Roy Boards The Ship With Aliens | Close Encounters of the Third Kind | Creature Features

Roy decides to board the mothership along with all the aliens.
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Richard Dreyfuss stars as cable worker Roy Neary, who along with several other stunned bystanders experience a close encounter of the first kind - witnessing UFOs soaring across the sky. After this life-changing event, the inexplicable vision of a strange, mountain-like formation haunts him. He becomes obsessed with discovering what it represents, much to the dismay of his wife and family. Meanwhile, bizarre occurrences are happening around the world. Government agents have close encounters of the second kind - discovering physical evidence of extraterrestrial visitors in the form of a lost fighter aircraft from World War II and a stranded military ship that disappeared decades earlier only to suddenly reappear in unusual places. Roy continues to chase his vision to a remote area where he and the agents follow the clues that have drawn them to reach a site where they will have a close encounter of the third kind - contact.
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[@bladecastlevania3653]

You know, Roy never came back home!😞🚀

[@AisAis-ox2et]

AisAis Thailand 🇹🇭❤Like and share done❤❤

[@sammywestenberger9303]

Roy: Goodbye 👋 Everyone!

[@delphinazizumbo8674]

seeing inside the Mothership is the definition of anti-climatic
it LITERALLY takes place AFTER the climax of the film

[@Alex.H.B.1970something]

I don't remember seeing this edit. It's definitely different to the seventies version.

[@kiragoe]

Is that a directors cut or did someone edit this in years later?

[@Alex.H.B.1970something]

@@kiragoe my question exactly 💯

[@kiragoe]

@@Alex.H.B.1970something Okay just found out this is what someone said "This scene was filmed 3 years after the original '77 release for the "special edition re-release" of the film in theaters. When we see Richard Dreyfuss' character enter the ship from the outside, he's a 3-year-older Dreyfuss. His jumpsuit is also notably larger and baggier. Spielberg has always said that he regretted creating this scene since it never lived up to anyone's expectations and destroyed the mystique of the mothership. He also talked about it in an interview once, saying that it was a cinematic mistake, made because the studio pressured him into including it. He omitted this scene in the final, Director's Cut of the film in 1998."