5 Techniques for More Interesting Lines
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- čas přidán 14. 06. 2024
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Video by Astrid Asmundsson
Cecil Alexander is an Assistant Professor of Guitar at Berklee College of Music and is now joining the Jazz Lesson Videos Team as a Jazz Gym Trainer! A few of Cecil's accolades include: Finalist in the 2019 Herbie Hancock Institute of Jazz International Guitar Competition, 1st Place Winner of the 2017 Wilson Center Jazz Guitar Competition, 1st Place Winner 2018 Lee Ritenour Six String Theory Competition. Cecil has recorded/performed with Bill Charlap, Antonio Hart, Lee Pearson, Luis Perdomo, Nathan East, and Steve LaSpina.
#Jazz #Guitar #Improvisation
Use code "CA5" for $5 OFF Instant Download of Cecil Alexander's "56 Hip Licks" PDF Package!
www.jazzlessonvideos.com/downloads
Mentorship Program - Weekly interactive masterclasses and unlimited re-streaming access with some of the finest names in jazz! Sign Up: www.jazzlessonvideos.com/mentorship
Sign up to work with Cecil through the Jazz Gym.
www.jazzlessonvideos.com/thejazzgym
I’m in my 50’s. Have watched online lessons since the internet was created. You are a GREAT teacher. You condense a large volume of relevant information in a short period of time- while expressed in the simplest terms possible. That was Einstein’s definition of genius. Bravo!!!
This method of teaching helps those of us that are "visually and hearing impaired" when it comes to guitar. I really prefer this detailed analysis and visual approach. I feel like I'm not left guessing trying to listen(which I do but just don't trust my ears) or watch every finger movement. Thanks.
thanks so much for watching and for the kind comment!
Thanks Cecil,your sound and ideas are fresh and exciting.
This is gold, Cecil😊
Just outstanding videos and content 👍🎸 best to you man, really grateful to have found this channel!
Thanks so much for watching! Subscribe to the channel for more videos like this coming soon!
Cecil's videos are the best! Endless useful information in each and every video
Thanks so much for watching! Subscribe to the channel for more videos like this coming soon!
You are great man love your style
Maaaan..you sharing vital info! Thanks
Great stuff once again from Cecil Alexander ! By the way, are videos included like previous packages ? Awesome contribution for jazz guitar player's worldwide community, much appreciated, thank you !
hi bro , thank you again for your wonderful jazz lessons ...really appreciate it
Thanks so much for watching! Subscribe to the channel for more videos like this coming soon!
Great lesson, thanks.
Thanks so much for watching! Subscribe to the channel for more videos like this coming soon!
That strat sounds ace 👍😎
Your content is top notch!
Thanks so much for watching! Subscribe to the channel for more videos like this coming soon!
Awesome melodic flavorful imelodic vocabulary, thanks for sharing
Thanks so much for watching! Subscribe to the channel for more videos like this coming soon!
Muito bom!!!
Hello Cecil, Great lessons. Do you break down all of the licks in this book this way? and if not can purchase the licks with the breakdown?
Very good 🎸🎸👋👏👏👏👏👏
thanks for watching!
dude. just stumbled on your vids. looove your incredible playing brother. also 1:56 love that fiesta red (63?) strat….i have the fender cs landau version-similar. but mine doesnt “play” like yours! what maker is it?
anyhow, just learned about 1235 cells in my own lessons but thats cool to take it thru the scale. 🙏
Very Cooll!!!! Thanks 🤩 The third line play at tempo was slightly different when demonstrated playing slow. I kind of liked it better at the fast example.
great
Thanks for watching Franck!
is this just a strat custom shop? What pickups?
The concept of forward motion is one I hear a lot of people taking about, I think I have a vague idea of what it really means, any help to clear the matter?
This is fantastic work. How would you describe the difference between a “chromatic approach” and an “enclosure”.
Hi Phil, thanks for watching! Generally we describe a chromatic approach as approaching the target note from either above or below. We describe an enclosure as being a group of 2 or more notes leading to a target note from both above and below. Hope that helps and feel free to dive deeper with this video playlist: czcams.com/play/PLVZDXJ3ua9DkU95lk4uOlU3kIrIX6Ajmt.html
@@jazzlessonvideos fantastic! That was my understanding as well. Would you also be able to classify the chromatic approach's (3:27) in measure's 1 & 2 as enclosures then? or is there a subtlety that I am missing?
So these are nice lessons, but PLEASE make sure that the tabs match YOUR fingering. The VERY FIRST example here - the TAB does NOT match your fingering. Not cool, this greatly reduces the value of the PDF.
a lot of ways to skin a cat-finger it how is most comfortable for you. it does seem like a strange discrepancy but two different players are going to have very different fingering preferences, so not a big deal imo
@@edrdavenport78 of course fingering is personal, but if you are going to have a particular artist SELLING lessons (a very reasonable thing), and demonstrating how to play something, and you are going to provide TAB, it's just incompetent to not have the TAB match what the artist is demonstrating.
wow