Sorry, I kept on noodling a bit long on the concept maybe in the middle of the video and it was not always as clean. Just an excerpt of me practising some concept, maybe not the most interesting. But if you skip that part I have another consideration that actually can be practical, about the minor harmonic scale implications. Some people claim Stitt was copying Parker too much, but I don't agree too much with that. And that he was too pattern based. True, as this lick is an absolute clear one. But on the course of the complete solo, it's really one of the few places. Anyways, leave a comment what you think, subcribe if you haven't and happy practising!
Ah cool! I love how he starts that b-part so relaxed and then moves into this pattern, it really makes you fall of you chair 😂 Stitt was absolute fire always
Wow I was just finished transcribing this solo recently and I just stumbled across this video! Thank you for letting me acknowledge this lick even more!!!!
Great stuff Jorre, really interesting to see the V7b9 and the diminished upper structure creating a harmonic sound. So cool! I think this is a great example of Stitt not copying Bird, legend in his own right
Hey Jorre from over here on this side of the planet. Very nice lick of the week on Sonny’s pattern. I really enjoyed the explanation ...you made it very clear and I better go shed-it and Shred-it! Hope you guys are having a wonderful weekend. Love, Cy ❤️👍🏽🎷😎😷🇺🇸 🇧🇪
I like the way he introduces the D# in the first - and just in the first- Emin arpeggio (at 1:39). It's like he's saying: "Lemme give you a hint how I'm going to superimpose on this phrase." How subtle!
Hey! great analysis! I have been looking for content like this for a while, because I hear a lot of classical influence in stitts playing. anyways, what can I listen to classical wise, that sonny stitt was influenced by? I want to dive into it this concept deeper
Sorry, I kept on noodling a bit long on the concept maybe in the middle of the video and it was not always as clean. Just an excerpt of me practising some concept, maybe not the most interesting. But if you skip that part I have another consideration that actually can be practical, about the minor harmonic scale implications.
Some people claim Stitt was copying Parker too much, but I don't agree too much with that. And that he was too pattern based. True, as this lick is an absolute clear one. But on the course of the complete solo, it's really one of the few places.
Anyways, leave a comment what you think, subcribe if you haven't and happy practising!
That’s one of my favorite minor patterns! I didn’t learn it from Stitt but I hear him playing it all the time.
Ah cool! I love how he starts that b-part so relaxed and then moves into this pattern, it really makes you fall of you chair 😂 Stitt was absolute fire always
Rhis is the best video you have made (in my opinion). Please do more of Stitt licks and bebop licks in general.
Wow I was just finished transcribing this solo recently and I just stumbled across this video! Thank you for letting me acknowledge this lick even more!!!!
Cool, glad you liked this one as well 😃 this is one of the clearest insights in his mind, the rest is very cool to what he plays, but more intuitive
Great stuff Jorre, really interesting to see the V7b9 and the diminished upper structure creating a harmonic sound. So cool! I think this is a great example of Stitt not copying Bird, legend in his own right
Thanks, indeed, good observation. Don't think Bird really would play those kind of lines indeed
Hey Jorre from over here on this side of the planet. Very nice lick of the week on Sonny’s pattern. I really enjoyed the explanation ...you made it very clear and I better go shed-it and Shred-it! Hope you guys are having a wonderful weekend. Love, Cy ❤️👍🏽🎷😎😷🇺🇸 🇧🇪
Haha, thanks Cy 😁 see you soon!
I like the way he introduces the D# in the first - and just in the first- Emin arpeggio (at 1:39). It's like he's saying: "Lemme give you a hint how I'm going to superimpose on this phrase." How subtle!
Exactly, he is setting it up for himself. It's clear he knew where he was going moments before any line he would play 🙂
Hi Jorre! Thanks for the video and the awesome pattern. I would like to see more on diminished patterns and licks
Good job. Your videos are very helpful and interesting. 💪
Thanks Mateusz!
Hey! great analysis! I have been looking for content like this for a while, because I hear a lot of classical influence in stitts playing. anyways, what can I listen to classical wise, that sonny stitt was influenced by? I want to dive into it this concept deeper
Very instructing.
What setup would you suggest for the Stitt sound? Thanks in advance
Hi Sergej, something that can project a lot. I think he played both a Meyer or a Brilhart, which would be logical.