J.Gay/B.Britten:"The Beggar's Opera" - act 1 (BBC 1963)

Sdílet
Vložit
  • čas přidán 20. 11. 2013
  • Benjamin Britten (22 novembre 1913, 100 anni dalla nascita)
    The Beggar: Roger Jerome
    Peachum: David Kelly
    Filch: Bernard Dickerson
    Mrs. Peachum: Anna Pollak
    Polly Peachum: Janet Baker
    Macheath: Kenneth McKellar
    Lockit: Bryan Drake
    Lucy Lockit: Heather Harper
    English Chamber Orchestra
    dir.Meredith Davies
    Director: Charles R.Rogers
    recorderd 31 october 1963
  • Hudba

Komentáře • 27

  • @treesny
    @treesny Před 2 měsíci

    This is a (shortened) television adaptation of the then-current English Opera Group production. It was filmed (I believe) very, very quickly, with no time for retakes. Keep in mind that the stage action and performances were conceived and scaled for sizeable auditoriums, unlike (say) Jonathan Miller's made-for-TV version with Roger Daltry and Patricia Routledge. Most importantly, the Stage Director was Colin Graham ("Charles P. Rogers" was presumably the director for TV), who was an important part of Britten's theatrical world for many years -- he directed the world premieres of many of the later operas, including Death in Venice. Makeshift as this studio version inevitably is, we are fortunate to have a record of so many wonderful singers in this piece!

  • @onehotxfirefighter
    @onehotxfirefighter Před 4 lety +12

    Fabulous to see and hear Kenneth McKellar.

  • @MartinRosol
    @MartinRosol Před 4 lety +19

    How wonderful to see a young Janet Baker (Polly).

    • @treesny
      @treesny Před 2 měsíci

      I agree 100%! 🙂

  • @barryelk1788
    @barryelk1788 Před 3 lety +4

    Thank you

  • @Leo-wt1zf
    @Leo-wt1zf Před 3 lety +4

    Yo yo yo richtig krass geworden kann man Baba drauf freestylen ya selame

  • @massicksobeckranch8609
    @massicksobeckranch8609 Před 5 lety +32

    Assassin's Creed III

  • @esraaydin1841
    @esraaydin1841 Před 7 měsíci

    23:12

  • @mandyogilvie686
    @mandyogilvie686 Před 2 lety +2

    309 like

  • @hunnygeep99
    @hunnygeep99 Před 2 měsíci

    26:54

  • @charlesross9260
    @charlesross9260 Před 6 měsíci

    It's Gilbert and Sullivan with murderers, thieves, and whores. Throw in Janet Baker, Heather Harper, Kenneth McKellar, a great supporting cast, and a classic BBC production makes this my favorite version. Thanks for everything on your channel GBopera.

  • @fellow8085
    @fellow8085 Před 4 lety +17

    This is not the full script of the play. If you're viewing this for anything other than pleasure, look elsewhere.

  • @polska181
    @polska181 Před 5 lety

    +hi

  • @ahmedmohamed-ke4gq
    @ahmedmohamed-ke4gq Před 2 lety

    ماشي ياعم هيثم انت ومسرحياتك دي

  • @Tocsin-Bang
    @Tocsin-Bang Před 4 lety +4

    I've never been a fan of Britten, but this is awful. Britten has ruined the whole thing musically. The original is far better. As to listening for pleasure that is not possible. As to production, it is dreadful. Messy with totally pointless "business".

    • @rossmerchant8435
      @rossmerchant8435 Před 2 lety +1

      There is no "original." Only a vocal score with base accompaniments has survived, so you would have heard a different orchestration of that done by someone other than Britten or Gay

    • @richardduployen6429
      @richardduployen6429 Před 5 měsíci

      It has been reconstructed. The first recording I heard with the original TENOR Macheath was with William McAlpine. It was arranged and the overture composed by a German: Dr. Pepusch. The latest reconstruction is by the Broadside Ballads. One flaw: the hero drops his excellent cockney accent when singing. Not believable. @@rossmerchant8435

    • @treesny
      @treesny Před 5 měsíci

      Quite right. Many of us first heard The Beggar's Opera in the version by Frederic Austin, a huge hit from1920 on, which presents a rather prettied-up 18th century both musically and verbally (in Peachum's first song, the word "trull" replaces "whore"). Britten's version, made for the newly-formed English Opera Group in 1948, is of a piece with his other music of the period and of his eyebrow-raising "realizations" of English folk songs, harmonically and otherwise. You can love it or hate iy, but it has a definite character all its own, and the way Britten makes a "real" opera out of patchwork sequences like Macheath's prison soliloquy in Act III is fantastic. Final note: Bertolt Brecht & Kurt Weill's Die Dreigroschenoper (The Threepenny Opera) was intended as a 200th anniversary production (1928) of Gay's original, though in the event Weill took over only one of the original's tunes -- again, Mr. Peachum's first song. @@rossmerchant8435