Actuellement à l’affiche de Don Carlos, le grand baryton français nous parle amoureusement de son rôle de marquis de Posa et du génie positif qu’était Giuseppe Verdi.
He's such an amazing Posa, really a golden age type voice with fantastic technique, and it shows that he put a lot of thought into acting. And it helps that he has this elegant, noble bearing, it really suits Verdi characters. Plus he seems like a very nice person.
This is such a great initiative to have singers talk about their grasp on their roles, because each artist contributes something different with their performance and their understanding of the text and the music, allowing us a more comprehensive approach of the character and the work in general, Félicitations Opéra National de Paris!
A fascinating insight into Tezier's view of the role of Posa, a role he plays to perfection in this production. The scene between Posa and Phillip I thought was particularly powerful. This version succeeds in altering the entire dynamic of the opera while confounding the predictions of so many negative critics. The audience reaction was 100% positive !
Che bella intervista.. mi pare che il M. Tezier abbia perfettamente capito come Verdi, prima ancora di essere un bravo musicista, fu un grande filosofo del moderno umanesimo
I absolutely loved this production, and I loved Tezier's interpretation of Posa......what he says about Posa being a rather ambiguous character is true, the character in Schiller is more morally ambiguous than Verdi makes him.....therefore more interesting. What Tezier does is bring the character closer to what he is in Schiller.........What I also like about the production was that Posa gets a proper funeral for once.....the soldiers salute their fallen comrade, that was so heartbreaking.
Quand il parle j'ai l'impression d'entendre le pendant masculin de Régine Crespin! Même intonation, même façon de phraser....il est vrai qu'ils sont tous deux natifs de Marseille. Il a comme Crespin cette même approche des rôles et cette humilité et le respect des compositeurs.
He's such an amazing Posa, really a golden age type voice with fantastic technique, and it shows that he put a lot of thought into acting. And it helps that he has this elegant, noble bearing, it really suits Verdi characters. Plus he seems like a very nice person.
Ô Monsieur Tézier, comme vous parlez bien ! Merci à vous .
merci pour cet entretien. Vous êtes un grand artiste monsieur Tézier, bravo !!!
This is such a great initiative to have singers talk about their grasp on their roles, because each artist contributes something different with their performance and their understanding of the text and the music, allowing us a more comprehensive approach of the character and the work in general, Félicitations Opéra National de Paris!
A fascinating insight into Tezier's view of the role of Posa, a role he plays to perfection in this production. The scene between Posa and Phillip I thought was particularly powerful. This version succeeds in altering the entire dynamic of the opera while confounding the predictions of so many negative critics. The audience reaction was 100% positive !
un magnifique artiste que j'adore et- il est français !!!
Tézier is a genius. And how intelligently he approaches Verdi in this interview. Félicitations mon cher!
Che bella intervista.. mi pare che il M. Tezier abbia perfettamente capito come Verdi, prima ancora di essere un bravo musicista, fu un grande filosofo del moderno umanesimo
I absolutely loved this production, and I loved Tezier's interpretation of Posa......what he says about Posa being a rather ambiguous character is true, the character in Schiller is more morally ambiguous than Verdi makes him.....therefore more interesting. What Tezier does is bring the character closer to what he is in Schiller.........What I also like about the production was that Posa gets a proper funeral for once.....the soldiers salute their fallen comrade, that was so heartbreaking.
Un incroyable baryton!
Bravo Ludovic : magistrale votre interpétation dans Carmina Burana sous la direction de Long Yu à la Cite interdite 2018 ! J'ai été subjuguée !
True artist！
Quand il parle j'ai l'impression d'entendre le pendant masculin de Régine Crespin! Même intonation, même façon de phraser....il est vrai qu'ils sont tous deux natifs de Marseille. Il a comme Crespin cette même approche des rôles et cette humilité et le respect des compositeurs.
Beaucoup de modestie dans les propos de Ludovic ! Le grand homme c'est VERDI et non les metteurs en scène qui gâchent tout !