroscuros a dejarme en éxtasis y un registro casi sin límites. Qué voz! Los artistas nos muestran el mundo como jamás podríamos verlo ni oírlo sin ellos. (Proust tiene razón)Gracias Andreas, eres el más maravilloso de los contratenores. Gracias por el placer de oírte cada vez!
IMRESIONANTE!! NO ME CANSO EN DECIR ANDREAS ERES EL MEJOR CONTRA TENOR DEL MUNDO..........
The slight laugh at 3:42 feels like part of the music and is wonderful
absolutely charming!
Ook ik kan er eindeloos lang naar luisteren. Zeldzaam mooi stuk muziek dat prachtig is gezongen en uitgevoerd. Het heeft iets magisch en betoverends
Einfach Oberklasse. Andreas Scholl - ein Meister seines Fachs.
il cornista benedetto. Andreas una lezione di canto. una maschera perfetta. la lungimiranza dell'innominato regista degna di Omero.
Wait is over finally! My next wish is to see him perform live.. Cannot think of a more befitting Cesare than him..
Merci pour ce merveilleux partage
It's the tenth time in a row that I'm lissing it, and I''m still not sick of it!
WONDERFULL
What a voice !!!!!!
Siendo un total ignorante con este genero musical debo admitir que me encanta.
Andreas , te adoro !!
Absolutely Fabulous!!!
FABULOUS!
Bellissimo. Truely great!
Andreas owns this aria. I love the humour of this production. It is so funny to see two alpha males competing about who is bigger. Handel operas are full of humour, there is no need to present everything old as deadly serious.
Himmlischer händel...ich liebe deine musik über alles
Andreas me fascina, no hay nadie mejor y la mise en scène me gusta. Me encanta esta versión y la voz de este artista en estado de gracia me tiene hechizada. Que voz de miel y esos claroscuros a dejarnos en estado de éxtasis. El mejor!
I love it. Thank you!
I like this rendition of this aria. You don't have to be an expert as to what is happening. The performance is sound and the staging is good. Very enjoyable. Thanks.
Exellent aria sung by Andreas Scholl.
Haendels best Opera ever written!
Quite wonderful! Thank you for sharing!
Wonderful!
Fabelhaft, eine Stimme des Engels
Danke +5*
Wow. Love it and great see Chris Robson on stage as well.
Chris Robson is my idol from his earliest performance. He's a countertenor who evades category.
Класс, какая игра, как свежо на душе!
Powerful and awesome music !!
Спасибоооо🎉
"Va tacito e nascosto
quand'avido è di preda
l'astuto cacciator.
E chi è mal far disposto,
non brama che si veda
l'inganno del suo cor."
---
"The cunning hunter moves silently and stealthily
when he is eager for prey.
And he who is disposed to evil
Does not wish the deceitfulness
Of his heart to be seen."
Phenomenal horn solo, Andreas voice is full body here, and horn never been so beautiful!!!!!
(and of course his Excellency Lars Ulrik Mortensen- I saw him last year here in San Diego playing Biber- Buxtehude)
...this made me give my own try on you tube, but it's not ready yet...
Très belle version...
Handel and Andreas at their most brilliant - love the hunting metaphor in this famous aria with the music beat imitating the canter of the horses to the accompaniment of the hunting horns. I love the modern setting -it works so well.Those people who think that only traditional treatment works are deluded. Get with it!
I adore this aria Scholl at his best amazing man
He looks like a young James Gandolfini with the voice of an angel 🥰
FWIW, that exact balance that you describe leapt out at me when I listened to this for the first time. My first and most powerful impression was the horns, and how his voice and they kept trading off. So the effect definitely came through, especially to someone who hadn't heard the aria before.
Totally in love!
Holanda cuesta abajo...Y esto tiene 19 años¡ no me quiero imaginar el Teatro hoy!
Marbellous!
Eres todo un descubrimiento para mi,bravo Andreas.
@aritau
simply do not understand. He is not a good actor? He has no good clothes? He does not have the body of Cesar? His face? ... I do not think very often go to the opera ... Andreas Scholl is one of the best countertenor, not to say, "the best." And His face? He is beautiful, a truly beautiful German ... I have not met another German more handsome than him ... Forgive me, but I think your comment is out of everything!
Yes it is. And in true Baroque tradition Scholl introduces extra embellishments and ornaments in the repeat.
Fantastic!
niečo nádherné, fantastické....
andrea sei bravissimo.
Lovely and stunning. I will listen to you, to learn how to sing.the Baroque composer which I thought was the most difficult to express.
Oh ja, ja ... gerade dieses etwas schnellere Tempo, im Vergleich zu anderen Versionen, gefällt mir sehr gut. Wunderbar!
This is why I like him as much as Jaroussky
He serves the music, Jarouski serves himself
@@loictasquier3486 thank you
Each of them has his personal style. I love both 🌹🌺
As Hamlet said, though not of Andreas, of course, 'God's bodikins, man, much better!'
It's good to know that someone else feels the same way about this rendition. It seems that ANY criticism of Scholl is like raising a 'red flag' in front of some listeners.
wonderful !!! :)
💖
WOW!
jee that french horn's good
great!!
Va tacito e nascosto,
quand'avido è di preda,
l'astuto cacciator.
E chi è mal far disposto,
non brama che si veda
l'inganno del suo cor.
oh yeah, beautiful cadenza too.
Agreed -- they didn't want Tolomeo to really come across as someone to be taken seriously just yet. That was rather nice; he's revealed as increasingly slimy and much more dangerous as time goes on, which gives him (Tolomeo) a perceived character evolution that he lacks otherwise.
Bravissimo!
thanks
magnifique
Good job on your video I liked it very much!
nádherné... :-)
L'acteur "faire-valoir" de Scholl dans cette scène a un sens comique étonnant.
Va tacito e nascosto,
(It should be silent, sly and hidden.)
quand'avido è di preda,
(For our quandary are mere prey)
l'astuto cacciator.
(To a crafty and calculating hunter.)
E chi è mal far disposto,
(And never forget, dear friends, he who is ill-prepared,)
non brama che si veda
(Will not successfully spot)
l'inganno del suo cor.
(The deception of a treacherous heart.)