Raga Basant | Vidushi Dr. Ashwini Bhide Deshpande | Mori Aayi Ritu Basant | Live at Bologna, Italy

Blissful rendition of Raga Basant by Dr. Ashwini Bhide Deshpande gives the vibes of the Basant(Spring) season.
Ashwinitaai went to Bologna for two music concerts as part of an initiative called Suoni dal Mondo (Sounds from the world) organised by the Drama and Performing Arts department of Bologna university (DAMS), in collaboration with Indian Council of Cultural Relations.
This is one of her performance in that concert.
______________________________________________________
Raga: Raga Basant
Taal: Ektaal(Madhyalay)
Composition: Mori Aayi Ritu Basant
Composer: Aman Ali Khan (Amar)
Vocalist: Vidushi Dr. Ashwini Bhide Deshpande
Style: Jaipur-Atrauli Gharana
Vocal Support: Saili Oak
Tabla: Pt. Vishwanath Shirodkar
Harmonium: Smt. Seema Shirodkar
______________________________________________________
📝Lyrics:
मोरी आयी रीतु बसंत,
सब सखियन फाग रचायी,
नर-नारी मिल गरवा लागी ॥
सुगन बिचारो रे बमना,
कब आये मोरे मंदर,
अमर पिया तोहे सांई ॥
______________________________________________________
About Artists:
Dr. Ashwini Bhide-Deshpande:
Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai.
Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati and Patiala gharanas, she has created her own musical style. She holds a strong command over the three primary saptaks.
______________________________________________________

[@Swaralankar]

Lyrics for composition are in description.
Like👍
Share📲
Subscribe🔔
📬 Any suggestions are welcomed. 🙏❤

[@DKMKartha108]

मोरी आयी रीतु बसंत,
सब सखियन फाग रचायी,
नर-नारी मिल गरवा लागी ॥
सुगन बिचारो रे बमना,
कब आये मोरे मंदर,
अमर पिया तोहे सांई ॥

[@gayanathnavaratne]

🙏❤️🙏

[@aartivakharia6739]

Adbhoot adbhoot adbhoot...

[@haricharankarmakar4743]

Darun

[@vijaypatil5901]

I saw Tai with Swarmandal very first time..... ❤️

[@ashuaryan298]

Actually 🖤✨

[@harekrishna3047]

Spectacular, yet again!
Glory to God! Radhe Krishna!

[@harekrishna3047]

Plz also see Ashwiniji's Basant with Phagwa Brij Dekhan about our Lord for the vilambit.
It is beyond fabulous. Radhe Govind!

[@vinaylele871]

Wow .... mesmerising ...

[@vijaykakade5571]

Great singing..... Salute

[@shashankkulkarni993]

fantastic. amazing.

[@tanmayakaushik]

Your research is very helpful
Good job with the description
Keep it up

[@assyrianbull]

Amazing! Sad that such a difficult but a beautiful rendition has an abysmal number of views.

[@geetikavardequreshi1536]

How true...!

[@gururajkulkarni2616]

Heere ko khojna padta hai.