Thanks PB. I am so moved. As portuguese I leave 2 stories: he was arrested in a jazz festival in Lisbon when he dedicated a song to the liberating army against portuguese colonial forces in Angola. He did a duo record with the great portuguese guitar( sort of fado 12 string mandoline) Carlos Paredes. He was always looking and finding hidden genius. And creating beauty for the times to come. CH❤
Charlie was the first musician that understood Ornette right out of the gate. I saw him with Ornette and Pat doing “Song X” with Jack DeJohnette. Mind bending! Around the same time I heard him with Old and New Dreams. Their version of “Lonely Woman” complements the original version in a warm and tender way.
I discovered Charlie Haden on an album named "Folk Songs" with Jan Garbarek on saxophones and Egberto Gismonti on guitar and piano. On this album, the last track is a Charlie Haden compo named "For Turyia" which gets me to tears every time.
You must watch 1959: The Year That Changed Jazz (documentary- free on CZcams if you can find it). The final chapter is on Ornette Colman's band with Charlie and the chaos that ensued when they came on the scene! Many in the jazz community hated them and the impact they were having. Stunning documentary and history!
His work with Ornette Coleman is simply magic…. The shape of jazz to come (1959), change of the century (1960), this is our music (1961) and free jazz (1961) all blinding records….. 👍
This sounds so much more commanding and cohesive than a normal solo bass piece. I love that the rhythmic core is there the whole time and he owns the rests as much as the notes. So hard to string improvisation together with a medley in this way.
1994. I was 1st chair of the bass section of the Junior Israeli Philharmonic Orchestra. We had a 2 year stint serving as the "house orchestra" of the then new Verbier Festival in Switzerland. There was no internet at the time so I don't remember how I got the news of "Charlie Haden's Liberation Music Orchestra" performance at the Montreaux Jazz Festival happening just a short train ride from our festival! Turned out that show will take place on a free day for our orchestra! I pulled a few strings and got the whole bass section of the JIPO tickets for that show! we all went there together to see and hear the show and it was a fantastic experience....Thank you CH for all the music and soul.
Fantastic work - we Bass players don't appreciate Charlie Haden nearly enough, No one really comes close to that sound - it's as unique as Miles Davis sound was... his musicality Ah just sublime. Jasmin album with Keith Jarrett - For all we know.
Unique 100% correct. Love Charlie and I think his early musical experiences as a child really contributed to his musical vocabulary. Solo bass version of Lonely Women 🔥 Love Old and New Dreams and all the Montreal tapes.
i love that this channel discusses acoustic/double bass as well as electric, it's inspiring to learn about players and recordings i might have never encountered otherwise!
Charlie Haden is one of my absolute favourite bass players. I learned so much about bass playing listening to him. 'Beyond the Missouri Sky' is one of my favourite records. I first saw him live with Pat Metheny on the 80/81 tour on 1. September 1981 and was stunned, how much more intense he was live (and everyone else too). I had listened to the record a hundred times at that moment but that was something else. It was one of the concerts I'll never forget (If I look back, all PM concerts from 1980 on are on that list 🙂). Another great bass player who i.m.h.o changed the way of playing double bass in a different unique but sometimes similar way and worth exploring is Eberhard Weber.
Probably my favorite bassist. Listen to him with Keith Jarrett playing the lovely ‘Ellen David’. Saw him with Quartet West. Truly a night I’ll always cherish and remember! Thanks !
Soapsuds, Soapsuds with Ornette, and Treasure Island with Keith Jarrett are two more profound recordings! Thanks for shining a light on such a beautiful musician.
What a wonderful tribute. I have so many records with Charlie Haden--I think because if I see he's on something I trust it will be outstanding. His work on Survivor Suite and Abour Zena is almost painfully beautiful. I did have one personal encounter; I was seating at his feet in the McDonel Kiva at MSU on 11/4/80, a very informal gig in which all the band members were setting up their own gear. He made a face of such terrible distress that I involuntarily blurted out "is everything okay?" He looked at me sadly and said "I just heard Reagan won the election."
One of my favorite Haden moments - and a favorite thing in life - is what he does during the last 30 seconds of "The Long Goodbye" from the Quartet West album HAUNTED HEART 🥰
Likewise Charlie is right up there for me. There are Virtuoso’s on the instrument and then there’s Virtuoso’s to the music and Charlie is the master of the latter. My good friend was lucky enough to studying with Charlie at CAL Arts in the 90’s as you can imagine I’ve many lessons and conversations with about what Charlie said and taught him and yes I use gut strings
Love your channel, man! It’s great that you used my upload-just at random, I clipped that from a film and put it up on CZcams right before he died, not having any idea he would pass away only weeks later. I was so happy it was available online then, so people could immediately appreciate Charlie’s genius in a solo context. Anyway thanks for another wonderful video!
Do you remember Bass Frontiers Magazine? David Enos did a piece on Charlie back in the day that turned me on to him. This was a great episode today! Thanks for your hard work!
Would you ever consider an episode about Henry Grimes? Although his career had a long hiatus, his playing crossed many genres like Mr. Haden. His comeback was quite a tale in itself.
The one thing that strikes me about Charlie Haden is, no. matter who he was playing with, they always sounded their best. That takes a great musician/collaborator.
Maybe a weird pick: Keith Jarrett's "Arbor Zena". That album really moves me and I can't imagine another bass player bringing more depth and beauty to that recording. If I could see ANY concert/gig in history-I see myself at one of Ornette Coleman's first gigs at The Five Spot. Sitting at one of their tiny tables in direct earshot of Haden's bass. Everyone's skin has the sheen of sweat. It is steamy and smoky. For anyone in that room, this is not an annoyance, but just an natural part of the vibe .
Bruh, not only do you make some of the best funk face while playing beautifully, you make some of the best funk face while listening to others play beautifully... I especially love Charlie's work with Ornette.
Absolutely agree. Thank you for posting such an insightful and knowledgable tribute to this great Master. I was drawn to him from his work with Ornette, Carla Bley's big band arrangments, Quartet West -- and you read my mind with the Hampton Hawes duo reference. I had the chance to see him playing for free with local musicians in a Los Angeles public park in the mid-80s. His "woody" tone, flowing with gravitas and Zen-like "now-ness" (as if Mother Nature herself were singing) gets me every time. I'm so glad you acknowledged it. I'm a sax player/drummer coming across your channel for the first time -- best to you!
Masterful work here!! I highly recommend watching 1959: The Year That Changed Jazz (documentary- free on CZcams if you can find it). The final chapter is on Ornette Colman's band with Charlie and the chaos that ensued when they came on the scene! Many in the jazz community hated them and the impact they were having. Stunning documentary and history!
Joe Henderson, Al Foster, and Haden live in Montreal...I forget the year...Daaaamn! Darek Oles, among many others, carries the Haden vibe forward, in a unique and profound way... Fantastic tribute, thank you!🤗
Charlie's my favourite bass player too. My fave album featuring him is Mourning Of A Star By Keith Jarrett and I love that trio of Charlie Haden, Keith Jarrett and Paul Motian, and have their albums as well as various unofficial recordings from radio broadcasts of them playing a European tour in the early 70's. His solo in the overture of Carla Bley's Escalator Over The Hill is like the sun coming up!
The duo album he did with metheny is my favourite album of both of there discography it's beautiful and the playing on that made me pick up the double bass having played electic for years.
along with dave holland, he was the man who convinced me to pick up this instrument. still is in my top 3 for biggest inspirations, along with people who were most defiantly influenced by him was also always fun hearing him be self referential and quote old folk songs. e.g. the solos on song for che, ramblin, two folk songs, etc. monk said Bb is the people's key but for bassists i think it might be D!
Saw Charlie with Ornette at the Newport Jazz Festival 1971. Blew my mind, to say the least. Other bassists performing that day included Mingus, and the New York Bass Violin Choir, featuring Ron Carter, Milt Hinton, Richard Davis, Bill Lee (Spike's dad) and others. BASS HEAVEN.
Great video, as always, I simply love Charlie. There are so many good things on the A Shape Of Jazz To Come, but from the first notes when you hear that great bass playing, it's just something different.
Recently saw Metheny when he came to Atlanta on his solo tour. He played Waltz For Ruth and a few others from Beyond The Missouri Sky. I do love 80/81, particularly the title track but the free stuff such as Open is fantastic. It's hard to get a handle on how he could play free, anticipating and complimenting what somebody else is playing or has played. But I have that Ornette Atlantic Years box set. I will dig it out. Great editing with that spoken word coda! Very emotional!
Nocturne is one of my favourite Charlie albums as is the Trio Album Alone Together with Lee Konitz, Brad Mehldau & Charlie Haden Charlie’s 2 feel and breaking up time is masterful and his solo’s are so musical, beautifully sounding and very direct.
Thanks PD! No real words except thanks to you & C.H.! He gave me confidence to be different 30yo, and your acknowledgment cements that, Thanks! All the Best Dude! :)
"80/81" is one of my all time favorites! The Shape of Jazz To Come - with Ornette Coleman "Rejoicing"- Pat Metheny, Charlie Haden, and Billy Higgins. "Time On My Hands" - John Scofield, Joe Lovano, Charlie Haden, and Jack DeJohnette "Beyond The Missouri Skies" - Pat Metheny and Charlie Haden There are so many more!!
Great video Paul! I've always felt that Haden's roots in folk music was a grounding factor in Ornette Coleman's recordings. He seems to be able to play freely while maintaining a sense of phrasing and cadence whenever it's called for. I never knew about the gut strings. His tone is phenomenal! Love every project he's been involved in!
Absolutely the greatest influence on my playing and musical journey. Thank you so much for all your content, but especially for this particular video. In a world where chops can be the defining end all be all for musicians, Charlie made melody, nuance, ears and beauty his calling card. Thank you
Thanks for putting a well deserved spotlight on the great Charlie Haden. A honorable mention must go to the outro of Bruce Hornsby's song 'Stander On The Mountain' from the album 'A Night On The Town' (1990) where Charlie's presence really comes to the forefront. By the way: I'm a drummer not a bassist but always had a soft spot for great basslines (as every drummer should). I'd love to see you discuss 4 absolute giants of the instrument: 1.) Renaud Garcia-Fons, e g 'Oriental Bass' (1997), or any track from 'The Marcevol Concert' (2012) 2.) Jeff Berlin, especially his stellar work on Bill Bruford's 1979 album 'One Of A Kind' 3.) Tony Levin (too many great records to choose from) 4.) Larry Klein, criminally overlooked bassist/producer, also Joni Mitchell's ex-husband, who played on her 1982 record 'Wild Things Run Fast' and subsequent albums like 'Chalk Mark In A Rain Storm' (1988), or 'Turbulent Indigo' (1994). Also check out his contribution to Robbie Robertson's self-titled solo album (1987) on the track 'Showdown At Big Sky'. Thanks again and keep up the good work !
Thank you for an eye-opening appreciation. I must confess I was more into his old roomate Scott Lafaro. Though I was always moved by his conviction, wisdom and inspired by the story of him performing amidst death threats and truly putting your oft quoted maxim of his to the test.
all of his montreal tape records are awesome! so many records with Haden are simply magical, he was a pnce in a lifetime musician. best bass channel , period i was fortunate enough to see him live with Gonzalo Rubalcaba in Montreal playing the Nocturnes album in the early 2000’s
Great musician! There´s even a blues cd by old bluesman James Cotton with Joe Luis Walker on guitar and Charlie Haden on bass.He really coul de all around
My favorite record with Haden is "Gemini" by Sir Roland Hanna Trio, a masterpiece. I will never forget the first time I heard in a vinyl store in Barcelona, there was a chair where I have to sit down to assimilate what's happening. Thank you for share this !
Thank! You! "What he played, and the WAY he played." In classical music I feel that there are composers who perfected an existing language (Mozart) others who hybridized multiple styles into something dazzling (Stravinsky) and others who just walked into the room with something fully formed that we all just need to take on board (Debussy). I think that your presentation really gets across what makes Charlie Haden a Debussy/Stravinsky-type of figure. The bringing together of deep folk music roots and advanced jazz is an innovation and a huge gift to all creative musicians of our day. Thanks for the space to ramble here. I was really inspired by what you showed us.
Another thoughtful videos filled with things I have to listen to. We are fortunate to have so many great jazz bass players who all have their own unique take on the instrument and how they influenced the music of the groups they played with. Haden's voice was wonderful and unique.
Thank you for this! Haden is a player I knew by name and reputation, but I had not *knowingly* heard a great deal of his work. As it turns out, I probably heard far more than I was aware of. Now that I know, I’ll be on the watch for more. I also want to say how much I admire that ‘doghouse’ of yours! I have never seen such elaborate purfling on a double bass. It’s lovely-and you ain’t no slouch as a player, either. Again: Thank you. ♥️♥️♥️
I was lucky enough to see him live in San Francisco at the Great American Music Hall. I was in college at the University of the Pacific, so I drove over 80 miles to see him in a duo with . . . DON CHERRY! So that was it. Bass and Pocket Trumpet. What more could you want?
Bill Plummer, another great upright bass player used to organize a jazz festival in Wyoming I used to provide sound for, brought in Charlie Hayden once. As monitor engineer, I had the front row seat to some very awesome musicians. All the bass players at these events were good. But Bill and Charlie would drive the entire band like a tractor beam, for lack of a better description.
Great episode about an extraordinary artist. Thanks a lot for this! His son Josh's work with his band, Spain, definitely deserves to be checked out, too
Love his playing on the album Deep in the Blues by James Cotton with Joe Louis Walker. Especially the track Ozark Mountain Railroad. He has that same amazing tone with all the “tree wood”you talk about under his fingers.
What a musical legacy, too. His son Josh Haden is the lead singer and bassist of Spain, and daughters Rachel, Tanya, and Petra played with that dog., Weezer, The Rentals, The Decemberists, Silversun Pickups, and more. All of them huge contributors to alternative music in the 90s and 2000s.
I saw Charlie Haden at a jazz club around the late 1980's. I was still in college then. I came up to him after a set and had a conversation with him. One of the things that I asked him about was the concept of playing out or atonal, abstract. I would wonder what guys think about and their note choices are when playing out. He told me, and I'll always remember this, "is what you're playing beautiful? Is it beautiful?"
I was there at the Hidden Valley festival, in the 'green room' when Charlie first showed the album cover for Wish to Joshua Redman. What an album!!! Charlie's solo on Blues for Pat took down the house. Took the harmony way wy WAY outside, then brought it home like a sledge hammer. It was my first occasion to hear Joshua Redman, it was "we can all just throw our instruments in the lake now". I was there with the tuba for Charlie's local Pittsburgh pickup band version of his Liberation Orchestra .
OMG! Roger! You were on that gig with me???? PJ Oh on piano. I think Ian Gordon was on trumpet, too. Holy crap, please help me remember!! I was I the green room, too. Josh, Brian Blade, Mehldau, and McBride. He was playing “Sanford & Son” with the bow! LOL. Oh my goodness, good times, man. Good times.
@@pdbass Yup. My sight reading was SOOOO bad, but I loved it. What an honor. I think it was Rodger Ryan got me on the gig. (BTW I've got a couple good RR stories, and have been working on a Rodger Ryan tribute based on his "surfaces" exercise.)
I loved when he used to snap his index finger against his Palm after striking a note and you could hear the snap. I would give you an example but it's been over 25 years since I have had any recordings because I lost everything a few times because of a terrible addiction problem. When I first started playing around the age of 18 I was mesmerized by Charlie haden and ornette and was going that route but when I was going to jam sessions in Washington DC everyone was telling me that if I wanted to work I had to learn tunes so I could play the club date jobs and put on a tuxedo, and having two children by the age of 22 that is what I started doing and got away from pursuing my love of Charlie haden ...one of my biggest regrets ..now that I am almost 70 and I don't even have a stand-up bass and just play the guitar background music at restaurants to make a few extra dollars to supplement my social security check. My recommendation to any young bass players out there that also love Charlie haden and that music is get a good teacher and get good technique and when you're ready go to New York and start talking and playing with other musicians and don't think that you can do everything on your own. That was my downfall was my inability to approach other people and not reaching out to better players. Oh and don't go to New York until your financially prepared and know at least a few people over there so when you get there you don't end up sleeping at a $12 a night flop House in the bowery !! I'll never forget what Gary Bartz told me one time. Even bad bass players work in New York 😎 what a great job you did in this video and I hope to see more of the things that you do on CZcams. Now I'm on my way to New Mexico to see if they'll take $50 a month for that bass you were talking about :-) haha😂
Charlie Haden's bass lines had everything you could want. His lines were original and always very melodic. He followed the soloist wherever they went, instantly. He often doubled notes to give space when needed, but also knew how to build energy and anticipation when needed. His vocabulary is completely unique. Many jazz musicians and educators didn't (and still don't) recognize his greatness likely because they couldn't do what him and Ornette were doing. His playing is deep and doesn't utilize the vocabulary of bassists like Oscar Pettiford, Paul Chambers, Ray Brown, etc. Like Lennie Tristano, Ornette Coleman, John Coltrane, and a few others, Charlie Haden carved out a new path in jazz music that wasn't just an addition to the past, it was something completely new. Every bassist is studying to play like Paul Chambers, Ray Brown, and Ron Carter and many can do so very well. But studying Charlie Haden is completely different and helps bring back the creativity that gets lost in improvised music.
Wow, the Last citation was Just mindblowing as we Expect Improvisation to be something outgoing and creating inatead of ingoing and rebinding - thank you so much for this superimportant perspective change :-)
You know, for some reason the first example you showed reminded me of Bob Hurts, on a record with Branford Marsalis called "Beauties Are Not Born Yet" 1991 i believe in Bloomington (sorry for eng if i did mistakes)
I purchased "Art of The Song" to bask in the voice of the great Shirley Horn. However, it turned out to be my introduction to Charlie Hayden's unique bass playing.
On the solo part of this video 1:00, His technique sounds similar to the one Stanley Clarke used when he performed the song "Touch". Now I see where Stanley got that from.
Thanks PB. I am so moved. As portuguese I leave 2 stories: he was arrested in a jazz festival in Lisbon when he dedicated a song to the liberating army against portuguese colonial forces in Angola.
He did a duo record with the great portuguese guitar( sort of fado 12 string mandoline) Carlos Paredes. He was always looking and finding hidden genius. And creating beauty for the times to come. CH❤
Adorava ter visto Charlie Haden ao vivo aqui! Adoro o album com o Carlos Paredes, mas acho que prefiro aquele com o Jim Hall
One of the greatest of all time! I love Beyond the Missouri Sky with Pat Metheny 🙏❤️
Right on!!!
One of my favorite albums of all time!
Charlie Haden deserves the GOAT status.
Yes absolutely 💯 🇬🇧
Sound of the “tree of the wood”. Love that phrase.
Charlie was the first musician that understood Ornette right out of the gate. I saw him with Ornette and Pat doing “Song X” with Jack DeJohnette. Mind bending! Around the same time I heard him with Old and New Dreams. Their version of “Lonely Woman” complements the original version in a warm and tender way.
Metheny said it best, “Charlie plays the root and you hear infinity”
I discovered Charlie Haden on an album named "Folk Songs" with Jan Garbarek on saxophones and Egberto Gismonti on guitar and piano. On this album, the last track is a Charlie Haden compo named "For Turyia" which gets me to tears every time.
The version with Alice Coltrane on Closeness is incredibly beautiful.
I saw Charlie a number of times with Ornette and Old and New Dreams, his playing and solos brought tears to my eyes.
Now I know what I'll be doing this weekend: deep dive on Charlie Haden
You must watch 1959: The Year That Changed Jazz (documentary- free on CZcams if you can find it). The final chapter is on Ornette Colman's band with Charlie and the chaos that ensued when they came on the scene! Many in the jazz community hated them and the impact they were having. Stunning documentary and history!
@juniorjames7076 thanks for this
@@yusufmhassanditto!
Mortgage on my soul.. Keith Jarrett..u won't be disappointed 😂😂😂😂
His work with Ornette Coleman is simply magic…. The shape of jazz to come (1959), change of the century (1960), this is our music (1961) and free jazz (1961) all blinding records….. 👍
This sounds so much more commanding and cohesive than a normal solo bass piece. I love that the rhythmic core is there the whole time and he owns the rests as much as the notes. So hard to string improvisation together with a medley in this way.
You killed me with that duo with Hampton Hawes!!! I’ve loved that record for 40 years and counting 🙏🏼
1994. I was 1st chair of the bass section of the Junior Israeli Philharmonic Orchestra. We had a 2 year stint serving as the "house orchestra" of the then new Verbier Festival in Switzerland. There was no internet at the time so I don't remember how I got the news of "Charlie Haden's Liberation Music Orchestra" performance at the Montreaux Jazz Festival happening just a short train ride from our festival! Turned out that show will take place on a free day for our orchestra! I pulled a few strings and got the whole bass section of the JIPO tickets for that show! we all went there together to see and hear the show and it was a fantastic experience....Thank you CH for all the music and soul.
Fantastic work - we Bass players don't appreciate Charlie Haden nearly enough, No one really comes close to that sound - it's as unique as Miles Davis sound was... his musicality Ah just sublime.
Jasmin album with Keith Jarrett - For all we know.
Unique 100% correct. Love Charlie and I think his early musical experiences as a child really contributed to his musical vocabulary. Solo bass version of Lonely Women 🔥 Love Old and New Dreams and all the Montreal tapes.
i love that this channel discusses acoustic/double bass as well as electric, it's inspiring to learn about players and recordings i might have never encountered otherwise!
He taught at Cal Arts when I went there, early 90s. Very to cool to see him jamming out in the hallway with some cats. A wonderful person as well.
Charlie Haden is one of my absolute favourite bass players. I learned so much about bass playing listening to him. 'Beyond the Missouri Sky' is one of my favourite records.
I first saw him live with Pat Metheny on the 80/81 tour on 1. September 1981 and was stunned, how much more intense he was live (and everyone else too). I had listened to the record a hundred times at that moment but that was something else. It was one of the concerts I'll never forget (If I look back, all PM concerts from 1980 on are on that list 🙂).
Another great bass player who i.m.h.o changed the way of playing double bass in a different unique but sometimes similar way and worth exploring is Eberhard Weber.
Probably my favorite bassist. Listen to him with Keith Jarrett playing the lovely ‘Ellen David’. Saw him with Quartet West. Truly a night I’ll always cherish and remember! Thanks !
Soapsuds, Soapsuds with Ornette, and Treasure Island with Keith Jarrett are two more profound recordings! Thanks for shining a light on such a beautiful musician.
His accompaniment to Jarrett’s Rainbow will inspire my playing forever!
What a wonderful tribute. I have so many records with Charlie Haden--I think because if I see he's on something I trust it will be outstanding. His work on Survivor Suite and Abour Zena is almost painfully beautiful. I did have one personal encounter; I was seating at his feet in the McDonel Kiva at MSU on 11/4/80, a very informal gig in which all the band members were setting up their own gear. He made a face of such terrible distress that I involuntarily blurted out "is everything okay?" He looked at me sadly and said "I just heard Reagan won the election."
One of my favorite Haden moments - and a favorite thing in life - is what he does during the last 30 seconds of "The Long Goodbye" from the Quartet West album HAUNTED HEART 🥰
Likewise Charlie is right up there for me. There are Virtuoso’s on the instrument and then there’s Virtuoso’s to the music and Charlie is the master of the latter. My good friend was lucky enough to studying with Charlie at CAL Arts in the 90’s as you can imagine I’ve many lessons and conversations with about what Charlie said and taught him and yes I use gut strings
The first Quartet West album will always be my personal favorite.
Love your channel, man! It’s great that you used my upload-just at random, I clipped that from a film and put it up on CZcams right before he died, not having any idea he would pass away only weeks later. I was so happy it was available online then, so people could immediately appreciate Charlie’s genius in a solo context. Anyway thanks for another wonderful video!
Thank you!! That “Dream Keeper” solo you put up is also incredible!! 🙏🏽🙏🏽🙏🏽
I remember hearing Charlie with Joe Henderson and Al Foster, on Joe’s tour supporting the State Of The Tenor album. One of my lucky nights.
The live recording he did with Joe JUST missed my list. I really love that record!
Charlie Haden lives!
What a tone!
Thank you for introducing me to this soulful, eternally reaching musician. I knew, but I didn't know.
Thanks for for keeping his musical legacy alive❤
Do you remember Bass Frontiers Magazine? David Enos did a piece on Charlie back in the day that turned me on to him. This was a great episode today! Thanks for your hard work!
I still have that issue.. Excellent
Would you ever consider an episode about Henry Grimes? Although his career had a long hiatus, his playing crossed many genres like Mr. Haden. His comeback was quite a tale in itself.
The one thing that strikes me about Charlie Haden is, no. matter who he was playing with, they always sounded their best. That takes a great musician/collaborator.
My all time favorite is "Our Spanish Love Song" from Pat Metheny & Charlie Haden "Beyond The Missoury Sky". Beautiful piece of art.
Listening again to the Jarrett and Metheny duo albums with Charlie Haden. Closeness duets, etc. Deep and important, a tone idol. Thanks! 80/81 too!
Maybe a weird pick: Keith Jarrett's "Arbor Zena". That album really moves me and I can't imagine another bass player bringing more depth and beauty to that recording.
If I could see ANY concert/gig in history-I see myself at one of Ornette Coleman's first gigs at The Five Spot. Sitting at one of their tiny tables in direct earshot of Haden's bass.
Everyone's skin has the sheen of sweat. It is steamy and smoky. For anyone in that room, this is not an annoyance, but just an natural part of the vibe .
What a beautiful video. Such a unique musician. I had the chance to see him live once.
Yeah Paul! Man this is so good. 80/81, Rejoicing, and Brecker's 1st album were monumental to my development growing up. ❤
Bruh, not only do you make some of the best funk face while playing beautifully, you make some of the best funk face while listening to others play beautifully... I especially love Charlie's work with Ornette.
"Steal Away" with Hank Jones is one of the purest, quintessentially American albums ever made.
Absolutely agree. Thank you for posting such an insightful and knowledgable tribute to this great Master. I was drawn to him from his work with Ornette, Carla Bley's big band arrangments, Quartet West -- and you read my mind with the Hampton Hawes duo reference. I had the chance to see him playing for free with local musicians in a Los Angeles public park in the mid-80s. His "woody" tone, flowing with gravitas and Zen-like "now-ness" (as if Mother Nature herself were singing) gets me every time. I'm so glad you acknowledged it.
I'm a sax player/drummer coming across your channel for the first time -- best to you!
Thank you for even remembering him. So many seem to be unaware of his presence in jazz as well as his efforts in human rights.
Absolutely 🇺🇸 🌎
Masterful work here!! I highly recommend watching 1959: The Year That Changed Jazz (documentary- free on CZcams if you can find it). The final chapter is on Ornette Colman's band with Charlie and the chaos that ensued when they came on the scene! Many in the jazz community hated them and the impact they were having. Stunning documentary and history!
Don't know how I missed this last month. Fantastic breakdown of Charlie Haden's playing. 🙏
Joe Henderson, Al Foster, and Haden live in Montreal...I forget the year...Daaaamn!
Darek Oles, among many others, carries the Haden vibe forward, in a unique and profound way...
Fantastic tribute, thank you!🤗
Charlie's my favourite bass player too. My fave album featuring him is Mourning Of A Star By Keith Jarrett and I love that trio of Charlie Haden, Keith Jarrett and Paul Motian, and have their albums as well as various unofficial recordings from radio broadcasts of them playing a European tour in the early 70's.
His solo in the overture of Carla Bley's Escalator Over The Hill is like the sun coming up!
The duo album he did with metheny is my favourite album of both of there discography it's beautiful and the playing on that made me pick up the double bass having played electic for years.
along with dave holland, he was the man who convinced me to pick up this instrument. still is in my top 3 for biggest inspirations, along with people who were most defiantly influenced by him
was also always fun hearing him be self referential and quote old folk songs. e.g. the solos on song for che, ramblin, two folk songs, etc. monk said Bb is the people's key but for bassists i think it might be D!
Besides his work with Ornette, Liberation Music Orchestra is a must have, just a beautiful album.
Awesome video my friend, now I am a Charlie Haden too! Thank you for sharing. 🙏
3:00 that’s such an interesting shot, switching to the shadow like that? Fascinating.
Awesome breakdown, had no idea who this dude was.
Saw Charlie with Ornette at the Newport Jazz Festival 1971. Blew my mind, to say the least. Other bassists performing that day included Mingus, and the New York Bass Violin Choir, featuring Ron Carter, Milt Hinton, Richard Davis, Bill Lee (Spike's dad) and others. BASS HEAVEN.
😮😮😮
His duo playing with Keith Jarrett and Pat Metheny r the best. Its so spiritual and heartfelt
What a gift for a Saturday morning!!
What an absolutely tremendous video, bravo Paul
Great video, as always, I simply love Charlie. There are so many good things on the A Shape Of Jazz To Come, but from the first notes when you hear that great bass playing, it's just something different.
Charlie's use of that acoustic bass "wood" sound, was shared by a roommate of his back then, Scotty LaFaro.
Recently saw Metheny when he came to Atlanta on his solo tour. He played Waltz For Ruth and a few others from Beyond The Missouri Sky. I do love 80/81, particularly the title track but the free stuff such as Open is fantastic. It's hard to get a handle on how he could play free, anticipating and complimenting what somebody else is playing or has played. But I have that Ornette Atlantic Years box set. I will dig it out. Great editing with that spoken word coda! Very emotional!
Nocturne is one of my favourite Charlie albums as is the Trio Album Alone Together with Lee Konitz, Brad Mehldau & Charlie Haden Charlie’s 2 feel and breaking up time is masterful and his solo’s are so musical, beautifully sounding and very direct.
Thanks PD! No real words except thanks to you & C.H.! He gave me confidence to be different 30yo, and your acknowledgment cements that, Thanks!
All the Best Dude! :)
Great episode. You are the first one to mention my favorite album with Hampton Hawes.
I love his another duet album, “Closeness”.
Folk Songs and Magico are personal favourites that I frequently go back to, not to mention Ornette’s first 4 records.
Charlie was a poet.
"80/81" is one of my all time favorites!
The Shape of Jazz To Come - with Ornette Coleman
"Rejoicing"- Pat Metheny, Charlie Haden, and Billy Higgins.
"Time On My Hands" - John Scofield, Joe Lovano, Charlie Haden, and Jack DeJohnette
"Beyond The Missouri Skies" - Pat Metheny and Charlie Haden
There are so many more!!
Great video Paul! I've always felt that Haden's roots in folk music was a grounding factor in Ornette Coleman's recordings. He seems to be able to play freely while maintaining a sense of phrasing and cadence whenever it's called for. I never knew about the gut strings. His tone is phenomenal! Love every project he's been involved in!
Absolutely the greatest influence on my playing and musical journey. Thank you so much for all your content, but especially for this particular video.
In a world where chops can be the defining end all be all for musicians, Charlie made melody, nuance, ears and beauty his calling card. Thank you
I would say one of my favourite Haden’s album is Haunted Heart. He was such a great player, so inspiring. Great video!
Thanks for putting a well deserved spotlight on the great Charlie Haden.
A honorable mention must go to the outro of Bruce Hornsby's song 'Stander On The Mountain'
from the album 'A Night On The Town' (1990) where Charlie's presence really comes to the
forefront.
By the way: I'm a drummer not a bassist but always had a soft spot for great basslines
(as every drummer should).
I'd love to see you discuss 4 absolute giants of the instrument:
1.) Renaud Garcia-Fons, e g 'Oriental Bass' (1997),
or any track from 'The Marcevol Concert' (2012)
2.) Jeff Berlin, especially his stellar work on Bill Bruford's 1979 album 'One Of A Kind'
3.) Tony Levin (too many great records to choose from)
4.) Larry Klein, criminally overlooked bassist/producer, also Joni Mitchell's ex-husband,
who played on her 1982 record 'Wild Things Run Fast' and subsequent albums
like 'Chalk Mark In A Rain Storm' (1988), or 'Turbulent Indigo' (1994).
Also check out his contribution to Robbie Robertson's self-titled solo album (1987)
on the track 'Showdown At Big Sky'.
Thanks again and keep up the good work !
Thank you for an eye-opening appreciation. I must confess I was more into his old roomate Scott Lafaro. Though I was always moved by his conviction, wisdom and inspired by the story of him performing amidst death threats and truly putting your oft quoted maxim of his to the test.
all of his montreal tape records are awesome!
so many records with Haden are simply magical, he was a pnce in a lifetime musician.
best bass channel , period
i was fortunate enough to see him live with Gonzalo Rubalcaba in Montreal playing the Nocturnes album in the early 2000’s
great video,,, what insight and choice of selections,!!!!!
He make that bass sing. Not just a rhythm guy. Bass has a language of its own ❤
Great musician! There´s even a blues cd by old bluesman James Cotton with Joe Luis Walker on guitar and Charlie Haden on bass.He really coul de all around
Thank you. I'd not even heard of him until this. Your bassists videos have given me loads more knowledge
Love your work brother very enlightening!!! Big fan of Mr Haden with Ornette Coleman when he would solo time seemed to stop.
Wow man nice detailed comp of the Legend!!! Thanks for the knowledge and inspiration
My favorite record with Haden is "Gemini" by Sir Roland Hanna Trio, a masterpiece. I will never forget the first time I heard in a vinyl store in Barcelona, there was a chair where I have to sit down to assimilate what's happening. Thank you for share this !
Thank! You! "What he played, and the WAY he played." In classical music I feel that there are composers who perfected an existing language (Mozart) others who hybridized multiple styles into something dazzling (Stravinsky) and others who just walked into the room with something fully formed that we all just need to take on board (Debussy).
I think that your presentation really gets across what makes Charlie Haden a Debussy/Stravinsky-type of figure. The bringing together of deep folk music roots and advanced jazz is an innovation and a huge gift to all creative musicians of our day. Thanks for the space to ramble here. I was really inspired by what you showed us.
And…his son in law is Jack Black. How did those family dinners go around the table? LOL
I've always kind of wondered what they thought of each other. No pressure in marrying a legend's kid - and Black himself is no musical slouch.
@@refisherdesktop Haden has played on a recording for Black. I think they were on good terms
@@lihns Jack Black also featured on Charlie's "country" album: Rambling Boy
@@LaNwamNi ahh that’s what I’m thinking of
No f n way! 😃
Another thoughtful videos filled with things I have to listen to. We are fortunate to have so many great jazz bass players who all have their own unique take on the instrument and how they influenced the music of the groups they played with. Haden's voice was wonderful and unique.
This is the first time I've heard the name- thanks!
Thank you for this! Haden is a player I knew by name and reputation, but I had not *knowingly* heard a great deal of his work.
As it turns out, I probably heard far more than I was aware of. Now that I know, I’ll be on the watch for more.
I also want to say how much I admire that ‘doghouse’ of yours! I have never seen such elaborate purfling on a double bass. It’s lovely-and you ain’t no slouch as a player, either.
Again: Thank you.
♥️♥️♥️
Merci, mz left hand is learning a lot from your channel.
I was lucky enough to see him live in San Francisco at the Great American Music Hall. I was in college at the University of the Pacific, so I drove over 80 miles to see him in a duo with . . . DON CHERRY! So that was it. Bass and Pocket Trumpet. What more could you want?
I would mention "Gitane", the awesome duo with Christian Escudé
Bill Plummer, another great upright bass player used to organize a jazz festival in Wyoming I used to provide sound for, brought in Charlie Hayden once. As monitor engineer, I had the front row seat to some very awesome musicians. All the bass players at these events were good. But Bill and Charlie would drive the entire band like a tractor beam, for lack of a better description.
Great episode about an extraordinary artist. Thanks a lot for this!
His son Josh's work with his band, Spain, definitely deserves to be checked out, too
Love his playing on the album Deep in the Blues by James Cotton with Joe Louis Walker. Especially the track Ozark Mountain Railroad. He has that same amazing tone with all the “tree wood”you talk about under his fingers.
What a musical legacy, too. His son Josh Haden is the lead singer and bassist of Spain, and daughters Rachel, Tanya, and Petra played with that dog., Weezer, The Rentals, The Decemberists, Silversun Pickups, and more. All of them huge contributors to alternative music in the 90s and 2000s.
I saw Charlie Haden at a jazz club around the late 1980's. I was still in college then. I came up to him after a set and had a conversation with him. One of the things that I asked him about was the concept of playing out or atonal, abstract. I would wonder what guys think about and their note choices are when playing out. He told me, and I'll always remember this, "is what you're playing beautiful? Is it beautiful?"
My favorite Charlie Haden contribution is "Song For Che" from the Ornette Coleman album Crisis.
I was there at the Hidden Valley festival, in the 'green room' when Charlie first showed the album cover for Wish to Joshua Redman. What an album!!! Charlie's solo on Blues for Pat took down the house. Took the harmony way wy WAY outside, then brought it home like a sledge hammer.
It was my first occasion to hear Joshua Redman, it was "we can all just throw our instruments in the lake now".
I was there with the tuba for Charlie's local Pittsburgh pickup band version of his Liberation Orchestra .
OMG! Roger! You were on that gig with me???? PJ Oh on piano. I think Ian Gordon was on trumpet, too. Holy crap, please help me remember!!
I was I the green room, too. Josh, Brian Blade, Mehldau, and McBride. He was playing “Sanford & Son” with the bow! LOL.
Oh my goodness, good times, man. Good times.
@@pdbass Yup. My sight reading was SOOOO bad, but I loved it. What an honor. I think it was Rodger Ryan got me on the gig. (BTW I've got a couple good RR stories, and have been working on a Rodger Ryan tribute based on his "surfaces" exercise.)
@@pdbass Christian McBride, another shocker that day, tremendous!! He gave me a big bear hug in the green room, quite unearned as far as I knew.
@@pdbass Marty Ashby was on guitar. A tenor, ooo I wish I could remember who, we'd both been woodshedding on 26.2.
I loved when he used to snap his index finger against his Palm after striking a note and you could hear the snap. I would give you an example but it's been over 25 years since I have had any recordings because I lost everything a few times because of a terrible addiction problem. When I first started playing around the age of 18 I was mesmerized by Charlie haden and ornette and was going that route but when I was going to jam sessions in Washington DC everyone was telling me that if I wanted to work I had to learn tunes so I could play the club date jobs and put on a tuxedo, and having two children by the age of 22 that is what I started doing and got away from pursuing my love of Charlie haden ...one of my biggest regrets ..now that I am almost 70 and I don't even have a stand-up bass and just play the guitar background music at restaurants to make a few extra dollars to supplement my social security check. My recommendation to any young bass players out there that also love Charlie haden and that music is get a good teacher and get good technique and when you're ready go to New York and start talking and playing with other musicians and don't think that you can do everything on your own. That was my downfall was my inability to approach other people and not reaching out to better players. Oh and don't go to New York until your financially prepared and know at least a few people over there so when you get there you don't end up sleeping at a $12 a night flop House in the bowery !! I'll never forget what Gary Bartz told me one time. Even bad bass players work in New York 😎 what a great job you did in this video and I hope to see more of the things that you do on CZcams. Now I'm on my way to New Mexico to see if they'll take $50 a month for that bass you were talking about :-) haha😂
Charlie Haden's bass lines had everything you could want. His lines were original and always very melodic. He followed the soloist wherever they went, instantly. He often doubled notes to give space when needed, but also knew how to build energy and anticipation when needed. His vocabulary is completely unique. Many jazz musicians and educators didn't (and still don't) recognize his greatness likely because they couldn't do what him and Ornette were doing.
His playing is deep and doesn't utilize the vocabulary of bassists like Oscar Pettiford, Paul Chambers, Ray Brown, etc. Like Lennie Tristano, Ornette Coleman, John Coltrane, and a few others, Charlie Haden carved out a new path in jazz music that wasn't just an addition to the past, it was something completely new.
Every bassist is studying to play like Paul Chambers, Ray Brown, and Ron Carter and many can do so very well. But studying Charlie Haden is completely different and helps bring back the creativity that gets lost in improvised music.
My favorite! His daughters are all very talented as well. Petra's a cappella stuff is great fun.
I'm a guitarist, pianist, and cellist, but I find the love expressed for the bass (and its legacy) in these videos so edifying and enriching ☺️
Wow, the Last citation was Just mindblowing as we Expect Improvisation to be something outgoing and creating inatead of ingoing and rebinding - thank you so much for this superimportant perspective change :-)
WOW! Charlie Haden! Tnx you!
You know, for some reason the first example you showed reminded me of Bob Hurts, on a record with Branford Marsalis called "Beauties Are Not Born Yet" 1991 i believe in Bloomington
(sorry for eng if i did mistakes)
I purchased "Art of The Song" to bask in the voice of the great Shirley Horn. However, it turned out to be my introduction to Charlie Hayden's unique bass playing.
On the solo part of this video 1:00, His technique sounds similar to the one Stanley Clarke used when he performed the song "Touch". Now I see where Stanley got that from.
For me that incredible record with Brad Mehldau and Lee Konitz... fkn INCREDIBLE!