Benjamin Britten - The Turn of the Screw, Act 1 (Schwetzinger Festspiele, 1990)

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  • čas přidán 27. 09. 2019
  • From the Schwetzingen Festival, Germany (1990)
    Opera in a prologue and two acts, libretto by Myfanway Piper, based on the novel by Henry James with German prologue
    Go to act2: • Benjamin Britten - The...
    Full opera: bit.ly/2mkykuX
    Helen Field - Governess
    Sam Linay - Miles
    Machiko Obata - Flora
    Menai Davies - Mrs. Grose
    Richard Graeger - Quint, prologue
    Phyllis Cannan - Miss Jessel, former Governess
    Steuart Bedford - conductor
    Subscribe to EuroArts: goo.gl/jrui3M
  • Hudba

Komentáře • 34

  • @robintranter6530
    @robintranter6530 Před 3 měsíci +2

    Few modern Operas continue to be performed long after their premiers, Brittens are an exception. Many consider this one of BBs greatest Operas, he certainly demonstrates his brilliance writing for voices and instruments.

  • @user-vz4fy8uw9y
    @user-vz4fy8uw9y Před rokem +4

    Special thanks to the singers for trying to pronounce the words as carefully as possible. But I wish there were subtitles.

  • @bastienbaracco4784
    @bastienbaracco4784 Před měsícem

    8:09 - Prologue
    11:07 - Theme
    12:05 - Scene 1
    14:34 - Variation 1
    15:05 - Scene 2
    18:32 - Variation 2
    19:14 - Scene 3
    22:10 - Variation 3
    23:38 - Scene 4
    27:13 - Variation 4
    27:38 - Scene 5
    37:02 - Variation 5
    38:02 - Scene 6
    41:43 - Variation 6
    42:57 - Scene 7
    48:30 - Variation 7
    49:51 - Scene 8

  • @beachguyla
    @beachguyla Před 2 lety +5

    I turn this up loud and everyone complains. No idea why.

  • @MixerTWS
    @MixerTWS Před 4 lety +2

    Is there any time frame on when (or if) Act 2 will be posted? There's a link to click on for Act 2 but the link leads to a page with a "Video unavailable. This video is private" message.

    • @MixerTWS
      @MixerTWS Před 4 lety +3

      Never Mind! Act 2 has arrived after a brief 7-day delay. Thanks, Euroarts! I look forward to watching them tonight.

  • @domcvn9636
    @domcvn9636 Před 3 lety +2

    38:00

  • @TazerGlen
    @TazerGlen Před 2 lety +31

    Anyone else here because of Jacob Collier?

    • @nohaylamujer
      @nohaylamujer Před 2 lety +10

      Nope. Mostly for Benjamin Britten

    • @fredericchopin7538
      @fredericchopin7538 Před rokem +1

      Who is Jacob Collier?

    • @eboone
      @eboone Před rokem

      lol

    • @AydarAkhmady
      @AydarAkhmady Před rokem +1

      oh did he talk about this opera? would you please share the link? I'd love to know his opinion. I love this opera very much. orchestration, texture, harmony, themes, everything is so fascinating about it!

    • @1avio
      @1avio Před 3 měsíci

      me

  • @pascualgilbert6172
    @pascualgilbert6172 Před 4 lety +2

    voilá une oeuvre peu banale, tout est original, un prologue, un récitatif, et une orchestration dépouillée

  • @pega17pl
    @pega17pl Před 4 lety +1

    Eine furchtbare Oper. Für Scfhwetzingen - dem Festival der Musik-Masochisten oder auch Festival für moderne Musik - hervorragend geeignet. - Heinz

    • @JimTLonW6
      @JimTLonW6 Před 4 lety +1

      Haha! I had to get it translated, but I would sooner have a tooth filled without anasthetic than listen to this for 20 minutes.

    • @pega17pl
      @pega17pl Před 4 lety +1

      @@JimTLonW6 - New kind of listening? Offered by Schwetzingen or offered by dentists? Very Brave! :D - Heinz

    • @alexeigoukov1109
      @alexeigoukov1109 Před 4 lety +2

      "Für [...] dem" ist ein hervorragendes Beispiel der Nichtbeherrschung der eigenen Muttersprache.
      Über den Inhalt der Aussage braucht man bei der Form gar nicht mehr zu diskutieren.

    • @pega17pl
      @pega17pl Před 4 lety

      @@alexeigoukov1109 - Ja, Herr gescheiterter - weil ohne Aussicht auf Beförderung - Oberstudienrat...

    • @alexeigoukov1109
      @alexeigoukov1109 Před 4 lety

      @@pega17pl Den Oberstudienrat können Sie sich sparen. Die Pauschalverunglimpfung des Publikums der Schwetzinger Festspiele als "Musik-Masochisten" spricht Bände über ihre Selbstgerechtigkeit und ihre musikalische Inkompetenz.