7 Advanced Mixing Tips You Need to Know
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- čas přidán 1. 06. 2024
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One bonus tip which can be overlooked is Reference tracks. Load up a a few professional mixed and mastered tracks to compare your mix to. This is especially helpful when matched with a frequency analyser like span so you can compare the tonal balance and dynamics of your mix to the reference track. also make sure you reference track is a similar style and key to your own track
yes. entirely spot on.
0:36 how axwell would say - "professor sh*t" xD
So helpful to see some of your process. You explain these concepts very clearly without wasting time.
Jon is the GOAT of sharing his personal applicable EDM production/mixing/mastering knowledge... thank you 🙏
Point at 14:05 is super important for any song you are mixing regardless of genre. Thank you for sharing your process with us Jon 🙏🏽 can't wait to hear it in full.
You're on fire lately. This is a master class. Thx!
Great video as usual, Jon. Very useful mixing tips.
My fave vid of yours so far brotha! Great info!
Jon keep on the good work !
You are amazing and I totally agree in EVERYTHING
The new mix sounds ace though my soundbar.
i like the subtle changes in the mix with the plugins in and out.
Expanding the top end is a great idea can’t wait to try it
Good to see you back... I always come back to watch your videos.......
Great video Jon. Subbed and looking forward to more of these!
Love u jon been watching u for a minute keep up the work
dopee nice tip about the transient master on percussion ! I just bought that plugin and I'm stoked on that!
Love your videoes! ♥️
So inspiring and helpful 😃
I like those tips!! Beautiful mix, btw.
Amazing video.
One of your best tutorial.
Great. Nice that you share your knowledge.
Top class stuff bro! Great tips ❤️
Very nice and chilled video Jon
this helped me a lot thank you for amazing tips as always man
תודה ג'ון. אחלה טיפים
Fantastic Mix - we really like it!
Mixing coming from a producers view point ! Amazing, thank you
agreed! without a doubt spot on.
Sine the mix King
Great video as always! Could you please explain more detailed about the chain of plugins and hardware you use. E.g. does Gullfors comes before master eq/compression/limiter?
Thank you for this vid-new kind of thinking for me...
Love it🔥🔥
The NI Transient Designer is a great tool! No better way to get rid of unwanted reverberation on a signal! I like to use FF 🪐’s „dynamic“ - control for tightening up the Drumbus. Nudging it a bit counterclockwise it just adds a certain drive. Also try different Oversampling settings as for every track it’s different in sound!
Nice work!
Very nice video! Thanks.
OMG, the new mix :o..... blow my mind. That space...
edit:
I need Standard clipper and Gullfoss (just saving)…, I like that you know those things, u remember me of Luca Pretolesi style, compressing mids, and expanding highs and low end to give it more groove, now I got even more respect for you, cheers Jon.
yes. without a doubt true man
I am a vocalist , beatmaker and semi profesional soun engineer.
I noticed something.
Whenever I get caught my self mixing at high volumes I turn to feel stressed. There is something about loud volumes and been obsessed with getting the mix right that turns my stomach.
I need more self control and just take specific days just for mixing only at low volumes.
Other days when producing or recording I'll crank it up to geta real feel of it.
Think I caught more GAS fr watching your recent vlogs daaamn u Jon Sine 🤣 🤣 🤣 🤣 🤣 🤣
thanks for that valuable content about very accurate end tasks, I have 2 questions that are a bit accurate too but take your time: is there a way to reach hit potential with only stock or free plugins ? do you know any free equivalents to ozone or neutron ? thanks a lot ! it's just to have a honest and pragmatic view other than mine; of course I'm gonna do my own research as well; keep on your daily struggle I'm with you !
Great video love the track
Thank you!
*More videos like this please. Nice job
Super useful video ! I know it’s standard, but I would have liked it the other way around, mixing to mastering stage.
What an awesome video! also love how he says the "au" in words like automation and such lol
ah yes, Germans
Nice wide mixdown!
Love seeing you cleaned the cables coming to your monitor controller 😂😂 this makes me much less distracted watching your videos hahaha!
Anyway, don’t you have any audible distortion digging this hard with Soothe2? Feels like I do 🤷🏼♂️
Just a couple of weeks and there will be no cabel visible at all
One thing you said at the very end about sidechaining most elements to make room for the click of the kick...isn’t this also done for stylistic choice so that all the elements appear to bounce with the kick which, in turn, the listener will also want to tap their feet/dance?
I’ve read that some producers (mostly trance) will slightly offset the MIDI notes of the hats, snares, and bass so they don’t land directly on the kick, thus making room for the kick transient l. When bass notes are offset slightly forward, it gives it a more driving feel that makes the song appear to be more aggressive and fast paced.
Also, have you ever sent your demos to be mixed and mastered by others and what was your experience with that?
The Vocals are top of the ,one brilliant. Can you do a vid from recording to processing so we understand how you arrived at the end result?
Yeah boi!!
Nice work
Seeing on the interwebs that quite a few M1 seem to die when using a USB c charging hubs, any thoughts on that?
I am wondering how long it would take you to mix (and master) a complete track like this from start to finish, and how often/long you take breaks.
This is a great video
Did you use the new microphone on this video, to me it feels like there are a lot more sibilances than usual?
This song and all the adjustments sounds realy nice! #thumbsup
One thing i would (personaly) do, i like the "chiptune" like sequence in the drop, but it fights a bit with the mainlead, try out to duck the chiptune stuff a bit via sidechain when the mainlead plays.
I think it`s about time to finish this song and release it, if not there is the danger that it will kep into a nervernding story. :-)
Kep up the good work!
Fye
Thanks a lot for this revealing video. Aren’t you using Newfangled Audio Elevate like you recommended lately? Or may be only for mastering?
Most of the times. In this case i needed ozone for the stete stuff so I also used the limiter. Doesn’t make a big difference. These are all good limiters
thx for your kind reply 👍
the way you look actually calms me no homo
Wtf
Question: Why do you take out highs from the sides? I thought you want the highs to be wider?
All hat elements where to loud and very stereo so I reduced it. This highly depends on the song. This way I also didn’t cut into the vocal or synth
@@Jonsine QUESTION🙋 hey jon how much true peak will you recommend if i want to send one master for all streaming platforms??!!
SoothEEEE
Will there be a remix contest for this song?
This track sounds incredible man!
QUESTION🙋 hey jon how much true peak will you recommend if i want to send one master for all streaming platforms??!!
-0.1
it would be great if you A/B with the knobs set to extreme settings just to hear what it would sound like if you over did it, otherwise its a bit too subtle to hear
May i ask what interface are you using in this video? The red color looks nice
That’s just a monitor controller by esi called moco but I will replace it soon.
Can you name all the gear you have in your desk ??????? They are just wow !!!!!!!
Where can I send demos to you? :3
This guys studio looks so sick lmao
Sick. The Creme is a bus compressor no? Ive heard bus compressors can be good on vocals. Do you often use the Creme on Vox?
Also, sick track!
I got it just a couple of months ago so I use it on everything to get to know it.
@@Jonsine I heard it in some demo's next to many other HW bus compressors at it sounds like one of the best. Even better that SSL G-Bus.
I'm looking at all your automated hardware and am so jealous. Non automated hardware can be so uninspiring for me.
Where did You get the vocals or whose the singer
Can you do the sidechain mixing on pro L or ozone??
Yes
You don't print your VI tracks to audio before mixing?
Hi Jon :D
Can I ask why you use logic as apposed to ableton?
How is going your fader Contrôler? Is it good? Do someone know the name of it?
Icon Platform M Plus
What is the name of that song and who sings it....plz hlp!!!
Which monitor (PC Screen) is this ?
thats the hardest setup room ive ever seen
Interesting tips there. Less is more often.
Everytime you tap on the table or your gear the camera audio catches low freq boom sound... please check, thx ☺️
I know. Need to engage the low cut on the mic 🎤
No, you need to fix the problem itself, use a high quality boom arm or place the mic stand on foam.
It is interesting that if you sum your mix to mono, the demo and the final mix sound the same. It seems like all you did was add side channel info to the mix that disappears when summed to mono.
You sound like such a noob. Mixing in mono is to ensure there are no clashing frequencies, and to ensure everything is in it's own sonic space... the GOAL is to make a mono mix sound as good as the stereo mix, because most people's stereo mix sounds like crap in mono and they just say "well yea, because mono sucks" or "who cares, that's OLD, nobody listens in mono today anyways", while missing the whole point of it.
What monitor is he using?
Dear Jon,
I noticed you do not use Eve audio for your new Studio. Last time I remember, you were a BeliEVEr ... What has changed?. Anything technical you would like to share? .
PS: i became a BeliEVEr, watching your video.
"I really guess they made reason because photographic memory may last a couple of funny movies nights... Sounds here is me touching the cold kitchen, sure..."
You know the Schwerkraftmaschine doesn't do parallel anything, the mix knob is just a ratio knob.
The manual says: mixes the compressed with the uncompressed signal by actually lowering the ratio. So yeah not really parallel but mixing the dry to the compressed.
@@Jonsine Exactly. Unfortunately lowering the ratio is not mixing in the dry signal, just lowering the compression effect, and if you go low enough you get the same result as just having a dry signal, but it's not actually mixing anything, and doesn't enable you to mix a slammed signal with the dry... which is a bit lame considering they call it a mix knob, and go around saying you can do parallel.
@@Rareos yeah it's strange thanks for pointing it out will do a test today to see how it actually behaves
0:05 sup drake? didn't know you teach tutorials
Even his tutorial seems likevlog😆😁😁
U just received a like for introducing G U L L F O S S :)
jon at @4:00, in the ozone imager, you have to actualy turn it on with the button "stereotize"... click on it to turn it blue (activated).
People often dnt realise this or dnt know i see many even pros do this mistake i wonder why
Thats not true. Stereorize is for use classic methods (hass effect is one example) for making a mono file sound "stereo", you dont need to activate It with stereo input.
I really like Jons studio but from an ergonomic standpoint, his workspace is not really „wrist and neck“ friendly. Nice video nonetheless.
That mouse pad is actually super ergonomic for the wrist
@@shavi_za6342 I agree! But not his desk. That angle is not healthy for his wrists. It‘s not a natural position. That‘s why you shouldn‘t use the clip thing underneath the keyboard to angle it. At least that‘s what I learned at the ergonomics seminar we had at work lol.
hi sir i see your video and i want say you are very perfect and i love your tools wow....sir how can i talk to you? again i said wow
Tip to everyone who maybe has to mix on headphones: Sonarworks Reference
huuuuuge +1 on this. it is so important
Whats Your Thought About Linux Music Production ?? Anyone using Using Linux for their Music Production other than me
I think you're pretty much on your own. How did you end up there?
@@maus3454 windows is quite a bit slow to me and when I used Linux I liked the smoothness and I loved and it is bit tough while setup but after that it was great and the plugin that I used in Windows are slower than my windows emulator that I used to run my plugins
Yah, music making, mixing and Mastering is a lot of work and attention to detail. Nothing new but thanks for the reminder
8:30 Ohne Namen Like me xD
Was mir immer wieder auffällt, auch bei deinen Tracks, ist, dass gerade im elektronischen Musikbereich, die Vocals sehr oft, einfach kalt und steril klingen. Akkustisch und technisch alles richtig gesungen, aber es kommt einfach keine Emotion dabei rüber. Emotionen wie Verzweiflung usw, kommen gar nicht rüber. So fällt es mir schwer, eine Bindung zu den Song zu bekommen, auch wenn ich ihn technisch mag weil man eben nicht fühlt, was im Songtext beschrieben wird, man leidet nicht mit usw. Das find ich immer schade.
Einfache Antwort: kommerzielle Massenware, die so klingen soll wie andere derzeit angesagte Massenware. Musikalische Kunst findest du woanders - auch in diesem Genre 👍
@@jensbuchholtz7880 Naja, Massenware würde ich bei Jon nicht sagen, was die Vocals betrifft. Er holt sich ja nicht irgendwelche Vocals von Splice oder so, sondern lässt das ja von professionellen Sängerinnen extra für sich, spezifisch für diesen einen Song singen. Das sind dann eher Einzelanfertigungen in dem Fall aber auch da, das gleiche Problem, dass sie emotionslos sind.
@@theflavourist1985 ja, aus den teuer eingekauft Vocals wird dann durch übertriebene Bearbeitung das Individuelle leider wieder entfernt. Aber das ist der Zeitgeist dieser Musik. Kommt bestimmt auch wieder anders, wenn die Leute den immer selben Sound nicht mehr ertragen. Wie eh und je ☺️
Absoluter quatsch! Wie wir sagen: jeder hat eine Meinung und das ist Deine. Die Vocals hier, insbesondere im Vers sind Hammer klar, gritting und sauber eingebettet.
@@hubertprieger1766 Das meine ich ja auch. Wie gesagt, technisch und musikalisch alles richtig gemacht aber eben emotionslos.
Bro your setup is really good mind blowing I wish I had even one of your converters I'm a Jamaican and poor I only have a personus studio 68 I wish you give me your focusrite clarette from your old setup I'd be joyfully glad
I started with almost nothing. Just check out m first videos.
Not sure if you have a professional mastering engineer but I’d love to master your music. I’ve created a pretty good outboard chain that is giving me amazing results. Maybe you could hear it and give me your feedback at the very least. Peace.
First!
I like the music you do and the way you go forward. Mastering on the other hand you should leave for a professional mastering engineer! The overall sound could be better. Trying to do everything by yourself is like shooting your own leg. There are people who do it and then there are people who shouldn't do it. All the best
His mixing space gives me anxiety
"Soothe" = One syllable. Like the world "Prove" - To soothe something is to ease its pain
I know I still do it wrong every time