Tchaikovsky: Romeo and Juliet (Final version) (with Score)
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- čas přidán 10. 03. 2022
- Pyotr Il'yich Tchaikovsky:
Romeo and Juliet, fantasy-overture for orchestra in B minor (Final version), TH 42, ČW 39 (with Score)
Composed: 1869, revised 1880
Conductor: Theodore Kuchar
Orchestra: National Symphony Orchestra of Ukraine
00:05 Andante non tanto quasi Moderato
05:45 Allegro giusto
07:51 ("Love theme")
11:03 (Theme of the warring Capulets and Montagues)
14:22 ("Love theme")
17:32 Moderato assai
Romeo and Juliet, TH 42, ČW 39, is an orchestral work composed by Pyotr Ilyich Tchaikovsky. It is styled an Overture-Fantasy, and is based on Shakespeare's play of the same name.
In 1869 Tchaikovsky was a 28-year-old professor at the Moscow Conservatory. Having written his first symphony and an opera, he next composed a symphonic poem entitled Fatum. Initially pleased with the piece when Nikolai Rubinstein conducted it in Moscow, Tchaikovsky dedicated it to Balakirev and sent it to him to conduct in St. Petersburg. Fatum received only a lukewarm reception. Balakirev wrote a detailed letter to Tchaikovsky explaining the defects, but also giving some encouragement:
Your Fatum has been performed [in St. Petersburg] reasonably well ... There wasn't much applause, probably because of the appalling cacophony at the end of the piece, which I don't like at all. It is not properly gestated, and seems to have been written in a very slapdash manner. The seams show, as does all your clumsy stitching. Above all, the form itself just does not work. The whole thing is completely uncoordinated.... I am writing to you with complete frankness, being fully convinced that you won't go back on your intention of dedicating Fatum to me. Your dedication is precious to me as a sign of your sympathy towards me-and I feel a great weakness for you.
M. Balakirev-who sincerely loves you.
Tchaikovsky was too self-critical not to see the truth behind Balakirev's comments. He accepted Balakirev's criticism, and the two continued to correspond. (Tchaikovsky later destroyed the score of Fatum. The score was reconstructed posthumously from the orchestral parts.) Balakirev remained suspicious of anyone with a formal conservatory training but clearly recognized Tchaikovsky's great talents. Tchaikovsky liked and admired Balakirev. However, as he told his brother Anatoly, "I never feel quite at home with him. I particularly don't like the narrowness of his musical views and the sharpness of his tone."
Balakirev suggested Tchaikovsky write a piece based on William Shakespeare's Romeo and Juliet. Tchaikovsky was having difficulties writing an opera entitled Undine, which he would eventually destroy. Though he complained, "I'm completely burned out," Balakirev persisted, as was his manner. Balakirev wrote suggestions about the structure of Romeo and Juliet, giving details of the type of music required in each section, and even opinions on which keys to use.
Balakirev had suggested his own overture King Lear as a model for Romeo-a prudent move, since he had seen Tchaikovsky's weakness in writing in an unstructured musical form in Fatum. King Lear is not a symphonic poem in the manner of Liszt. It is a tragic overture in sonata form along the line of Beethoven's overtures, relying more on the dramatic potential of sonata form rather than on a literary program. Thus, Balakirev had transformed King Lear into an instrumental drama and now offered it as a model to Tchaikovsky. While basing Romeo and Juliet on King Lear was Balakirev's suggestion, reducing the plot of the former to one central conflict and then combining it with the binary structure of sonata form was Tchaikovsky's idea. However, executing that plot in the music we know today came only after two radical revisions. - Hudba
this is still one of my favorite pieces of all time. so many different textures and emotions in just 20 minutes, outstanding.
Very emotional for an old man to hear!!!
00:00 Introduction - Friar Lawrence Theme (F sharp min)
2:11 Friar Lawrence and Transition (F min - E min)
4:22 Linked Varied Friar Lawrence Theme ( E Min - B min)
5:29 Exposition . Strife Theme (B min)
6:08 Strife in Canon (D min)
6:34 Irregular off beat repeated block chords (B min)
6:47 Strife + Transition (B min)
7:52 Love Theme (pt.1) (D flat major)
11:02 Development (B min - F sharp min)
13:15 Recapitulation (B min)
13:38 Love Theme (pt.2) (D major)
14:21 Love Theme (pt.1) (D Major)
15:28 Altered Love Theme (pt.1) in imitation
16:08 5 bar link using Strife Rhythm (B min)
16:16 Strife Theme without Cymbals (B min)
16:22 Friar Lawrence Theme (C min)
16:28 Previous strife rhythm repeated up a semitone (C min)
16:40 Transition (C sharp min- B min)
17:31 Coda - Funeral March (B major)
20:06 Off Beat chords Full Orchestra (B major)
Thank you so much, so valuable
Thanks.
Got the flute part from my music teacher a couple months ago. I never really looked at my part or the score. I did not regret my decision to look at the score today after I found the piece. Very beautiful.
Introduction 00:04
Exposition:
- Theme 1 (B minor) 05:45
- Transition 07:04
- Theme 2 (Db) 07:50
- Closing section (Db) 09:59
Development 11:02
Recapitulation:
- Theme 1 (B minor) 13:16
- Transition 13:34
- Theme 2 (D) 14:21
- Closing section 15:26
Coda:
- Part 1 (B minor) 16:17 - based on theme 1
- Part 2 (B) 17:31 - based on theme 2
Nice work 👏
Сонатная форма
Вступление - 0:05
Главная партия - 5:45
Побочная партия - 7:51
Разработка - 11:02
Реприза, Главная партия - 13:15
Реприза, Побочная партия - 13:38
Кода - 16:16
16:43, where it says sempre ff on everything, should be rehearsal T
17:20 sounds like a cannon blast
00:05 서주
05:45 반목의 주제
07:53 사랑의 주제
???
18:49 Mario cadence: G-A-B (bVI-bVII-I)
AFA Violin Chair Spot:
13:04 - 13:40
P. 3 - 8:11
P. 4 - 11:02
P. 4 "L" - 11:44
P. 5 "N" - 12:40
P. 6 "P" - 13:33
P. 6 "Q" - 14:19
P. 7 "R" - 15:26
P. 8 - 16:22
P. 8 - 16:40
@14:15 - Love theme
Thanks
1 16:22-16:28
2 18:57
3 3:48-4:21
4 14:15-14:39
4:22-4:38
6:35-7:10
11:03-11:15
14:15-15:45
4:24
4:39
5:42
6:36
9:59
11:02
12:22
12:41
14:17
Excerpt for GTCYS audition 6:35
Hol up 14:18 tchaikovsky wrote that?!
Goated composer
15:52 Brevard 2023 Viola excerpt
6:33~ E
12:39~ N
14:17~ Q
14:18
9:59 💘
6:33 LYO Excerpt
Cym.
12:55
16:15
16:40
Che vuoi dirci Dio mio?
13:34
6:34
8:50
17:19
Sounds like cannon
8:30 a 9:11
16:00
14:03
15:54
14:19
12:29
12:55
13:02
13:15
13:15
16:15