Marais: La Voix de la Viole
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- čas přidán 20. 07. 2024
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Composer: Marin Marais
Artists: Ensemble la Bellemont
Marin Marais was born in Paris in 1656 and died there in 1728. Displaying an early talent for music, an uncle enrolled him in the choir school of St-Germain l’Auxerrois. This school had an impressive educational regime, producing at the same time as Marais the composer Michel de Lalande.
Marais’ instrument was the viol, and he was probably the greatest composer for the instrument, producing and publishing livres consisting of pieces for all levels of ability.
Several times a week Marais would perform for, and play with Louis XIV, himself a gifted guitarist and dancer. One day Marais could be performing virtuoso compositions for the King, the next teaching simple works to wealthy beginners.
A selection of his vast output is to be found on this CD. Perhaps the most remarkable is the set of 32 hypnotic variations of the popular Portuguese song La Folia. His variations appeared just a few months after Corelli’s version of the song in 1701.
For those who have an interest in the early French baroque period and the music of Couperin, Lully and Rameau, this CD provides a superb introduction to one of their most respected and gifted contemporaries, as well as a snapshot of musical life at the French court at the time of Louis XIV.
Tracklist
00:00:00 Marin Marais: Prelude
00:01:26 Marin Marais: Muzette
00:03:42 Marin Marais: Fantaisie
00:05:30 Marin Marais: Grand Ballet
00:10:31 Marin Marais: Plainte
00:14:12 Marin Marais: La Trompette. Menuet
00:15:37 Marin Marais: Rondeau
00:18:02 Marin Marais: Tombeau pour M. de Sainte Colombe
00:25:12 Marin Marais: Sarabande & Double
00:29:11 Marin Marais: Prelude en harpegement
00:31:31 Marin Marais: Bourasque
00:33:25 Marin Marais: Chaconne
00:37:34 Marin Marais: Folies d’Espagne
00:54:18 Marin Marais: La Rêveuse
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#BrilliantClassics #Music #Composer #Classical #Marin #Marais #Ensemble #la #Bellemont #Paris #France #French #Choir #Spanish #Michel #de #Lalande #17th #century #King #Louis #XIV - Hudba
Tracklist
00:00:00 Marin Marais: Prelude
00:01:26 Marin Marais: Muzette
00:03:42 Marin Marais: Fantaisie
00:05:30 Marin Marais: Grand Ballet
00:10:31 Marin Marais: Plainte
00:14:12 Marin Marais: La Trompette. Menuet
00:15:37 Marin Marais: Rondeau
00:18:02 Marin Marais: Tombeau pour M. de Sainte Colombe
00:25:12 Marin Marais: Sarabande & Double
00:29:11 Marin Marais: Prelude en harpegement
00:31:31 Marin Marais: Bourasque
00:33:25 Marin Marais: Chaconne
00:37:34 Marin Marais: Folies d’Espagne
00:54:18 Marin Marais: La Rêveuse
I think the Chaconne at 33' is by Gaspard de Le Roux, not Marais.
I've only listened to the start but I can tell you right away the first piece is a solo in a minor for theorbo by Robert de Visee. I know this because it's my warmup piece on theorbo.
This is art of the highest order. It nourishes the soul. Words cannot adequately express the effect it has on me.
they can't
Discovering this by accident and can't stop listening. Breathtakingly moving.
❤
An absolute gem! Marais is one of my favorites, particularly the viol pieces, and this is an excellent recording. Many thanks to Brilliant Classics for this. You made my week.
Wow, never heard chamber music like this before. Thank you!
You're welcome!
If you like this, I suggest you watch all the mornings of the world (Tous les matins du monde) movie as well. It is wonderful.
Marais semble comme né pour toucher et vibrer nos cœurs avec justesse à chaque note et mesure. Il faut dire que l'interprétation est brillante.
Bravo to all the performers! What a disgrace it is (to all involved in the posting) to publish no information as to who is playing, and what instruments. The name of the ensemble alone is not enough to help us to appreciate the artists properly. Please show more RESPECT for the individual musicians! They are the ones creating the beautiful music here. Tell us who is on this recording, and what they are playing. Thanks, from a devout listener...
Was für ein interessantes und bezauberndes Instrument! Schade, dass es nicht im modernen Orchester benutzt ist. Danke für die wertvolle Onlinestellen!
The prelude which opens this excellent disc is not by Marin Marais but by Robert de Visée.
Dolcezza per la mente... Grazie.
I love marais, thank you!! I'll listen to it as soon as possibile😁
fantastic viole of gambe...
The best violist ever... Thumbs up. Hats off.
Calming music♡
Brilliant ...Original instruments ... you have won me ... thankyou for this.
Brilliant Classics : specialist of chamber music , thanks for this marvelous music of Marin Marais
アラン マレは優美で明るい曲を多く残したと記憶しています。フランスバロック音楽を聴く機会が非常に少なくなった気がして寂しい限りです。ありがとう。
Interprétation virtuose er sensible D´un bout à l´autre.. Avec enthousiame Merci et BRAVO!!
Thank you Brilliant Classics for being always a reference for my accent music studies. Thanks for putting together so good performances!
Beautiful music. Masterful musicians.
Les folies d'Espagne were not crazy enough for me ^^
Thank you for brilliant present!
Lindíssima
Another gem!
Brilliant like you! AND I really enjoyed it! After a day of hard work, Thanks a lot!!
Thank you!
Great.
DELIGHTFUL +
❤️
Très utile pour se concentrer, merci pour ce partage !
Very beautiful. In some pieces Sainte-Colombe influence is noticeable. Thank you.
Thanks for listening
I agree with your praise of ''La Folia''! (37:34) 👍 👍 💖
Je suis d'accord avec votre éloge des ''Folies d'Espagne''! (37:34) 👌 ✌ 🌹
Magnifique! 😍
p.s. Can't wait to listen to the rest of the album...
I'm your 1000th like! :)
They solista si an acomplished musician
Correction it should be. The soloist is an acomplished musician.
Why is the Visee prelude at the start listed as Marais?
Marin Marais au Panthéon, please
the overture, the prelude in 0.00 , i cant found this prelude ...please someones help me
Hat are instruments?
Anybody knows the title/authot of the cover painting?
Hi Camilo, hereby the information you were looking for: The Bass Viol Lesson by Caspar Netscher (1639-84)
@@BrilliantClassics A lot of thanks! You are really kind!
There is something haunting about that girl on the right, I really want to know who she was, if she indeed was a real human. She is not actrattive in a romantic way or anything, but I just cant stop looking at her face... Its super weird...
@@BrilliantClassics wait whats this? Is it usual to have 2 different kinds of versions of painting?
www.google.com/search?q=The+Bass+Viol+Lesson+by+Caspar+Netscher+(1639%E2%80%9384)&sxsrf=ALeKk018b1HJ8jZfibOi9EWhJnZGvsKVHA:1592483823511&source=lnms&tbm=isch&sa=X&ved=2ahUKEwj_6fDEsIvqAhVyw4sKHWY6D6gQ_AUoAXoECAsQAw&biw=1920&bih=1095#imgrc=Zm_Lt80pWzM6wM
www.google.com/search?q=The+Bass+Viol+Lesson+by+Caspar+Netscher+(1639%E2%80%9384)&sxsrf=ALeKk018b1HJ8jZfibOi9EWhJnZGvsKVHA:1592483823511&source=lnms&tbm=isch&sa=X&ved=2ahUKEwj_6fDEsIvqAhVyw4sKHWY6D6gQ_AUoAXoECAsQAw&biw=1920&bih=1095#imgrc=fRL9VrSwakFftM
@@raideduela Of course it is! The Da Vinci's Virgin of the Rocks is perhaps the most famous example.
IXN
France is the centre of the world, and you sire, are France. Shall we take it one more time from the top?
The lady will twist her neck and the child is worried about that.
La chaconne ressemble beaucoup à du Le Roux...
...
Can not hear much difference to the cello. Weaker and a certain hesitation of the tone?
More human.
The changeable milkshake resultantly suggest because sail methodologically open for a noxious tights. rotten, beautiful appendix