Video není dostupné.
Omlouváme se.

Using Fibreglass Part 1

Sdílet
Vložit
  • čas přidán 6. 07. 2012
  • www.learnmakeup...
    Get your free download of a comprehensive reference guide to go with this video by clicking the link above!
    ==========================
    Fibreglass and polyester resin is a staple material used in effects workshops, and should be used in a professional environment. As a result, many people are curious to see how it works without having to endure the smell.
    This video will take you through the process of creating a partition wall in clay, and use gel coat resin with laminated layers of glass fibre mat.
    Questions or comments? Please get in touch through the blog or in a box below!
    Thanks for watching!
    Stuart

Komentáře • 102

  • @formula301
    @formula301 Před 2 lety +1

    Thank you for sharing your techniques. Using the talc powder is something I have not seen before, but I can see why you did it.
    Thank you again.

    • @stuartbray
      @stuartbray  Před 2 lety

      It helps prevent the gelcoat from retriculating on the waxy surface of the plastiline.

  • @historex54tamiya
    @historex54tamiya Před 5 lety +2

    What an absolutely detailed explanation. Thank you

  • @stuartbray
    @stuartbray  Před 11 lety +2

    Good question! Essentially, you could I am sure with no ill effect.
    If brushed on, it may collect in recesses and take longer to dry, but presumable there are spray equivalents. Aerosol waxes dry quicker, which is an advantage but thin PVA will also dry quick.
    Habit, borne from peer use is the main reason, I would say.
    I have seen PVA used in props, getting fibreglass out of fibreglass moulds, but small stuff like this is almost always waxed.
    -Stuart

  • @PatrolmanDark
    @PatrolmanDark Před 12 lety +2

    Brilliant, Stuart! Always wanted to learn fibreglassing. Thank you.

  • @eleanorgarratt4218
    @eleanorgarratt4218 Před 10 lety +3

    Fantastic tutorial. Thank you Stuart! Really clear and easy to follow. I didn't know about using talc to help with the gelcoat - thanks :)

  • @jonbazan
    @jonbazan Před 8 lety +2

    The glass matt gets in the nooks and crannies better/easier if its ripped by hand rather than cut straight with scissors.

  • @DrakieRar
    @DrakieRar Před 12 lety +1

    Really enjoyed this video, hope to see more content

  • @frank74bestmovieclips
    @frank74bestmovieclips Před 12 lety +1

    Your videos are amazing and very helpful, thank you!

  • @ishcolo
    @ishcolo Před 10 lety +1

    very well made thank you for posting

  • @stuartbray
    @stuartbray  Před 11 lety +1

    It is possible, just take the alginate or silicone right up to the eyelida, leaving the orb of the eye out of the cast, and replace it later with an eyebaal blank - a shape of the eye with corneal bulge. They are not especially characteristic - one persons eyeball is pretty much the same shape as another to the un-optomertrist trained eyes. It is also easier to cast the face with eyes closed, to avoid getting stuff in them during the casting process, and just opening them in the sculpt later.

  • @loganoneil1
    @loganoneil1 Před 11 lety +1

    Do you prefer the chop-strand mattting fiberglass, or have you tried a bi-axial or tri-axial weaves?

  • @makeupmaster1
    @makeupmaster1 Před 8 lety +1

    Stuart, I greatly respect your demonstration on using fiberglass resins for making molds; but I believe for a precautionary you did not mention the use of a respirator or face mask during the use of fiber glassing materials. Resins of any kind have a toxic vapor that are carcinogens and a health risk.
    Last year, I tried your way from this video in using fiberglass resins and polyester resins to make a mold of a clay sculpted head. I had a respirator on and off while using such materials while either being outside or inside for ventilation, plus wearing the safety gloves during the painting and laminating of the glass fibers.
    But some wheres along the way, I was exposed to the chemical vapors of the polystyrene resin. As time passed on, I never thought about any health issues from the use of the fiberglass and polyester resin materials, until 4 months ago I started to experience shortness of breath and a lump developed on the left side of my chest. A doctor recently determined that I have a Large lymphoma mass causing my shortness of breath and disturbing my blood circulation. Now I'll be going through chemotherapy and radiation treatment for the mass.
    But my point here is that I and maybe other admirers who watched your lesson demonstration here, should be warned about the caustic effects of fiberglass and polyester resin materials and to acquire a face mask or a painters respirator while using these materials.
    I respect you and your demonstrations.

    • @stuartbray
      @stuartbray  Před 8 lety

      that's a good point. in the video I mention a download able workbook...the link is in the info beneath the video....and that workbook has a very clear warning regarding the use of materials and appropriate PPE.

  • @chriswigen1086
    @chriswigen1086 Před 3 lety +1

    Hello. Still answering questions? After the gel coat and the shredded FB....do you wait for things to dry in between the coats of resin and sheet FB ? Or does it all go on at once ?

    • @stuartbray
      @stuartbray  Před 3 lety +1

      I apply the glass strands as soon as the gelcoat is firm enough to take it without soaking in.
      Then I will apply wetted out glass mat onto this. You woukd not want to apply the glass before the gelcoat has set up because the fibres coukd pish through and be visible on the mould surface.
      If you left the gelcoat overnight then it would of course set thoroughly, but also may have warped as it did so without the strength of the laminated glass to keep its shape.

    • @chriswigen1086
      @chriswigen1086 Před 3 lety

      .... hey thank you very much. I watched all three vids....thankfully my pieces have less detail, so the process will be easier ...your instructions and the “flow” of the vid were extremely useful.

  • @stuartbray
    @stuartbray  Před 12 lety +1

    I actually bought mine from B&Q too. There are two face masks at mine - the more expensive is naturally the one which we need (isn't it always the way?). You need one which stops vapours as well as particles. The best ones we used at work were by 3M.
    I suggest going somewhere like like protec direct. The product code is 4279 and it's about £20 but excellent. My B&Q one was £30!

  • @shellumus
    @shellumus Před 11 lety +1

    could you have used PVA anywhere in this process instead of the wax spray? or both? if not, why?

  • @RupturedFX
    @RupturedFX Před 7 lety +2

    Hi Stuart, I have a problem. My gelcoat cured fine on my chavant sculpt but not yet on the water based clay wall. I used a clear lacquer to seal the wall and applied three layers of J Wax ontop. When I started pulling away the wall after the resin had cured I realised the gelcoat is not fully cured. It was slimy when I applied the polyester resin, like I said that has cured and now 4 hours later the gelcoat still has not. Any ideas?

    • @necroide
      @necroide Před 6 lety +2

      I had the same problem once. It seems that somehow the water in the clay inhibits or at least slows down curing time. But you can easily solve the problem by brushing directly some catalyst right on top of the resin (or gel coat) that has not cured.

  • @vandellous4441
    @vandellous4441 Před 6 lety +1

    Hello Stuart. I am new to casting and I truly appreciate your videos and online course. In this mould, you use both "triangle" keys and a channel. In the tongue mould, you just use the triangular keys. Are there guidelines around choosing which types of keys to use? For example, is it due to the size? Others will just use a channel and I understand this is useful for catching leaks? Do you find the larger keys create a better/more stable seal?

    • @stuartbray
      @stuartbray  Před 6 lety

      I use a grooved channel for the silicone to be kept in line all the way around when the mould halves are closed, as otherwise the silicone may move or sag even if the rigid portions of the front and back align. I like to use big keys on large moulds to make it easier to quickly align the sections. Both types will work.
      When dealing with larger plaster moulds, I like to do the bigger block keys which will be visible from the outside when the mould halves are closed so they are not accidentally damaged when opened with a screwdriver etc.

  • @gitalloyd5958
    @gitalloyd5958 Před 3 lety

    great help - thanks !!!

  • @KurtisJoseph
    @KurtisJoseph Před 4 měsíci

    How many layers of fiberglass creates a shell mold that is practical to use? I am making one now using Bondo and fiberglass cloth. I do not need to capture detail. Iot is for a silicone mold. Fiberglass fabric seems rather sturdy.

    • @stuartbray
      @stuartbray  Před 4 měsíci +1

      It's available in different thickness, or weights. Usually the one I use is 600g which is the weight of a square Metre. That I use two layers with a third on any flange or edges which need drilling/bolting/clamping or levering against.

  • @infinitymasksandsculptures5301

    Hi Stewart, Can you recommend a reliable spray sealer for use as a barrier between wet clay and gelcoat ? Thanks Chris Garrard

    • @stuartbray
      @stuartbray  Před 7 lety

      Chris Garrard just clear car lacquer from car body repair shops should be fine

    • @infinitymasksandsculptures5301
      @infinitymasksandsculptures5301 Před 7 lety

      Thanks Stuart.
      Also can you recommend the correct type of protective mask against the resin vapour ?

    • @stuartbray
      @stuartbray  Před 7 lety

      Chris Garrard yes. I like the 3M 4251 MAINTENANCE-FREE ORGANIC VAPOUR/PARTICULATE RESPIRATOR. No changing filters and very comfort.

    • @infinitymasksandsculptures5301
      @infinitymasksandsculptures5301 Před 7 lety

      Ok Thanks Stuart !

  • @umairmuhammad4284
    @umairmuhammad4284 Před 10 lety +1

    I wanted to make a fiberglass mold and purchased the following items from a local store:
    1. Gel Coat
    2. Mekp
    3. Resin
    4. Matt
    The shopkeeper told me that I also needed COBALT in order to cure the Gelcoat and Resin and if I didn't add it the whole mixture would not cure. Is he right? Do I really need to use COBALT in order to cure the Gelcoat and the Laminating Resin?

    • @stuartbray
      @stuartbray  Před 10 lety

      I am not sure what it is. It may be that it is an accelerator, and most resins here are pre accelerated. Is it a purple coloured liquid? I guess the thing to do is a small test mix and see if it sets up without. If it does, then you don't need it, if it doesn't then you can try it again with!

    • @stuartbray
      @stuartbray  Před 10 lety

      No idea. I guess googling that or contact the resin manufacturer or the accelerator manufacturer. I would think you mix the prescribed amount into the resin first, and then add your catalyst later.
      I Googled 'Cobalt Resin Ration' and found this: old.acmanet.org/cm/1206/feature_b1206.cfm

  • @umairmuhammad4284
    @umairmuhammad4284 Před 10 lety +1

    Yes, Stuart, It is a dark purple coloured liquid. It is an accelerator and I found on the internet that it may be dangerous if mistakenly mixed with the Catalyst. BANG!!!! So are you suggesting that I should try without using it? How much Catalyst should I use with the Gelocat and the Resin? Any help will be greatly appreciated

    • @umairmuhammad4284
      @umairmuhammad4284 Před 10 lety

      Stuart, I can't find chip brushes the ones that are made of Hog hair in my area. Can I use synthetic brushes for Gelcoat and laminating resin?

    • @stuartbray
      @stuartbray  Před 10 lety

      Yes, so long as the bristles do not melt in the solvents then that should be fine.

  • @thefirerises12345
    @thefirerises12345 Před 8 lety +1

    Hi Stuart id like to start sculpting can you please let me know where you get your materials like head armature,clay,tools,plaster etc it will help out alot as i LOVE your work and how it looks. P.S will you be doing any tutorials on how to make a silicone mask like cfx,spfx etc? regards

    • @stuartbray
      @stuartbray  Před 8 lety

      +bruce Wayne PS Composites, Mouldlife and Neills Materials usually.

    • @thefirerises12345
      @thefirerises12345 Před 8 lety

      +stuart bray thank you :)

    • @stuartbray
      @stuartbray  Před 8 lety

      Actually though, I make my cores but they you can buy heads from Monster Makers and PS Composites

  • @PierceFitzgerald
    @PierceFitzgerald Před 10 lety +1

    any chance you could eventually show us fibreglass casting from a silicone or plaster mould?

    • @stuartbray
      @stuartbray  Před 10 lety

      Sure, although the essential laminating process of gelcoat and layers of mat is essentially the same. What kind of things are you particularly interested in seeing?

    • @PierceFitzgerald
      @PierceFitzgerald Před 10 lety

      stuart bray i just wanted a video tutorial on creating a hard fibreglass mask from a silicone mould, your tutorials are the easiest to follow, sorry if that didn't answer what you asked me.

    • @stuartbray
      @stuartbray  Před 10 lety

      Okay. Good idea for a tutorials l!

  • @Incaseofanemerge
    @Incaseofanemerge Před 10 lety +1

    Can you re-use the clay once its removed?

    • @stuartbray
      @stuartbray  Před 10 lety

      In theory, yes. In practice, its not worth the hassle. While making walls etc, you need clean and smooth clay. To constantly hit little pieces of plaster and fibreglass in the recycled clay is annoying and time consuming. Most people trash it, as clay is pretty cheap compared with the cost of time to clean it.

  • @jonfinch1955
    @jonfinch1955 Před 9 lety

    Do you have ,or plan to make, a video on how to injection mold a head mask using a hollow core. Ive found some sketchy stuff about it on the net but cant find a video. Cheers

  • @auzorann
    @auzorann Před 12 lety

    ooo a new video. thank you!

  • @PaiigeCliifton
    @PaiigeCliifton Před 11 lety

    might be stupid question but is there any way to make a face case with the eyes open?

  • @JewTubeSux
    @JewTubeSux Před 4 lety

    Can you use the just cornstarch baby powder instead of baby powder with talc?

    • @stuartbray
      @stuartbray  Před 4 lety

      I'm sure you can. If worried about inhaling dangerous chemicals though, the whole fibreglassing process should be avoided.

  • @nasrodj1393
    @nasrodj1393 Před 3 lety

    How much the lengt of the shpped fibreglass 5mm or what

    • @stuartbray
      @stuartbray  Před 3 lety

      Usually it is available in 6mm or 12mm lengths.

  • @michaelrommedahl525
    @michaelrommedahl525 Před 6 lety

    Hi Stuart.... What kind of clay do you use...??? Michael Denmark...

    • @stuartbray
      @stuartbray  Před 6 lety

      Michael Rommedahl I use smooth grey water based pottery clay. Here it is called Buff smooth Grey clay. Some use WED clay whixh is paler and has additives to remain wetter for longer but I don't won't moisture to remain in there as it interferes with the resin setting so the cheaper clay for me is better.

  • @SaphriaAmourrFX
    @SaphriaAmourrFX Před 8 lety

    what brand of gel coat and resin do you use?

  • @ENTITYR6
    @ENTITYR6 Před 8 lety

    where did you get the rubber bowl from?

    • @stuartbray
      @stuartbray  Před 8 lety

      They are plasterers 'splash bowls' and are available from fibreglass and plasterers suppliers usually. It's a flexible plastic, and great for flexing out set plaster or resin.

  • @Scorpion85629
    @Scorpion85629 Před 10 lety

    Never use a brush for mixing the catalyst. The catalyst soaks into the brush. Good thing you added more catalyst than necessary.

    • @stuartbray
      @stuartbray  Před 10 lety

      Never had a problem - I suppose it is possible but if you keep mixing and you put pressure on the brush as you stir then whatever catalyst makes it into the bristles will be mixed into the resin which is equally soaking into the bristles.

  • @Decorboys
    @Decorboys Před 5 lety

    What's the name of clay which are you using?

    • @stuartbray
      @stuartbray  Před 5 lety +1

      Plastiline. I get it from a company called J.Herbin. It is Grey, grade 50.

  • @pedrosaullopez4783
    @pedrosaullopez4783 Před rokem

    Es posible en español?

    • @stuartbray
      @stuartbray  Před rokem

      As in, can I do the entire tutorial again in Spanish, or are these materials available in Spain?

  • @qyuryyusyt
    @qyuryyusyt Před 10 lety

    Whhy is this sooo interesting

  • @sherwood5271
    @sherwood5271 Před 10 lety

    hi there can i fiberglass straight onto a clay sculpture ?

    • @stuartbray
      @stuartbray  Před 10 lety

      Yes, although you need to ensure the moisture in the water based clay is prevented from interfering with the gelcoat setting up. A clear acrylic car spray lacquer from auto shops is good, although you need good ventilation/extraction/protection when using it.
      Then when that has dried, apply a way release (either a brush on liquid or aerosol spray) to allow the mould to separate clean and not bond to this clear lacquer coat.

    • @sherwood5271
      @sherwood5271 Před 10 lety

      great ! thanks for that im using air drying clay so im guessing it will be best to let it dry first for less mosture , also is it best to use fiber glass tissue instead of mat for a mask? and should i still make a wall , do one side first then remove the wall and continue with the other side ? , thanks this is great to get advise from someone !

    • @stuartbray
      @stuartbray  Před 10 lety

      Tissue is the final coat for a smoother surface...structurally it offers little. Don't think of a fine tissue as being for smaller things. Standard fibreglass mat will tap down over facial details, as the surface and texture is first covered with gelcoat anyway.

    • @sherwood5271
      @sherwood5271 Před 10 lety

      thanks stuart ,u just helped a theater student for her final project ! lol thanks again , lindsey

  • @TheSiliconemaskmaker
    @TheSiliconemaskmaker Před 10 lety

    hey,talent,I m GIVENS,have u made some videos about paint silicone face

    • @stuartbray
      @stuartbray  Před 10 lety

      Todd and I are working on one now!

  • @emadsaleh8311
    @emadsaleh8311 Před 7 lety

    from where can I get clay.....not found from my country

  • @farscape3100
    @farscape3100 Před 9 lety

    cant find part two

  • @voiceofreason1629
    @voiceofreason1629 Před 10 lety

    Can you get good detail using only fiberglass.

    • @stuartbray
      @stuartbray  Před 10 lety

      You need the gelcoat to capture the detail and to prevent the stamping of fibreglass mat with the brush from damaging the sculpted surface.

    • @voiceofreason1629
      @voiceofreason1629 Před 10 lety

      How thick would I need to make the gel coat?

    • @voiceofreason1629
      @voiceofreason1629 Před 10 lety

      Thank you for responding by the way. I appreciate it.

    • @stuartbray
      @stuartbray  Před 10 lety

      You brush on a thin layer only. Too thick will heat up and melt the plastiline or else distort and ripple as it expands in some areas.
      Usually like a thick coat of paint.

  • @rosslotus8214
    @rosslotus8214 Před 10 lety

    why the chopped strand??? you dont say why you need it !!

    • @stuartbray
      @stuartbray  Před 10 lety

      Chopped strand is a great first coat, and will get into nooks and crannies, making it less likely to have air pockets trapped in the recesses. The mat also lies over the soften shapes, made smoother by the built up chopped strands which reside in the corners etc.
      Some people don't bother, or use a gel mat which does the same thing - I have lots of it and it works well for me.

    • @rosslotus8214
      @rosslotus8214 Před 10 lety

      thanks stuart .iv also discovered it makes the mould stronger . im having trouble getting fibreglass matt to stick to the bumpy parts like the nose of a animal it keeps bouncing up..how small should i cut the matt and if i cut it to small then it wont be very strong? ultimately im trying to make a mould which is commercially viable ready to sell so i beleive the quality of finish needs to be very good.any ideas?

    • @stuartbray
      @stuartbray  Před 10 lety

      The sizes of mat really only matter to the extent that they are not so big that they extend beyond the size of the mould too far. I think if you cut the mat to be approx 6-8 inches square, this should be fine. The overlapping and spreading nature of the fibres mean they attain strength no matter how small the pieces are.
      Typically the larger the pieces you apply, the better as it is quicker. If you apply resin on the mat before placing the mat down, it will flex around corners etc more easily. It may be worth also mixing a small amount of the lay up resin with talc, so you can paste it into the difficult areas to glass. These are typically areas which stick up and protrude, as laminating the glass is easier on flat surfaces.

  • @frodegjerlow
    @frodegjerlow Před 5 lety

    all that without the big reveal at the end???

    • @stuartbray
      @stuartbray  Před 5 lety

      This is part 1 of 3 videos. What reveal were you expecting?

    • @frodegjerlow
      @frodegjerlow Před 5 lety

      @@stuartbray Hahaha, my bad! hahaha, my colleague and I were watching intently for ages, failing to notice that it was 1/3. haha sorry!

  • @infinitymasksandsculptures5301

    Sorry I spelt you name wrong !

  • @stuartbray
    @stuartbray  Před 11 lety

    Chop mat.

  • @jonbazan
    @jonbazan Před 7 lety

    So much unnecessary extra steps.

    • @stuartbray
      @stuartbray  Před 7 lety +2

      badabing badabing so many unnecessary comments.

    • @ryannlagattuta9197
      @ryannlagattuta9197 Před 7 lety

      badabing badabing I bet your molds don't last long.....